レーベル SQUARE ENIX
配信開始日 2018.02.28
収録曲数 全105曲
収録時間 5:52:36
サイズ合計 11.6GB
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

https://mora.jp/package/43000021/SQEX-20043_F/

「ディシディア ファイナルファンタジーNT」楽曲が満載のBDM
「ディシディア ファイナルファンタジー」シリーズの最新作「DISSIDIA FINAL FANTASY NT」（2018年1月11日発売）の楽曲を収録したサントラが発売！「DISSIDIA FINAL FANTASY NT」新録楽曲はもちろん、「DISSIDIA FINAL FANTASY -Arcade- Original Soundtrack」と「DISSIDIA FINAL FANTASY -Arcade- Original Soundtrack Vol.2」の2作品からもゲーム内に実装されている楽曲を高音質音源にリマスタリングをした楽曲を収録！ およそ100曲の大ボリュームで収録いたします。サウンドプロデュース・石元丈晴による、「ディシディア ファイナルファンタジー」書き下ろし楽曲と、歴代「ファイナルファンタジー」シリーズの定番楽曲のアレンジバージョンを、高音質でたのしめます。

収録内容

01. At Long Last 41.35 MB
02. 萌芽 80.03 MB
03. Character Select NT 65.06 MB
04. Briefing NT 43.87 MB
05. Customization NT 69.97 MB
06. はじまり 44.73 MB
07. 「オープニング・テーマ arrange 」 from FINAL FANTASY 129.19 MB
08. 「メイン・テーマ arrange 」from FINAL FANTASY 85.87 MB
09. 「反乱軍のテーマ arrange 」 from FINAL FANTASY II 92.98 MB
10. 「メイン・テーマ arrange 」 from FINAL FANTASY II 103.09 MB
100. It Ends Here 88.06 MB
101. 守るべき世界 60.70 MB
102. DISSIDIA NT ending 119.20 MB
104. DISSIDIA FINAL FANTASY NT [Announcement Trailer] 45.75 MB
105. DISSIDIA FINAL FANTASY NT [TGS 2017 Trailer] 38.80 MB
106. DISSIDIA FINAL FANTASY NT [JF 2018 Trailer] 60.76 MB
11. 「悠久の風 DFF arrange 」 from FINAL FANTASY III 50.45 MB
12. 「クリスタルタワー arrange 」from FINAL FANTASY III 75.98 MB
13. 「巨人のダンジョン arrange 」 from FINAL FANTASY IV 88.26 MB
14. 「最後の闘い arrange 」 from FINAL FANTASY IV 68.50 MB
15. 「バトル2 arrange 」 from FINAL FANTASY V 61.66 MB
16. 「決戦 arrange 」 from FINAL FANTASY V 96.72 MB
17. 「幻獣を守れ！ arrange 」 from FINAL FANTASY VI 48.35 MB
18. 「妖星乱舞 arrange 」from FINAL FANTASY VI 90.57 MB
19. 「勝利のファンファーレ arrange 」 from FINAL FANTASY VI 18.70 MB
20. 「敗北ファンファーレ original 」 from DISSIDIA FINAL FANTASY Arcade 21.08 MB
21. 「Massive Explosion」 from DISSIDIA FINAL FANTASY Arcade 86.02 MB
22. 福音 75.87 MB
23. 「闘う者達 arrange 」 from FINAL FANTASY VII 126.55 MB
24. 「オープニング～爆破ミッション arrange 」from FINAL FANTASY VII 103.76 MB
25. 「The Man with the Machine Gun arrange 」 from FINAL FANTASY VIII 75.89 MB
26. 「Maybe I’m a Lion arrange 」 from FINAL FANTASY VIII 109.92 MB
27. 「The Extreme arrange 」 from FINAL FANTASY VIII 123.84 MB
28. 「この刃に懸けて arrange 」 from FINAL FANTASY IX 84.13 MB
29. 「守るべきもの arrange 」 from FINAL FANTASY IX 77.84 MB
30. 「破滅への使者 arrange 」 from FINAL FANTASY IX 89.79 MB
31. 「ノーマルバトル arrange 」from FINAL FANTASY X 71.45 MB
32. 「シーモアバトル arrange 」 from FINAL FANTASY X 108.86 MB
33. 「決戦 arrange 」 from FINAL FANTASY X 147.17 MB
34. 「Fighters of the Crystal arrange 」 from FINAL FANTASY XI 105.11 MB
35. 「Awakening arrange 」 from FINAL FANTASY XI 94.86 MB
36. 「Belief arrange 」 from FINAL FANTASY XI 115.55 MB
37. 「Ragnarok arrange 」 from FINAL FANTASY XI 70.01 MB
38. 追憶 70.75 MB
39. 再会 73.17 MB
40. 臨戦 78.60 MB
41. 充足 65.87 MB
42. 始動 67.32 MB
43. 決意 79.28 MB
44. 混迷 67.50 MB
45. 「剣の一閃 arrange 」 from FINAL FANTASY XII 60.07 MB
46. 「死闘 arrange 」 from FINAL FANTASY XII 65.33 MB
47. 「自由への闘い arrange 」 from FINAL FANTASY XII 103.94 MB
48. 「ボス戦 arrange 」 from FINAL FANTASY XII 83.39 MB
49. 「動乱のエデン arrange 」 from FINAL FANTASY XIII 56.09 MB
50. 「宿命への抗い arrange 」 from FINAL FANTASY XIII 79.90 MB
51. 「召喚獣 arrange 」 from FINAL FANTASY XIII 112.36 MB
52. 「Massive Explosion Instrumental 」 from DISSIDIA FINAL FANTASY Arcade 85.86 MB
53. 「DISSIDIA opening 」 from DISSIDIA FINAL FANTASY Arcade 41.14 MB
54. 「プレリュード arrange 」 from DISSIDIA FINAL FANTASY Arcade 60.15 MB
55. 「Mode Select」 from DISSIDIA FINAL FANTASY Arcade 49.33 MB
56. 「Character Select」 from DISSIDIA FINAL FANTASY Arcade 43.07 MB
57. 「Customization」 from DISSIDIA FINAL FANTASY Arcade 43.39 MB
58. 「Battle Medley」 from DISSIDIA FINAL FANTASY Arcade 219.75 MB
59. 「天より降りし力 arrange 」 from FINAL FANTASY XIV 91.27 MB
60. 「ネメシス arrange 」 from FINAL FANTASY XIV 102.56 MB
61. 「究極幻想 arrange 」 from FINAL FANTASY XIV 116.37 MB
62. 「不吉なる前兆 arrange 」 from FINAL FANTASY XIV 90.59 MB
63. 「英傑 ～ナイツ・オブ・ラウンド討滅戦～ arrange 」 from FINAL FANTASY XIV 81.49 MB
64. 「Stand Your Ground arrange 」from FINAL FANTASY XV 65.44 MB
65. 「The Fight Is On! arrange 」from FINAL FANTASY XV 47.56 MB
66. 「Veiled in Black arrange 」from FINAL FANTASY XV 64.36 MB
67. 「Careening Into Danger arrange 」from FINAL FANTASY XV 105.36 MB
68. 「APOCALYPSIS NOCTIS arrange 」from FINAL FANTASY XV 66.37 MB
69. 「Opening 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 36.88 MB
70. 「Declaration 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 40.12 MB
71. 「Chance 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 44.42 MB
72. 「Title 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 60.82 MB
73. 「Winner 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 18.17 MB
74. 「Loser 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 15.02 MB
75. 「Result 神々の闘争 」 from DISSIDIA FINAL FANTASY Arcade 29.91 MB
76. 「我ら来たれり arrange 」 from FINAL FANTASY 零式 54.64 MB
77. 「戦 白の兵器 arrange 」 from FINAL FANTASY 零式 88.26 MB
78. 「クリスタルの使徒 arrange 」 from FINAL FANTASY 零式 45.60 MB
79. 「戦 静かな激闘 arrange 」 from FINAL FANTASY 零式 89.28 MB
80. 「戦 一騎当千 arrange 」 from FINAL FANTASY 零式 78.96 MB
81. 「Trisection arrange 」 from FINAL FANTASY TACTICS 33.32 MB
82. 「Antipyretic arrange 」 from FINAL FANTASY TACTICS 44.04 MB
83. 「橋上の戦い arrange 」 from FINAL FANTASY TACTICS 80.82 MB
84. 「ユニット紹介 arrange 」 from FINAL FANTASY TACTICS 82.01 MB
85. 「Ultema The Nice Body arrange 」 from FINAL FANTASY TACTICS 78.49 MB
86. 勝利のファンファーレ rival 18.91 MB
87. 「Explosion」 from DISSIDIA FINAL FANTASY Arcade 78.31 MB
88. 「Ranking」 from DISSIDIA FINAL FANTASY Arcade 26.21 MB
89. 元凶 67.94 MB
90. イフリートバトル 92.04 MB
91. Massive Explosion arrange DISSIDIA FINAL FANTASY NT 83.71 MB
92. ラムウバトル 91.16 MB
93. リヴァイアサンバトル 96.82 MB
94. オーディンバトル 94.17 MB
95. アレクサンダーバトル 94.58 MB
96. Massive Explosion (Strings ver.) 72.96 MB
97. 次元喰い 61.39 MB
98. Dare to Defy 55.39 MB
99. The Dragon Sups 70.10 MB

