Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 3 (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

December 10, 2018, 8:50 pm

≫ Next: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 6 (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

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Netherlands Radio Philharmonic Orchestra,Jaap van Zweden – Anton Bruckner: Symphony No. 3 (2013)
DSF Stereo DSD128/5.64 MHz | Time – 59:33 minutes | 4,69 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | © Challenge Records

Bruckner – Symphony no. 3 Anton Bruckner meticulously noted it in his calendar: autumn 1872, first rejection of the performance of the Third Symphony in Vienna; autumn 1875, second rejection; September 27, 1877, third rejection. Thanks to the efforts of his good friend Johann (von Ritter) Herbeck (who had conducted the premiere of Schubert’s “Unfinished” Symphony), Vienna’s Gesellschaft der Musikfreunde decided to programme the work on December 16, 1877, the second concert in the Gesellschaft series. Herbeck was to conduct the Vienna Philharmonic for the occasion in the “Golden Hall” of Vienna’s Musikverein. On October 28, however, Herbeck unexpectedly died, putting the premiere in doubt. That same evening, Bruckner sought the support of the influential Reichstag delegate and later Bruckner biographer August Gllerich, a close friend of Nikolaus Dumba, the Gesellschaft’s president. His efforts paid off, and the performance of the Third Symphony was saved. Alas, no conductor could be found who wanted to perform the work, so Bruckner, who was not used to leading an orchestra, took on the — to his mind, thankless — task. The results were predictable. Already in the rehearsals, things started going wrong. The orchestra’s musicians showed scant respect for the poor composer. They sabotaged the proceedings by intentionally playing out of tune and weaving odd notes and ornaments into the music. They stubbornly refused to repeat certain phrases and repeatedly laughed at Bruckner to his face. The great composer was the helpless conductor who baptized one of the most impressive compositions in music history in an exceedingly unpleasant atmosphere created largely by notorious troublemakers. Aside from the unfortunate rehearsals, other aspects of the concert were unfavourable for Bruckner: before the intermission, Joseph Hellmesberger conducted a programme that, to put it mildly, was excessively long: Beethoven’s Egmont Overture and the Violin Concerto in D minor by Louis Spohr followed multiple arias from Mozart’s Le nozze di Figaro and Peter von Winter’s Das unterbrochene Opernfest (already largely forgotten). Were that not enough, there was Beethoven’s Meeresstille und glu?ckliche Fahrt before Bruckner could present the Third Symphony.

Tracklist:

01 – Symphony No. 3 in D minor, WAB 103- I. Gemigt, mehr bewegt, misterioso
02 – Symphony No. 3 in D minor, WAB 103- II. Andante- Bewegt, feierlich, quasi Adiago
03 – Symphony No. 3 in D minor, WAB 103- III. Scherzo- Ziemlich schnell
04 – Symphony No. 3 in D minor, WAB 103- IV. Finale- Allegro

Download:

mqs.link_CC72551BrucknerSymphnyN.3RFJaapvanZweden2013DSD128.part1.rar
mqs.link_CC72551BrucknerSymphnyN.3RFJaapvanZweden2013DSD128.part2.rar
mqs.link_CC72551BrucknerSymphnyN.3RFJaapvanZweden2013DSD128.part3.rar
mqs.link_CC72551BrucknerSymphnyN.3RFJaapvanZweden2013DSD128.part4.rar
mqs.link_CC72551BrucknerSymphnyN.3RFJaapvanZweden2013DSD128.part5.rar

FLAC 24-96

↧

Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 6 (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

December 10, 2018, 8:53 pm

≫ Next: Netherlands Radio Chamber Philharmonic, Michael Schonwandt – Schumann: Symphonic Works (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

≪ Previous: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 3 (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 6 (2013)
DSF Stereo DSD128/5.64 MHz | Time – 57:14 minutes | 4,51 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | © Challenge Records

In the early days of the symphonies history, there was nothing like the meticulousness of our approach to Bruckner’s work. On February 26, 1899, Gustav Mahler gave in Vienna the first performance of the Sixth, in his own version, in which he substantially reworked both the instrumentation and notes and showed no aversion to sweeping cuts. The first printed score of Bruckner’s Sixth appeared in the summer of 1899, however it deviated greatly from the original work. Largely responsible for this was Josef Schalk (1857-1900), a highly respected conductor in Vienna and an early Bruckner admirer (Bruckner often referred to him as “Herr Generalissimus”). Did Bruckner ever hear his “keckste” composition performed? That cannot be answered with any certainty.
We know that during a concert in Vienna on February 11, 1883, the Vienna Philharmonic performed only the Adagio and Scherzo, conducted by Wilhelm Jahn, but the composer possibly heard the complete symphony during the rehearsals — or perhaps in or around October 1882 during the orchestra’s

Tracklist:

01 – Symphony No. 6 in A major, WAB 106- I. Majestoso
02 – Symphony No. 6 in A major, WAB 106- II. Adagio- Sehr feierlich
03 – Symphony No. 6 in A major, WAB 106- III. Scherzo- Nicht schnell – Trio. Langsam
04 – Symphony No. 6 in A major, WAB 106- IV. Finale- Bewegt, doch nicht zu schnell

Download:

mqs.link_CC72552BrucknerSymphnyN.6RFJaapvanZweden2013DSD128.part1.rar
mqs.link_CC72552BrucknerSymphnyN.6RFJaapvanZweden2013DSD128.part2.rar
mqs.link_CC72552BrucknerSymphnyN.6RFJaapvanZweden2013DSD128.part3.rar
mqs.link_CC72552BrucknerSymphnyN.6RFJaapvanZweden2013DSD128.part4.rar
mqs.link_CC72552BrucknerSymphnyN.6RFJaapvanZweden2013DSD128.part5.rar

FLAC 24-96

↧

Netherlands Radio Chamber Philharmonic, Michael Schonwandt – Schumann: Symphonic Works (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

December 10, 2018, 8:54 pm

≫ Next: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 1 (2015) [nativeDSDmusic DSF DSD128/5.64MHz]

≪ Previous: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 6 (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

Netherlands Radio Chamber Philharmonic, Michael Schonwandt – Schumann: Symphonic Works (2013)
DSF Stereo DSD128/5.64 MHz | Time – 02:25:23 minutes | 11,4 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | © Challenge Records

Robert Schumann’s four symphonies are undoubtedly highlights of the symphonic repertoire and are a true challenge for any orchestra. The numbering of the symphonies produces a degree of confusion — the Symphony in D minor from 1841 was fundamentally revised by Schumann in 1851 and was then given number 4. The recording on this Album is a reconstruction of the original version and is in fact Schumann’s ‘Second’. It is remarkable to see how fast Schumann could work. He maintained a detailed and accurate administration of his activities. This means we know that as soon as he had an idea he was often able to write down a piano sketch in a few days, which was then instrumented during a very short period of time. The piano versions were often performed on piano by his wife Clara Schumann before a critical circle of friends at home. His direct involvement with the orchestral world in Leipzig, where his friend Felix Mendelssohn was in charge, and later in Dusseldorf — where he himself was Stdtischer Musikdirektor — meant that once his symphonies were orchestrated they could be programmed and performed immediately. Compared with our modern days this was an incredible enterprise — nobody was familiar with this complicated music and it was played from manuscripts. The works had not been published yet and every part was copied by hand!

