MQS Albums Download

Wolfgang Amadeus Mozart – Symphonies Nos.40 & 41 – Philharmonia Orchestra, Otto Klemperer (1963/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 56:52 minutes | 1,16 GB | Genre: Classical
Studio Master, Official Digital Download | Source:HDTracks | @ EMI Classics
Recorded: March 1962 at Kingsway Hall, London

On this masterfully engineered audiophile download, Otto Klemperer, a master of Mozart’s works, leads the Philharmonia Orchestra through engaging interpretations of his most cherished symphonies. Arguably one of the greatest conductors in the world, Klemperer brings excitement and technical control to these familiar compositions. Exuding with brilliance, the performances heard on this album are full and balanced.

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Symphony No, 40 In G Minor, K.550
1 I. Molto allegro 8:41
2 II. Andante 8:56
3 III. Menuetto & Trio 4:14
4 IV. Allegro assai 5:03
Symphony No. 41 In C Major, K.551 ‘Jupiter’
5 I. Allegro vivace 9:17
6 II. Andante cantabile 9:08
7 III. Menuetto (Allegretto) & Trio 4:48
8 IV. Molto allegro 6:45
Personnel:
Philharmonia Orchestra
Otto Klemperer, conductor

Download:

mqs.linkMzartSymphniesNs.4041PhilharmniarchestrattKlemperer19639624.part1.rar
mqs.linkMzartSymphniesNs.4041PhilharmniarchestrattKlemperer19639624.part2.rar

Mozart – Concertos; Haydn – Sinfonia concertante – Arcangelo, Jonathan Cohen (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 57:42 minutes | 1,03 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: hyperion-records | @ Hyperion Records
Recorded: St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom

Mozart’s sublime Oboe Concerto and Bassoon Concerto (he wrote only one of each) are conjured into thrilling life by Arcangelo under the direction of Jonathan Cohen. In the Haydn Sinfonia concertante—written at the very zenith of the composer’s artistic popularity—four soloists combine with the orchestra in a spiral of theatrical competition.

How good to see Haydn’s Sinfonia concertante given star billing. Usually it’s used as a filler, often to a ‘London’ Symphony or two, or jammed on the end of a set of Symphonies Nos 88-92 to round out the discs. Here it’s enterprisingly coupled with two of Mozart’s earlier woodwind concertos on a recording that’s a bit of a winner.
The trouble with treating it as a filler is that it can seem an afterthought, played dutifully by section principals at the end of a long session. It deserves so much more than that, though, and there’s nothing dutiful here, with leading soloists drafted in and the period band Arcangelo on top form. Not only is there fine focus to the oboe and bassoon (the two strings take a while to ‘bed in’ but soon meet the standards set by their woodwind partner, though Alstaedt’s cello doesn’t penetrate the texture as keenly as it might) but every solo line is thoughtfully inflected, as if this were really four solo concertos being played at the same time. You sense the fun they have with the music while never playing fast and loose with the basic pulse. A joy from start to finish.
Mozart’s concertos for oboe and bassoon, while slighter works, are performed with the same devotion and skill. Alfredo Bernardini’s two-key oboe quacks deliciously, while there are plangency and gruffness in equal measure as Peter Whelan exploits the compass of his bassoon (the one instrument whose provenance isn’t identified in the booklet). Otherwise comprehensive notes by Richard Wigmore of this parish provide further gloss on one of the loveliest recent discs of this repertoire. –David Threasher, Gramophone

Tracklist:
Joseph Haydn (1732-1809)
Sinfonia concertante in B flat major Hob I:105
1 Allegro[9’24]
2 Andante[5’01]
3 Allegro con spirito[6’22]

Wolfgang Amadeus Mozart (1756-1791)
Oboe Concerto in C major K314 K271k
4 Allegro aperto[7’09]
5 Adagio non troppo[6’38]
6 Rondo: Allegretto[5’52]

Bassoon Concerto in B flat major K191 K186e
7 Allegro[6’41]
8 Andante ma adagio[6’15]
9 Rondo: Tempo di menuetto[4’20]

Personnel:
Arcangelo
Jonathan Cohen, conductor
Ilya Gringolts, violin
Nicolas Altstaedt, cello
Alfredo Bernardini, oboe
Peter Whelan, bassoon

Download:

mqs.linkMzartCncertsHaydnSinfniacncertanteArcangelJnathanChen20159624.part1.rar
mqs.linkMzartCncertsHaydnSinfniacncertanteArcangelJnathanChen20159624.part2.rar

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 6, 7 & 9 – Glenn Gould (1969/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:49:39 minutes | 463 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | @ Columbia

“Even though ‘shorter is better’ represents my attitude in regard to Mozart generally, I’d have to say that the sonata in D, K. 284, which is probably the longest of the sonatas, is my favorite.” The critics were on the whole benevolent and at most poked fun at some of Gould’s ultra-fast tempos.

Glenn Gould could not have timed his professional entrance to the recording studio any better than with his première recording in 1955. Five years had passed since the lacquer disc medium had been retired and the industry had fully embraced tape recording.
The availability of digital tools for remastering and restoration has never been greater, or more refined. Yet everything starts with the original masters. Columbia Records kept very good archives of session logs, documenting which takes were recorded on which job reel, and to which musical work they belong. Gould often worked with the producer on choosing how the takes would be edited together, marking directly in the score where one take would end and the next would begin. The session reels were assembled into a “master edit reel.” If the master edit reel was mono or stereo, it would go directly to mastering, where the proper EQ (equalization) was applied for generating a “vinyl master.” If the master edit was three-track or higher, a master stereo mix would be made; this might be a generation before the vinyl master, should further vinyl EQ be necessary for LP manufacturing. Thankfully, the archives have preserved previous generations, so today we can ignore the numerous later copies and work with the original master edits.
In the remastering studio, we maintain original analogue Studer A80, A820 and A807 machines for playback of the Gould recordings. Most of these machines are modified by JRF Magnetics in order to ensure perfect reading from the playback head stack. The signal is converted to DSD via Mytek digital converters, all the while being monitored through Bowers & Wilkins Nautilus 802 series speakers (powered by Krell 600 watt amplification). This level of professional playback ensures that we hear exactly what was recorded at the studio without coloration and with greater clarity than even Glenn Gould had heard. The audio is treated in the computer using Cube-Tec restoration tools when needed, tools that allow us to remove such noises as electrical tics, pops, random studio noises, or even electrical buzzing.
Now, in 2015, we have accomplished a project that took more than three years: the analogue (and digital) remastering of Gould’s entire recorded legacy for Columbia. Remastering and restoration is not, however, a process of creating something new, but the art of bringing clarity and enhancement to the original masterpiece. Just as the restoration of the Sistine Chapel brought new life to Michelangelo’s paintings, so we’ve tried to bring new life to Glenn Gould’s recordings.