Download:

mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part1.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part2.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part3.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part4.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part5.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part6.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part7.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part8.rar
mqs.link_DISSIDIAFINALFANTASYNTriginalSundtrack2018022824bit96kHzFLAC.part9.rar

George Frideric Handel – Messiah, HWV 56 – Toronto Symphony Orchestra, Sir Andrew Davis (2016)
FLAC (tracks) 24 bit/192 kHz | Time – 01:54:04 minutes |  3,66 GB | Genre: Classical
Studio Master, Official Digital Download  | Source: theCLASSICALshop | Front cover , Booklet | © Chandos Records
Recorded: Roy Thomson Hall, Toronto, Ontario, Canada; December 2015

Experience the transcendent glory of Messiah in Sir Andrew Davis’s new, majestic, must-hear edition of Handel’s beloved classic.
Recorded live for SACD release in surround sound, this unique version makes use of all the colours available from the modern symphony orchestra to underline the mood and meaning of the individual movements. Without detracting from the innate power of the original, the conductor’s score calls for moments of drama, pathos, and even, sometimes, whimsicality. It is supported by substantial brass and woodwind forces, and several percussion instruments (including marimba!).
As he explains in a very personal booklet note, this leading British conductor brings immense dedication to what is probably the most famous piece of British sacred music ever composed, this version being one which he has conducted live only a few times, including on this recording. He confesses: ‘Everything I have done instrumentally stems from the enormous respect, even awe, which I feel towards this supreme masterpiece’.

Tracklist:

George Frideric Handel (1685–1759)
Messiah, HWV 56 (1741)
Oratorio in Three Parts
New Concert Edition by Sir Andrew Davis
‘In Memory of My Mother and Father’

Part 1
1. 1. Overture (Sinfony). Grave – Allegro moderato – 3:37
2. 2. Accompagnato. Tenor: ‘Comfort ye, comfort ye my people’. Larghetto 2:33
3. 3. Air. Tenor: ‘Ev’ry valley shall be exalted’. Andante 3:21
4. 4. Chorus: ‘And the Flory of the Lord shall be revealed’. Allegro giocoso – Adagio 2:35
5. 5. Accompagnato. Bass: ‘Thus saith the Lord’. Solenne 1:31
6. 6. Air. Mezzo-soprano: ‘But who may abide the day of his coming!’. Larghetto – Prestissimo – Larghetto – Prestissimo – Adagio 4:01
7. 7. Chorus: ‘And He shall purify the sons of Levi’ 2:31
8. 8. Recitative. Mezzo-soprano: ‘Behold! A virgin shall conceive’ 0:29
9. 9. Air. Mezzo-soprano and Chorus: ‘O thou that tellest good tidings to Zion’. Andante 5:07
10. 10. Accompagnato. Bass: ‘For behold, darkness shall cover the earth’. Andante larghetto 2:20
11. 11. Air. Bass: ‘The people that walked in darkness have seen a great light’. Larghetto 3:09
12. 12. Chorus: ‘For unto us a Child is born’. Andante allegro 4:04
13. 13. Pastoral Symphony (Pifa). Larghetto – 0:53
14. 14A. Recitative. Soprano: ;There were shepherds abiding in the field’. [ ] 0:14
15. 14B. Accompagnato. Soprano: ‘And lo, the angel of the Lord came upon them’. Andante 0:21
16. 15. Recitative. Soprano: ‘And the angel said unto them’ 0:38
17. 16. Accompagnato. Soprano: ‘And suddenly there was with the angel a multitude…’. Allegro 0:18
18. 17. Chorus: ‘Glory to God in the highest’. L’istesso tempo 2:04
19. 18. Air. Soprano: ‘Rejoice greatly, O daughter of Zion’. Allegro – Meno mosso – Tempo I – [ ] – Tempo I 4:45
20. 19. Recitative. Mezzo-soprano: ‘Then shall the eyes of the blind be open’d’ 0:28
21. 20. Duet. Mezzo-soprano and Soprano: ‘He shall feed His flock like a shepherd’. Larghetto – 5:21
22. 21. Chorus: ‘His yoke is easy’. Not too fast and with lots of bounce! 2:24

Part 2
23. 22. Chorus: ‘Behold the Lamb of God’. Largo 2:56
24. 23. Air. Mezzo-soprano: ‘He was despised and rejected of men’. Largo 5:11
25. 24. Chorus: ‘Surely, He hath borne our griefs and carried our sorrows’. Largo e staccato – 1:54
26. 25. Chorus: ‘And with His stripes we are healed’. Alle breve moderato – 1:49
27. 26. Chorus: ‘All we like sheep have gone astray’. Allegro moderato – Adagio 3:56
28. 27. Accompagnato. Tenor: ‘All they that see Him laugh Him to scorn’. Larghetto – 0:43
29. 28. Chorus: ‘He trusted in God that He would deliver Him’. Allegro 2:20
30. 29. Accompagnato. ‘Tenor: ‘Thy rebuke hath broken His Heart’. Largo 1:42
31. 30. Arioso. Tenor: ‘Behold, and see if there by any sorrow like unto His sorrow’. Largo e piano 1:16
32. 31. Accompagnato. Tenor: ‘He was cut off out of the land of the living’ 0:16
33. 32. Air. Tenor: ‘But thou didst not leave His soul in Hell’. Andante larghetto 2:07
34. 33. Chorus: ‘Lift up your heads, O ye gates’. A tempo ordinario 3:13
35. 37. Chorus: ‘The Lord gave the word’. Andante allegro – 1:00
36. 38. Air. Soprano: ‘How beautiful are the feet of them that preach the gospel of peace’. Larghetto 2:07
37. 40. Air. Bass: ‘Who do the nations so furiously rage together’. Allegro – 2:52
38. 41. Chorus: ‘Let us break their bonds asunder’. Allegro e staccato 1:48
39. 42. Recitative. Tenor: ‘He that dwelleth in heaven shall laugh them to scorn’ – 0:15
40. 43. Air. Tenor: ‘Thou shalt break them with a rod of iron’. Andante 1:55
41. 44. Chorus: ‘Hallelujah!’. Allegro 3:48

Part 3
42. 45. Air. Soprano: ‘I know that my Redeemer liveth’. Larghetto 6:16
43. 46. Chorus: ‘Since by man came death’. Grave – Allegro – Grave – Allegro 2:07
44. 47. Accompagnato. Bass: ‘Behold, I tell you a mystery’ 0:35
45. 48. Air. Bass: ‘The trumpet shall sound’. Pomposo, ma non allegro 4:10
46. 53. Chorus: ‘Worthy is the Lamb that was slain’. Largo – Larghetto – Allegro moderato 6:58

Personnel:
Erin Wall, soprano
Elizabeth DeShong, mezzo-soprano
Andrew Staples, tenor
John Relyea, bass
Toronto Mendelssohn Choir
Noel Edison, artistic director
Toronto Symphony Orchestra
Jonathan Crow, concertmaster
Sir Andrew Davis, conductor

Download:

mqs.link_HandelMessiahHWV56TSAndrewDavis2016theCLASSICALshp24192.part1.rar
mqs.link_HandelMessiahHWV56TSAndrewDavis2016theCLASSICALshp24192.part2.rar
mqs.link_HandelMessiahHWV56TSAndrewDavis2016theCLASSICALshp24192.part3.rar
mqs.link_HandelMessiahHWV56TSAndrewDavis2016theCLASSICALshp24192.part4.rar

Hank Snow – Gospel Train (1966/2016)
FLAC (tracks) 24 bit/96 kHz | Time – 31:35 minutes | 1,16 GB | Genre: Country
Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © RCA Records
Recorded: Mar/1966, RCA Victor’s “Nashville Sound” Studio, Nashville, Tennessee

