MQS Albums Download

レーベル Lantis
配信開始日 2017.09.27
収録曲数全28曲
収録時間 53:37
サイズ合計 1.8GB
販売データハイレゾ｜FLAC｜96.0kHz/24bit

https://mora.jp/package/43000152/LACA-15666_HI-24_96/

『劇場版響け！ユーフォニアム～届けたいメロディ～』の劇中BGMを収録。ボーナストラックとして、TRUEが歌うTVアニメ『響け！ユーフォニアム２』OP主題歌「サウンドスケープ」の新アレンジVer.を収録！

【タイアップ】
『劇場版響け！ユーフォニアム～届けたいメロディ～』オリジナルサウンドトラック

収録内容

01.サウンドスケープ～Loving nostalgia Ver.～
02.幼き原点
03.今という時間
04.心に引っかかるもの
05.隠されている感情
06.合宿開始
07.脳内をめぐる
08.顕在化した危機
09.向けられた多くの不安
10.覚醒する仲間たち
11.よぎる顔
12.噛み合わない歯車
13.拭いきれない雨雲
14.始まりの記憶
15.語られる事情
16.並んだ同じ楽器
17.洗い流したい思考
18.失って知る存在感
19.向き合う決意
20.対峙する二人の奏者
21.想いが通じた瞬間
22.再び並んだ二つの楽器
23.鼓舞された多くの心
24.今の実力と今の評価
25.取り戻した原点
26.近づく別れの時
27.始まりと終わり
28.サウンドスケープ (TRUE & Wind Orchestra Ver.)

Download:

mqs.link_Thenlymeldy.part1.rar
mqs.link_Thenlymeldy.part2.rar

Sonora Slocum was appointed Principal Flute of the Milwaukee Symphony Orchestra in 2012 at the age of 22 and has performed with orchestras around the country including guest principal flute with the Chicago Symphony Orchestra and the Orpheus Chamber Orchestra. She has appeared with the Philadelphia Orchestra on flute and piccolo. Her collaborations as guest principal include touring and audio recordings with the Orpheus Chamber Orchestra as well as visual recordings with the Philharmonia Orchestra of New York at Lincoln Center. Slocum has worked under such renowned conductors as Charles Dutoit, Christoph Eschenbach, Rafael Fruhbeck de Burgos, Sir Simon Rattle, Edo de Waart, Otto-Werner Mueller, John Williams, and David Zinman, among many others. A recent review stated that Slocum has a HUGE sound…and a wizards bag resplendent with technical prowess and musical freshness. The conception of this debut album, Return, stemmed from Slocums interest in astrology and reflected on this period of her life; her first Saturn Return. The tracks on this album represent both pivotal repertoire for flutists and some of the most technically demanding.

Tracklist:
1 Canozone for Flute & Piano, Op. 38a 03:48
2 Suite paysanne hongroise, Sz. 71 (Arr. P. Arma for Flute & Piano): I. Chants populaires tristes 04:59
3 Suite paysanne hongroise, Sz. 71 (Arr. P. Arma for Flute & Piano): II. Scherzo 00:49
4 Suite paysanne hongroise, Sz. 71 (Arr. P. Arma for Flute & Piano): III. Vieilles danses 06:34
5 I. Flowing 05:58
6 Duo for Flute & Piano: II. Poetic, Somewhat Mournful 05:16
7 III. Lively, With Bounce 03:27
8 Nocturne in C-Sharp Minor, Op. Posth., B. 49 “Reminiscence” (Arr. for Flute & Piano) 04:35
9 Fantaisie 08:00
10 Ballade for Flute & Piano 07:50
11 Syrinx, L. 129 03:39

Personnel:
Sonora Slocum, flute
John Wilson, piano

Download:

mqs.link_S0n0raSl0cumJ0hnWils0nReturn20192496.part1.rar
mqs.link_S0n0raSl0cumJ0hnWils0nReturn20192496.part2.rar

The piano trio material included in this Japanese reissue, along with another session from late 1958 (see The Art of the Trio, aka “The 45 Sessions”), constitutes a body of work which was never released in LP format during Sonny Clark’s tragically short life. Clark was an underrated master of the hard bop genre who had a very subtle, artful touch. On this date, he exhibits the influence of Ahmad Jamal and Red Garland (a lighter sound) and less of the Bud Powell-inspired, hard-driving bebop lines.

This material was intended for jukebox release in 45 format. The arrangements are simple and concise; the tunes are all well-known standards. Sonny’s conception is quite accessible – relaxed tempos and blues-inflected improvisations. His chord voicings and harmonies are exquisite on “I Cover the Waterfront,” “Somebody Loves Me,” “Dancing in the Dark,” and Cole Porter’s “All of You.” The recording in many ways presages the Three Sounds’ approach to a tightly organized, commercially affable piano trio concept. This material is also included in Blue Note’s 1998 domestic Sonny Clark release entitled Standards.

Tracklist:

01.Can`t We Be Friends
02.I Cover The Waterfront
03.Somebody Love Me
04.Dancing In The Dark
05.Blues In The Night (alt)
06.Blues In The Night
07.All Of You

Download:

mqs.link_S0nnyClarkTri0BluesInTheNight201924441.rar

The music here has never been released before on CD: “Sahib Shihab & the Danish Radio Jazz Group” (recorded in 1965) and “Sentiments” (recorded in 1971). Joining saxophonist Sahib Shihab on these two sessions are the best musicians on the Danish scene in the late 60’s, including Bent Jædig on tenor sax, Palle Mikkelborg on trumpet, Torolf Mølgaard on trombone, Niels-Henning Ørsted Pedersen on bass, Alex Riel on drums and the famous American pianist Kenny Drew. The musical style is jazz, sometimes blended with an Eastern, North African or American Indian influence and – on one tune – even rock music. This recording is packed with exciting compositions and wonderful performances; check out Kenny Drew’s moving ballad “Extase”, among many fine examples.