Tracklist:

1-01 – Symphony No. 1 in B-Flat Major, Op. 38 ‘Spring’- I. Andante un poco maestoso Allegro molto vivace
1-02 – Symphony No. 1 in B-Flat Major, Op. 38 ‘Spring’- II. Larghetto
1-03 – Symphony No. 1 in B-Flat Major, Op. 38 ‘Spring’- III. Scherzo- Molto vivace Trio I Molto piu vivace Trio II
1-04 – Symphony No. 1 in B-Flat Major, Op. 38 ‘Spring’- IV. Allegro animato e grazioso
1-05 – Symphony No. 2 in C Major, Op. 61- I. Sostenuto assai Allegro, ma non troppo
1-06 – Symphony No. 2 in C Major, Op. 61- II. Scherzo- Allegro vivace
1-07 – Symphony No. 2 in C Major, Op. 61- III. Adagio espressivo
1-08 – Symphony No. 2 in C Major, Op. 61- IV. Allegro molto vivace
1-09 – Fuge ber den Namen BACH, Op. 60 No. 6
2-01 – Symphony No. 3 in E-Flat Major, Op. 97 ‘Rhenish’- I. Lebhaft
2-02 – Symphony No. 3 in E-Flat Major, Op. 97 ‘Rhenish’- II. Scherzo- Sehr mig
2-03 – Symphony No. 3 in E-Flat Major, Op. 97 ‘Rhenish’- III. Nicht schnell
2-04 – Symphony No. 3 in E-Flat Major, Op. 97 ‘Rhenish’- IV. Feierlich
2-05 – Symphony No. 3 in E-Flat Major, Op. 97 ‘Rhenish’- V. Lebhaft
2-06 – Symphony No. 4 in D Minor, Op. 120- I. Andante con moto Allegro di molto
2-07 – Symphony No. 4 in D Minor, Op. 120- II. Romanza- Andante
2-08 – Symphony No. 4 in D Minor, Op. 120- III. Scherzo- Presto
2-09 – Symphony No. 4 in D Minor, Op. 120- IV. Largo – Finale- Allegro vivace
2-10 – Symphony in G Minor, WoO 29 ‘Zwickau’- I. Moderato allegro
2-11 – Symphony in G Minor, WoO 29 ‘Zwickau’- II. Andantino quasi allegretto – Intermezzo quasi scherzo-

Download:

↧

Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 1 (2015) [nativeDSDmusic DSF DSD128/5.64MHz]

December 10, 2018, 8:56 pm

≫ Next: Arno Piters, Members Of The Royal Concertgebouw Orchestra – Brahms, Schumann: Strings attached (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

≪ Previous: Netherlands Radio Chamber Philharmonic, Michael Schonwandt – Schumann: Symphonic Works (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 1 (2015)
DSF Stereo DSD128/5.64 MHz | Time – 51:20 minutes | 4,05 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | © Challenge Records

Anton Bruckner, born in the Austrian village of Ansfelden on 4 September 1824, first worked as assistant schoolmaster at an unsightly school in an equally unsightly hamlet not far away called Windhaag, near Linz. When he took his last breath on 11 October 1896 as one of the greatest composers Austria ever produced, in a tiny chamber (Kustodenstckl) of the Viennese palace of Belvedere that had kindly been placed at his disposal by the imperial court, the finale of his Ninth Symphony was well under way but still unfinished. Although the rapid advance of industrialisation has made great incursions here and there on the Upper Austrian landscape, and although the ravages of time have eaten away at the integrity of Bruckner’s Lebensraum, there are still more than enough sites to be found which could certainly have formed a backdrop to his early symphonies. In that sense, listening to the First Symphony is a trip of discovery through Bruckner’s countryside, within the triangle formed by Ansfelden (birthplace), St. Florian (with its famous Stift, where Bruckner, first as a choirboy and later as a mature musician, found the much-needed distance from the workaday world to play the extremely beautiful organ) and lastly Linz, with its majestic Cathedral, where Bruckner held the not inconsiderable post of organist until 1868. The powerful organ tones, with their unsuspected force, would be heard like glorious sound pillars in his symphonic epos.

Tracklist:

01 – Symphony No. 1 in C minor, WAB 101- I. Allegro
02 – Symphony No. 1 in C minor, WAB 101- II. Adagio
03 – Symphony No. 1 in C minor, WAB 101- III. Scherzo. Schnell Trio. Langsamer
04 – Symphony No. 1 in C minor, WAB 101- IV. Finale- Bewegt, feurig

Download:

mqs.link_CC72556BrucknerSymphnyN.1RFJaapvanZweden2015DSD128.part1.rar
mqs.link_CC72556BrucknerSymphnyN.1RFJaapvanZweden2015DSD128.part2.rar
mqs.link_CC72556BrucknerSymphnyN.1RFJaapvanZweden2015DSD128.part3.rar
mqs.link_CC72556BrucknerSymphnyN.1RFJaapvanZweden2015DSD128.part4.rar
mqs.link_CC72556BrucknerSymphnyN.1RFJaapvanZweden2015DSD128.part5.rar

FLAC 24-96

↧

Arno Piters, Members Of The Royal Concertgebouw Orchestra – Brahms, Schumann: Strings attached (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

December 10, 2018, 8:57 pm

≫ Next: Netherlands Radio Philharmonic Orchestra, James Gaffigan – Prokofiev: Symphonies Nos. 3 & 4 (first version) (2015) [nativeDSDmusic DSF DSD128/5.64MHz]

≪ Previous: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden – Anton Bruckner: Symphony No. 1 (2015) [nativeDSDmusic DSF DSD128/5.64MHz]

Arno Piters, Members Of The Royal Concertgebouw Orchestra – Brahms, Schumann: Strings attached (2013)
DSF Stereo DSD128/5.64 MHz | Time – 01:52:16 minutes | 5,22 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | © Challenge Records

People have been making arrangements of music for many centuries. This can take a variety of forms, from arranging existing melodies into partsong versions such as chorales or folk tunes to writing elaborate compositions based on a specific theme. Another common type of arrangement is writing for a different instrumentation than the original. Composers of today and yesteryear have adapted or “improved”, more or less drastically, their own compositions or those of other composers.

