Claire-Marie Le Guay – Bach (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 58:26 minutes | 962 MB | Genre: Classical
Studio Master, Official Digital Download  – Source: Qobuz | Booklet, Front Cover | © Mirare

Intended to instruct us and elevate our souls , the keyboard oeuvre of Bach allows us to travel to concertante Italy and invites us to dance or improvisation. From the moving ‘Capriccio on the Departure of a Beloved Brother’ to the ‘Italian Concerto’ by way of ‘Partita no.1’, the pianist Claire-Marie Le Guay offers a portrait of Bach that reveals the multiple facets of his genius: the virtuoso improviser, the pedagogue, the builder of cathedrals in sound.

„an enticing array of works, combining the ubiquitous with the more esoteric. From the outset, her playing is strong and assured; her fingerwork is seamless“ (Harriet Smith, Gramophone)

„a clever selection of Bach … Le Guay need not fear that her performance will be overlooked. Just listen to her energetic openings and tonal control in the slower sections … a perfectly satisfactory Bach recital that is captured in perfect sound.“ (Marius Dawn Pianist)

Tracklist:
Johann Sebastian Bach (1685 – 1750)
01. Italian Concerto in F major, BWV 971 (from Clavierübung II): I. Allegro
02. Italian Concerto in F major, BWV 971 (from Clavierübung II): II. Andante
03. Italian Concerto in F major, BWV 971 (from Clavierübung II): III. Presto
04. Capriccio sopra la lontananza del suo fratello dilettissimo in B-Flat Major, BWV 992: I. Adagio: Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten
05. Capriccio sopra la lontananza del suo fratello dilettissimo in B-Flat Major, BWV 992: II. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten vorfallen
06. Capriccio sopra la lontananza del suo fratello dilettissimo in B-Flat Major, BWV 992: III. Adagiosissimo: Ist ein allgemeines Lamento der Freunde
07. Capriccio sopra la lontananza del suo fratello dilettissimo in B-Flat Major, BWV 992: IV. Allhier kommen die Freunde, weil sie doch sehen, dass es anders nicht sein kann und nehmen Abschied
08. Capriccio sopra la lontananza del suo fratello dilettissimo in B-Flat Major, BWV 992: V. Allegro poco. Aria di Postiglione
09. Capriccio sopra la lontananza del suo fratello dilettissimo in B-Flat Major, BWV 992: VI. Fuga all’imitatione della cornetta di Posta
10. Sinfonia No.11 in G Minor, BWV 797: Sinfonia No.11 in G Minor, BWV 797
11. Partita No. 1 in B Flat Major, BWV 825: I. Praeludium
12. Partita No. 1 in B Flat Major, BWV 825: II. Allemande
13. Partita No. 1 in B Flat Major, BWV 825: III. Corrente
14. Partita No. 1 in B Flat Major, BWV 825: IV. Sarabande
15. Partita No. 1 in B Flat Major, BWV 825: V. Menuet
16. Partita No. 1 in B Flat Major, BWV 825: VI. Gigue
17. Invention in B Flat Major, BWV 785: Invention in B Flat Major, BWV 785
18. Chromatic Fantasia and Fugue in D Minor, BWV 903: I. Fantasia
19. Chromatic Fantasia and Fugue in D Minor, BWV 903: II. Fugue

Personnel:
Claire-Marie Le Guay, piano

Download:

mqs.link_ClaireMarieLeGuayBach20152496Qbuz.rar

Cyrille Aimée – Let’s Get Lost (2016)
FLAC (tracks) 24-bit/88,2 kHz | Time – 45:32 minutes | 791 MB | Genre: Jazz
Studio Master, Official Digital Download  – Source: Qobuz | Front Cover | © Mack Avenue

‘Let’s Get Lost’, Cyrille Aimée’s second album for Mack Avenue Records brings to light a different side of the radiant singer. After two years of dazzling audiences around the world with the joyful repertoire of ‘It’s a Good Day’, Winner of both the Montreux Jazz Festival’s Vocal Competition and the Sarah Vaughan International Vocal Competition, Aimée reflects on her musical and personal growth, telling us the story of a nascent love coming to full bloom.