“The album was recorded in 1971, March in Copenhagen and it’s a series of stills from moments that inspired every track. One Very hot day in Tunis, while riding a bus on the way to sfax, two Tunisians began to sing a melody to the accompaniment of a drum. The rhythm played by the drummer was dascinating. Not Having a workable knowledge of The western metric system, he could tell me the time value, so I dubdivided and came up with 14/8, or two time 7/4. A a result, Ma’Nee: wich is Urdu for meaning.

The delopment on a free form of The Call with an Ab-lib Chorus, Jimmy Hopps inspiration for Rue De La Harpe, Kenny Drew written by Extase, a deep and beautiful ballad and The alto humming flute and the bass of Niels Henning made me go inside this Companionship. My greatest wish is that you will have many moments of pleasure listening to this album, as we, the musicians, enjoyed making it.” (Sahib Shihab)

“Like many Americans who opt to live and work in Europe, the recorded legacy of multi-reed player Sahib Shihab tends to be overlooked by fans in his native land. Sentiments pairs recordings he made for two separate albums between 1965 and 1971. On the 1971 session, he’s accompanied by fellow expatriate Kenny Drew, bassist Niels-Henning Ørsted Pedersen, and drummer Jimmy Hopps. Most of the compositions are by the leader, starting with the exotic blend of hard bop and African rhythm, featuring Shihab’s dancing soprano sax and Pedersen’s bass solo. Drew switches to organ and Pedersen makes a relatively rare appearance on electric bass on the funky “Sentiments.” The leader switches to baritone sax for Drew’s exuberant ballad “Extase.” The 1965 sessions feature Shihab as a guest with the Danish Radio Jazz Group, playing six of his originals. “Di-Da” is a catchy hard bop tune in which one note is repeatedly echoed by members of the group, though the pattern disappears as he launches his powerful baritone sax. The moody “Tenth Lament” and the perky “Harvey’s Tune” are also highlights, with Shihab switching to flute for the latter piece. The supporting cast has a number of top European musicians, including Niels Pedersen, pianist Bent Axen, trumpeters Palle Mikkelborg and Allan Botschinsky, and drummer Alex Riel.” (Ken Dryden, AMG)

Tracklist:
1. Ma’nee 07:41
2. The Call 07:56
3. Rue de la Harpe 05:00
4. Sentiments 05:18
5. From Me to You 03:42
6. Extase 04:37
7. Companionship 04:15

Personnel:
Sahib Shihab, alto flute, baritone and soprano saxophone
Kenny Drew, piano
Fritz von Bülow, guitar
Palle Mikkelborg, trumpet
Bent Jædig, tenor saxophone
Niels Husum, tenor saxophone
Poul Hindberg, alto saxophone, clarinet
Torolf Mølgaard, trombone
Niels-Henning Ørsted Pedersen, bass
Jimmy Hopps, drums

Digitally remastered

Download:

mqs.link_SahibShihabSentimentsRemastered201824192.part1.rar
mqs.link_SahibShihabSentimentsRemastered201824192.part2.rar

Stumbling into a recording contract right out of college not only came with big management and an even bigger booking agency it also came with what felt like big responsibility. At 20 years old, I was recording, touring, interacting with press and new fans. And, while everything in my career seemed to be moving in the right direction, I now see how this level of visibility at such a young age actually created a certain amount of pressure to “be the happy girl in the dress” that I felt my mentors and managers expected. I had been told that the ultimate goal was to craft a set of fun, light music that left people feeling happier than when they’d come in the door. And my band and I were giving it to them.

But three years ago (15 years in, then as a 34 year old woman), I found myself processing the dissolution of a marriage, the separation of a long term musical partnership, and my mothers almost catastrophic car accident. It was my dear friend and mentor Kurt Elling who spoke these very poignant words, and sent me on an incredibly transformative path:

“I see who you are… And it’s so much bigger, so much deeper, so much more multi-dimensional than your music is right now. Don’t be afraid to walk away from what you think people want from you – and to step into all of the depth, darkness, and radiance of who you really are. That’s what we are thirsty for. The honest, messy, beautiful YOU.”

Tracklist
1. Lonely Hours
2. Never Will I Marry
3. I’m Not the Only One
4. Easy Love
5. I Get Along Without You Very Well
6. I Believe (When I Fall in Love)
7. Jolene
8. Gaslight District
9. The River/River Man
10. Intro: Chrysalis
11. Cocoon
12. Distant Storm
13. Spinning Round

Download:

mqs.link_SaraGazarekThirstyGh0st201924441.rar

Saxon celebrates four incredible Metal decades with The Eagle Has Landed 40 (live). 1979 was a monumental year for British Hard Rock with the birth of the New Wave Of British Heavy Metal and the subsequent rise of future giants of the genre. After 40 years and 22 studio album releases, Saxon are the spearhead and forerunner of British Heavy Metal and underscore this not only with a series of cult shows in legendary venues but with the release of The Eagle Has Landed 40 Live.

Saxon gives an insight on selected 40 iconic songs that have solidified their career. The selection has taken frontman and founder Biff Byford himself, a cross section of the best live performances, recorded in a span of over 12 years. From State of Grace to Machine Gun to 20,000 Ft, with The Eagle Has Landed 40 (Live) you can enjoy the journey with Saxon: Loud, proud and only the best with the thoroughbred band that has made them the forerunners of Heavy Metal.