Until around the mid-eighteenth century adaptation was felt to be on a par with an original composition. Bach, for example, did not consider it beneath himself to adapt works of colleagues such as Vivaldi and Telemann for his own use. But with the rise of the genius cult in the mideighteenth century, arrangements of music began to decline in status. Even so, significant composers such as Mozart and Beethoven eagerly threw themselves into making new adaptations. Beethoven primarily arranged his own work for different instrumentations, making for more ways of performing it, but he also wrote arrangements for string quartets of parts of the Well-tempered Clavier; Mozart, too, wrote similar adaptations. Then and later, Bach’s music continued to be in demand as material for arrangers: both Mendelssohn and Schumann composed complete piano accompaniments to his music for solo violin and solo cello, and Mendelssohn modernised the instrumentation of the St. Matthew Passion to suit the taste of the period. But nineteenthcentury composers also frequently made arrangements of their own work. Schumann, for example, transformed his original Symphony No. 2 into Symphony No. 4. A widely known example is Bruckner’s propensity to revise his own works, which would later make authenticity a problem. And Mahler thought nothing of refreshing the instrumentation of symphonies by Beethoven and more particularly Schumann, a custom that was considered completely acceptable in that day and age. In time though, the “improvements” made by Rimsky-Korsakow to the music of his colleague Moussorgski acquired a bad name.

Tracklist:

01 – Clarinet Sonata No. 1 in F minor, Op. 120.1- I. Allegro appassionato
02 – Clarinet Sonata No. 1 in F minor, Op. 120.1- II. Andante un poco Adagio
03 – Clarinet Sonata No. 1 in F minor, Op. 120.1- III. Allegretto grazioso
04 – Clarinet Sonata No. 1 in F minor, Op. 120.1- IV. Vivace
05 – Fantasiestcke Op. 73- I. Zart und mit Ausdruck
06 – Fantasiestcke Op. 73- II. Lebhaft, leicht
07 – Fantasiestcke Op. 73- III. Rasch und mit Feuer
08 – Clarinet Sonata No. 2 in E-flat major, Op. 120.2- I. Allegro amabile
09 – Clarinet Sonata No. 2 in E-flat major, Op. 120.2- II. Allegro appasionato
10 – Clarinet Sonata No. 2 in E-flat major, Op. 120.2- III. Andante con moto, Allegro

Download:

mqs.link_CC72572BrahmsSchumannStringsattachedArnPitersMembersfRC2013DSD128.part1.rar
mqs.link_CC72572BrahmsSchumannStringsattachedArnPitersMembersfRC2013DSD128.part2.rar
mqs.link_CC72572BrahmsSchumannStringsattachedArnPitersMembersfRC2013DSD128.part3.rar
mqs.link_CC72572BrahmsSchumannStringsattachedArnPitersMembersfRC2013DSD128.part4.rar
mqs.link_CC72572BrahmsSchumannStringsattachedArnPitersMembersfRC2013DSD128.part5.rar
mqs.link_CC72572BrahmsSchumannStringsattachedArnPitersMembersfRC2013DSD128.part6.rar

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Netherlands Radio Philharmonic Orchestra, James Gaffigan – Prokofiev: Symphonies Nos. 3 & 4 (first version) (2015) [nativeDSDmusic DSF DSD128/5.64MHz]

December 10, 2018, 8:59 pm

≫ Next: ClariS – Fairy Party [FLAC 24bit/96kHz]

≪ Previous: Arno Piters, Members Of The Royal Concertgebouw Orchestra – Brahms, Schumann: Strings attached (2013) [nativeDSDmusic DSF DSD128/5.64MHz]

Netherlands Radio Philharmonic Orchestra, James Gaffigan – Prokofiev: Symphonies Nos. 3 & 4 (first version) (2015)
DSF Stereo DSD128/5.64 MHz | Time – 38:21 minutes | 4,54 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | © Challenge Records

Sergei Prokofiev has a large reputation, although many of his works are seldom heard. The reason for this is that his music has a certain image, one created to some extent by the composer himself and one from which he found it difficult in later years to distance himself, no matter how hard he tried. One might summarise this image as that of a poker-faced comedian. Compositions that confirm this impression, such as the Classical Symphony, the Third Piano Concerto and some of his early piano works are amongst his best-known works.
He shows a different side in his works for voice; a side that is clearly close to his heart, since even though most of his operas enjoyed little in the way of success during his lifetime, he wrote at least eight of them, with lyricism to the fore and a tendency for declamation and unpredictable forms. The less popular of these include L’Ange de feu, based on the 1907 novel by the writer Bryusov, setting a 16th century tale of the passionate young girl Renata, who becomes obsessed by the devil. She vacillates between fascination and rejection. She can neither circumvent nor defy her own sorcery and is ultimately condemned to death. Prokofiev worked on this piece almost throughout the 1920s. When he realised that a performance was unlikely at the time, and because he was unaccustomed to leaving his musical inventions unperformed, he rearranged the material from the opera into a new symphony, his Third.

Tracklist:

01 – Symphony No. 3 in C minor, Op. 44- I. Moderato
02 – Symphony No. 3 in C minor, Op. 44- II. Andante
03 – Symphony No. 3 in C minor, Op. 44- III. Allegro agitato
04 – Symphony No. 3 in C minor, Op. 44- IV. Andante mosso
05 – Symphony No. 4 in C major, Op. 47- I. Andante assai Allegro eroico
06 – Symphony No. 4 in C major, Op. 47- II. Andante tranquillo
07 – Symphony No. 4 in C major, Op. 47- III. Moderato, quasi Allegretto
08 – Symphony No. 4 in C major, Op. 47- IV. Allegro risoluto Moderato Coda

Download:

mqs.link_CC72584PrkfievSymphniesNs.34RFJamesGaffigan2015DSD128.part1.rar
mqs.link_CC72584PrkfievSymphniesNs.34RFJamesGaffigan2015DSD128.part2.rar
mqs.link_CC72584PrkfievSymphniesNs.34RFJamesGaffigan2015DSD128.part3.rar
mqs.link_CC72584PrkfievSymphniesNs.34RFJamesGaffigan2015DSD128.part4.rar
mqs.link_CC72584PrkfievSymphniesNs.34RFJamesGaffigan2015DSD128.part5.rar

DSD64

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ClariS – Fairy Party [FLAC 24bit/96kHz]

December 10, 2018, 11:32 pm

≫ Next: CTI 50th Anniversary Special Collection (2017) [FLAC 24bit/192kHz]

≪ Previous: Netherlands Radio Philharmonic Orchestra, James Gaffigan – Prokofiev: Symphonies Nos. 3 & 4 (first version) (2015) [nativeDSDmusic DSF DSD128/5.64MHz]

レーベル Sony Music Labels Inc.
配信開始日 2018.11.21
収録曲数全14曲
収録時間 51:32
サイズ合計 1.7GB
販売データハイレゾ｜FLAC｜96.0kHz/24bit

https://mora.jp/package/43000001/4547366385830/

TVアニメ『エロマンガ先生』オープニングテーマ「ヒトリゴト」、TVアニメ『終物語』主題歌「SHIORI」、TVアニメ『BEATLESS』エンディングテーマ「PRIMALove」、TVアニメ『はたらく細胞』エンディングテーマ「CheerS」といった人気アニメタイアップ曲を収録し、進化し続けるClariSサウンドを詰め込んだ約2年ぶりのオリジナルアルバム!