Tracklist:
1 This Train 02:18
2 I See Jesus 03:21
3 My Religion’s Not Old-Fashioned (But It’s Real Genuine) 02:20
4 Dear Lord, Remember Me 02:16
5 Shop Worn 02:39
6 I’m Glad I’m On the Inside (Looking Out) 03:00
7 I’ll Go Marching Into Glory 01:51
8 What Then 02:45
9 The Runt 02:59
10 How Big Is God? 03:07
11 The Lord’s Way of Saying Goodnight 02:32
12 A Man Who Is Wise 02:23

Personnel:
Hank Snow, vocals
Harold Bradley, Joe Tanner, Velma Smith – guitar
Roy Huskey – bass
Buddy Harman, Jerry Carrigan – drums
Hargus Pig Robbins – piano, organ
Bill Pursell – piano
Vocals: Jake Hess, Armond Morales, Gary McSpadden, Sherrill Nielsen

Download:

mqs.link_HankSnwGspelTrain19662016HDTracks24192.part1.rar
mqs.link_HankSnwGspelTrain19662016HDTracks24192.part2.rar

Harmen Fraanje Quartet feat. Nelson Veras – Sonatala (2004)
FLAC (tracks) 24 bit/96 kHz | Time – 59:29 minutes | 1,12 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Challenge Records Int.
Recorded: Studio LeRoy, Amsterdam on February 10 and 11, 2003

The quartet of Harmen Fraanje was founded in the summer of 2002.Hein Van de Geyn invited the musicians to his theater where they spent an extraordinary week together. The music of Harmen found a miraculous medium in this group. The phenomenal brazilian guitarist Nelson Veras was able to add just that magic colour to the already sparkling sound of the piano trio. Nelson Veras,who already as a teenager toured with people like Pat Metheny,Aldo Romano, Gary Peacock, Michel Petrucciani, grew into one of the most promising guitarists in the world.His fabulous technique and effortless musicality are truly amazing. Hein Van de Geyn is a well known and seasoned bassist. His 20 year long experience give him the ability to push the group from his place in the back to extraordinary heights.His flexibility and sense of improvisation give a special colour to the group. Drummer Matthieu Chazarenc is at this point one of the young lions of the Paris Jazz scene that is most in demand.He only arrived on the scene a few years ago. His intense polyrhythmical way of playing is an exciting factor within the sound of the band. The music of this extraordinary quartet has a power and simplicity that hits the listener in a very direct way. Within the refreshing, clear compositions breathtaking improvisation takes place.As one of the most promising upcoming quartets we wantedto fully support the beautiful sound of the band with the best quality format.Challenge therefore decided to release this album as a hybrid surround SACD only.

This fascinating quartet consists of three talented young musicians, pianist Harmen Fraanje, guitarist Nelson Veras, and drummer Matthieu Chazarenc, as well as seasoned veteran Hein Van De Geyn on bass. While only the bassist is likely to be familiar to most savvy jazz fans, the compositions, most of which were written by Fraanje, draw from several fields of music. The title track has a Middle Eastern flavor in the vamp sections, though it quickly segues into a quiet jazz setting. “Nanne” begins with a gorgeous solo improvisation by Fraanje and transforms into a brief meditative ballad. The funky rhythm of “Mokka” suggests a blend of New Orleans jazz and post-bop, retaining the humor of the former style and the adventurous modern spirit of the latter. “Paris Song” is a lighthearted waltz, while “Winter” has a bit of a melancholy air. The sound of this hybrid Super Audio CD adds to the enjoyment of this delightful date. –AllMusic Review by Ken Dryden

Tracklist:
1. Sonatala 7:32
2. Hans 8:11
3. Nanne 3:08
4. Mokka 2:38
5. Mulle 3:57
6. Sixtension 4:42
7. Acela 3:32
8. Spirit 5:55
9. Paris Song 4:36
10. Bungee 4:34
11. Intermezzo 1:49
12. Winter 8:02

Personnel:
Harmen Fraanje, piano
Nelson Veras, guitar
Hein van de Geyn, duble bass
Matthieu Chazarenc, drums

Download:

mqs.link_HarmenFraanjeQuartetfeat.NelsnVerasSnatala2004HDTracks2496.part1.rar
mqs.link_HarmenFraanjeQuartetfeat.NelsnVerasSnatala2004HDTracks2496.part2.rar

Karl Amadeus Hartmann – Symphonies Nos. 1-8 – Netherlands Radio Philharmonic Orchestra, James Gaffigan, Ingo Metzmacher, Christoph Poppen, Michael Schonwandt, Markus Stenz, Osmo Vanska (2014)
DSF Stereo DSD64/2.82MHz | Time – 03:18:13 minutes | 7,86 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover |  © Challenge Records
Recorded: 2012 – 2013, NTR ZaterdagMatinee, Royal Concertgebouw, Amsterdam & Muziekcentrum van de Omroep, Hilversum

Karl Amadeus Hartmann (1905-1963) is one of the most significant but least-known symphonic composers of the 20th century. This set of three hybrid SACDs, issued to mark the 50th anniversary of the German composer’s death, features his eight symphonies played by the Netherlands Radio Philharmonic and Chamber Philharmonic Orchestras under the batons of several major conductors, including Christoph Poppen, Osmo Vanska, James Gaffigan and Markus Stenz.
One of the most characteristic features of Hartmann’s work is the way in which he forges contrasting stylistic elements and techniques from various periods of music history into a seamless unit. Moreover, one melody is found in all his symphonies, concealed to varying degrees. This melody is based on the Jewish song “Elijahu hanavi” about the prophet Elijah, whom the Jews anxiously await to bring them redemption. This yearning quality lies at the heart of the composer’s music.
Two types of movement, adagio and scherzo, form the unmistakable axis of Hartmann’s symphonic works, and the result is that the musical discourse continually takes place between expansion and energy, monumental stasis and a dynamic primal force toppling everything in its path. Hartmann’s symphonic legacy most certainly deserves its rightful place in the canon, especially in English-speaking countries where it’s been often overlooked.

Tracklist:

Karl Amadeus Hartmann (1905-1963)
Symphony No.1, ‘Versuch eines Requiems’ (1948 rev. 1954-55) Whitman, Walt – lyricist
[1] I Introduktion: Elend “Ich sitze und schaue aus” 3:19
[2] II Frühling – “Als jüngst der Flieder blühte” 4:48
[3] III Thema mit vier Variationen 7:32
[4] IV Tränen – “In der Nacht der Einsamkeit” 7:43
[5] V Epilog: Bitte – “Ich hörte die Allmutter” 2:48
Netherlands Radio Philharmonic Orchestra, Kismara Pessati, alto (1,2,4,5) Markus Stenz, conductor
Live recording 22 december 2012, Royal Concertgebouw Amsterdam

Symphony No.2, ‘Adagio’ (1945-1946)
[6] Adagio 16:55
Netherlands Radio Philharmonic Orchestra – James Gaffigan, conductor
Live recording 26 january 2013, Royal Concertgebouw Amsterdam

Symphony No.3 (1948-1949)
[7] Largo ma non troppo – Allegro con fuoco (Virtuose Fuge) 16:46
[8] Adagio – Andante – Allegro moderato – Andante – Adagio 15:15
Netherlands Radio Philharmonic Orchestra – James Gaffigan, conductor
Live recording 22 september 2012, Royal Concertgebouw Amsterdam

Symphony No.4 (1947-1948)
[9] I Lento assai – Con passione 14:47
[10] II Allegro di molto, risoluto 9:19
[11] III Adagio appassionato 6:41
Netherlands Radio Philharmonic Orchestra – Markus Stenz, conductor
Studio recording 12-14 november 2012, Muziekcentrum van de Omroep Hilversum, Studio 5

Symphony No.5, ‘Sinfonia concertante’ (1950)
[12] Toccata 4:47
[13] Melodie 7:00
[14] Rondo 4:01
Netherlands Radio Chamber Philharmonic – Michael Schønwandt, conductor
Studio recording 6-8 june 2012, Muziekcentrum van de Omroep Hilversum, Studio 1

Symphony No.6 (1951-1953)
[15] I Adagio 13:23
[16] II Toccata variata 12:01
Netherlands Radio Philharmonic Orchestra – Christoph Poppen, conductor
Live recording 11 may 2013, Royal Concertgebouw Amsterdam

Symphony No.7 (1957-1958)
[17] I Introduction und Ricercare 9:16
[18] II Adagio mesto cantanto e tranquillo – Finale: Scherzoso virtuoso 18:16
Netherlands Radio Philharmonic Orchestra – Osmo Vänskä, conductor
Live recording 12 january 2013, Royal Concertgebouw Amsterdam