Tracklist

01. State of Grace (Berlin 2007)
02. Red Star Falling (Berlin 2007)
03. Attila the Hun (Berlin 2007)
04. If I Was You (Sheffield 2007)
05. Witchfinder General (Berlin 2009)
06. Demon Sweeney Todd (Berlin 2009)
07. The Letter + Valley Of The Kings (London 2009)
08. Machine Gun (London 2009)
09. Live to Rock (Berlin 2009)
10. Hammer of the Gods (Berlin 2011)
11. Back in ’79 (Berlin 2011)
12. I’ve Got to Rock (to Stay Alive) [Berlin 2011]
13. Call to Arms (Berlin 2011)
14. Rock ‘n’ Roll Gypsy (Berlin 2011)
15. Chasing the Bullet (Berlin 2011)
16. Play It Loud (Berlin 2011)
17. Sacrifice (BYH Balingen 2013)
18. Night of the Wolf (BYH Balingen 2013)
19. Conquistador + Drum Solo (BYH Balingen 2013)
20. Stand Up and Fight (BYH Balingen 2013)
21. Crusader (Wacken Open Air 2014)
22. Battalions of Steel (Wacken Open Air 2014)
23. The Eagle Has Landed (Wacken Open Air 2014)
24. Power and the Glory (Wacken Open Air 2014)
25. Dallas 1PM (Wacken Open Air 2014)
26. Princess of the Night (Wacken Open Air 2014)
27. Denim and Leather (Wacken Open Air 2014)
28. Eye of the Storm (Zoetemeer 2015)
29. 747 (Strangers in the Night) [with Phil Campbell] [Live In Helsinki, 2015]
30. Killing Ground (London 2016)
31. Ace of Spades with “Fast” Eddie Clarke (London 2016)
32. 20,000 FT. with Andy Sneap (San Antonio 2018)
33. Thunderbolt (San Antonio 2018)
34. Sons of Odin (Los Angeles 2018)
35. This Town Rocks (Los Angeles 2018)
36. Nosferatu (the Vampire’s Waltz) [Manchester 2018]
37. Predator (Manchester 2018)
38. They Played Rock and Roll (Stockholm 2018)
39. The Secret of Flight (London 2018)
40. Battering Ram (London 2018)

Download:

mqs.link_Sax0nTheEagleHasLanded40Live20192448.part1.rar
mqs.link_Sax0nTheEagleHasLanded40Live20192448.part2.rar
mqs.link_Sax0nTheEagleHasLanded40Live20192448.part3.rar

Country Gospel from this veteran recording artist who grew up in the Ozark Mountains singing in old country churches and now takes you back to the real sound of Gospel that’s recorded in a historic 150 year old Ozark Church.

Of all the albums that Stan Hitchcock has recorded in his 43 years as an entertainer, this is his favorite and one that has a special place in his heart.

It features the traditional, old wooden church sound that he grew up with and that carry so many memories of a young man growing up. On the last few selections of this cd Ronnie Reno plays guitar with Stan and sings tenor harmony. “Softly and Tenderly from the Old Country Church” is a collection of some of Stan’s favorite songs. Parts of the cd were recorded in an 150 year old church in the Ozark Mountains and include some stories of where the songs came from in Stan’s life.

Stan started playing and singing for audiences when he was 12 years old, first at churches in the Ozark Mountains where he was raised, and then on Radio Station KWTO in Springfield, Missouri.

Stan moved to Nashville in 1962 and started recording and touring. He enjoyed many chart records from 1962 to 1982 and developed a strong worldwide audience for his music, stage appearances and television shows.

He starred in his own nationwide television show, “The Stan Hitchcock Show”. from 1964 to 1972 and then went on to head up the team that started Country Music Television (CMT) and ran that network from 1984 to 1991.

Stan is currently the Chairman/CEO of a new cable, satellite and broadband delivered network called “BlueHighways TV” with offices in Hendersonville, Tennessee.

Stan and his family live on a farm in Sumner County, Tennessee and raise Missouri Foxtrotter horses for trailriding.

Tracklist:
1. Softly and Tenderly 03:17
2. I Can’t Find It Here 02:54
3. Where No One Stands Alone 03:17
4. Room at the Cross 03:14
5. I Was There When It Happened 01:56
6. I Feel Like Traveling On 02:15
7. In the Garden 02:36
8. Sorry, I Never Knew You 04:07
9. The Night Watch 02:31
10. So Many Reasons 02:28

Digitally remastered

Download:

mqs.link_StanHitchc0ckS0ftlyandTenderly196920192496.rar

The chamber combination of trombone and piano is unusual and charming. On “Sapphire”, Peter Steiner and his pianist partner Constanze Hochwartner give an insight into how this combination can work, thereby exploding the myth of commonly-held preconceptions about what the trombone is capable of. It is not just the instrument that shall sound on the Day of Judgment; it can sing tenderly and sweetly, producing a myriad of timbres that sparkle like a sapphire.

With his trombone, the solo instrument that is rarely featured in the field of classical music, Peter Steiner is at home all over the world. After studying at the Mozarteum and the Juilliard School in New York, the young Austrian not only won three solo instrument competitions staged by the International Trombone Association ITA as the first trombonist ever to achieve the feat; he went on tour round the world, from Brazil via the USA to Japan. In 2017 he got to know the young pianist and organist Constanze Hochwartner, with whom he recorded the album Sapphire in Columbus/Georgia, USA.

The programme of the album combines arrangements of works by Mozart and Puccini with melodies by Bernstein and complements contemporary trombone literature with film music from the movie “The Godfather”. Peter Steiner wishes to illustrate how versatile his instrument is, and the sounds he produces are indeed astounding. Soft sounds that range through all the registers alternate with catchy and powerfully mesmerising musical concepts.

Tracklist:
1 Rondo “Alla turca” (From Piano Sonata No. 11, K. 331) (Arr. Andrew Markel) 03:01
2 Somewhere (From West Side Story) (Arr. For Trombone) 03:08
3 Hora staccato (Arr. Andrew Markel) 01:49
4 Che gelida Manina (From la bohème, SC 67) (Arr. Nicola Ferro) 05:14
5 Fly or Die 06:09
6 Parla più Piano (From The Godfather) (Arr. for Trombone) 03:45
7 Fantasia Concertante 11:37
8 Liebesfreud 03:34
9 I. Up (From Arrows of Time) 04:05
10 II. Slow-Freely (From Arrows of Time) 06:33
11 III. Fast (From Arrows of Time) 02:28
12 Nana (Arr. Andrew Markel) 03:00