収録曲

1. Overture (00:58)
2. 1/f (03:45)
3. ヒトリゴト (03:52)
4. SHIORI (04:08)
5. CheerS (04:00)
6. 陽だまり (04:14)
7. distance (03:57)
8. パラレルワープ (04:26)
9. Last Squall (04:43)
10. TRAVEL (04:42)
11. PRIMALove (04:15)
12. Time Tunnel (00:48)
13. シニカルサスペンス (04:12)
14. Fairy Party (03:33)

Total length: 51:33

Download:

mqs.link_ClariSFairyParty2018HiRes.part1.rar
mqs.link_ClariSFairyParty2018HiRes.part2.rar

↧

CTI 50th Anniversary Special Collection (2017) [FLAC 24bit/192kHz]

December 11, 2018, 5:58 am

≫ Next: Stabil Elite – Spumante (2016) [FLAC 24bit/44,1kHz]

≪ Previous: ClariS – Fairy Party [FLAC 24bit/96kHz]

,J-

2017.12.6 Release
1967年、プロデューサーのクリード・テイラーが、A&Mレーベルで“CTI”（Creed Taylor Issue)というプロジェクトを立ち上げ、その後1970年にテイラーは独立して自身のレーベル“CTI”(Creed Taylor Inc.)を設立する。そしてジャズにR&B、ポップス、クラシック、ブラジル音楽など様々な音楽の要素を融合させたサウンドを展開し、それまでのジャズの“枠”を超越したアプローチで、今日“フュージョン”と呼ばれる音楽の基本スタイルを作り上げて、ジャズという音楽の可能性を大きく広げていった。さらに1971年には、よりR&B色の強い兄弟レーベル“Kudu”を設立して、その音楽性はさらに広がっていった。今年2017年は、最初のCTIの設立から50周年となる。そこでCTI/Kuduの名作の中から、通好みのレアな、だが内容の濃い作品が再リリースされる。今聴いても新鮮で、創造力溢れる作品たちだ。CTIの音楽は、今なお輝きを放ち続けている。

http://www.e-onkyo.com/search/search.aspx?label=CTI
http://cnt.kingrecords.co.jp/jazz_others/release/cti50th.html

CTI Records (Creed Taylor Incorporated) is a jazz record label founded in 1967 by Creed Taylor. CTI was a subsidiary of A&M before becoming independent in 1970. Its first album was A Day in the Life by guitarist Wes Montgomery in 1967 Its roster included George Benson, Ron Carter, Eumir Deodato, Astrud Gilberto, Freddie Hubbard, Bob James, Antonio Carlos Jobim, Hubert Laws, Stanley Turrentine, and Walter Wanderley,

Kudu Records was started in 1971 and concentrated on soul jazz with albums by Joe Beck, Hank Crawford, Grant Green, Idris Muhammad, Esther Phillips, Johnny “Hammond” Smith, Lonnie Smith, and Grover Washington Jr.

Salvation Records was a subsidiary label which released 10 albums during its existence, including music by Airto, Roland Hanna, Faith Howard, New York Jazz Quartet, Johnny “Hammond” Smith, and Gábor Szabó

Greenestreet, which (released albums by Jack Wilkins, Claudio Roditi, Les McCann) and Three Brothers (with albums by The Clams, Lou Christie, Duke Jones, and Cassandra Morgan) were short-lived labels affiliated with CTI.

Don Sebesky created many of the arrangements for CTI and its subsidiary labels. He was later joined by Bob James and David Matthews in the mid-1970s. Taylor used Van Gelder Studios in Englewood Cliffs, New Jersey, with Rudy Van Gelder engineering nearly all sessions until the later years of the label. Sessions included Ron Carter, Eric Gale, Herbie Hancock, Bob James, Richard Tee, Billy Cobham, Jack DeJohnette, Steve Gadd, Idris Muhammad, and Harvey Mason.

CTI was commercially successful with certain albums well-received by critics. CTI’s best-selling album was Deodato’s Prelude, which reached No. 3 on the US Billboard albums chart in 1973. A single from the album, “Also Sprach Zarathustra (2001)”, peaked at No. 2 on the US Billboard Hot 100 and No. 7 in the UK. Other successful singles were Bob James’ “Feel Like Making Love” and “Westchester Lady”, Idris Muhammad’s “Could Heaven Ever Be Like This”, and Esther Phillips’ “What a Diff’rence a Day Makes”, a disco hit.

Successful album releases included Grover Washington, Jr.’s Mister Magic and Feels So Good (both reaching No. 10 in 1975), Esther Phillips’ What a Diff’rence a Day Makes (reaching No. 32 in 1975), and Bob James’ BJ4 (reaching No. 38 in 1977).

Taylor founded Impulse! and worked for Verve where he earned the reputation as a respected producer of jazz albums. His productions for CTI during the 1990s shared a warm ambiance that helped to establish smooth jazz as a commercially viable musical genre. CTI also became known for its striking album sleeve designs, most of them with images by photographer Pete Turner.[2][3]

In 1978, CTI filed for bankruptcy, but the label remained active until 1984, releasing studio albums by Ray Barretto, Urszula Dudziak, Jim Hall, Roland Hanna, Nina Simone, and the all-star studio band Fuse One

Taylor restructured CTI in 1989, resuming his partnership with Van Gelder and Turner in June 1989 when recording the all-star session for Rhythmstick, an ambitious album released on vinyl, CD, VHS, and LaserDisc in 1990. Many young musicians were signed to the label, such as Charles Fambrough, Jim Beard, Ted Rosenthal, Bill O’Connell, Donald Harrison, Steve Laury, and Jurgen Friedrich, as well as veteran guitarist Larry Coryell, who teamed with arranger Don Sebesky on the best-selling Fallen Angel album, which reached No. 18 in the Billboard Top Contemporary Jazz Albums Chart in 1993.[4]

CTI’s post-A&M Records catalog (albums released between 1970 and 1979) is owned by Sony and distributed by Masterworks Jazz in the U.S. King Records handles the rights for exclusive distribution in Japan. Grover Washington, Jr.’s Kudu albums have been re-issued by Motown and its MoJazz imprint but are part of Universal Classics & Jazz. Bob James owns the four albums he recorded four CTI. Seawind also owns their back catalog of CTI releases. CTI’s A&M-subsidiary releases are distributed by Verve, a division of Universal Music Group.

In 2009, Taylor produced a reissue series of twenty CTI titles remastered by Van Gelder for release on SHM-CD format in Japan. New liner notes were provided by Ira Gitler, Arnaldo DeSouteiro, and Doug Payne. Other reissue series came out in December 2013 (including forty titles released on Blu-spec CD format) and in December 2017 with more forty titles on the CTI 50th Anniversary Collection.