Accompanied by two guitar wunderkinds, Adrien Moignard and Michael Valeanu, as well as an Australian rhythm section (consisting of bassist Sam Anning and drummer Raj Jayaweera) so tight-knit that they are almost the same person, she adds pensive touches to her usual zest and reveals a bittersweet depth that will have listeners daydreaming for a while.

‘Let’s Get Lost’ speaks of love in three different languages, wide ranging references, oldies and odd metered originals, yet it retains a distinct identity, like summer grass freckled with late afternoon sun. Aimée and her band weave confidently from one musical region to the next, and Valeanu’s guitar arrangements always underscore the meaning of every word in uncontrived and subtle fashion.

Tracklist:
01. Live Alone and Like It
02. There’s a Lull in My Life
03. Estrellitas y Duendes
04. Lazy Afternoon
05. Three Little Words
06. T’es Beau tu Sais
07. Let’s Get Lost
08. Samois a Moi
09. Nine More Minutes
10. Laverne Walk
11. That Old Feeling
12. Each Day
13. Words
14. Well You Needn’t (bonus track)

Personnel:
Cyrille Aimée – vocals
Adrien Moignard – guitar
Michael Valeanu – guitar
Sam Anning – bass
Raj Jayaweera – drums

Download:

mqs.link_CyrilleAimeLetsGetLst20162488.2Qbuz.rar

Daniel Behle, Armonia Atenea & George Petrou – Gluck: Opera Arias (2014)
FLAC (tracks) 24-bit/96 kHz | Time – 01:12:11 minutes | 1,36 GB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © Decca

Celebrating the 300th anniversary of Gluck’s birth, Daniel Behle presents this album of Gluck’s lesser known opera arias. Showcasing their rich variety of styles, he illustrates that these works are primed for revival.
In the world of opera the artistic achievement of singers and their fellow musicians can create a special, incendiary chemistry with an audience. There is nothing like that magical moment of silence at the end of a marvellous aria before the first cries of „Bravo!“ ring out.

For his Gluck recital the German tenor Daniel Behle has chosen glorious arias by a master of the 18th century – Christoph Willibald Gluck – that are sure to elicit a rapturous response, especially when performed by one of the finest lyric tenors of our time.

Behle has been compared to such tenor legends as Fritz Wunderlich, Richard Tauber and Anton Dermota, praised for his “bright, supple and warm timbre” and his natural musicality (Fono Forum, August 2012). The beauty of his tone is complemented by the probing nature of his interpretations as he captures the emotions of each character with captivating psychological insight, playing in a masterly fashion with the colours of the music. Familiar arias are transformed into a new and moving experience.

Daniel Behle is accompanied by one of Europe’s leading Baroque orchestras, Armonia Atenea, conducted by the extraordinary George Petrou.

Tracklist:
01. Gluck: Antigono, Wq 21-Ed. Giovanni Secchi-“Quercia annosa sull’erte pendici”
02. Gluck: La Semiramide riconosciuta, Wq 13-Ed. Giovanni Secchi-“Io veggo in lontananza”
03. Gluck: Ipermestra, Wq 7-Ed. Giovanni Secchi-“Non hai cor per un’impresa”
04. Gluck: Ezio, Wq 31-Ed. Giovanni Secchi-“Se povero il ruscello”
05. Gluck: La Semiramide riconosciuta, Wq 13-Ed. Giovanni Secchi-“Bel piacer saria d’un core”
06. Gluck: La Contesa de’numi, Wq 14-Ed. Giovanni Secchi-“Qual ira intempestiva … Oggi per me non sudi”
07. Gluck: La Contesa de’numi, Wq 14-Ed. Giovanni Secchi-“Oggi per me sudi”-Aria
08. Gluck: Le Cinesi, Wq 18-Ed. Giovanni Secchi-“Son lungi e non mi brami “
09. Gluck: Iphigénie en Aulide, Wq 40-Ed. Giovanni Secchi-“Cruelle, non jamais votre insensible coeur ne fut touché de mon amour”
10. Gluck: Orphée et Eurydice, Wq. 30-Ed. Giovanni Secchi-“J’ai perdu mon Eurydice”
11. Gluck: La Rencontre imprévue, Wq 32-ed. Giovanni Secchi-“Je chérirai, jusqu’au trépas”
12. Gluck: Armide, Wq 45-Ed. Giovanni Secchi-“Plus j’observe ces lieux”