Personnel:
Peter Steiner, trombone
Constanze Hochwartner, piano

Download:

mqs.link_SteinerC0nstanzeH0chwartnerSapphirePeter201924882.rar

Albums pairing Claude Debussy’s String Quartet in G minor and Maurice Ravel’s String Quartet in F major have been quite common for decades, and due to this well-established programming practice, dating back to the days of the double-sided LP, the works are widely regarded as a complementary set, beyond the real musical similarities between them. However, for this Alba hybrid SACD release, the Stenhammar Quartet makes the Debussy and Ravel quartets serve as bookends for Germaine Tailleferre’s little-known String Quartet, a work that shares much of their rich chromatic harmonies and twilight moods, but is considerably shorter in duration, more modest in its sonatina-like form, and far less frequently performed. Like Debussy’s and Ravel’s quartets, Tailleferre’s String Quartet was her only work in the genre, and listeners might even feel it’s all of a piece with them, even though it was composed in 1919, 26 years after Debussy wrote his and 16 years after Ravel. Yet by this late date, Tailleferre had generally eschewed impressionism, and as a member of the group Les Six, brought a certain wit and playfulness to her quartet that is notable in the third movement. Including Tailleferre with Debussy and Ravel is a terrific idea that provides a fresh perspective on their music and adds value to the running time of the usual Debussy/Ravel matchup.

Tracklist:
01. String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé
02. String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé
03. String Quartet in G Minor, Op. 10, L. 85: III. Andantino, doucement expressif
04. String Quartet in G Minor, Op. 10, L. 85: IV. Très modéré
05. String Quartet: I. Modéré
06. String Quartet: II. Intermède
07. String Quartet: III. Final. Vif
08. String Quartet in F Major, M. 35: I. Allegro moderato
09. String Quartet in F Major, M. 35: II. Assez vif-Très rythmé
10. String Quartet in F Major, M. 35: III. Très lent
11. String Quartet in F Major, M. 35: IV. Vif et agité

Personnel:
Stenhammar Quartet:
Peter Olofsson, violin
Per Öman, violin
Tony Bauer, viola
Mats Olofsson, cello

Download:

mqs.link_StenhammarQuartetDebussyTailleferreRavelStringQuartets20192496.part1.rar
mqs.link_StenhammarQuartetDebussyTailleferreRavelStringQuartets20192496.part2.rar

It’s during the times when we’re confronted with life’s hardest struggles that we learn to appreciate the humanity around us. On his latest album, Gratitude, saxophonist Steve Cole offers thanks for the people who’ve helped see him through some of his tough times – the loved ones, the musicians and collaborators who rallied around, and the often-nameless professionals whose job is to help and to heal.

Gratitude arrives on the heels of a health scare in Cole’s family. The successful battle left the saxophonist feeling rejuvenated, with a renewed sense of hope and faith in his fellow humans. That depth of feeling shines through on the album’s ten tracks, which joyously spotlight Cole’s gift for infectious grooves, soulful melodies, and vibrant pop hooks.

Tracklist

1 Good News Day
2 Neo Sol
3 Gratitude
4 Soho
5 Starting Over
6 Love Ballad
7 Five6oh83
8 Can’t Get Enough
9 Let’s Go!
10 Toronto

Download:

mqs.link_SteveC0leGratitude201924441.rar

Steve Kuhn is the all-purpose element: his presence heightens any musical concoction. Like no jazz pianist I know, he is aware of the negative spaces between his notes and shapes those spaces to suit the emotional needs of the tune. And what a set of tunes we have in Non-Fiction, a sorely out-of-print firecracker in dire need of a digital fuse. Speaking of conflagration, nothing singes our brow in any Kuhn project quite like “Firewalk,” which, despite its characteristically spacious feel, is clear and present (I bow to the uncredited engineer on this one). Kuhn accolades aside, it’s the sopranism of reedman Steve Slagle that really sets these coals to glowing and cradles every assured step in the liberation of play. Bob Moses and Harvie Swartz—an ideally suited rhythm section if there ever was one—lock the “Random Thoughts” that follow into lively traction. Slagle opts for flute and alto sax over a constantly shifting sonic palette. Whenever he isn’t breathing, he keeps his hands busy with additional percussion. (Unfortunately, the latter comes across as intrusive to my ears during headphone listening. External speakers will remedy this.) “A Dance With The Wind” and “The Fruit Fly” reverse the scales with a collective dose of whimsy and nostalgia. Swartz is simply fantastic here, weaving deftly through Kuhn’s canvas of vamps with distinct yet harmonious brushstrokes of its own. If anything has been missing so far, we find it all collected in “Alias Dash Grapey,” which has it all: a sweeping piano intro, replete with unrestrained cries from Kuhn, a spirited collage of solos (Moses ever palpable), and a deep sense of communication.

Tracklist:
1. Firewalk 08:08
2. Random Thoughts 08:11
3. A Dance With The Wind 05:52
4. The Fruit Fly 05:57
5. Alias Dash Grapey 11:56

Personnel:
Steve Kuhn, piano, percussion
Steve Slagle, soprano and alto saxophones, flute, percussion
Harvie Swartz, bass
Bob Moses, drums

Recorded April 1978 at Tonstudio Bauer, Ludwigsburg, Germany
Produced by Manfred Eicher

Digitally remastered

Download:

mqs.link_SteveKuhnN0nFicti0n197820192496.rar

Last Year’s Waltz has everything a great live jazz album should: a present feel, gobs of atmosphere, and, oh yeah, Sheila Jordan. Right off the bat, interplay from Bob Moses and Harvie Swartz kicks us into wakefulness in “Turn To Gold.” Gilded by Kuhn’s indeed alchemical but always punctual pianism, this dose of smoothness is sure to please. Kuhn brings a montuno flavor to “The Drinking Song,” which is deepened by Jordan’s diaristic musings, both expository and speculative, and boasts enough woops from her band mates to keep our blood at a constant boil. The title track is a languid trickle that quickly crackles into a melodious and cinematic punch bowl. The key to unlocking the set’s inner secrets is “The Fruit Fly,” which, in both title and execution, evokes Chick Corea’s blissful optimism. Downright wondrous pianism and omnipotent drumming make this the instrumental standout (the solo piano “Medley” runs a close second). Kuhn works his magic through “The Feeling Within,” weaving a luxurious carpet for Jordan’s vocal footsteps. Two standards—a decidedly upbeat rendition of “I Remember You” and the virtuosic scat-fest that is “Confirmation”—and the bittersweet yet crowd-pleasing tune “The City Of Dallas” (Steve Swallow) complete this living portrait of a group in its prime. As the recording fades, members of the crowd shout, “More!”