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
1 Sonata No. 6 in D Major for Piano, K. 284: I. Allegro
2 Sonata No. 6 in D Major for Piano, K. 284: II. Rondeau en Polonaise: Andante
3 Sonata No. 6 in D Major for Piano, K. 284: III. Theme and Variations
4 Sonata No. 7 in C Major for Piano, K. 309: I. Allegro con spirito
5 Sonata No. 7 in C Major for Piano, K. 309: II. Andante un poco Adagio
6 Sonata No. 7 in C Major for Piano, K. 309: III. Rondo: Allegretto grazioso
7 Sonata No. 9 in D Major for Piano, K. 311: I. Allegro con spirito
8 Sonata No. 9 in D Major for Piano, K. 311: II. Andante con espressione
9 Sonata No. 9 in D Major for Piano, K. 311: III. Rondo: Allegro

Personnel:
Glenn Gould, piano

Download:

mqs.link_MzartW.A.PianSnatasNs.679GlennGuld196944.124.rar

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 8, 10, 12 & 13 – Glenn Gould (1972/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:49:47 minutes | 481 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Q0buz | @ Columbia Records/Sony Music Entertainment

“The Sonata [No. 12] K. 332 was the first I began to study, I think, and I simply couldn’t understand how my teachers, and other presumably sane adults of my acquaintance, could count this piece among the great musical treasures of Western man.”

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
1 Sonata No. 8 in A minor for Piano, KV. 310 (300d): I. Allegro maestoso
2 Sonata No. 8 in A minor for Piano, KV. 310 (300d): II. Andante cantabile con espressione
3 Sonata No. 8 in A minor for Piano, KV. 310 (300d): III. Presto
4 Sonata No. 10 in C Major for Piano, KV. 330 (300h): I. Allegro moderato
5 Sonata No. 10 in C Major for Piano, KV. 330 (300h): II. Andante cantabile
6 Sonata No. 10 in C Major for Piano, KV. 330 (300h): III. Allegretto
7 Sonata No. 12 in F Major for Piano, KV. 332 (300k): I. Allegro
8 Sonata No. 12 in F Major for Piano, KV. 332 (300k): II. Adagio
9 Sonata No. 12 in F Major for Piano, KV. 332 (300k): III. Allegro assai
10 Sonata No. 13 in B-flat Major for Piano, KV. 333 (315c): I. {Allegro
11 Sonata No. 13 in B-flat Major for Piano, KV. 333 (315c): II. {Andante cantabile
12 Sonata No. 13 in B-flat Major for Piano, KV. 333 (315c): III. {Allegretto grazioso

Personnel:
Glenn Gould, piano

Download:

mqs.link_MzartW.A.PianSnatasNs.8101213GlennGuld197244.124.rar

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 11, 15 & 16, Fantasia – Glenn Gould (1973/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:47:33 minutes | 432 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Q0buz | @ Columbia

No Gould recording received a more solid thrashing than his reading of the A-major Sonata, K. 331: “The most loathsome record ever made!”—“It all conjures up an image of a tremendously precocious but very nasty little boy trying to put one over on his piano teacher.”—“It is very difficult to see what Gould is out to prove, unless the rumor that he actually hates this music is true.”

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Piano Sonata No. 11 in A Major, K. 331
1. I. Tema. Andante grazioso 08:00
2. II. Menuetto – Trio 06:38
3. III. Alla Turca – Allegretto 04:03
Piano Sonata No. 16 in C Major, K. 545
4. I. Allegro 01:51
5. II. Andante 02:19
6. III. Rondo. Allegretto 01:35
7. Fantasia in D Minor for Piano, K. 397 (385g): Andante 08:21
Piano Sonata No. 15 in F Major, K. 533
8. I. Allegro 04:20
9. II. Andante 05:21
10. III. Rondo – Allegretto, K. 494 04:46

Personnel:
Glenn Gould, piano

Download:

mqs.link_MzartW.A.PianSnatasNs.111516FantasiaGlennGuld197344.124.rar

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 14, 17 & 18; Fantasia – Glenn Gould (1975/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:58:10 minutes | 533 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Q0buz | @ Columbia Records/Sony Music Entertainment

The availability of digital tools for remastering and restoration has never been greater, or more refined. Yet everything starts with the original masters. Columbia Records kept very good archives of session logs, documenting which takes were recorded on which job reel, and to which musical work they belong. Gould often worked with the producer on choosing how the takes would be edited together, marking directly in the score where one take would end and the next would begin. The session reels were assembled into a “master edit reel.” If the master edit reel was mono or stereo, it would go directly to mastering, where the proper EQ (equalization) was applied for generating a “vinyl master.” If the master edit was three-track or higher, a master stereo mix would be made; this might be a generation before the vinyl master, should further vinyl EQ be necessary for LP manufacturing. Thankfully, the archives have preserved previous generations, so today we can ignore the numerous later copies and work with the original master edits.
In the remastering studio, we maintain original analogue Studer A80, A820 and A807 machines for playback of the Gould recordings. Most of these machines are modified by JRF Magnetics in order to ensure perfect reading from the playback head stack. The signal is converted to DSD via Mytek digital converters, all the while being monitored through Bowers & Wilkins Nautilus 802 series speakers (powered by Krell 600 watt amplification). This level of professional playback ensures that we hear exactly what was recorded at the studio without coloration and with greater clarity than even Glenn Gould had heard. The audio is treated in the computer using Cube-Tec restoration tools when needed, tools that allow us to remove such noises as electrical tics, pops, random studio noises, or even electrical buzzing.
Now, in 2015, we have accomplished a project that took more than three years: the analogue (and digital) remastering of Gould’s entire recorded legacy for Columbia. Remastering and restoration is not, however, a process of creating something new, but the art of bringing clarity and enhancement to the original masterpiece. Just as the restoration of the Sistine Chapel brought new life to Michelangelo’s paintings, so we’ve tried to bring new life to Glenn Gould’s recordings.