The complete list:

CTI 2017 – DECEMBER 06, 40 titles
CTI・オールスターズ・カリフォルニア・コンサート

George Benson: Space (KICJ 2575)
George Benson: Pacific Fire (KICJ 2576)
George Benson: Beyond The Blue Horizon (KICJ 2577)
George Benson & Joe Farrell: Benson & Farrell (KICJ 2578)
Hubert Laws: Afro-Classic (KICJ 2590)
Hubert Laws: In The Beginning (KICJ 2591)
Hubert Laws: Carnegie Hall (KICJ 2592)
Hubert Laws: The San Franncisco Concert (KICJ 2593)
Hubert Laws: Morning Star (KICJ 2594)
Paul Desmond: Pure Desmond (KICJ 2596)
David Matthews: Shoogie Wanna Boogie (KICJ 2580)
Deodato/Airto: In Concert (KICJ 2581)
Freddie Hubbard & Stanley Turrentine: In Concert Vol. 1 (KICJ 2582)
Freddie Hubbard & Stanley Turrentine: In Concert Vol. 2 (KICJ 2583)
Roland Hanna: Gershwin Carmichael Cats (KICJ 2599)
CTI All Stars: California Concert (KICJ 2561)
CTI All Stars: CTI Summer Jazz At Hollywood Bowl (KICJ 2563)
Art Farmer/Joe Henderson: Yama (KICJ 2565)
Idris Muhammad: Boogie To The Top (KICJ 2566)
Esther Phillips: Alone Again (KICJ 2567)
Esther Phillips: Capricorn Princess (KICJ 2568)
Esther Phillips: Performance (KICJ 2569)
Esther Philips: Black Eyed Blues (KICJ 2570)
Gabor Szabo: Rambler (KICJ 2571)
Milt Jackson: Goodbye (KICJ 2597)
Gerry Mulligan & Chet Baker: Carnegie Hall Concert (KICJ 2572)
Chet Baker, Jim Hall & Hubert Laws: Studio Trieste (KICJ 2573)
Freddie Hubbard: Straight Life (KICJ 2595)
Yusef Lateef: Autophysiopsychic (KICJ 2598)
Joe Farrell: Canned Funk (KICJ 2574)
Patti Austin: Live At The Botton Line (KICJ 2584)
Hank Crawford: We Got A Good Thing Going (KICJ 2585)
Hank Crawford: Cajun Sunrise (KICJ 2586)
Hank Crawford: Don’t You Worry ‘Bout A Thing (KICJ 2587)
Hank Crawford: Help Me Make It Through The Night (KICJ 2588)
Hank Crawford: Hank Crawford’s Back (KICJ 2589)
Johnny Hammond: Wild Horses Rock Steady (KICJ 2579)
Ron Carter: Yellow & Green (KICJ 2600)
Ron Carter: Anything Goes (KICJ 2601)
Ron Carter: Blues Farm (KICJ 2602)

4988003513917 KICJ2561 CTI オールスターズ CTI･オールスターズ･カリフォルニア･コンサート
4988003513924 KICJ2563 CTI オールスターズ CTI･オールスターズ･ライブアット･ザ･ハリウッド･ボウル
4988003513931 KICJ2565 アート・ファーマーヤマ
4988003513948 KICJ2566 アイドリス・ムハマッドブギー･トゥ･ザ･トップ
4988003513955 KICJ2567 エスター・フィリップスアローン･アゲイン
4988003513962 KICJ2568 エスター・フィリップスキャプリコーン･プリンセス
4988003513979 KICJ2569 エスター・フィリップスパフォーマンス
4988003513986 KICJ2570 エスター・フィリップスブラック･アイド･ブルース
4988003513993 KICJ2571 ガボール・ザボ放浪者
4988003514006 KICJ2572 ジェリー・マリガンカーネギー･ホール･コンサート
4988003514013 KICJ2573 ジム・ホールスタジオ･トリエステ
4988003514020 KICJ2574 ジョー・ファレルキャンド･ファンク
4988003514037 KICJ2575 ジョージ・ベンソンスペース／ライヴ
4988003514044 KICJ2576 ジョージ・ベンソンパシフィック･ファイアー
4988003514051 KICJ2577 ジョージ・ベンソンビヨンド･ザ･ブルー･ホライゾン
4988003514068 KICJ2578 ジョージ・ベンソンベンソン＆ファレル
4988003514075 KICJ2579 ジョニー・ハモンド・スミスワイルド･ホース･ロック･ステディ
4988003514082 KICJ2580 デビッド・マシューズシューギー･ワナ･ブギー
4988003514099 KICJ2581 エウミール・デオダートイン･コンサート
4988003514105 KICJ2582 ハービー・ハンコックイン･コンサート Vol. 1
4988003514112 KICJ2583 ハービー・ハンコックイン･コンサート Vol. 2
4988003514129 KICJ2584 パティ・オースティンライブ･アット･ザ･ボトム･ライン
4988003514136 KICJ2585 ハンク・クロフォードウィー･ガッタ･グッド･シング･ゴーイング
4988003514143 KICJ2586 ハンク・クロフォードケイジャン･サンライズ
4988003514150 KICJ2587 ハンク・クロフォードドント･ユー･ウォーリー･バウト･ア･シング
4988003514167 KICJ2588 ハンク・クロフォードヘルプ･ミー･メイク･イット･スルー･ザ･ナイト
4988003514174 KICJ2589 ハンク・クロフォード別れたくないのに
4988003514181 KICJ2590 ヒューバート・ロウズアフロ･クラシック
4988003514198 KICJ2591 ヒューバート・ロウズイン･ザ･ビギニング
4988003514204 KICJ2592 ヒューバート・ロウズカーネギー･ホール
4988003514211 KICJ2593 ヒューバート・ロウズシェエラザード
4988003514228 KICJ2594 ヒューバート・ロウズモーニング･スター
4988003514235 KICJ2595 フレディ・ハバードストレート･ライフ
4988003514242 KICJ2596 ポール・デスモンドピュア･デスモンド
4988003514259 KICJ2597 ミルト・ジャクソングッドバイ
4988003514266 KICJ2598 ユセフ・ラティーフオートフィジオサイキック
4988003514273 KICJ2599 ローランド・ハナガーシュイン＝カーマイケル＝キャッツ
4988003514280 KICJ2600 ロン・カーターイエロー＆グリーン
4988003514297 KICJ2601 ロン・カーターエニシング･ゴーズ
4988003514303 KICJ2602 ロン・カーターブルース･ファーム

Download:

↧

Stabil Elite – Spumante (2016) [FLAC 24bit/44,1kHz]

December 12, 2018, 5:42 am

≫ Next: Stanley Myers – Otley – Music from the Film Score (1968/2018) [FLAC 24bit/192kHz]

≪ Previous: CTI 50th Anniversary Special Collection (2017) [FLAC 24bit/192kHz]

In the last years, STABIL ELITE from Düsseldorf have created a cosmos of driving bass lines, danceable rhythms, floating pads and shimmering electric guitars. Using repetitive lyrics with double meanings, analogue synths and icy cold clackering computers, Lucas Croon, Nikolai Szymanski and Martin Sonnensberger revive Krautrock and the avant-garde moments of the German New Wave. They combine glamor and emotion and cosmic transcendence, which is well aware of its musical heritage, yet does not seem overly reflective for even a second. One can immediately hear where this stylish band comes from. Just think of that city Düsseldorf on the Rhine, which has become a work of art in itself, and its electronic musical history, which has significantly influenced many styles, from hip-hop to techno.