I second that.

Not only does Last Year’s Waltz show us Jordan at her best, but its explosive energy and archival importance make it by far Kuhn’s finest quartet joint of the 80s. A reissue is a must.

Tracklist:
1. Turn To Gold (Live At Fat Tuesday’s, New York City / 1981) 04:04
2. The Drinking Song (Live At Fat Tuesday’s, New York City / 1981) 05:54
3. Last Year’s Waltz (Live At Fat Tuesday’s, New York City / 1981) 04:17
4. I Remember You (Live At Fat Tuesday’s, New York City / 1981) 08:37
5. Mexico (Live At Fat Tuesday’s, New York City / 1981) 05:16
6. The Fruit Fly (Live At Fat Tuesday’s, New York City / 1981) 05:51
7. The Feeling Within (Live At Fat Tuesday’s, New York City / 1981) 04:46
8. Old Folks / Well You Needn’t (Live At Fat Tuesday’s, New York City / 1981) 02:03
9. Confirmation (Live At Fat Tuesday’s, New York City / 1981) 05:48
10. The City Of Dallas (Live At Fat Tuesday’s, New York City / 1981) 03:30

Personnel:
Steve Kuhn, piano
Sheila Jordan, voice
Bob Moses, drums
Harvie Swartz, bass

Recorded live, April 1981, at Fat Tuesday’s, New York City
Produced by Robert Hurwitz

Digitally remastered

Download:

mqs.link_SteveKuhnQuartetLastYearsWaltz198220192496.part1.rar
mqs.link_SteveKuhnQuartetLastYearsWaltz198220192496.part2.rar

Royal Concertgebouw Orchestra & Stéphane Denève – Honegger: Jeanne d’Arc au bûcher (2019)
FLAC (tracks) 24-bit/96 kHz | Time – 01:19:08 minutes | 1,3 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Royal Concertgebouw Orchestra

Jeanne d’Arc au bûcher is one of the most inventive oratorios ever composed, constantly flitting between styles and colours. It follows the historic French heroine in the hours leading up to her execution. Indeed, the run-up to her death sentence is reconstructed as if in a crime novel. Paul Claudel’s lively libretto contrasts Jeanne with an assorted lot of strange and wonderful characters. More than enough reason for Honegger to open up a colourful paintbox: the work features a succession of choral passages infused with spirituality, cubist-like blocks of sound and even bits of material reminiscent of the music hall. This is grist to conductor Stéphane Denève’s mill, who is a leading authority on French music and a regular guest with the Royal Concertgebouw Orchestra; together with two choirs and a variety of soloists and actors, he realized a compelling and moving Jeanne d’Arc au bûcher.

“A “dramatic oratorio” it might be, but the performance at Amsterdam’s Concertgebouw moved it in the direction of opera. This was a consequence particularly of Caecilia Thunnissen’s most effective “mise-en-espace”.” (Anthony Ogus)

“An intense Jeanne d’Arc au bûcher from the Royal Concertgebouw Orchestra” (BACHTRACK)

Tracklist:
1. Jeanne d’Arc au bûcher, H. 99: I. Prologue 07:36
2. Jeanne d’Arc au bûcher, H. 99: II. Les Voix du Ciel 02:10
3. Jeanne d’Arc au bûcher, H. 99: III. Le Livre 03:39
4. Jeanne d’Arc au bûcher, H. 99: IV. Les Voix de la Terre 04:11
5. Jeanne d’Arc au bûcher, H. 99: V. Jeanne livrée aux bêtes 09:21
6. Jeanne d’Arc au bûcher, H. 99: VI. Jeanne au poteau 03:29
7. Jeanne d’Arc au bûcher, H. 99: VII. Les Rois ou L’invention du jeu de cartes 05:13
8. Jeanne d’Arc au bûcher, H. 99: VIII. Catherine et Marguerite 03:16
9. Jeanne d’Arc au bûcher, H. 99: IX. Le Roi qui va-t-à-Rheims 11:28
10. Jeanne d’Arc au bûcher, H. 99: X. L’Épée de Jeanne 15:46
11. Jeanne d’Arc au bûcher, H. 99: XI. Trimazô 00:50
12. Jeanne d’Arc au bûcher, H. 99: XII. Jeanne d’Arc en flammes 12:09

Personnel:
Judith Chemla, narrator
Jean-Claude Drouot, voice
Christian Gonon, voice
Adrien Gamba-Gontard, voice
Claire de Sévigné, soprano
Christine Goerke, soprano
Judit Kutasi, mezzo-soprano
Jean-Noël Briend, tenor
Steven Humes, Bass
Royal Concertgebouw Orchestra
Rotterdam Symphony Chorus
Stéphane Denève, conductor

Download:

mqs.link_StphaneDenveH0neggerJeannedArcaubcher20192496.part1.rar
mqs.link_StphaneDenveH0neggerJeannedArcaubcher20192496.part2.rar

Though Mozart was typically grudging, Beethoven had a high regard for Muzio Clementi’s compositions. A leading soloist, Clementi was pivotal to the piano’s development as a virtuoso instrument, but he was also a publisher and innovator. His sonatas combine clarity of form with moments of bravura brilliance, laced with scintillating hand-crossings and his trademark chains of thirds, on which Mozart commented. Infectiously exciting in prestissimo sections, his sonatas offer a compendium of how to exploit new advances in the development of the piano.