Personnel:
Daniel Behle, tenor
Armonia Atenea
Georges Petrou, conductor

Download:

mqs.link_DanielBehleArmniaAteneaGergePetruGluckperaArias20142496Qbuz.part1.rar
mqs.link_DanielBehleArmniaAteneaGergePetruGluckperaArias20142496Qbuz.part2.rar

Daniel Hope – Escape To Paradise – The Hollywood Album (2014) 
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:52 minutes | 1,43 GB | Genre: Classical
Studio Masters, Official Digital Download  | Booklet, Front Cover | © Deutsche Grammophon (DG)

The subject matter of this collection of classic music from (mostly) Hollywood seems a major departure from violinist Daniel Hope’s previous focus on music contending with the Nazi cultural orbit, but actually it’s a logical step: a great deal of Hollywood film music was composed by refugees from Germany, and the stylistic world they created continues to resonate today. There are several good recordings of this repertory by young violinists, but Hope’s stands out. Partly it’s because Hope’s big, richly sentimental sound fits this repertory well. Partly it’s because he varies the program effectively with the full Violin Concerto in D major, Op. 35, of Erich Korngold, and an appearance by none other than Sting in Hanns Eisler’s The Secret Marriage, while still finding the core that connects all these pieces. Partly it’s that Hope finds some unusual things that connect with the rest of the program: a couple of German film scores from the early 1930s, and the German melody better known as As Time Goes By, from the film Casablanca. And partly it’s the variety and sequence of arrangements running from Jascha Heifetz down to the present day. The result is a fine outing that will satisfy anyone in the mood for big film themes, but also those who are seriously interested in film music.

Tracklist:
01. Rozsa: Love Theme (From Ben Hur)
02. Korngold: Violin Concerto In D Major, Op.35-1. Moderato nobile
03. Korngold: Violin Concerto In D Major, Op.35-2. Romance: Andante
04. Korngold: Violin Concerto In D Major, Op.35-3. Finale: Allegro assai vivace
05. Castelnuovo-Tedesco: Sea Murmurs
06. Eisler: The Secret Marriage
07. Rozsa: Love Theme (From El Cid)
08. Zeisl: Menuhim’s-Song
09. Waxman: Reminiscences From “Come Back, Little Sheba” (From Come Back, Little Sheba)
10. Jurmann: Tränen in der Geige (From Ich will dich Liebe lehren)
11. Weill: Speak Low
12. Korngold: Der Schneemann-Serenade
13. Rozsa: Prelude And Love Theme (From Spellbound)
14. Morricone: Love Theme (From Nuovo Cinema Paradiso)
15. Williams: Theme (From Schindler’s List)
16. Newman: American Beauty (Arr. For Violin And Orchestra) (From American Beauty)
17. Heymann: Irgendwo auf der Welt (From Ein blonder Traum)
18. Hupfeld: As Time Goes By (From Casablanca)

Personnel:
Daniel Hope, violin
Maria Todtenhaupt, harp
Jacques Ammon, piano
Sting, vocals
Max Raabe, vocals
Royal Stockholm Philharmonic Orchestra
Quintet of the Deutsches Kammerorchester Berlin
Alexander Shelley, conductor

Download:

mqs.link_DanielHpeEscapeTParadiseTheHllywdAlbum20142496.part1.rar
mqs.link_DanielHpeEscapeTParadiseTheHllywdAlbum20142496.part2.rar

David Greilsammer – Mozart: In-Between (2012/2015) 
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:36 minutes | 689 MB | Genre: Classical
Studio Masters, Official Digital Download  | Booklet, Front Cover | © Sony Classical