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
1 Fantasia in C Minor for Piano, K. 475: Adagio 15:05
Piano Sonata No. 14 in C Minor, K. 457
2 I. Allegro 4:17
3 II. Adagio 12:10
4 III. Molto allegro 4:58
Piano Sonata No. 17 in B-Flat Major, K. 570
5 I. Allegro 3:39
6 II. Adagio 4:20
7 III. Allegretto 2:40
Piano Sonata No. 18 in D Major, K. 576
8 I. Allegro 3:12
9 II. Adagio 3:48
10 III. Allegretto 4:01

Personnel:
Glenn Gould, piano

Download:

mqs.link_MzartW.A.PianSnatasNs.141718FantasiaGlennGuld197544.124.rar

Mozart, W.A.; Schoenberg, A. – Piano Concertos – Glenn Gould, CBC Symphony Orchestra, Walter Susskind, Robert Craft (1962/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:51:26 minutes | 521 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Q0buz | @ Columbia Records/Sony Music Entertainment

The very combination of these two concertos was willful, still more Gould’s playing of Mozart, with its extra embellishments and even new counter-melodies in the piano part. What seemed revolutionary at the time has become a matter of course in today’s age of “historical performance practice.” In contrast, the Schoenberg Concerto sounded, in Gould’s hands, almost as familiar as Mozart …

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Concerto for Piano and Orchestra No. 24 in C Minor, K.491
1. I. Allegro 14:30
2. II. Larghetto 08:18
3. III. Allegretto 09:05
Arnold Schoenberg (1874-1951)
Concerto for Piano and Orchestra, Op. 42
4. I. Andante 04:50
5. II. Molto allegro 02:28
6. III. Adagio 06:47
7. IV. Giocoso (moderato) 05:30

Personnel:
Glenn Gould, piano
CBC Symphony Orchestra
Walter Susskind, conductor (#1-3)
Robert Craft, conductor (#4-7)

Download:

mqs.link_MzartW.A.SchenbergA.PianCncertsGlennGuld196244.124.rar

レーベル Sony Music Labels Inc.
配信開始日 2016.05.11
収録曲数全40曲
販売データハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000001/4988010075729/

その圧倒的なヴォーカルとステージパフォーマンスによって幅広い世代から絶大な人気を誇るT.M.Revolution。デビュー20周年という節目を迎える2016年、究極のオールタイム・ベストアルバムをリリース!!

1996年のデビュー曲「独裁 -monopolize-」からT.M.R.の代名詞的シングル「HIGH PRESSURE」「WHITE BREATH」「HOT LIMIT」、水樹奈々とのコラボレーションで大きな話題となった「Preserved Roses」まで数々の大ヒット曲を惜しみなく収録した究極のオールタイム・ベストアルバムです。更に本作のために全曲をNYでリマスタリング！数々の大ヒット曲や代表曲がオリジナルアレンジで再び蘇ります!!

ファンだけでなく、全J-POPファンにとってのマストアイテムの登場です!!

収録曲

1 – 独裁-monopolize- 03:49
2 – 臍淑女 -ヴィーナス- 04:26
3 – HEART OF SWORD ～夜明け前～ 04:03
4 – LEVEL 4 03:41
5 – HIGH PRESSURE 04:23
6 – WHITE BREATH 03:58
7 – 蒼い霹靂～JOG edit～ 04:42
8 – HOT LIMIT 03:40
9 – THUNDERBIRD 04:52
10 – Burnin’ X’mas 04:31
11 – WILD RUSH 03:56
12 – BLACK OR WHITE? neo classic 04:29
13 – HEAT CAPACITY 03:33
14 – 魔弾～Der Freischutz～ 04:40
15 – LOVE SAVER 04:46
16 – BOARDING 04:08
17 – Out Of Orbit　～Triple ZERO～ 04:49
18 – INVOKE -インヴォーク- 04:17
19 – Meteor -ミーティア- 04:10
20 – Albireo-アルビレオ- 03:57
21 – Web of Night 03:51
22 – ignited -イグナイテッド- 03:16
23 – vestige -ヴェスティージ- 05:24
24 – crosswise 05:04
25 – resonance 03:44
26 – Lakers 04:25
27 – Naked arms 04:46
28 – SWORD SUMMIT 03:54
29 – Save The One, Save The All 04:14
30 – FLAGS 03:57
31 – Summer Blizzard 03:48
32 – HEAVEN ONLY KNOWS ～Get the Power～ 03:13
33 – Count ZERO 04:00
34 – 突キ破レル-Time to SMASH ! 02:49
35 – Phantom Pain 04:20
36 – DOUBLE-DEAL 04:55
37 – Inherit the Force -インヘリット・ザ・フォース- 03:23
38 – Committed RED 04:02
39 – Preserved Roses 96.0kHz/24bit T.M.Revolution×水樹奈々 03:28
40 – 革命デュアリズム 96.0kHz/24bit 水樹奈々×T.M.Revolution 04:00

Download:

mqs.link2020T.M.RevlutinALLTIMEBEST.part1.rar
mqs.link2020T.M.RevlutinALLTIMEBEST.part2.rar
mqs.link2020T.M.RevlutinALLTIMEBEST.part3.rar
mqs.link2020T.M.RevlutinALLTIMEBEST.part4.rar
mqs.link2020T.M.RevlutinALLTIMEBEST.part5.rar
mqs.link2020T.M.RevlutinALLTIMEBEST.part6.rar

レーベル A stAtion
配信開始日 2016.07.13
収録曲数全37曲
販売データハイレゾ｜FLAC｜48.0kHz/24bit

http://mora.jp/package/43000002/ANTCD-18517_F/

デビュー10周年を記念したベストアルバム!
これまでに発表した全シングル曲や、誰もが一度は耳にしたことがあるであろうタイアップ曲、さらに今作の為に書き下ろした新曲を含む全37曲を収録。

収録曲

1 – I believe 04:57
2 – Real voice 03:59
3 – CLAP & LOVE 03:22
4 – 夢を味方に 04:13
5 – みんな空の下 04:56
6 – Hello 05:36
7 – やさしい蒼 05:01
8 – ちいさな足跡 04:09
9 – beautiful 05:09
10 – ありがとうの輪 05:11
11 – number one 04:32
12 – Have fun!! 04:02
13 – ずっとたいせつなキモチ 05:05
14 – にじいろ 03:47
15 – THIS IS ME 05:05
16 – 三日月 04:38
17 – melody 03:32
18 – ブルーデイズ 04:55
19 – Jewelry day 05:21
20 – Why 04:27
21 – 手をつなごう 04:49
22 – おかえり 04:45
23 – 恋焦がれて見た夢 06:05
24 – The beginning 05:49
25 – 空よお願い 03:46
26 – はじまりのとき 04:13
27 – ツヨク想う 04:56
28 – 幻想曲 04:58
29 – A Song For You 04:05
30 – Ambition 04:32
31 – WINDING ROAD 48.0kHz/24bit 絢香×コブクロ 04:57
32 – あなたと 48.0kHz/24bit 絢香×コブクロ 05:28
33 – アカイソラ(iTunes Session) 05:24
34 – THIS IS THE TIME(iTunes Session) 04:06
35 – Through the ages -English ver.-(iTunes Session) 05:50
36 – I believe 2016 ver. 04:56
37 – 三日月 2016 ver. 04:43