Tracklist:
01. Keyboard Sonata in B-Flat Major, Op. 12 No. 1: I. Presto
02. Keyboard Sonata in B-Flat Major, Op. 12 No. 1: II. Larghetto con expressione
03. Keyboard Sonata in B-Flat Major, Op. 12 No. 1: III. Theme & Variations
04. Keyboard Sonata in B-Flat Major, Op. 2 No. 6: I. Allegro di molto
05. Keyboard Sonata in B-Flat Major, Op. 2 No. 6: II. Prestissimo
06. Keyboard Sonata in E-Flat Major, Op. 7 No. 1: I. Allegro assai
07. Keyboard Sonata in E-Flat Major, Op. 7 No. 1: II. Mesto
08. Keyboard Sonata in E-Flat Major, Op. 7 No. 1: III. Rondo. Allegro
09. Keyboard Sonata in C Major, Op. 7 No. 2: I. Presto
10. Keyboard Sonata in C Major, Op. 7 No. 2: II. Andantino quasi allegretto-Presto
11. Keyboard Sonata in C Major, Op. 2 No. 2: I. Presto
12. Keyboard Sonata in C Major, Op. 2 No. 2: II. Rondo. Spiritoso
13. Keyboard Sonata in C Major, Op. 9 No. 2: I. Allegro ma con espressione
14. Keyboard Sonata in C Major, Op. 9 No. 2: II. Lento e patetico
15. Keyboard Sonata in C Major, Op. 9 No. 2: III. Rondo. Allegro spiritoso

Download:

mqs.link_SunAParkClementiKeyb0ardS0natas20192496.part1.rar
mqs.link_SunAParkClementiKeyb0ardS0natas20192496.part2.rar

”The Edge of Silence” finds American soprano and contemporary music specialist Susan Narucki firmly in her element performing iconoclastic vocal works by Hungarian composer Gyorgy Kurtag.

American soprano and Latin Grammy-nominee Susan Narucki, one of today’s most committed advocates of the music of our time, has a deep and lasting working relationship with Hungarian composer Gyorgy Kurtag which dates back to 1986. Susan’s luminous tone and distinctive artistry and Kurtag’s idiosyncratic fusion of poetry and music come together in this quintessential recorded collection of some of the composer’s most iconoclastic vocal works. In Susan’s words, “I have spent much of my life immersed in this repertoire, and it has become essential to the way I understand music; it is the heart of my practice as a musician.” Equally appreciative, Kurtag acknowledges Susan, “who sang so warmly, purely, so ‘integer’ these songs – with thanks and love.”

Tracklist:
01. Scenes from a Novel, Op. 19
02. Three Old Inscriptions, Op. 25
03. S.K. Remembrance Noise, Op. 12
04. Attila József Fragments, Op. 20
05. Seven Songs, Op. 22
06. Requiem for the Beloved, Op. 26
07. A Twilight in Winter Recollected, Op. 8

Personnel:
Susan Narucki, soprano
Donald Berman, piano
Curtis Macomber, violin
Nicholas Tolle, cimbalom
Kathryn Schulmeister, double bass

Download:

mqs.link_SusanNarukiTheEdge0fSilenceW0rksf0rV0icebyGyrgyKurtg20192496.part1.rar
mqs.link_SusanNarukiTheEdge0fSilenceW0rksf0rV0icebyGyrgyKurtg20192496.part2.rar

This remastered collection focuses on American jazz saxophonist, clarinetist, and composer Sidney Bechet. His legendary quintet, the Mezzrow-Bechet Quintet, brings to life some of Bechet’s most influential and acclaimed compositions and arrangements.

This is a historic album of recordings made in the late ‘40s. If ever a man qualified as a jazz master it was Bechet. He ranks perhaps as the second greatest genius in jazz history, after New Orleans’s most celebrated son, Louis Armstrong.

The most striking element of Bechet’s playing is his unremitting continuity of invention. It is as if the music is there inside him, already assembled, and he has only to put the soprano saxophone to his mouth for it all to flow forth in a joyous cascade.

Sidney Bechet was one of the great jazz virtuosi who helped perfect the art of solo improvisations.

Tracklist:
1. Out of the Gallion 03:24
2. Blues of the Roaring Twenties 03:59
3. Tommy’s Blues 04:01
4. Minor Swoon 03:03
5. Jelly Roll 03:40
6. Groovin’ the Minor 03:21
7. Really the Blues: No. 1. — 03:11
8. Really the Blues: No. 2. — 02:52
9. Funky Butt 04:12
10. Perdido Street Stomp 02:20
11. Where Am I? 04:43
12. I’m Speaking My Mind 03:44

Personnel:
Mezzrow-Bechet Septet:
Milton Mezzrow, clarinet
Sidney Bechet, soprano saxophone
Oran “Lips” Page, trumpet
Sammy Price, piano
Danny Barker, guitar
George “Pops” Foster, double bass
Sidney “Big Sid” Catlett, drums

Track 4: Minor Swoon
Recorded New York, July 31st, 1945

Mezzrow – Bechet Quintet:
Milton Mezzrow, clarinet
Sidney Bechet, soprano saxophone
Fitz Weston, piano
George “Pops” Foster, double bass
Kaiser Marshall, drums
Track 5: Jelly Roll
Track 10: Perdido Street Stomp
Recorded in New York, Aug. 29th, 1945

Same personnel:
Track 1: Out of the Gallion
Recorded New York Aug. 30th 1945

Mezzrow – Bechet Quintet:
Milton Mezzrow, clarinet
Sidney Bechet, soprano saxophone, clarinet*
Wesley “Sox” Wilson, piano
Wellman Braud, bass
Warren “Baby” Dodds, drums
Track 7: Really the Blues (Part 1*)
Track 8: Really the Blues (Part 2)
Track 6: Groovin’ the Minor
Recorded New York, Sept. 18th 1945

Mezzrow – Bechet Quintet:
Milton Mezzrow, clarinet
Sidney Bechet, soprano saxophone
Sammy Price, piano
George “Pops” Foster, double bass
Kaiser Marshall, drums
Track 11: Where Am I
Track 3: Tommy’s Blues
Recorded Chicago December 18th, 1947

Same personnel:
Track 12: I’m Speaking My Mind
Recorded Chicago December 19th, 1947