Symphony No.8 (1960-1962)
[19] I Cantilene 13:46
[20] II Dithyrambe: Scherzo – Fuga 9:50
Netherlands Radio Philharmonic Orchestra – Ingo Metzmacher, conductor
Live recording 30 march 2013, Royal Concertgebouw Amsterdam

Personnel:
Netherlands Radio Philharmonic Orchestra
Netherlands Radio Chamber Philharmonic
James Gaffigan, Ingo Metzmacher, Christoph Poppen, Michael Schønwandt, Markus Stenz, Osmo Vänskä, conductor

Download:

mqs.link_HartmannSymphnies18RFGaffiganMetzmacherPppenSchnwandtStenzVnsk2014DSD64.part01.rar
mqs.link_HartmannSymphnies18RFGaffiganMetzmacherPppenSchnwandtStenzVnsk2014DSD64.part02.rar
mqs.link_HartmannSymphnies18RFGaffiganMetzmacherPppenSchnwandtStenzVnsk2014DSD64.part03.rar
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mqs.link_HartmannSymphnies18RFGaffiganMetzmacherPppenSchnwandtStenzVnsk2014DSD64.part08.rar
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Joseph Haydn – String Quartets Op. 50 – The London Haydn Quartet (2016)
FLAC (tracks) 24-bit/96 kHz | Time – 02:28:51 minutes | 2,9 GB | Genre: Classical
Studio Master, Official Digital Download – Source: hyperion-records.co.uk | Booklet, Front Cover | © Hyperion Records
Recorded: October 2014, Potton Hall, Dunwich, Suffolk, United Kingdom

The London Haydn Quartet turns to the six Op 50 quartets. More serious—intellectually taut—than the Op 33 ‘Russian’ quartets which they follow in Haydn’s output, these six ‘Prussian’ quartets dazzle in such committed performances as these.

Published in 1787 and dedicated to the cello-playing King of Prussia, the six Op 50 Quartets comprise some of Haydn’s most obsessive achievements in the art of making much from little—of drawing the most varied structures, inventions, textures and feelings from the most limited thematic material. The serenely animated opening Allegro of Op 50 No 1 unfolds from little more than a throbbing bass and a tiny cliché turn, while the principle idea of the witty finale of No 6 is no more than a single note reiterated on alternate strings—a sound that has gained the work the nick name of the ‘Frog Quartet’.
Haydn constrained himself still further in No 4 by opting for F sharp minor, an obscure key, exceptionally perilous to string intonation, that makes for an uneasy mood of suppressed emotions. Not, of course, that Catherine Manson and her three colleagues of the London String Quartet have any problems with the tuning here, though they cannot quite avoid a slight roughness of timbre in this difficult key, which was probably Haydn’s intention in choosing it.
For the rest, gut strings and paucity of vibrato notwithstanding, they play with all the radiant resonance of timbre of their previous release in this on-going Haydn series. Maybe the opening movement of No 2 is a little too beautiful to articulate all its cut and thrust; maybe the outer movements of No 3 are a bit too hasty and throwaway. But there is never a dull moment, and the recording is of answering immediacy and bloom. –Bayan Northcottб BBC Music Magazine

Tracklist:
Joseph Haydn (1732-1809)
String Quartet in B flat major Op 50 No 1
1 Allegro[8’43]
2 Adagio[7’28]
3 Menuetto: Poco allegretto[3’15]
4 Vivace assai[4’49]
String Quartet in C major Op 50 No 2
5 Vivace[12’16]
6 Adagio[4’45]
7 Menuetto: Allegro[4’00]
8 Vivace assai[7’02]
String Quartet in E flat major Op 50 No 3
9 Allegro con brio[6’22]
10 Andante più tosto allegretto[7’24]
11 Menuetto: Allegretto[4’47]
12 Presto[4’44]
String Quartet in F sharp minor Op 50 No 4
13 Spiritoso[9’05]
14 Andante[7’55]
15 Menuetto: Poco allegretto[4’14]
16 Fuga: Allegro molto[2’06]
String Quartet in F major ‘The Dream’ Op 50 No 5
17 Allegro moderato[7’45]
18 Poco adagio[3’47]
19 Menuetto: Allegretto[4’21]
20 Vivace[6’07]
String Quartet in D major ‘The Frog’ Op 50 No 6
21 Allegro[9’50]
22 Poco adagio[6’41]
23 Menuetto: Allegretto[4’41]
24 Allegro con spirito[6’44]

Personnel
Catherine Manson violin
Michael Gurevich violin
James Boyd viola
Jonathan Manson cello

Download:

mqs.link_HaydnStringQuartetsp.50TheLndnHaydnQuartet2016Hyperin2496.part1.rar
mqs.link_HaydnStringQuartetsp.50TheLndnHaydnQuartet2016Hyperin2496.part2.rar
mqs.link_HaydnStringQuartetsp.50TheLndnHaydnQuartet2016Hyperin2496.part3.rar
mqs.link_HaydnStringQuartetsp.50TheLndnHaydnQuartet2016Hyperin2496.part4.rar

Joseph Haydn – String Quartets Opp. 54 & 55 – The London Haydn Quartet (2017)
FLAC (tracks) 24-bit/96 kHz | Time – 02:33:12 minutes | 2,82 GB | Genre: Classical
Studio Master, Official Digital Download – Source: hyperion-records.co.uk | Booklet, Front Cover | © Hyperion Records
Recorded: November 2015, Potton Hall, Dunwich, Suffolk, United Kingdom

The London Haydn Quartet reaches the six great quartets published in 1788 as Opp 54 & 55 in another unmissable two-for-the-price-of-one set. Is it possible to have too much Haydn? The only sensible answer is ‘no’, especially when the music is performed with such intelligence and humanity as here.

Haydn wrote the six quartets of Opp 54 and 55 in 1788, by now a celebrated composer across Europe and still opera Kapellmeister at Esterházy. These period instrument players, whose very name declares their affinity for Haydn, excel in the latest in their Hyperion series. Ever spry in fast movements, faultless in dexterity and intonation, they find a special warmth of feeling in the slower moments: the songful Adagio Cantabile of Op 55 No 1, the puzzling, melancholy Andante of Op 55 No 2, the dark, hymn-like first bars of Op 54 No 2’s Adagio, out of which the violin soars in almost improvised, bluesy reverie. Too many pleasures to enumerate. Try for yourself. –Fiona Maddocksб The Guardian

Tracklist:
Joseph Haydn (1732-1809)
String Quartet in G major Op 54 No 1
1 Vivace assai[8’14]
2 Andante o più tosto allegretto[9’08]
3 Menuetto[4’12]
4 Vivace[4’19]
String Quartet in C major Op 54 No 2
5 Vivace[9’16]
6 Adagio[3’03]
7 Menuetto: Allegretto[4’30]
8 Adagio – Presto – Adagio[6’36]
String Quartet in E major Op 54 No 3
9 Allegro[10’49]
10 Largo cantabile[9’14]
11 Menuetto: Allegretto[3’26]
12 Presto[5’56]
String Quartet in A major Op 55 No 1
13 Allegro[9’50]
14 Adagio cantabile[4’50]
15 Menuetto[3’17]
16 Vivace[2’48]
String Quartet in F minor ‘Razor’ Op 55 No 2
17 Andante più tosto allegretto[10’27]
18 Allegro[8’56]
19 Menuetto: Allegretto[5’17]
20 Presto[5’05]
String Quartet in B flat major Op 55 No 3
21 Vivace assai[8’13]
22 Adagio ma non troppo[7’20]
23 Menuetto[3’54]
24 Presto[4’32]

Personnel:
Catherine Manson violin
Michael Gurevich violin
James Boyd viola
Jonathan Manson cello

Download:

mqs.link_HaydnStringQuartetspp.5455TheLndnHaydnQuartet2017Hyperin2496.part1.rar
mqs.link_HaydnStringQuartetspp.5455TheLndnHaydnQuartet2017Hyperin2496.part2.rar
mqs.link_HaydnStringQuartetspp.5455TheLndnHaydnQuartet2017Hyperin2496.part3.rar

Hippie Tendencies – Identity (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 52:36 minutes | 1,07 GB  | Genre: Jazz
Studio Master, Official Digital Download  | Source: e-Onkyo | Booklet, Front Cover | © Alfa Music
Recorded at Ritmo&Blu Studios, Pozzolengo, Brescia; Mastered at AlfaMusic Studio, Rome