Tracklist:
01. Fairlight CA
02. Alles Wird Gut
03. Tief Im Westen
04. Spumante
05. 4D
06. Steppe
07. Zeitzonen
08. Mellow
09. Jugend Ohne Gott
10. Formula
11. <3
12. Pool
13. Welt Hinter Glas
14. Embargo

Download:

mqs.link_StabilEliteSpumante20162444.1.rar

↧

Stanley Myers – Otley – Music from the Film Score (1968/2018) [FLAC 24bit/192kHz]

December 12, 2018, 5:43 am

≫ Next: Steve Tibbetts – A Man About A Horse (2002/2018) [FLAC 24bit/44,1kHz]

≪ Previous: Stabil Elite – Spumante (2016) [FLAC 24bit/44,1kHz]

Stanley Myers, who got his start in television with such series as Z-Cars and Doctor Who, was a fairly prolific and highly versatile composer who could score gentle classic moods as easily as rousing action sequences. He is perhaps best known for his music for The Deer Hunter, particularly the moving “Cavatina” (which has been repeatedly covered), but he is also notable for scoring a series of films directed by Nicholas Roeg, with the score album for Insignificance being very much in demand since its release.

Stanley Myers has a very unique way of scoring a movie (see ‘Kaleidescope’ for example). Otley is no exception. The album is a mix of instrumental tracks in an uptempo 1960s easy-pop style, baroque strings, dialogue and vocal numbers. One for lovers of easy listening, Sound Gallery-style music, and strange soundtracks.

Tracklist:
01. Homeless Bones
02. Mock-Baroque
03. Fuzz
04. Mock-Baroque-Rock
05. Persian-Version
06. Tell Her You Love Her (Instrumental)
07. Tell Her You Love Her (Vocal)
08. The Pete Murray Late Late Late Show
09. Music to Pass Your Driving Test To
10. Sauna-Corner (I’ve Just Got to Get a Message to You)
11. The Good, The Bad and the Simply Disgusting
12. The Return of Gerald Authur Otley

Download:

mqs.link_StanleyMyerstleyMusicfrmtheFilmScre1968201824192.part1.rar
mqs.link_StanleyMyerstleyMusicfrmtheFilmScre1968201824192.part2.rar

↧

Steve Tibbetts – A Man About A Horse (2002/2018) [FLAC 24bit/44,1kHz]

December 12, 2018, 5:45 am

≫ Next: Tanukichan – Sundays (2018) [FLAC 24bit/96kHz]

≪ Previous: Stanley Myers – Otley – Music from the Film Score (1968/2018) [FLAC 24bit/192kHz]

Eight years separate 1993’s The Fall Of Us All and A Man About A Horse, during which time Steve Tibbetts met with an accident that required him to have surgery on his right hand. Before the procedure, the story goes, the reclusive Minnesotan laid down all the guitar parts for A Man About A Horse in his home studio, thus leaving a skeleton as solid as his was uncertain. This apocryphal information matters little, however, once “Lupra” reaches its hands, zombie-like, from the soil. The tap of tabla and twang of acoustic guitar engage in intimate conversation, seeming to diagram hitherto unheard regions of the guitarist’s postmodern terrains. The continental drift of his sound is as tectonically aware as ever: sparkling, sure, and ceremonially poignant like the flames on the album’s cover. This teetering session indeed holds on its kindling shoulders a giant cauldron, in which the listener becomes like the fabled frog, unaware of the lethal heat flowering around him. Spirits beckon from behind the beams of the “Red Temple,” wherein slumber the relics of a nameless saint: the faintest sliver of fingernail, a baby’s-breath of hair…each the element of an alchemy that can only be taught through sound. “Black Temple” magnifies the possibility of transformation by polishing its sole crucible to an ember’s glow. Whether in the earthen percussion or transcendent sustains, echoes of The Fall Of Us All permeate every decorated wall, if in a more contemplative mode.

The ambience intensifies in “Burning Temple,” neither exploding nor imploding but shining like a distant sun in search of a planet. The weight of feet sifting through the crumble leaves tracks and trails, and it is over these Tibbetts and his band trace their peace-bringing hands. The scene is crystal clear, as the title of “Glass Everywhere” would seem to imply. The destruction wrought upon the site is internal, and it is along this emotional landscape that the herds of the musicians’ imagination run like the buffalo. The search for reasons continues, forever one step behind the answers. But there is no charity anywhere in the world to mend the damage done. Rather, the music itself becomes the mechanism by which this assemblage coheres into offering. By now, the heat has become so strong that our little frog legs can no longer kick for all the shock. The raw becomes the cooked: a point of no return.

A way out reveals itself in the twisted metal of “Lochana,” in which an electric guitar cries with all the ache of the prairie. A glass eye in the face of “Chandoha” acts as telescope into the private fears that lurk in the backdrop. The air abounds with fragrance, the guitar a match touched to incense. All of which presses “Koshala” into a diamond of such finality that it’s all Tibbetts can do to keep up with its fluttering heart. The delicacy of tabla and sweeping accents of guitar paint an adobe-hued theory of existence at large. With the very landscape as its brush, it emotes in global self-portraits of light. Here emerges a lone sojourner, one who ranges like the Gunslinger of Stephen King’s Dark Tower, unaware of the tangled web of bodies in which he is destined to be enmeshed. And really, destination is something we can always count on in the Tibbetts experience, for we are there the moment we take our first step.

Tracklist:
01. Lupra
02. Red Temple
03. Black Temple
04. Burning Temple
05. Glass Everywhere
06. Lochana
07. Chandoha
08. Koshala

Personnel:
Steve Tibbetts – guitars, percussion
Marc Anderson – percussion
Marcus Wise – percussion
Jim Anton – bass

Download:

mqs.link_SteveTibbettsAManAbutAHrseRemastered200220182444.1.rar

↧

Tanukichan – Sundays (2018) [FLAC 24bit/96kHz]

December 12, 2018, 5:46 am

≫ Next: Tasavallan Presidentti – Milky Way Moses (1974/2018) [FLAC 24bit/96kHz]

≪ Previous: Steve Tibbetts – A Man About A Horse (2002/2018) [FLAC 24bit/44,1kHz]

“Sundays” is the debut full length from Oakland-based Tanukichan, aka multi-instrumentalist Hannah van Loon. At surface level, the album sounds just how the title describes: hazy, dreamy, reflective, just like a lazy Sunday afternoon. Upon second and third listens, the dreamy music unveils a deeper world: an ever present sense of longing, an endless state of summer and a period of instability that plagues us all at one point or another in our lives.