Download:

mqs.linkTHISISME10thanniversaryBEST.part1.rar
mqs.linkTHISISME10thanniversaryBEST.part2.rar
mqs.linkTHISISME10thanniversaryBEST.part3.rar
mqs.linkTHISISME10thanniversaryBEST.part4.rar

http://www.hdtracks.co.uk/catalog/product/view/id/314104/

Jay Chou’s Bedtime Stories
今年最令人激動的樂壇震撼彈
周杰倫2016年最新著魔專輯強勢暗襲你的床邊！
超乎想像、最自由的古典靈魂搖滾嘻哈
聽周杰倫說書！10個出神入化的音樂故事
等待是值得的！2016年周杰倫終於推出全新專輯「周杰倫的床邊故事」，每次出輯都顛覆大家想像的周杰倫，這次的「床邊故事」，當然精采絕倫不讓你睡！整張專輯就像是本有聲書，由周杰倫說書，訴說10個最與眾不同、充滿想像的音樂故事！
專輯同名主打「床邊故事」，周杰倫帶大家一同穿越魔幻回到童年，以古典華麗鬼爵電音舞曲營造出床邊故事裡的奇幻世界；貓頭鷹監視著夜的動靜，暗獸們與巫婆躲在森林裡蠢蠢欲動；床邊的衣櫥裡，藏著什麼祕密？故事書裡的城堡都變成立體的，音樂盒發瘋似的響個不停…；方文山以獨特文重新詮釋床邊故事，將童謠「虎姑婆」的驚悚情節也融入歌詞中，這首床邊故事不同於一般印象中的溫馨甜美，而是充滿了暗黑奇想、幻術魔咒、神秘幽暗的種種。
你準備好睜大眼睛、張開耳朵，一起聽故事了嗎？

曲目:
01. 床邊故事 / Bedtime Stories (3:45)
02. 說走就走 / Left After Saying (4:26)
03. 一點點 / A Little Bit (3:42)
04. 前世情人 / Lover From Previous Life (3:22)
05. 英雄 / Heroes (3:21)
06. 不該 / Shouldn’t Be (with aMEI) (4:51)
07. 土耳其冰淇淋 / Turkish Ice Cream (3:15)
08. 告白氣球 / Confessing Balloons (3:35)
09. Now You See Me (2:55)
10. 愛情廢柴 / Scrapped Love (4:45)

Download:

mqs.linkHIRES96kHz24bitfeng.part1.rar
mqs.linkHIRES96kHz24bitfeng.part2.rar

Live Shit: Binge & Purge is the first live album by Metallica. The initial first pressings contained three CDs or cassette tapes, with songs from concerts in Mexico City on the Nowhere Else to Roam tour, as well as three VHS tapes and a black T-shirt, while a newer version contains two DVDs from concerts in San Diego on the Wherever We May Roam Tour and Seattle on the Damaged Justice Tour. It was originally released as a cardboard box depicting the style of a typical tour equipment transport box.

Prior to the release of Metallica’s first live collection, Live Shit: Binge & Purge, the band issued the following warning to their fans: “expect the unexpected.” What an understatement! Included in this mammoth box set are three compact discs (the cassette version contains two tapes), three videotapes (the DVD version contains two DVDs), a 72-page book chock-full of photos and notes (included on DVD Two on the DVD version), a backstage pass replica, and a stencil drawing courtesy of James Hetfield. The recording contains a full concert taken from a five-night stand at Sports Palace in Mexico City (during Metallica’s two-year-plus world tour behind their self-titled 1991 release). The videos contain a complete concert recorded at the Sports Arena in San Diego, California during the same tour, as well as a concert from their previous tour, in support of their breakthrough And Justice for All album. Name a classic from the band, and chances are it’s here. “Enter Sandman,” “Master of Puppets,” “For Whom the Bell Tolls,” “Seek & Destroy,” “One,” “Battery,” “Creeping Death,” the list goes on and on. If you’re a serious Metallica fan, or just an aficionado of expertly played live heavy metal, Live Shit: Binge & Purge is definitely for you.

Tracklist:
01 – The Ecstasy Of Gold / Enter Sandman
02 – Creeping Death
03 – Harvester Of Sorrow
04 – Welcome Home (Sanitarium)
05 – Sad But True
06 – Of Wolf And Man
07 – The Unforgiven
08 – Justice Medley: Eye Of The Beholder/Blackened/The Frayed Ends of Sanity/And Justice for All/Blackened
09 – Solos (Bass/Guitar)
10 – Through The Never
11 – For Whom The Bell Tolls
12 – Fade To Black
13 – Master Of Puppets
14 – Seek And Destroy
15 – Whiplash
16 – Nothing Else Matters
17 – Wherever I May Roam
18 – Am I Evil?
19 – Last Caress
20 – One
21 – Battery
22 – The Four Horsemen
23 – Motorbreath
24 – Stone Cold Crazy

Recorded at the Palacio de los Deportes, Mexico City, Mexico on February 25, 26, 27, and March 1 and 2, 1993.

Download:

Metallica1993Live.BingePurge2016Metallica.cm2496.part1.rar
Metallica1993Live.BingePurge2016Metallica.cm2496.part2.rar
Metallica1993Live.BingePurge2016Metallica.cm2496.part3.rar
Metallica1993Live.BingePurge2016Metallica.cm2496.part4.rar

Load is the sixth studio album by Metallica. It sold 680,000 units in its first week, making it the biggest opening week for Metallica and the biggest debut of 1996. Load debuted and spent four consecutive weeks at number one on the Billboard 200 chart. It was certified 5× platinum by the Recording Industry Association of America for shipping five million copies in the United States. The album showed more of a hard rock side of Metallica than the band’s typical thrash metal, which upset their fans. It also featured influences from genres such as Southern rock, blues rock, country rock and alternative rock.

Delivered five years after their eponymous “black” album in 1991, Load captures Metallica settling into an uneasy period of maturation. Under the guidance of producer Bob Rock, Metallica have streamlined their sound, cutting away most of the twisting, unpredictable time signatures and the mind-numbingly fast riffs. What’s left is polished – and disappointingly straightforward – heavy metal. Metallica’s attempts at expanding their sonic palette have made them seem more conventional than they ever have before. They add in Southern boogie rock, country-rock, and power ballads to their bag of tricks, which make them sound like ’70s arena rock holdovers. Metallica’s idea of opening up their sound is to concentrate on relentless midtempo boogie – over half the album is dedicated to songs that are meant to groove, but they simply don’t swing. Metallica sound tight, but with the material they’ve written, they should sound loose. That becomes apparent as the songs drag out over the album’s nearly 80-minute running time – there are only so many times that a band can work the same tempo exactly the same way before it becomes tedious. It isn’t surprising to hear Metallica get stodgier and more conservative as they get older, but it is nonetheless depressing.