Gli Hippie Tendencies nascono nel 2006 dall’incontro tra quattro strumentisti italiani ovvero Marco Cremaschini (tastiere, pianoforte), Cesare Valbusa (batteria), Massimo Saviola (basso elettrico e acustico), Christian Codenotti (chitarra acustica), e la cantante americana Lisa Marie Simmons, i quali dopo aver maturato una intensa esperienza dal vivo, hanno deciso di lavorare su composizioni originali. Pur partendo da un background musicale e culturale differente, questi talentuosi musicisti hanno trovato il loro comun denominatore in un eclettico intreccio tra jazz, funk, e musica pop colta, che nell’evocare a tratti ora agli Steely Dan ora a Joe Jackson, si caratterizza per il timbro caldo ed avvolgente della voce della Simmons. Dopo aver raccolto consensi e successo in Europa e in America con il loro disco di debutto, gli Hippie Tendencies tornano a deliziare il loro pubblico con il secondo album “Identity”, che raccoglie tredici brani, i cui testi sono stati firmati dalla cantante americana, mentre delle musiche a farsi carico è stato principalmente Cremaschi in collaborazione con altri strumentisti. Registrato mixato e masterizzato presso Ritmo & Blu Studios di Pozzolengo (Bs), con l’aggiunta di altre registrazioni presso i DigiTUBE di Mantova, il disco vede la partecipazione di numerosi ospiti tra cui Simone Guiducci (chitarra elettrica), Simone Boffa (chitarra elettrica), Mauro Ottolini (tuba, trombone, flugelhorn, sousaphone, tromba), Fulvio Sigurta (tromba, flughelhorn), Maurizio Giannone (percussion), che contribuiscono in modo determinante ad arricchire le tessiture sonore dei vari brani. Se l’ascolto rivela sin da subito un sound sinuoso ed accattivante, andando più a fondo scopriamo testi dalle liriche profonde, intense, che abbracciano tematiche differenti dall’amore all’introspezione, passando per i problemi di rilievo sociale come l’immigrazione e gli abusi sui minori. Ad aprire il disco è la splendida “Woke Up”, in cui sono racchiuse le motivazioni che sono alla base della scelta del nome del gruppo, e che nel fraseggio evoca nell’ispirazione James Taylor. Si prosegue con la canzone d’amore “Beside Me (Italian Town”, mentre la successiva “Borderline” si fa notare per la sua originale struttura melodica. Le sonorità da big band old time di “Giggin’ Around” ci conducono verso la divagazione in chiave world della percussiva di “Wana Wa Africa”, ma è con “Immigrant” che affronta il duro tema dell’immigrazione. Sul versante delle cover se diverte la bella versione di “Time After Time” di Cyndi Lauper, commuovono “Blowin’ In The Wind” di Bob Dylan e “Here’s To You” di Joan Baez, dedicata agli anarchici Sacco e Vanzetti. Le tematiche sociali ritornano prepotenti con gli abusi sui minori cantati in “Beat”, mentre “She’s Got It” e “Can You Tell” si segnalano per l’eccellente groove che le caratterizza. La conclusiva “Done” sugella un disco senza dubbio coinvolgente che mette in luce tutta la passione e l’energia degli Hippie Tendencies, caratteristiche che si ritrovano poi intatte anche sul palco con le loro sempre apprezzatissime performance. –Salvatore Esposito

Tracklist:
1 Woke Up 5:09
2 Beside Me 3:29
3 Borderline 4:12
4 Giggin’ Around 2:46
5 Wana Wa Africa 1:31
6 Immigrant 5:23
7 Time After Time 4:49
8 Beat 5:04
9 She’s Got It 3:58
10 Can You Tell 4:30
11 Blowin’ in the Wind 3:23
12 Here’s to You 5:05
13 Done 3:13

Personnel:
Marco Cremaschini – Piano, Keybords
Cesare Valbusa – Drums
Massimo Saviola – Bass
Christian Codenotti – Acoustic Guitar
Lisa Marie Simmons – Vocal
Guest:
Simone Boffa, Simone Guiducci – Electric Guitar
Maurizio Giannone – Percussions
Mauro Ottolini – Tuba, Trombone, Flugelhorn, Trumpets Sousaphone
Fulvio Sigurta – Trumpet, Flugelhorn
Lisa Bell, Miles Simmons, Alan Farrigton – Background Vocals
The Daisy Choir: Grey Harrison, Emma Dillon, Terina Kate Patrick, Greta Koenig, Sloan Menendez, Maxwell Story – Background Vocals

Download:

mqs.link_HippieTendenciesIdentity2014enky2496.part1.rar
mqs.link_HippieTendenciesIdentity2014enky2496.part2.rar

Edward Gardner – Holst: The Planets; Strauss: Also sprach Zarathustra (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:53 minutes |  1,31 GB | Genre: Classical
Studio Master, Official Digital Download  | Source: theCLASSICALshop | Front cover , Booklet | © Chandos Records
Recorded: Symphony Hall, Birmingham; 8 and 9 August 2016

For its very first album on Chandos, the National Youth Orchestra of Great Britain devotes its characteristic energy and musical mastery to an explosive programme that transcends daily life and earthly experience. It is helped by the enthusiastic, encouraging, and experienced baton of Edward Gardner as well as by the sumptuous yet detailed acoustic of Symphony Hall, Birmingham, all fully revealed in this surround-sound recording.
Their performance of Strauss’s Also sprach Zarathustra and Holst’s The Planets is already a point of reference in the UK after the immensely successful Prom concert that preceded the recording. The concert’s five-star review in The Daily Telegraph praised in particular the orchestra’s ‘great attack and complete absence of anything routine’, while The Guardian emphasised the great performance of the orchestra in this ‘graceful and evocative programme’, especially the ‘depth and richness of sound that belied their youth’.
This unique album is a first milestone in what promises to be a superb discography for the NYO.

Tracklist:
Richard Strauss (1864 – 1949)
Also sprach Zarathustra, Op. 30, TrV 176 (1895–96) 31:35
1. Sehr breit – Immer breiter – 1:59
2. ‘Von den Hinterweltlern’. Weniger breit – Mäßig langsam, mit Andacht – Sehr breit – 3:27
3. ‘Von der großen Sehnsucht’. Bewegter – Früheres Zeitmaß (mäßig langsam) – 1:54
4. ‘Von den Freuden- und Leidenschaften’. Bewegt – Noch bewegter, sehr leidenschaftlich – Etwas breiter werden – 1:51
5. ‘Das Grablied’. Etwas ruhiger – Immer ruhiger – 2:05
6. ‘Von der Wissenschaft’. Sehr langsam – Schnell – Etwas lebhafter – Sehr langsam – Etwas weniger langsam – Doppelt so schnell – 4:10
7. ‘Der Genesende’. Energisch – Allmählich etwas bewegter – Immer bewegter – Immer schneller – Sehr schnell – Ziemlich langsam – Schnell – 4:52
8. ‘Das Tanzlied’. [ ] – Zart bewegt – Mit lebhaftem Schwung – Leicht und elastisch – Sehr bewegt – Sehr lebhaft und schwungvoll – Allmählich wieder bewegter – Sehr schnell – 7:13
9. ‘Das Nachtwandlerlied’. [ ] – Langsam – Immer ruhiger – Immer langsamer – Noch langsamer 4:01
Gustav Holst (1874–1934)
The Planets, Op. 32, H 125 (1914 – 17)* 48:01
10. I. Mars, the Bringer of War. Allegro 7:10
11. II. Venus, the Bringer of Peace. Adagio – Andante – Animato – Meno mosso – Largo – Animato – Largo – Animato – Largo – Adagio (come prima) – Andante – Tempo I 7:40
12. III. Mercury, the Winged Messenger. Vivace 3:42
13. IV. Jupiter, the Bringer of Jollity. Allegro giocoso – Più mosso – Tempo I – Andante maestoso – Tempo I – Maestoso – Meno mosso – Lento maestoso – Presto 7:27
14. V. Saturn, the Bringer of Old Age. Adagio – Poco animato – Tempo I – Animato – [A tempo I] – Animato – L’istesso tempo (animato) – Andante 8:30
15. VI. Uranus, the Magician. Allegro – Lento – Allegro – Largo 5:18
16. VII. Neptune, the Mystic. Andante – Allegretto 7:46

Personnel:
CBSO Youth Chorus*
Julian Wilkins chorus master
Simon Halsey chorus director
National Youth Orchestra of Great Britain
Millie Ashton leader
Edward Gardner

Download:

mqs.link_HlstThePlanetsStraussAlssprachZarathustraNYEdwardGardner2017theCLASSICALshp2496.part1.rar
mqs.link_HlstThePlanetsStraussAlssprachZarathustraNYEdwardGardner2017theCLASSICALshp2496.part2.rar

Isabel Bayrakdarian – Mother of Light: Armenian hymns and chants in praise of Mary (2016)
FLAC (tracks) 24 bit/ 192 kHz  | Time – 01:01:56 minutes | 2,17 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: PrestoClassical | Digital Booklet | © Delos

Soprano sorceress Isabel Bayrakdarian, acclaimed internationally for her glittering accomplishments on both stage and screen, presents – in this hypnotically alluring album of Armenian sacred music – a more spiritual aspect of her multifaceted musical persona.