Same personnel:
Track 9: Funky Butt
Track 2: Blues of Roaring Twenties
Recorded Chicago December 20th, 1947

Digitally remastered

Download:

mqs.link_SydneyBechetReallytheBluesRemastered201824192.part1.rar
mqs.link_SydneyBechetReallytheBluesRemastered201824192.part2.rar

產品名稱: 真愛新曲+真正精選 (SACD)
歌手名稱: 張學友 (歌手)
推出日期: 2014-08-11
語言: 國語
製作來源地: 中國香港
光碟格式: Super Audio CD
出品商: 環球唱片(香港)

整張專輯設計的基調是亮黃色調子，與1995年張學友的“金色成功”很相稱，那壹年，34歲的張學友在香港壹連開了34場演唱會，被媒體稱為“近年惟壹引起炒賣熱潮的演唱會”。
這張專輯收錄的曲子，也的確集中了他在90年代前後的經典曲目中的大部分，當年這些曲子是眾多澀澀少年的前衛哼唱，如今卻成了卡拉OK裏那些得誌不得誌的上班壹族的懷舊感傷，或者是酒後的輕狂。此刻的人生體會，對於那《祝福》中所唱的心情的理解，又何止是“離別”，恐怕還有逝去的青春、戀人、理想……不再擁有的壹切壹切的懷念。“不要問，不要說，壹切盡在不言中。這壹刻，偎著燭光讓我們靜靜的渡過。莫揮手，莫回頭，當我唱起這首歌。怕只怕，淚水輕輕的滑落，願心中永遠留著我的笑容，伴妳走過每壹個春夏秋冬……”

張學友的確有唱歌的好嗓子，也是好男人，家庭幸福，人又敬業，“真愛”二字配現在的他，多少有些煽情。但是“1995年”這個數字背後的時空輪換，前與後的千差萬別，又怎能讓人不生感慨。當年那個又演電影又唱歌，喜怒哀樂終究只為壹個“紅”字的他，如今，笑容和歌聲中更多的是坦蕩和自信，早已不再有借就澆愁的困惑。
而當年聽他的歌的我們，今天的笑容又變得如何？心中那些幸福或不幸的感傷，經歷的事情越多，在記憶裏便越生動，經了歲月的打磨，有了蒼桑的味道，對於其中在書架上那叠CD的最下面的這張《真愛》中的幾首曲子的體會，便如陳年的酒壹般變醇了。《壹千個傷心的理由》唱起來也不會像當年那樣滿臉撕心裂肺，但心底的震撼，又怎個傷字了得！

yesasia

內容簡介／曲目
01. 真愛
02. 一千個傷心的理由
03. 我等到花兒也謝了
04. In Love With You (黎晶合唱)
05. 你冷得像風
06. 藍雨
07. 偷心
08. 每天愛你多一些
09. 吻別
10. 你知不知道
11. 回頭太難
12. 永遠的笑靨
13. 祝福
14. 人間道
15. 讓你愉快 (粵語) (讓我孤獨版)

SACD ISO

sacd.xyz_JackyCheung2014SACDISO.part1.rar
sacd.xyz_JackyCheung2014SACDISO.part2.rar
sacd.xyz_JackyCheung2014SACDISO.part3.rar

DSD DSF

mqs.link_JackyCheungTrueLve.part1.rar
mqs.link_JackyCheungTrueLve.part2.rar
mqs.link_JackyCheungTrueLve.part3.rar

產品名稱: 張學友活出生命Live演唱會 SACD (2CD)
歌手名稱: 張學友 (歌手)
推出日期: 2005-08-22
語言: 粵語, 國語
製作來源地: 中國香港
光碟格式: Super Audio CD, 鐳射唱片

yesasia

內容簡介／曲目
CD 1
01 – First of May (原唱: Bee Gees) 4:42
02 – 但願人長久 (原唱: 王菲/鄧麗君) 3:43
03 – 眼淚 (原唱: 范曉萱) 3:51
04 – 天黑黑 (原唱: 孫燕姿) 3:46
05 – 聽海 (原唱: 張惠妹) 4:47
06 – 約定 (原唱: 王菲) 4:07
07 – 藍月亮 (原唱: 李克勤) 4:25
08 – 天下無雙 (原唱: 陳奕迅) 3:47
09 – 明天我要嫁給你 (原唱: 周華健) 3:56
10 – 瘋了 (原唱: 林憶蓮) 5:01
11 – 傷追人 (原唱: 古巨基) 4:26
12 – 小城大事 (原唱: 楊千嬅) 3:50

CD 2
01 – 星晴 (原唱: 周杰倫) 3:40
02 – 愛很簡單 (原唱: 陶喆) 4:49
03 – 愛我別走 (原唱: 張震嶽) 5:14
04 – 愛如潮水 (原唱: 張信哲) 3:50
05 – 味道 (原唱: 辛曉琪) 3:27
06 – 等 (原唱: 陳百強) 3:52
07 – 追 (電影 ‘金枝玉葉’ 插曲) (原唱: 張國榮) 4:55
08 – 情人 (原唱: Beyond) 7:51
09 – 不老的傳說 4:09
10 – 講你知 6:27
11 – 我真的受傷了 4:27
12 – 愛是永恆 6:13

SACD ISO

sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part01.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part02.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part03.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part04.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part05.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part06.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part07.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part08.rar
sacd.xyz_JackyCheungLiveSACD20052xSACDISO.part09.rar

SACD to DSF DSD64

mqs.link_JackyCheungSprtsFrLiveSACD.part1.rar
mqs.link_JackyCheungSprtsFrLiveSACD.part2.rar
mqs.link_JackyCheungSprtsFrLiveSACD.part3.rar
mqs.link_JackyCheungSprtsFrLiveSACD.part4.rar
mqs.link_JackyCheungSprtsFrLiveSACD.part5.rar

產品名稱: 愛火花 (SACD)
歌手名稱: 張學友 (歌手)
推出日期: 2008-07-07
語言: 粵語
製作來源地: 中國香港
光碟格式: Super Audio CD
出品商: 環球唱片(香港)