Tracklist:
01 – Ain’t My Bitch
02 – 2 X 4
03 – The House Jack Built
04 – Until It Sleeps
05 – King Nothing
06 – Hero Of The Day
07 – Bleeding Me
08 – Cure
09 – Poor Twisted Me
10 – Wasting My Hate
11 – Mama Said
12 – Thorn Within
13 – Ronnie
14 – The Outlaw Torn

Download:

Metallica1996Lad2016Metallica.cm2496.part1.rar
Metallica1996Lad2016Metallica.cm2496.part2.rar

Reload is the seventh studio album by Metallica. The album is a follow-up to Load, released the previous year, and Metallica’s last studio album to feature longtime bassist Jason Newsted. Reload debuted at number one on the Billboard 200, selling 436,000 copies in its first week. It was certified 4× platinum by the Recording Industry Association of America for shipping four million copies in the United States.

Metallica recorded so much material for Load – their first album in five years – that they had to leave many songs unfinished, otherwise they would have missed their deadline. During the supporting tour for Load, they continued to work on the unfinished material, as well as write new songs, and they soon had enough material for a new album, Reload. The title suggests that Reload simply is a retread of its predecessor, and in many ways that’s correct – there’s still too much bone-headed, heavy Southern rock for it to be anything other than the sequel to Load – but there’s enough left curves to make it a better record. Marianne Faithfull’s backing vocals on “The Memory Remains” complement the weird, uneasy melody, and “Where the Wild Things Are” has an eerie menace that Metallica never achieved on Load. There are also a couple of ballads and country-rockers that don’t work quite so well (it’s never a good idea to have an explicit sequel, as on “The Unforgiven II”), and that, along with a few plodding Metallica-by-numbers, is what keeps Reload from being a full success. Still, the towering closer, “Fixxxer,” along with handful of cuts that successfully push the outer edges of Metallica’s sound, make the record worthwhile.

Tracklist:
01 – Fuel
02 – The Memory Remains
03 – Devil’s Dance
04 – The Unforgiven II
05 – Better Than You
06 – Slither
07 – Carpe Diem Baby
08 – Bad Seed
09 – Where The Wild Things Are
10 – Prince Charming
11 – Low Man’s Lyric
12 – Attitude
13 – Fixxxer

Download:

Metallica1997Relad2016Metallica.cm2496.part1.rar
Metallica1997Relad2016Metallica.cm2496.part2.rar

Garage, Inc. is a cover/compilation album by Metallica. The title is a combination of Garage Days Revisited and their song “Damage, Inc.”, from Master of Puppets, and the album’s artwork draws heavily from the 1987 EP. The album features songs by artists that have influenced Metallica, including many bands from the new wave of British heavy metal movement, hardcore punk bands and popular songs. As of August 2013 the album has sold more than 6 million copies worldwide.

For many years, Metallica’s 1987 EP Garage Days Re-Revisited was the most sought-after item in their catalog; it was constantly bootlegged in the ’90s, and often supplemented by a host of covers Metallica had released on singles and compilations throughout the years. By 1998, the band had understandably grown frustrated with this situation and decided to confront the problem head-on by reissuing all these rarities. Savvy businessmen that they are, they also realized they needed to give hardcore fans who already owned all the covers a reason to purchase the new set – hence, the expansion of the Garage Days EP to the double-disc blowout Garage, Inc. The second disc’s rarities are balanced by the first disc’s new covers, the bulk of which were recorded following the Reload tour. It shouldn’t come as a surprise that these covers recall the blooze ‘n’ boogie heavy rock of the Loads, but what is a surprise is that Metallica seems to have found their footing in this style through other people’s songs. Whether it’s Bob Seger, Blue Öyster Cult, Thin Lizzy, Nick Cave, or the all-star jam on Lynyrd Skynyrd’s “Tuesday’s Gone,” the band effortlessly makes the songs seem like their own, through a bizarre mix of respect and ballsy irreverence. Sure, it may not be nearly as raw as early Metallica, but it is a better listen than either of the Load records. And if raw is what you want, the equally diverse disc two provides all the thrills you could hope for. At one time, it might have seemed a little odd that Metallica would cover Budgie, Diamond Head, the Misfits, and Queen, but if Garage, Inc. proves anything, it’s that the group’s musical instincts, risks, and sense of humor have made them the greatest metal band of the ’80s and ’90s.

Tracklist:
01 – Free Speech For The Dumb
02 – It’s Electric
03 – Sabbra Cadabra
04 – Turn The Page
05 – Die, Die My Darling
06 – Loverman
07 – Mercyful Fate
08 – Astronomy
09 – Whiskey In The Jar
10 – Tuesday’s Gone
11 – The More I See
12 – Helpless
13 – The Small Hours
14 – The Wait
15 – Crash Course In Brain Surgery
16 – Last Caress/ Green Hell
17 – Am I Evil?
18 – Blitzkrieg
19 – Breadfan
20 – The Prince
21 – Stone Cold Crazy
22 – So What
23 – Killing Time
24 – Overkill
25 – Damage Case
26 – Stone Dead Forever
27 – Too Late Too Late

Download:

Metallica1998GarageInc.2016Metallica.cm2496.part1.rar
Metallica1998GarageInc.2016Metallica.cm2496.part2.rar
Metallica1998GarageInc.2016Metallica.cm2496.part3.rar
Metallica1998GarageInc.2016Metallica.cm2496.part4.rar

S&M (an abbreviation of Symphony and Metallica) is a live album by the American heavy metal band Metallica, with The San Francisco Symphony conducted by Michael Kamen. It was recorded on April 21–22, 1999 at The Berkeley Community Theatre. This is the final Metallica album to feature Jason Newsted as bassist.

After 1988’s …And Justice for All, Metallica pared down its progressive, heavy metal sound. During the ’90s, the band’s studio releases grew slicker and more produced, resulting in mostly radio-friendly, good ol’ boy metal. By the end of the decade, Metallica was established as the pioneer of modern metal, but the band hadn’t done anything innovative, arguably, in ten years. In April 1999, the group performed two concerts with the San Francisco Symphony, and the result was S&M, a two-disc collection of the concerts. Overall, the album successfully pairs violin strings with guitar strings, but it’s no surprise that the best tracks here are the older songs; their multi-layered, compositional style works well with symphonic arrangements. “Master of Puppets,” “Call of the Ktulu,” “One,” and “For Whom the Bell Tolls” sound richer and fuller with violin, trumpet, clarinet, harp, trombone, and flute accompaniments, but “Sad but True,” “Devil’s Dance,” and especially “Of Wolf and Man” range from haphazard and melodramatic to uninspired. S&M definitely has its moments, and not just with the pre-Black Album material: “Fuel” surpasses the furious pumping energy of the studio version, “Hero of the Day” stays poignant throughout, and “Until It Sleeps” has a wonderfully sinister feel. James Hetfield maintains his madman persona from beginning to end, laughing maniacally and grunting and growling at all the right moments. Overall, the symphony adds a macabre, ghoulish atmosphere – it all sounds like a Broadway freak show or a revved-up Danny Elfman nightmare. Which is exactly what a Metallica album should sound like, even if every song isn’t the best (or most appropriate) in the band’s catalog.