Isabel conceived this project as a heartfelt gift to God for sparing the life of her mother, and the entire album is very much a “family affair.” Her husband arranged the pieces, her brother plays the ceremonial percussion instruments, and her two sisters join her to form a vocal trio in several tracks.

This spellbinding music – scored variously for solo and ensemble voices, cello and women’s choir – will take its fortunate listeners on a deeply spiritual and meditative journey of the soul.

Tracklist:
01. Pourvarov Tapor (Censer procession) (00:13)
02. Baghdasar Tbir (1683-1768). Zartir Nazeli (Arise, Graceful One) (for voice and cello) (04:27)
03. Anonymous (medieval). Khngi Dzarin (Frankincense Tree) (for voice and choir) (03:52)
04. Ara Bartevian (1902-1986). Mayr Yev Gouys (Immaculate Mother) (for voice, choir and cello) (02:58)
05. Hampartsoum Limondjian (1768-1839). Hamemad Kez (Incomparable One) (for voice and cello) (04:57)
06. Anonymous (medieval). Varaneem (Burdened with Sins) (for voice and choir) (04:36)
07. Avedis Kez Mariyam (Good Tidings to You, Mary) (for voice, choir and percussion) (04:35)
08. St. Gregory of Nareg (951- 1003). Aghers ar Diramayr (Plea to Mother of God) (for 3 voices, cello and percussion) (05:06)
09. Diramayrn (Mother of the Lord) (for voice and choir) (02:50)
10. Anonymous (medieval). Badjar yev Sgizpn (Cause and Origin) (for voice and percussion) (03:48)
11. Movses Khorenatsi (410-490). Zandjareli Looso Mayr (Mother of Light) (for voice, choir and percussion) (02:39)
12. Sharaganner (Sharagans from Holy Week) (for voice and choir) (02:47)
13. Gomidas Vartabed (1869-1935). Asdvadzadzin Yergnayin (Divine Mother of God) (for choir, cello and percussion) (01:30)
14. Anonymous (medieval). Zgousoutyount Ko (O Pure God Bearer) (for 3 voices and percussion) (01:26)
15. St. Nerses Shnorhali (1102-1173). Aysor Joghovyal (The Saints Are Gathered) (for voice and choir) (02:52)
16. Vartan Areveltsi (1198-1271). Antaram Dzaghig (Eternal Flower) (for voice, choir, cello and percussion) (02:57)
17. Anonymous. Panin Hor (Word of the Father) [18th-19th century] (for voice and cello) (04:10)
18. Oor es Mayr Im (Where Are You, My Mother?) [18th-19th century] (for 3 voices, choir and cello) (06:16)

Download:

mqs.link_IsabelBayrakdarianMtherfLight2016PrestClassical24192.part1.rar
mqs.link_IsabelBayrakdarianMtherfLight2016PrestClassical24192.part2.rar
mqs.link_IsabelBayrakdarianMtherfLight2016PrestClassical24192.part3.rar

Ives – Orchestral Works, Vol. 3 – Melbourne Symphony Orchestra, Sir Andrew Davis (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:04 minutes |  1,16 GB | Genre: Classical
Studio Master, Official Digital Download  | Source: theCLASSICALshop | Front cover , Booklet | © Chandos Records
Recorded: Hamer Hall, Arts Centre Melbourne, Victoria, Australia: 26, 28, and 30 June 2014 (Orchestral Set No. 2) & 16 – 18 June 2016 (Symphony No. 4); Robert Blackwood Hall, Monash University, Melbourne, Victoria, Australia: 22 and 23 March 2016 (Symphony No. 3)

For this third volume in an Ives series that Sir Andrew Davis and his Melbourne Orchestra have already made globally popular, Jean-Efflam Bavouzet takes on the challenge of the solo piano part in Symphony No. 4.
The work is famous for its ubiquitous difficulties, not least the apparent impossibility of realising many of the composer’s creative intentions in a live performance, as evidenced by the forty pages of background discussion and practical advice to conductors that introduce the published score.
It is complemented by the less-often-performed triptych Orchestral Set No. 2 and the Pulitzer Prize winning Symphony No. 3.
Recorded in Surround Sound in Melbourne just after a ‘remarkable, very welcome’ (Sydney Morning Herald) performance in concert of the same programme by the same forces, this album is a must-have for anyone who wants to experience this monumental music under optimal conditions.

Tracklist:
Charles Ives (1874–1954)
Orchestral Set No.2
1.IAn Elegy to Our Forefathers. Very slowly – Poco più moto -4:22
– Tempo I (meno mosso) – Meno mosso
2.IIThe Rockstrewn Hills Join in the People’s Outdoor Meeting.5:18
– Allegro – (Più mosso) – Slowqer – Slower – [A tempo ‘più mosso’] –
3.IIIFrom Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose.7:49
Symphony No.3 ‘The Camp Meeting’
4.1Old Folks Gatherin’. Andante maestoso – Andante con moto – Slower -7:07
5.2Children’s Day. Allegro moderato – Più allegro – Alla marcia -6:49
6.3Communion. Largo7:05
Symphony No.4
7.IPrelude. Maestoso – Più moto – Slower3:52
8.IIComedy. Allegretto – Largo – Più mosso – Più mosso – Allegretto – Allegro -12:23
9.IIIFugue. Andante moderato (con moto) – Maestoso6:58
10.IVFinale. Very slowly. Largo maestoso – [ ] – Tempo I – [ ] – Tempo I – L’istesso tempo – Tempo I – Chorus (Coda)8:24

Personnel:
Jean-Efflam Bavouzet, piano #7-10
Melbourne Symphony Orchestra
Sir Andrew Davis, conductor

Download:

mqs.link_IvesrchestralWrksVl.3MSSirAndrewDavis2017theCLASSICALshp2496.part1.rar
mqs.link_IvesrchestralWrksVl.3MSSirAndrewDavis2017theCLASSICALshp2496.part2.rar

Isaac Hayes – Black Moses (1971/2016) 
FLAC (tracks) 24-bit/192 kHz | Time – 01:33:40 minutes | 3,65 GB | Genre: R&B, Soul, Funk
Studio Master, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Stax Records/Concord Music Group
Recorded: March 1971–October 1971

Stax Records, a division of Concord Bicycle Music, is proud to announce the remastering and reissue of 12 seminal titles by soul music icon Isaac Hayes. The collection, which includes Hayes’ best-loved studio albums, soundtracks and live recordings, spanning 1969 – 1976, was remastered entirely from the original analog tapes. 11 of these albums, including Shaft, Black Moses and Hot Buttered Soul, are now available in 192/24 and 96/24 hi resolution audio formats, while all 12 of the titles have been Mastered For iTunes, and can be found on Isaac Hayes’ new iTunes artist page. Hi-res formats will be available on HDTracks.
Award-winning engineer Dave Cooley (M83, J-Dilla, Madlib, Serge Gainsbourg, Jimmy Eat World) was commissioned to take on the project at his Los Angeles-based studio, Elysian Masters. Cooley explains, “Every effort was undertaken to retain both the original production team’s intent, and the most natural and truthful spatial imaging of Isaac’s voice and instrumentation.” He adds, “For the first time you can plainly hear details as small as the subtle coloration variations between the original studio setups and tape formulations from album to album. There’s renewed resolution around instruments. But you can also dive into the zoned-out atmospherics, and listen comfortably for hours as an entire body of work.” Cooley’s meticulous work has breathed new life into these classic tracks; his enthusiasm for the project palpable. He recalls, “There was an immense pressure to get it right. Having grown up transcribing the very piano licks and grooves that were sampled by such hip hop luminaries as Public Enemy and others, I was well acquainted with Isaac’s legacy as a revolutionary enigma spanning multiple generations. Remastering the catalog was a call to re-ignite that with even more transparency and a deeper pulse for the next group of listeners.”
GRAMMY® and Academy Award-winning singer, songwriter, producer and actor Isaac Hayes (1942-2008) revolutionized soul music, experimenting with extended cuts, orchestration and concept albums during the era of 3-minute, radio-driven tracks. Hayes began his career as a songwriter and producer at Stax Records, working with partner David Porter on such iconic hits as Sam & Dave’s “Soul Man” and “Hold On! I’m Comin’.” In 1968, Hayes branched out on his own with Presenting Isaac Hayes, but it wasn’t until his follow-up a year later, Hot Buttered Soul, that the artist became a genuine star in his own right, breaking ground with his deep baritone vocals and signature sonic explorations that could take up the entire side of a record. In 1971, Hayes scored Blaxploitation film Shaft; the title theme of which went number one the Billboard Hot 100 charts, and earned the artist an Academy Award and multiple GRAMMY® awards. Later that year, he released his critically-acclaimed double album, Black Moses. Hayes continued to write and record throughout the 70s, 80s and 90s, scoring several more films, and continuing to push himself artistically. In 1997, the artist gained a new generation of fans as he voiced the character of Chef on the long-running cartoon series South Park. Nearly a decade after his death, Isaac Hayes’ legacy as a multi-instrumentalist, producer, arranger, writer, and artist continues to inspire and influence new listeners.