Israeli-American conductor and pianist David Greilsammer, pictured in the graphics of this album standing on the edge of a piano as if it were a diving board, has specialized in unusual programming decisions, specifically those relating to Mozart. As the odd title Mozart In-Between suggests, here he will not disappoint those in search of more of the same. His most bizarre move here is to insert a newly commissioned contemporary piece, Swiss composer Denis Schuler’s atonal In-between for string quartet, orchestra, and percussion, in between two excerpts from Mozart’s incidental music to Thamos, König in Ägypten, K. 345. Greilsammer writes that this work “is intended to serve as a mirror that sheds light on the past,” although it is not clear why the interruption of Mozart’s music is necessary for this purpose. The Schuler work might seem to be aimed toward the defamiliarization of Mozart’s music, but Greilsammer goes on to say that he actually finds in its chiaroscuro effects something analogous to the “violent imaginary storm that occurs in Mozart’s heart” in the Mozart pieces performed. Although the C minor central movement of the Piano Concerto No. 9 in E flat major, K. 271, is one of his more tragic essays, the Mozart works in the main don’t fit that description, for which he had the vocabulary of Sturm und Drang available. They’re actually rather sunny and brisk. The exception would be the final aria from the very early opera Mitridate, re di Ponto, K. 87, sung here by countertenor Lawrence Zazzo. This is supposed to be part of the in-between concept as well, but rare indeed would have been the 18th century listener who could have fathomed what is going on. There is good news: the individual performances are fine in themselves, and Greilsammer’s punchy playing in the Piano Concerto No. 9 represents a genuinely original conception of the work. And, for that matter, the boldness of the entire conception is ultimately all to the good. But this particular effort seems inadequately thought out.

Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
01. Symphony No. 23 in D major, K. 181: Allegro spiritoso
02. Symphony No. 23 in D major, K. 181: Andantino grazioso
03. Symphony No. 23 in D major, K. 181: Presto assai
04. Piano Concerto No. 9 in E-flat major, K. 271, “Jeunehomme”: Allegro
05. Piano Concerto No. 9 in E-flat major, K. 271, “Jeunehomme”: Andantino
06. Piano Concerto No. 9 in E-flat major, K. 271, “Jeunehomme”: Rondeau: Presto-Menuetto-Tempo primo
07. No. 2: Maestoso, Allegro (From Thamos, König in Ägypten, Incidental music, K. 345)
08. In-Between
09. No. 5: Allegro vivace assai (From Thamos, König in Ägypten, Incidental music, K. 345)
10. “Venga pur, minacci e frema” (From Mitridate, rè di Ponto, K. 87)
11. “Cara, lontano ancora” (From Ascanio in Alba, KV 111)
12. “Al mio ben mi veggio avanti” (From Ascanio in Alba, KV 111)

Personnel:
David Greilsammer, piano, conductor
Lawrence Zazzo, countertenor
Orchestre de Chambre de Geneve

Download:

mqs.link_DavidGreilsammerrchestredeChambredeGenveLawrenceZazzMzartInBetween20122444.1.rar

Der Musikalische Garten – Brescianello: Concerti à 3, Vol. 1 (2017) 
FLAC (tracks) 24-bit/96 kHz | Time – 01:07:27 minutes | 1,28 GB | Genre: Classical
Studio Master, Official Digital Download  – Source: Qobuz | Booklet, Front Cover | © Coviello Classics

For a long time Giuseppe Antonio Brescianello worked as Kepellmeister at the Wurttemberg court in Stuttgart. His concerti a tre are actually triosonates for two violins and basso continuo. In these charming chamber music works Brescianello finds his own style, which is characterized by sonorous slow phrases and joy in virtuosity. The ensemble Der musikalische Garten, which has always been highly praised for its musical discoveries, recorded the first six of the 12 concerti a tre. The musicians of the ensemble Der musikalische Garten are current and graduated students of the Schola Cantorum Basiliensis and have met in Basel. The ensemble engages intensively in the German music of the seventeenth century, especially in the scordatura repertoire, of which most important representatives are H. I. F. Biber, Joh. H. Schmelzer or J. Pachelbel. However, the ensemble is always searching for new, rarely or never performed scordatura repertoire. The ensemble was selected as “Promising Ensemble 2011” by the IYAP Antwerpen and won second prize and audience’s prize of the international competition “Van Wassenaer” in Amsterdam 2011.