Raised in San Francisco, van Loon started out making classical, bluegrass and jazz music as well as playing in numerous bands in the area before deciding to make something more personal. What started with a few unfocused demos, with van Loon playing all the instruments herself in her house, became a studio experience and viable collection of music after her friend Anthony Ferraro of Astronauts, Etc. introduced her to Company Records founder Chaz Bear (Toro Y Moi, Les Sins). After collaborating on her 2016 EP “Radiolove,” van Loon and Bear set out to make a much more sonically cohesive release, with both the producer and artist playing all the instruments on the record. The result is a slice of dream pop that could only come from the combination of the laid back atmosphere of California and the nostalgic and often difficult memories that are generally associated with coming of age.

To van Loon, the tracks of “Sundays” are a form of contemplation and approaching life’s issues from a different and less complicated perspective. “Sometimes for me, it feels easier to write songs about things than to talk. A lot of things in life are layered and paradoxical, but with songs it always seems simpler.”

Opening track “Lazy Love” sets the stage, sonically and lyrically, for the rest of the album, combining vulnerable lyrics with gorgeous, fuzzy tones. Above pummeling synths and guitar tones, van Loon sings “you know I’d do anything/don’t you know I try my best/if I could wake up when the sun is rising” showing the album’s constant theme of balancing always wanting to be the best person you can be, while also feeling a low level joy at letting life play out as it wants to. “Natural” is a track that feels perfect for a road trip, a track that hums away with a driving beat, culminating in the sheer excitement of finally having a night alone with someone you’ve loved for a while, among many highs and lows: “a window too bright/it’s natural sunlight/grey fades to white lie/kiss you tonight/it’s natural delight/help me feel right.” The tracks collectively address a deep rooted sense of yearning for someone, something new, while also feeling content with your life; a realization that maybe the places you’ve always belonged aren’t where you should be anymore, that suddenly you might be looking for something completely different.

“I settled on the name ‘Sundays’ as the title of the record because it encapsulated how the record felt to me,“ van Loon says. “I was thinking about the laziness, and dreamy clarity that you can feel after a late night, waking up having to face the world with a new perspective.” “Sundays” encapsulates this feeling, a nostalgic way of looking at the world, waking up feeling like a slightly different person than before, looking back on life, not sure if you can tackle what’s next, but doing your best, day in and day out.

Tracklist:
01. Lazy Love
02. The Best
03. Like the Sun
04. Bitter Medicine
05. Hunned Bandz
06. Natural
07. The Blue Sky
08. Sundays
09. Perfect
10. This Time

Download:

mqs.link_TanukichanSundays20182496.rar

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Tasavallan Presidentti – Milky Way Moses (1974/2018) [FLAC 24bit/96kHz]

December 12, 2018, 5:47 am

≫ Next: Tennessee Guitars – The Guitar Stylings of Those Nashville Cats (1967/2018) [FLAC 24bit/192kHz]

≪ Previous: Tanukichan – Sundays (2018) [FLAC 24bit/96kHz]

This was in the time the few Finnish discs that were released not only in Finland but also in the UK and the USA and at least in Sakasha and Canadas. The record was recorded in London’s DeLane Lea Studio in August-September 1973, but was released due to various delays only in the spring of 1974.

Tracklist:
01. Milky Way Moses
02. Caught from the Air
03. Jelly
04. Confusing the Issue
05. How Start a Day
06. Piece of Mind

Personnel:
Eero Raittinen – vocals
Jukka Tolonen – guitar, keyboards
Pekka Pöyry – saxophones, flute, pianos
Heikki Virtanen – bass
Vesa Aaltonen – drums, percussion

Download:

mqs.link_TasavallanPresidenttiMilkyWayMses197420182496.rar

↧

Tennessee Guitars – The Guitar Stylings of Those Nashville Cats (1967/2018) [FLAC 24bit/192kHz]

December 12, 2018, 5:48 am

≫ Next: Thad Jones-Mel Lewis Jazz Orchestra – Monday Night (Live At The Village Vanguard) (1968/2018) [FLAC 24bit/192kHz]

≪ Previous: Tasavallan Presidentti – Milky Way Moses (1974/2018) [FLAC 24bit/96kHz]

Nashville Cats showcases the stories and songs from musicians and session singers who have played important roles in country music history.

Tracklist:
01. Third Man Theme
02. Walkin’ the Floor Over You
03. Four Strong Winds
04. Singin’ the Blues
05. Wildwood Flower
06. I Walk the Line
07. Yakety Ax
08. El Paso
09. Sugarfoot Rag
10. Oh Pretty Woman

Download:

mqs.link_TennesseeGuitarsTheGuitarStylingsfThseNashvilleCats201824bitHiRes.rar

↧

Thad Jones-Mel Lewis Jazz Orchestra – Monday Night (Live At The Village Vanguard) (1968/2018) [FLAC 24bit/192kHz]

December 12, 2018, 5:50 am

≫ Next: Thad Jones-Mel Lewis Jazz Orchestra – Presenting Thad Jones-Mel Lewis & The Jazz Orchestra (1966/2018) [FLAC 24bit/96kHz]

≪ Previous: Tennessee Guitars – The Guitar Stylings of Those Nashville Cats (1967/2018) [FLAC 24bit/192kHz]

The Thad Jones-Mel Lewis Orchestra was little more than a year old when this album was recorded live at the Village Vanguard, which was the band’s Monday night home for every week of its existence. Jones almost single-handedly brought the big band into the modern age with this origanization. Swung hard by Mel Lewis’s drums, the band sailed through the complex charges of Jones and Bob Brookmeyer with panache. Soloists include Brookmeyer, Jones, Richard Williams, Jerome Richardson and Joe Farrell. Three bonus tracks have added to the original LP, which has been remixed and mastered in 24-bit.

Tracklist:
01. Mornin’ Reverend
02. Kids Are Pretty People
03. St. Louise Blues
04. The Waltz You “Swang” For Me
05. Say It Softly
06. The Second Race

Personnel:
Thad Jones – flugelhorn
Mel Lewis – drums
Jerry Dodgion – alto saxophone, flute, clarinet
Jerome Richardson – alto and soprano saxophone, flute, clarinet
Pepper Adams – baritone saxophone, clarinet
Richard Davis – double bass
Roland Hanna – piano
Eddy Daniels – tenor saxophone, clarinet
Seldon Powell – tenor saxophone, flute, clarinet
Cliff Heather – trombone
Garnett Brown – trombone
Jimmy Cleveland – trombone
Jimmy Knepper – trombone
Danny Moore – trumpet
Jimmy Notingham – trumpet
Richard Williams – trumpet
Snooky Young – trumpet

Download:

mqs.link_ThadJnesMelLewisJazzrchestraMndayNightLiveAtTheVillageVanguard1968201824192.part1.rar
mqs.link_ThadJnesMelLewisJazzrchestraMndayNightLiveAtTheVillageVanguard1968201824192.part2.rar

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Thad Jones-Mel Lewis Jazz Orchestra – Presenting Thad Jones-Mel Lewis & The Jazz Orchestra (1966/2018) [FLAC 24bit/96kHz]

December 12, 2018, 5:51 am

≫ Next: The Blues Band – The Rooster Crowed (2018) [FLAC 24bit/44,1kHz]

≪ Previous: Thad Jones-Mel Lewis Jazz Orchestra – Monday Night (Live At The Village Vanguard) (1968/2018) [FLAC 24bit/192kHz]

Presenting Thad Jones/Mel Lewis & The Jazz Orchestra is a 1966 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. It is the debut release by the orchestra (although an earlier live session recording would eventually be released as Opening Night). All tracks are also included on Mosaic’s limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.