Tracklist:
01 – The Ecstasy Of Gold
02 – The Call Of Ktulu
03 – Master Of Puppets
04 – Of Wolf And Man
05 – The Thing That Should Not Be
06 – Fuel
07 – The Memory Remains
08 – No Leaf Clover
09 – Hero Of The Day
10 – Devil’s Dance
11 – Bleeding Me
12 – Nothing Else Matters
13 – Until It Sleeps
14 – For Whom The Bell Tolls
15 – – Human
16 – Wherever I May Roam
17 – The Outlaw Torn
18 – Sad But True
19 – One
20 – Enter Sandman
21 – Battery

Download:

Metallica1999SM2016Metallica.cm2496.part1.rar
Metallica1999SM2016Metallica.cm2496.part2.rar
Metallica1999SM2016Metallica.cm2496.part3.rar

St. Anger is the eighth studio album by Metallica. It was the band’s last album released through Elektra, thus marking the end of the second-longest timespan between studio albums from Metallica, with nearly six years between the release of Reload and this album. It is also the final collaboration between Metallica and producer Bob Rock, whose relationship began with the band’s fifth studio album, 1991’s Metallica.

Metallica’s first new material in over five years arrived after a flurry of non-musical activity that included a much-publicized spat over Internet file sharing, the departure of bassist Jason Newsted, and a lengthy stay in rehab for James Hetfield that suspended the recording of a new album indefinitely. Hetfield returned to the fold in late 2001. Still without a bass player, Lars Ulrich, Kirk Hammett, and their newly sober frontman recruited longtime producer Bob Rock to man Newsted’s spot, and creation of the album commenced in May 2002. St. Anger arrived a year later as a punishing, unflinching document of internal struggle – taking listeners inside the bruised yet vital body of Metallica, but ultimately revealing the alternately torturous and defiant demons that wrestle inside Hetfield’s brain. St. Anger is an immediate record. Written largely in the first person, it never warns of impending doom, doesn’t struggle with claustrophobia, and has care neither for religion’s safety nor its hypocrisy. (The religious symbolism of its title and artwork seems only to function as a metaphorical device.) Lacking the heavy metal baggage of these past themes, Metallica is left to ponder only itself and its singer’s psychosis, and delivers its diagnosis on slabs of speed metal informed with years of innovation and texture. The record exists as it ends. As the lockstep thrash of the eight-plus minute “All Within My Hands” tumbles toward its final gasp, Hetfield is explicit in his aims. “I will only let you breathe my air that you receive,” he seethes. “Then we’ll see if I let you love me.” Ulrich’s drums sputter in fits and starts, but the guitars are already dying, shutting down as Hetfield stabs at the microphone. “Kill kill kill kill kill,” he screams, and you have to check the wall for a splatter radius. It’s a brutal, ugly end to an album that switches on like a bare light bulb in an underground cave. It blasts each corner with harsh, unfiltered light for 75 minutes, until the bulb is shattered with a combat boot, leaving disquieting after-images exploding on the backs of your eyelids.

Tracklist:
01 – Frantic
02 – St. Anger
03 – Some Kind Of Monster
04 – Dirty Window
05 – Invisible Kid
06 – My World
07 – Shoot Me Again
08 – Sweet Amber
09 – The Unnamed Feeling
10 – Purify
11 – All Within My Hands

Download:

Metallica2003St.Anger2016Metallica.cm24882.part1.rar
Metallica2003St.Anger2016Metallica.cm24882.part2.rar

“Some Kind of Monster” is the fourth single by Metallica, taken from the eighth studio album St. Anger. The live B-sides are all taken from the previous single release “The Unnamed Feeling” EP. “Some Kind of Monster” was Nominated for Grammy Award for Best Hard Rock Performance in 2005

Metallica intended to sell their 2003 comeback album, St. Anger, with a series of infomercials by Joe Berlinger and Bruce Sinofsky, directors of the acclaimed documentaries Brother’s Keeper and Paradise Lost. Bizarre as that failed plan sounds, what’s even more bizarre is that those infomercials morphed into the feature-length film Some Kind of Monster (its title taken from an album track on St. Anger), which documented the making of St. Anger, including the group therapy sessions that helped the band pull back from the brink of breakup. All movies need a soundtrack, so one was cobbled together to coincide with the release of the movie, hence the birth of Some Kind of Monster, the EP. Barring an edit of the title track, there is absolutely no new material here: it opens with the full-length version of the title track, then delves into six live tracks recorded on June 11, 2003, in Paris, France. All six of these live tracks were on the international EP release Unnamed Feeling, as well as B-sides for a multi-part international single of the same name.

Tracklist:
01 – Some Kind Of Monster
02 – The Four Horsemen (Live)
03 – Damage, Inc. (Live)
04 – Leper Messiah (Live)
05 – Motorbreath (Live)
06 – Ride The Lightning (Live)
07 – Hit The Lights (Live)
08 – Some Kind Of Monster (Edit)

Download:

Metallica2004SmeKindfMnster2016Metallica.cm24441.rar

Metallica – Death Magnetic (2008/2008)
FLAC (tracks) 24-bit/96 kHz | Time – 74:46 minutes | 1,65 GB | Genre: Metal
Studio Master, Official Digital Download – Source: Metallica.com |@ Warner Bros. Records

Death Magnetic was the band’s first album to be produced by Rick Rubin, making this their first album since 1991’s Metallica (Usually known as The Black Album) not to be produced by Bob Rock. The album received mostly positive reviews upon release, with critics describing it as a return to the musical style of their early albums. Death Magnetic is the band’s first album to feature bassist Robert Trujillo.

Call Death Magnetic Kirk Hammett’s revenge. Famously browbeaten into accepting Lars Ulrich and producers Bob Rock’s dictum that guitar solos were “dated” and thereby verboten for 2003’s St. Anger – a fraught recording chronicled on the 2004 documentary Some Kind of Monster – Metallica’s lead guitarist dominates this 2008 sequel, playing with an euphoric fury not heard in years, if not decades. This aesthetic shift isn’t because Hammett suddenly rules the band: powerless to add solos to St. Anger, he couldn’t reinstate them without the blessing of Ulrich and James Hetfield, the politburo of Metallica. The duo suffered some combination of shame and humility in the wake of the muddled St. Anger and Monster, convincing these two unmovable forces to change direction. They ditched longtime producer Rock – who’d helmed every album since 1991’s breakthrough blockbuster Metallica – in favor of Rick Rubin, patron saint of all veteran rockers looking to reconnect with their early spark. Rubin may be the go-to producer for wayward superstars but as the producer of Slayer, he’s also rooted in thrash, so he understands the core of Metallica’s greatness and gently steers them back to basics on Death Magnetic.