The sheer tenacity — albeit undeniably fitting — of this double-disc set has made Black Moses (1971) one of Isaac Hayes’ most revered and best-known works. The multi-instrumental singer/songwriter and producer had been a central figure in the Memphis soul music revolution of the mid-’60s. Along with Booker T. & the MG’s, Hayes wrote and performed on more Stax sides than any other single artist. By the time of this release — his fifth overall, and first two-record set — Hayes had firmly established himself as a progressive soul artist. His stretched-out and well-developed R&B jams, as well as his husky-voiced sexy spoken “raps,” became key components in his signature sound. Black Moses not only incorporates those leitmotifs, but also reaffirms Hayes abilities as an unmistakably original arranger. Although a majority of the album consists of cover material, all the scores have been reconfigured and adapted in such a fundamental way that, for some listeners, these renditions serve as definitive. This is certainly true of the extended reworkings of Jerry Butler’s “Brand New Me” and Esther Phillips’ “You’re Love Is So Doggone Good” — both of which are prefaced by the spoken prelude to coitus found in each respective installment of “Ike’s Rap.” The pair of Curtis Mayfield tunes — “Man’s Temptation” and “Need to Belong to Someone” — are also worth noting for the layers of tastefully scored orchestration — from both Hayes and his longtime associate Johnny Allen. The pair’s efforts remain fresh and discerning, rather than the dated ersatz strings and horn sections that imitators were glutting the soul and pop charts and airwaves with in the mid-’70s. Hayes’ own composition, “Good Love,” recalls the upbeat and jive talkin’ “Hyperbolicsyllabicsesquedalymistic” from Hot Buttered Soul (1969), adding some spicy and sexy double-entendre in the chorus. –AllMusic Review by Lindsay Planer

Tracklist:
1 Never Can Say Goodbye 05:10
2 (They Long To Be) Close To You 09:05
3 Nothing Takes The Place Of You 05:31
4 Man’s Temptation 05:01
5 Part-Time Love 08:34
6 Medley: Ike’s Rap IV – A Brand New Me 09:43
7 Going In Circles 07:01
8 Never Gonna Give You Up 05:50
9 Medley: Ike’s Rap II – Help Me Love 07:33
10 Need To Belong To Someone 05:16
11 Good Love 6-9969 05:18
12 Medley: Ike’s Rap III – Your Love Is So Doggone Good 09:19
13 For The Good Times 05:22
14 I’ll Never Fall In Love Again 04:57

Personnel:
Isaac Hayes – lead and background vocals
“Hot”, “Buttered”, and “Soul”: backing vocals
The Bar-Kays, instrumentation: “(They Long to Be) Close to You” and “Going in Circles”
Instrumentation on all other tracks by The Isaac Hayes Movement:
Piano, vibraphone, organ, electric piano – Isaac Hayes
Bass – Ronnie Hudson
Bongos, congas – Gary Jones
Drums, tambourine – Willie Hall
Electric piano – Lester Snell
Guitar – Charles “Skip” Pitts
Piano – Sidney Kirk

Download:

mqs.link_IsaacHayesBlackMses19712016HDTracks24192.part1.rar
mqs.link_IsaacHayesBlackMses19712016HDTracks24192.part2.rar
mqs.link_IsaacHayesBlackMses19712016HDTracks24192.part3.rar
mqs.link_IsaacHayesBlackMses19712016HDTracks24192.part4.rar

Isaac Hayes – Groove-A-Thon (1976/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 41:40 minutes | 1,55 GB | Genre: R&B, Soul, Funk
Studio Master, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Stax Records/Concord Music Group
Recorded: 1976, Hot Buttered Soul Recording Studio, Memphis, TN

The title track employs “Shaft”-like guitar licks, but the similarity ends there: It’s a lame attempt at disco done in by Ike’s lazy singing and irritatingly banal lyrics. But it’s the LP’s only sore point. Ike returns to his roots on “Your Loving Is Much Too Strong,” a slow, romantic ballad that he and his girls, Hot Buttered Soul Unlimited, make you feel. “Rock Me Easy Baby,” a slinky, syncopated shuffle, has more groove appeal than the vaunted “Groove-A-Thon,” mainly because Ike constructs it for maximum soul appeal by running it for more than eight exquisite minutes. The uptempo happy-in-love ditty “We’ve Got a Whole Lot of Love” showcases HBS’ sterling voices. Ike shows a different side on the soft, longing “Wish You Were Here,” whose horn arrangements and backing vocals are simultaneously enticing and titillating. After a weak opening, the album settles into a comfortable groove, ending splendidly with “Make a Little Love to Me.”

Tracklist:
1 Groove-A-Thon 9:48
2 Your Loving Is Much Too Strong 5:39
3 Rock Me Easy Baby 8:17
4 We’ve Got A Whole Lot Of Love 5:42
5 Wish You Were Here (You Ought To Be Here) 5:53
6 Make A Little Love To Me 6:24

Personnel:
Alto Saxophone – Bill Easley, Emerson Able
Backing Band [Rhythm By], Horns – Movement
Backing Vocals – Hot Buttered Soul Unlimited, Isaac Hayes
Baritone Saxophone – Floyd Newman
Bass – Erroll Thomas
Congas – Jimmy Thompson
Drums, Tambourine – Willie Cole, Willie Hall
French Horn – Bryant Munch, Richard Dolph
Guitar – Michael Toles, William Vaughn
Keyboards – Isaac Hayes, Lester Snell, Sidney Kirk
Tenor Saxophone – Darnell Smith, Lewis Collins, Tommy Williams
Trombone – Jackie Thomas, Bill Flores
Trombone [Bass] – Gary Russell
Trumpet, Flugelhorn – Ben Cauley, Edgar Matthews, Johnny Davis, William Taylor
Vocals, Writter – Isaac Hayes

Download:

mqs.link_IsaacHayesGrveAThn19762016HDTracks24192.part1.rar
mqs.link_IsaacHayesGrveAThn19762016HDTracks24192.part2.rar

Isaac Hayes – Joy (1973/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 47:41 minutes | 1,67 GB | Genre: R&B, Soul, Funk
Studio Master, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Stax Records/Concord Music Group
Recorded: April – May, 1973

With seven massive number one records trailing in his wake, Isaac Hayes donned his stylin’, funky gold-chain link vest once again and capped 1973 with Joy, a set which might have proven the lucky-streak breaker — it missed the top spot by one place — but still waded into gold-record waters with ease. “Joy” itself, of course, was the album’s crowning glory, a gargantuan 15-minute piece which essentially devoured side one of the album (the accompanying “I Love You That’s All” is merely an afterthought). Heady, smoky, ubiquitous — an instrumental and vocal foray into the land of good grooves — it was sexy and sassy, with strings and innuendo stripped bare and smoothly built to lead anyone within earshot toward a classic climax. The song continued to impact via sampled revitalization from as far afield as TLC, Massive Attack, Eric B. & Rakim, and Big Daddy Kane. But don’t forget that Joy is an entire album, with Hayes continuing his silky vocal assault across a further three slow, simmering songs. The best, and perhaps most interesting, is the closing “I’m Gonna Make It (Without You).” Markedly un-steamy, the song finds Hayes trading in his come-ons, choosing instead to open up and lay himself down in the wake of a broken romance. It’s Joy’s most touching moment, equally on par with the opener. Indeed, with those two glorious bookends, this album becomes a must-have for any ’70s soul aficionado.