The track titled “Three in One” is incorrectly labeled on the album cover. The correct title of the piece is “Three and One.” The piece was originally written by Jones for a 1958 small group session titled “Keepin’ Up With The Joneses” with Thad, his two siblings (Hank on piano and Elvin on drums), and bass player Eddie Jones (no relation). The title refers to the three Jones siblings plus one other Jones who is unrelated. The correct title is on the original parts as well as the later published version by Kendor.

Tracklist:
01. Once Around
02. Willow Weep For Me
03. Balanced Scales = Justice
04. Three In One
05. Mean What You Say
06. Don’t Ever Leave Me
07. ABC Blues

Personnel:
Thad Jones – flugelhorn
Mel Lewis – drums
Hank Jones – piano
Richard Davis – double bass
Jerome Richardson – saxophone
Jerry Dodgion – saxophone
Joe Farrell – saxophone
Eddie Daniels – saxophone
Pepper Adams – saxophone
Richard Williams – trumpet
Danny Stiles – trumpet
Bill Berry – trumpet
Jimmy Nottingham – trumpet
Bob Brookmeyer – trombone
Jack Rains – trombone
Tom McIntosh – trombone
Cliff Heather – trombone

Download:

mqs.link_ThadJnesMelLewisJazzrchestraPresentingThadJnesMelLewisTheJazzrchestra196620182496.rar

↧

The Blues Band – The Rooster Crowed (2018) [FLAC 24bit/44,1kHz]

December 12, 2018, 5:52 am

≫ Next: The Interrupters – Fight The Good Fight (2018) [FLAC 24bit/44,1kHz]

≪ Previous: Thad Jones-Mel Lewis Jazz Orchestra – Presenting Thad Jones-Mel Lewis & The Jazz Orchestra (1966/2018) [FLAC 24bit/96kHz]

The Blues Band’s new studio album The Rooster Crowed confirms that the musicians; Paul Jones, Dave Kelly, Tom McGuinness, Gary Fletcher and Rob Townsend, after nearly forty years together, have lost none of their passion, nor expertise for the blues music genre they love. Twelve tracks, nine of them brand new original songs written within the band and three re-arrangements of traditional blues song, recorded over a three day period last year, prove this – just listen!

Tracklist:
01. New Skin Game Blues
02. Peace – Don’t You Worry
03. The Rooster Crowed in Memphis
04. Too Much Competition
05. I Am the Doctor
06. Still a Fool
07. Say You Will
08. Hot Dog
09. Weeping Willow
10. Brother Blues
11. Get Right Church
12. Even Better

Download:

mqs.link_TheBluesBandTheRsterCrwed20182444.1.rar

↧

The Interrupters – Fight The Good Fight (2018) [FLAC 24bit/44,1kHz]

December 12, 2018, 5:53 am

≫ Next: The King Blues – The Gospel Truth (2017) [FLAC 24bit/44,1kHz]

≪ Previous: The Blues Band – The Rooster Crowed (2018) [FLAC 24bit/44,1kHz]

The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.

Tracklist
1 Title Holder
2 So Wrong
3 She’s Kerosene
4 Leap of Faith
5 Got Each Other (feat. Rancid)
6 Broken World
7 Gave You Everything
8 Not Personal
9 Outrage
10 Rumors and Gossip
11 Be Gone
12 Room With a View

Download:

mqs.link_TheInterruptersFighttheGdFight20182444.1.rar

↧

The King Blues – The Gospel Truth (2017) [FLAC 24bit/44,1kHz]

December 12, 2018, 5:54 am

≫ Next: The Milk Carton Kids – All the Things That I Did and All the Things That I Didn’t Do (2018) [FLAC 24bit/96kHz]

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Influenced by the Specials, Public Enemy, and the Clash, London collective the King Blues combine folk-punk, Two-Tone, and dub reggae with overtly political lyrical themes on a sound self-described as “conscious rude boy ska.” The band originally formed as a duo in 2004 before vocalist/ukulele player Jonny “Itch” Fox, and guitarist Jamie Jazz decided to expand their sound, recording with a number of various musicians before settling on the permanent lineup of guitarist Dean Ashton, bassist Kat Marsh, keyboardist Josie Dobson, and drummer Jack “Percusher” Usher. In 2005, they released their debut EP, All Fall Down, which was later followed by their 2006 full-length album, Under the Fog. After signing with Island subsidiary Field Recordings, it was reissued a year later, and following support from influential Radio 1 DJs Zane Lowe and Mike Davies, they scored a couple of minor hits from their follow-up, Save the World, Get the Girl (“Headbutt” and the title track) in 2008. A Live Lounge cover of Dizzee Rascal’s “Bonkers,” which they regularly played in their live set, became their most famous recording, and in 2011, they released their third LP, Punk and Poetry, through indie label Transmission. At the beginning of 2012, the band headed to California to record with producer John Feldmann (The Used, Good Charlotte) for what would become their third album. Releasing a statement in April 2012, the band announced they had decided to go their separate ways, with the album Long Live the Struggle becoming the final chapter of their recorded output.

The Gospel Truth is the fifth studio album from the King Blues and follows their 2012 release Long Live the Struggle. Recorded in London in 2016 and produced by Mike Moore, the album sees the band deliver another collection of ska-infused folk-punk. The single “Heart of a Lion” is included. ~ Rich Wilson

Tracklist:
01. The Truth, The Whole Truth
02. Heart of a Lion
03. Not Another Love Song
04. The Bullingdon Boys
05. New Gods
06. The Truth Comes Out
07. Wish You Weren’t Here
08. America Don’t Want Me Anymore
09. Ghost of Us
10. Getting Better
11. Nike Town
12. You’ve Taken My Spark
13. And Nothing but the Truth

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mqs.link_TheKingBluesTheGspelTruth20172444.1.rar

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The Milk Carton Kids – All the Things That I Did and All the Things That I Didn’t Do (2018) [FLAC 24bit/96kHz]

December 12, 2018, 5:55 am

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The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pat- tengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”

Tracklist:
01. Just Look at Us Now
02. Nothing Is Real
03. Younger Years
04. Mourning in America
05. You Break My Heart
06. Blindness
07. One More for the Road
08. Big Time
09. A Sea of Roses
10. Unwinnable War
11. I’ve Been Loving You
12. All the Things…

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mqs.link_TheMilkCartnKidsAlltheThingsThatIDidandAlltheThingsThatIDidntD20182496.part1.rar
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