Tracklist:
01 – That Was Just Your Life
02 – The End Of The Line
03 – Broken, Beat & Scarred
04 – The Day That Never Comes
05 – All Nightmare Long
06 – Cyanide
07 – The Unforgiven III
08 – The Judas Kiss
09 – Suicide & Redemption (Instrumental)
10 – My Apocalypse

Download:

Metallica2008DeathMagnetic2016Metallica.cm2496.part1.rar
Metallica2008DeathMagnetic2016Metallica.cm2496.part2.rar

Artist: Trent Reznor and Atticus Ross
Title: The Social Network (soundtrack)
Genre: Dark Ambient, Trip-hop, Experimental Ambient, Electronica, Stage & Screen, Soundtracks
Label: © The Null Corporation
Release Date: 2010
Quality: Blu-ray Audio
Duration: 01:06:28
Video: MPEG-4 AVC 9294 kbps / 1920*1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1: English LPCM 5.1 / 96 kHz / 13824 kbps / 24-bit
Audio#2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 13.68 GB

The Social Network is a dark ambient soundtrack by Trent Reznor and Atticus Ross for David Fincher’s film of the same name. It was released on September 28, 2010. On September 17, a five-track sampler was also made available for free. The film’s score bears a similar sound to the previous Reznor/Ross 2008 collaboration, Ghosts I-IV, and even features two slightly reworked tracks from Ghosts : the track “Magnetic” (reworked from “14 Ghosts II”) and “A Familiar Taste” (a remixed version of “35 Ghosts IV”).
Critical reception of the soundtrack has been generally favorable, with high praise and widespread acclaim across the film industry being bestowed upon it. The score won nine major awards, including the 2010 Golden Globe award for Best Original Score – Motion Picture, and the Academy Award for Best Original Score at the 83rd Academy Awards.

The taut intelligence of The Social Network’s mix of competition, technology, and betrayal extends all the way to Trent Reznor and Atticus Ross’ score. Artful sound design and textural interplay are dead giveaways that Reznor had a hand in this music, as are the carefully chosen motifs: spectral pianos pass through icy and brittle electronics and brush up against corrosive electric guitars. Reznor has been working with sounds like these for years, and with particular precision on later Nine Inch Nails albums like Year Zero. However, he and Ross use them with remarkable flexibility here, conveying apprehension and vulnerability on “Hand Covers Bruise”’s tentative melody, and almost sinister determination on “Eventually We Find Our Way”’s glowering tones. Reznor and Ross explore this divide between technology and all-too-human fragility throughout the score via caustic pieces like “A Familiar Taste” and “Carbon Prevails” and reflective ones such as the lovely “Painted Sun in Abstract.” The most abstract tracks feel like they were written by and for machines: “3:14 Every Night” finds Ross and Reznor crafting an entirely different kind of industrial music than what Reznor is usually associated with; it hums like a generator as electronics scuttle and strings shriek. Most exciting, though, are The Social Network’s longest pieces, which play like an extended suite. “In Motion,” “Intriguing Possibilities,” and “The Gentle Hum of Anxiety” — which could be an alternate title for the whole score — are atmospheric but percolate with electronic sounds that suggest synapses firing and technology acting of its own accord. Throughout it all, there’s a certain distance that reflects the virtual intimacy The Social Network comments on, coupled with an unease that comes to the fore on “Almost Home” and “Soft Trees Break the Fall.” Cerebral but with a very real emotional undercurrent, Ross and Reznor’s score is perfect for a David Fincher film. While The Social Network may not be as iconic as the Dust Brothers’ score for Fincher’s Fight Club, it’s as impressive and listenable in its own way. Reznor fans and film score aficionados will find a lot to like here. –AllMusic Review by Heather Phares

Tracklist:
1 Hand Covers Bruise 4:19
2 In Motion 4:57
3 A Familiar Taste 3:36
4 It Catches Up With You 1:39
5 Intriguing Possibilities 4:24
6 Painted Sun In Abstract 3:30
7 3:14 Every Night 4:03
8 Pieces Form The Whole 4:16
9 Carbon Prevails 3:53
10 Eventually We Find Our Way 4:17
11 Penetration 1:15
12 In The Hall Of The Mountain King 2:21
13 On We March 4:14
14 Magnetic 2:11
15 Almost Home 3:33
16 Hand Covers Bruise, Reprise 1:53
17 Complication With Optimistic Outcome 3:20
18 The Gentle Hum Of Anxiety 3:54
19 Soft Trees Break The Fall 4:45

Personnel:
Trent Reznor and Atticus Ross – composition, arrangements, performance, programming, production

DISC INFO:

Disc Title:     TRENT_REZNOR_AND_ATTICUS_ROSS_THE_SOCIAL_NETWORK
Disc Size:      14 685 684 212 bytes
Protection:     AACS
BD-Java:        Yes
BDInfo:         0.5.8

PLAYLIST REPORT:

Name:                   00000.MPLS
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Size:                   14 671 521 792 bytes
Total Bitrate:          29,43 Mbps

VIDEO:

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MPEG-4 AVC Video        9294 kbps           1080p / 23,976 fps / 16:9 / High Profile 4.1

AUDIO:

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Blu-ray Audio Disc:

Winrar Recovery Volumes
TRENTREZNORANDATTICUSROSSTHESOCIALNETWORK.part01.rev
TRENTREZNORANDATTICUSROSSTHESOCIALNETWORK.part02.rev

Blu-ray Audio Rip FLAC 24bit/96kHz

TrentRezn0rAndAtticusR0ssTheS0cialNetw0rk0ST2010BDAudi0RipFLAC2496.part1.rar
TrentRezn0rAndAtticusR0ssTheS0cialNetw0rk0ST2010BDAudi0RipFLAC2496.part2.rar

レーベルガトリングチューン
配信開始日 2016.05.27
収録曲数全35曲
販売データハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000074/TCJPR0000309396_hires/

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ガトリングチューンが提案する未来のクラシック
ボカロのフューチャークラシック！！
なんと35曲収録！
みんなの初音ミク、巡音ルカ、鏡音リン、GUMI、KAITOが送るフューチャーポップ！
レディ・ガガやジャスティン・ビーバーを手掛ける世界的巨匠、トムコリンがマスタリングを担当！
ボーカロイドの新時代を切り開く、ボカロのフューチャークラシック！！
ボーカロイドでは珍しい高音質ハイレゾでもmora、e-onkyo musicから配信予定！良い音でボカロを聞いてみて!