專輯在92年推出，也是四大天王最白熱化的階段。無疑學友在唱功上占盡優勢，但他的幕後功臣區丁玉也是居功至偉，因為他為學友挑選了很多好歌，這張“愛火花”專輯便可看到二人的火花。點題曲“愛火花”是首節奏強勁的快歌，配合在聖誕推出的時間，火辣辣的快歌還是有其優勢。“愛火花”本身的旋律簡單，容易令人記起。快歌方面還有“還我情真”，是寶麗金禦用作曲人Donald Ashley的作品，他曾為關淑怡作了不少歌曲，這首“還我情真”保留了Donald Ashley的搖滾味道。“愛火花”專輯最突出要數幾首慢歌，乃是水準之作。“日出時讓戀愛終結”，先來壹個重型吉他聲，再配上幽怨的樂章，訴說著情人離別的那壹刻惆悵之情。另外力推“夜了，又破曉”，很喜歡那種清新的配樂，卻又學友激情的演繹。當然少不了“還是覺得妳最好”，“妳是我今生唯壹傳奇”的拿手情歌，聽起來很舒服。“幸福宣言”是當年壹部電影“真的愛妳”（張學友，張曼玉主演）的片尾曲，聽起來更是有種“有情人終曾眷屬”的感覺，很幸福。 “愛火花”專輯中，十首歌裏面有七首是改編歌曲，但聽起來像是為學友度身訂做壹樣。監制區丁玉的眼光獨到不負多界頒獎典禮上的最佳監制之名。

yesasia

內容簡介／曲目
* Hybrid Stereo, Plays on ALL SACD and CD Players

01. 愛、火、花
02. 還是覺得你最好
03. 日出時讓戀愛終結
04. 還我情真
05. 你是我今生唯一傳奇
06. 幸福宣言
07. 夜了……又破曉
08. 生命的插曲
09. 長流不息 (張學友、黎瑞恩合唱)
10. 獨尋醉

SACD ISO

sacd.xyz_JackyCheung19922008SACDISO.part1.rar
sacd.xyz_JackyCheung19922008SACDISO.part2.rar

SACD to DSF DSD64

mqs.link_JackyCheungLveFireFlwer.part1.rar
mqs.link_JackyCheungLveFireFlwer.part2.rar

Takako Nishizaki is one of the most frequently recorded and among the best-selling violinists of all time. Her recording of Vivaldi’s Four Seasons was named the 8th best-selling classical CD of all time with sales exceeding 1,000,000 copies to-date.

Takako Nishizaki is one of Japan’s finest violinists. As a child, she studied with her father, Shinji, the co-founder of the Suzuki Method and with Shinichi Suzuki himself. She started performing in public at age 5 and was the first student to complete the now famous Suzuki course where she was awarded a teacher’s diploma at the tender age of nine.

Tracklist:

Violin Concerto No.1 in G minor, Op. 26
1. I. Prelude: Allegro moderato 08:06
2. II. Adagio 08:06
3. III. Finale: Allegro energico 07:34

Violin Concertoin D major, Op. 77
4. I. Allegro non troppo 24:05
5. II. Adagio 08:54
6. III. Allegro giocoso, ma non troppo vivace 08:29

Personnel:
Takako Nishizaki, volin
Slovak Philharmonic Orchestra
Stephen Gunzenhauser, conductor

Recorded at the Concert Hall of the Slovak Philharmonic in Bratislava from May 22nd to May 27th, 1989
Produced by Günter Appenheimer

Digitally remastered

Download:

mqs.link_Takak0NishizakiBruchVi0linC0ncert0N0.1BrahmsVi0linC0ncert01991201424441.rar

松田彬人 (Akito Matsuda) –『劇場版響け！ユーフォニアム～届けたいメロディ～』オリジナルサウンドトラック The only melody [Mora FLAC 24bit/96kHz]

Sonora Slocum & John Wilson – Return (2019) [FLAC 24bit/96kHz]

Sonny Clark Trio – Blues In The Night (2019) [FLAC 24bit/44,1kHz]

Sahib Shihab – Sentiments (Remastered) (2018) [FLAC 24bit/192kHz]

Sara Gazarek – Thirsty Ghost (2019) [FLAC 24bit/44,1kHz]

Saxon – The Eagle Has Landed 40 (Live) (2019) [FLAC 24bit/48kHz]

Stan Hitchcock – Softly and Tenderly (1969/2019) [FLAC 24bit/96kHz]

Peter Steiner & Constanze Hochwartner – Sapphire Peter (2019) [FLAC 24bit/88,2kHz]

Stenhammar Quartet – Debussy, Tailleferre & Ravel: String Quartets (2019) [FLAC 24bit/96kHz]

Steve Cole – Gratitude (2019) [FLAC 24bit/44,1kHz]

Steve Kuhn – Non-Fiction (1978/2019) [FLAC 24bit/96kHz]

Steve Kuhn Quartet – Last Year’s Waltz – Live At Fat Tuesday’s, New York City 1981 (1982/2019) [FLAC 24bit/96kHz]

Royal Concertgebouw Orchestra & Stephane Deneve – Honegger: Jeanne d’Arc au bûcher (2019) [FLAC 24bit/96kHz]

Sun-A Park – Clementi: Keyboard Sonatas (2019) [FLAC 24bit/96kHz]

Susan Naruki – The Edge of Silence: Works for Voice by Gyorgy Kurtag (2019) [FLAC 24bit/96kHz]

Sydney Bechet – Really the Blues (Remastered) (2018) [FLAC 24bit/192kHz]

張學友 (Jacky Cheung) –真愛新曲+真正精選 (2014) SACD ISO

張學友 (Jacky Cheung) –張學友活出生命Live演唱會 SACD (2005) 2xSACD ISO

張學友 (Jacky Cheung) –愛火花 (1992/2008) SACD ISO

Takako Nishizaki – Bruch: Violin Concerto No. 1 / Brahms: Violin Concerto (1991/2014) [FLAC 24bit/44,1kHz]