Tracklist:
1 Joy 15:58
2 I Love You That’s All 06:15
3 A Man Will Be A Man 07:23
4 The Feeling Keeps On Coming 06:52
5 I’m Gonna Make It (Without You) 11:13

Personnel:
Isaac Hayes – Keyboards, Vocals
The Isaac Hayes Movement – Rhythm
Hot Buttered Soul Unlimited – Vocals (Background)

Download:

mqs.link_IsaacHayesJy19732016HDTracks24192.part1.rar
mqs.link_IsaacHayesJy19732016HDTracks24192.part2.rar

Isaac Hayes – Tough Guys (1974/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 33:49 minutes | 1,45 GB | Genre: R&B, Soul, Funk
Studio Master, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Stax Records/Concord Music Group
Recorded: Hot Buttered Soul Recording Studio

One of Isaac Hayes’ richest soundtracks – deeper and more complicated than the groove of Shaft and Truck Turner, and filled with some great tunes that glow with color, life, and imagination – showing an Isaac Hayes that almost seems to be moving beyond the usual blackploitation groove! The album sports 2 really classic tunes – the title theme “Tough Guys“, and the classic “Hung Up On My Baby” – both of which have a solidly funky feel that will more than please the usual soundtrack beathead crowd. But overall, the other tunes twist and turn in a delightful mix of modes – expanding on the soulful territory Ike first explored in his original soundtracks, and offering up a great range of moods and emotion. The album’s got some especially great chromatic guitar work – and other titles include “Joe Bell”, “Randolph & Dearborn”, “Buns O Plenty”, “Run Fay Run”, and “Red Rooster”.

Tracklist:
1 Title Theme “Three Tough Guys” 02:35
2 Randolph & Dearborn 04:27
3 The Red Rooster 04:07
4 Joe Bell 04:59
5 Hung Up On My Baby 06:18
6 Kidnapped 02:43
7 Run Faye Run 02:48
8 Buns O’ Plenty 04:39
9 The End Theme 01:13

Personnel:
Isaac Hayes, vocals, keyboards, arranger
The Movement, rhythm
Memphis Symphony Orchestra, strings
Hot Buttered Soul Unlimited, backing vocals

Download:

mqs.link_IsaacHayesTughGuys19742016HDTracks24192.part1.rar
mqs.link_IsaacHayesTughGuys19742016HDTracks24192.part2.rar

Isaac Hayes – Truck Turner (1974/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 01:11:39 minutes | 2,48 GB | Genre: R&B, Soul, Funk
Studio Master, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Stax Records/Concord Music Group
Recorded: Hot Buttered Soul Recording Studio

This soundtrack was considerably lengthier and more varied than the one Hayes had released earlier in 1974 (Tough Guys), including Holiday Inn funk, a lugubrious vocal (“You’re in My Arms Again”), and some jazz and blues riffs peppering the instrumental grooves. While the length ensured more variety, though, it also makes it a challenge to sit through the hour-plus program when you don’t have images to fit the music.

Tracklist:
1 Main Title “Truck Turner” 02:43
2 House Of Beauty 03:06
3 Blue’s Crib 05:12
4 Driving In The Sun 06:04
5 Breakthrough 03:11
6 Now We’re One 02:28
7 The Duke 02:37
8 Dorinda’s Party 04:40
9 Pursuit Of The Pimpmobile 09:06
10 We Need Each Other, Girl 03:26
11 A House Full Of Girls 04:00
12 Hospital Shootout 02:56
13 You’re In My Arms Again 04:53
14 Give It To Me 04:41
15 Drinking 03:36
16 The Insurance Company 06:59
17 End Theme 02:04

Personnel:
Isaac Hayes, vocals, keyboards, arranger
The Movement, rhythm
Memphis Symphony Orchestra, strings
Hot Buttered Soul Unlimited, backing vocals

Download:

mqs.link_IsaacHayesTruckTurner19742016HDTracks24192.part1.rar
mqs.link_IsaacHayesTruckTurner19742016HDTracks24192.part2.rar
mqs.link_IsaacHayesTruckTurner19742016HDTracks24192.part3.rar

Isaac Hayes – The Isaac Hayes Movement (1970/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 36:25 minutes | 1,42 GB | Genre: R&B, Soul, Funk
Studio Master, Official Digital Download – Source: HDTracks | Booklet, Front Cover | © Stax Records/Concord Music Group
Recorded: March – April 1970

Although this is Isaac Hayes’ third long-player, he had long been a staple of the Memphis R&B scene — primarily within the Stax coterie — where his multiple talents included instrumentalist, arranger, and composer of some of the most beloved soul music of the ’60s. Along with his primary collaborator, David Porter, Hayes was responsible for well over 200 sides — including the genre-defining “When Something Is Wrong With My Baby,” “Soul Man,” “B-A-B-Y,” “Hold On, I’m Comin’,” and “I Had a Dream.” As a solo artist however, Hayes redefined the role of the long-player with his inimitably smooth narrative style of covering classic pop and R&B tracks, many of which would spiral well over ten minutes. The Isaac Hayes Movement (1970) includes four extended cuts from several seemingly disparate sources, stylistically ranging from George Harrison’s “Something” to Jerry Butler’s “I Stand Accused” and even Burt Bacharach and Hal David’s “I Just Don’t Know What to Do With Myself.” These early Hayes recordings brilliantly showcase his indomitable skills as an arranger — as he places familiar themes into fresh contexts and perspectives. For example, his lengthy one-sided dialogue that prefaces “I Stand Accused” is halting in its candor as Hayes depicts an aching soul who longs for his best friend’s fiancée. Even the most hard-hearted can’t help but have sympathy pains as he unravels his sordid emotional agony and anguish. Hayes’ lyrical orchestration totally reinvents the structure of “Something” — which includes several extended instrumental sections — incorporating equally expressive contributions from John Blair (violin). Both “I Just Don’t Know What to Do With Myself” and the comparatively short (at under six minutes) “One Big Unhappy Family” are more traditionally arranged ballads. Hayes again tastefully incorporates both string and horn sections to augment the languid rhythm, providing contrasting textures rather than gaudy adornment. These sides offer a difference between the proverbial “Black Moses of Soul” persona that would be responsible for the aggressive no-nonsense funk of Shaft (1971) and Truck Turner (1974).

Tracklist:
1 I Stand Accused 11:39
2 One Big Unhappy Family 05:54
3 I Just Don’t Know What To Do With Myself 07:06
4 Something 11:46

Personnel:
Isaac Hayes – Arranger, Keyboards, Vocals
The Bar-Kays – Rhythm Section

Download:

mqs.link_IsaacHayesTheIsaacHayesMvement19702016Qbuz24192.part1.rar
mqs.link_IsaacHayesTheIsaacHayesMvement19702016Qbuz24192.part2.rar

レーベル Victor
配信開始日 2018.10.31
収録曲数 全10曲
収録時間 46:14
サイズ合計 1.5GB
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

https://mora.jp/package/43000005/VICL-65028_F/

10/31のデビュー17周年記念日に、前作「私は幸せ」以来約 1年ぶり、通算12枚目のオリジナルアルバムをリリース！

収録内容

1. Multiverse
2. 君のこと
3. 光る雲
4. あなたが泣いてしまう時は
5. 夜明けの晩
6. 人間レプリカ
7. 私はここよ～拝啓、王子様☆シーズン５～
8. 不釣り合い
9. そらし目で見つけて
10. 嘆きの丘

Download:

mqs.link_JunShibataFLAC24.rar

Audio Format: 24bit/96kHz
Release date: 2018-10-24
Label: ポニーキャニオン
Catalog number: PCSP.02531

https://ototoy.jp/_/default/p/165620

10周年を迎える今だからこそ叫ぶ、 阿部真央の唄。 原点回帰とも言える、 彼女の心の叫びとなる 「変わりたい唄」 他、 阿部真央らしさ全開の楽曲を収録。

収録内容

01. 変わりたい唄
02. まだ僕は生きてる
03. なんにもない今から
04. いつもありがとう〜あべまにあの唄〜

Download:

mqs.link_MaAbeFLAC2496.rar

Tracklist
1. INTRO : ARE YOU THERE? (1:01)
2. Underwater (3:46)
3. Shoot Out (3:27) *Title
4. Heart Attack (3:19)
5. 널하다 (3:46)
6. 어디서 뭐해 (3:30)
7. Oh My! (3:43)
8. Myself (4:12)
9. By My Side (3:43)
10. SPOTLIGHT (Korean Version) (3:57)

Total length: 34:24

More information: http://music.bugs.co.kr/album/20202009

Download:

mqs.link_MnstaXAREYUTHERE201824bitWEBFLAC.rar