収録曲

1 – 花魁 ~Way to Oiran~ (feat. 初音ミク) 96.0kHz/24bit Mugen慈e 04:20
2 – 未確定シンドローム (feat. GUMI) 96.0kHz/24bit 鷹月亜樹 03:59
3 – ベランダとマーマレード (feat. 初音ミク) 96.0kHz/24bit ぺのれり 04:30
4 – AISHITE… (feat. 鏡音リン) 96.0kHz/24bit 透ch 04:04
5 – ILL DOLLER (feat. 初音ミク) 96.0kHz/24bit Mugen慈e 02:54
6 – ドキドキ☆乙女男子 (feat. 初音ミク) 96.0kHz/24bit パピ子りん 03:43
7 – Dear… (feat. 初音ミク) 96.0kHz/24bit Mugen慈e 04:08
8 – それは、いいことだよ (feat. 初音ミク) 96.0kHz/24bit 和田たけあき 04:33
9 – 雨音ペトリコール (feat. 初音ミク) 96.0kHz/24bit koyuki 04:15
10 – スターダスト (feat. 初音ミク) 96.0kHz/24bit 午後P 03:28
11 – 花火と夏の終わり (feat. GUMI) 96.0kHz/24bit のなめ 04:05
12 – アルキゴト (feat. 巡音ルカ) 96.0kHz/24bit 市田かけまる 03:14
13 – 雪恋 (feat. 初音ミク) 96.0kHz/24bit @The Landmark 04:13
14 – Loving Rabbit (feat. 初音ミク) 96.0kHz/24bit パピ子りん 03:59
15 – ひとひら (feat. 初音ミク) 96.0kHz/24bit ぺのれり 04:53
16 – 逆転ゲーム (feat. 鏡音リン) 96.0kHz/24bit 透ch 04:09
17 – ミルクの香り (feat. 初音ミク) 96.0kHz/24bit 如月なつき 04:13
18 – Fate of G (feat. 巡音ルカ & 初音ミク) 96.0kHz/24bit 阿妻諒 03:28
19 – モシモ -if- 予報☆ (feat. GUMI) 96.0kHz/24bit 鷹月亜樹 04:15
20 – Presence (feat. GUMI) 96.0kHz/24bit ApolP 03:46
21 – Losing You (feat. 巡音ルカ & KAITO) 96.0kHz/24bit みかんのP 04:02
22 – スキを忘れられない女の子 (feat. 初音ミク) 96.0kHz/24bit 耕作員 05:30
23 – 犬だと思って飼ってたお前にエキノコックス移された (feat. 初音ミク) 96.0kHz/24bit Mugen慈e 03:34
24 – LOVE Psychedelic (feat. 巡音ルカ) 96.0kHz/24bit みかんのP 03:57
25 – Shooting Star (feat. KAITO & 初音ミク) 96.0kHz/24bit 輪廻りんごP 04:51
26 – Stalking On My Way (feat. 巡音ルカ) 96.0kHz/24bit さーのいP 04:28
27 – 子供の頃に見たパレード (feat. 巡音ルカ & KAITO) 96.0kHz/24bit エレクトリカル 03:48
28 – 100 Reasons (feat. KAITO) 96.0kHz/24bit PWRFL Power 03:43
29 – 流れよわが涙。と景観は言った (feat. GUMI) 96.0kHz/24bit 芋犬ポテト 04:39
30 – キミとワタシの初恋事情 (feat. 初音ミク) 96.0kHz/24bit 耕作員 04:02
31 – I Can’t see you (feat. 初音ミク) 96.0kHz/24bit Giganta 03:50
32 – Vocaloid On Air (feat. 初音ミク) 96.0kHz/24bit 耕作員 05:14
33 – Glass Memory (feat. 初音ミク) 96.0kHz/24bit Mugen慈e 03:52
34 – ボカロのブルース (feat. 巡音ルカ & KAITO) 96.0kHz/24bit みかんのP 04:31
35 – √3 (feat. 初音ミク) 96.0kHz/24bit 鷹月亜樹 03:40

Download:

mqs.linkfeat..part1.rar
mqs.linkfeat..part2.rar
mqs.linkfeat..part3.rar
mqs.linkfeat..part4.rar
mqs.link_feat..part5.rar

Wolfgang Amadeus Mozart – Symphonies Nos.40 & 41 – Philharmonia Orchestra, Otto Klemperer (1963/2012) [HDTracks FLAC 24bit/96kHz]

Mozart: Concertos; Haydn: Sinfonia concertante – Arcangelo, Jonathan Cohen (2015) [hyperion-records FLAC 24bit/96kHz]

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 6, 7 & 9 – Glenn Gould (1969/2015) [Qobuz FLAC 24bit/44,1kHz]

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 8, 10, 12 & 13 – Glenn Gould (1972/2015) [Qobuz FLAC 24bit/44,1kHz]

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 11, 15 & 16, Fantasia – Glenn Gould (1973/2015) [Qobuz FLAC 24bit/44,1kHz]

Wolfgang Amadeus Mozart – Piano Sonatas Nos. 14, 17 & 18; Fantasia – Glenn Gould (1975/2015) [Qobuz FLAC 24bit/44,1kHz]

Mozart; Schoenberg – Piano Concertos – Glenn Gould, CBC Symphony Orchestra, Walter Susskind, Robert Craft (1962/2015) [Qobuz FLAC 24bit/44,1kHz]

T.M.Revolution – 2020 -T.M.Revolution ALL TIME BEST- [Mora FLAC 24bit/96kHz]

絢香 – THIS IS ME～絢香 10th anniversary BEST～ [Mora FLAC 24bit/48kHz]

周杰倫的床邊故事 (Jay Chou’s Bedtime Stories) [AIFF 24bit/96kHz]

Metallica – Live Shit: Binge & Purge (1993/2016) [FLAC 24bit/96kHz]

Metallica – Load (1996/2016) [FLAC 24bit/96kHz]

Metallica – Reload (1997/2016) [FLAC 24bit/96kHz]

Metallica – Garage Inc. (1998/2016) [FLAC 24bit/96kHz]

Metallica – S&M (1999/2016) [FLAC 24bit/96kHz]

Metallica – St. Anger (2003/2016) [FLAC 24bit/88,2kHz]

Metallica – Some Kind Of Monster (2004/2016) [FLAC 24bit/44,1kHz]

Metallica – Death Magnetic (2008/2016) [FLAC 24bit/96kHz]

Trent Reznor and Atticus Ross – The Social Network (2010) [Blu-Ray Pure Audio Disc]

Various Artists –ボカロのフューチャークラシック (feat. 初音ミク) [Mora FLAC 24bit/96kHz]