Tracklist:
Giuseppe Antonio Brescianello (c.1690-c.1758)
01. Concerto primo in B-Flat Major: I. Adagio
02. Concerto primo in B-Flat Major: II. Allegro
03. Concerto primo in B-Flat Major: III. Adagio
04. Concerto primo in B-Flat Major: IV. Allegro
05. Concerto secondo in G Major: I. Largo
06. Concerto secondo in G Major: II. Allegro
07. Concerto secondo in G Major: III. Adagio
08. Concerto secondo in G Major: IV. Allegro
09. Concerto terzo in G Minor: I. Largo-Allegro-Presto-Adagio-Allegro-Adagio
10. Concerto terzo in G Minor: II. Allegro
11. Concerto terzo in G Minor: III. Adagio
12. Concerto terzo in G Minor: IV. Presto
13. Concerto quarto in E-Flat Major: I. Grave-Presto-Adagio-Presto-Adagio
14. Concerto quarto in E-Flat Major: II. Fuga
15. Concerto quarto in E-Flat Major: III. Adagio
16. Concerto quarto in E-Flat Major: IV. Presto
17. Concerto quinto in A Major: I. Adagio
18. Concerto quinto in A Major: II. Allegro
19. Concerto quinto in A Major: III. Adagio cantabile
20. Concerto quinto in A Major: IV. Allegro
21. Concerto sesto in B Minor: I. Largo
22. Concerto sesto in B Minor: II. Allegro
23. Concerto sesto in B Minor: III. Adagio
24. Concerto sesto in B Minor: IV. Presto

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mqs.link_DerMusikalischeGartenBrescianellCncerti3Vl.120172496Qbuz.part1.rar
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Diego Fasolis, I Barocchisti & Coro della Radiotelevisione Svizzera – Vivaldi: Dorilla in Tempe, RV 709 (2017)
FLAC (tracks) 24 bit/96 kHz  | Time – 02:21:45 minutes | 2,87 GB | Genre: Classical, Opera
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © naïve classique

The opera Dorilla in Tempe, which was first performed in Venice in 1726, exudes a delightful rural atmosphere. The libretto tells a bucolic story set in a valley of Thessaly. Between amorous twists and a huge sacrifice, the various misadventures of Dorilla offer Vivaldi the occasion to deploy a luminous sound palette where hunting horns and flutes often support choruses and soloists. He resumed the work in 1728, still in Venice, then again in 1732 in Prague and one last time in 1734 at “his” theatre – Sant’Angelo. Only this 1734 version has reached us, and so it serves as a basis for present recordings. It is a “pasticcio”, for which Vivaldi used various composers – Hasse, Giacomelli, Sarri and Leo in this case – whose melodies replace some of his own; about a third of them are borrowed from colleagues in fact. It was never Vivaldi’s intention to recycle on the sly: the principle of “pasticcio” was the most widespread at the time and very popular with the public. The particularly rare vocal timbres are noticeable: they are made up of almost exclusively deep voices, including three mezzos and one baritone and even two deep castratos, nowadays replaced by contraltos who are much easier to dig up. The entire score gives off a mad energy; a delightful peculiarity adorns part of the opening, in which Vivaldi takes over one of the movements with his Four Seasons with the addition of a choir – proof that even though this music is rich at the base, it can still be further enriched, provided your name is Vivaldi! Diego Fasolis and his ensemble I Barrochisti offer us here one of the very, very rare discographical performances of this neglected masterpiece.

Tracklist:

Antonio Vivaldi (1678-1741)

CD1
01. Dorilla in Tempe, RV 709: Sinfonia. Allegro
02. Dorilla in Tempe, RV 709: Sinfonia. Andante
03. Dorilla in Tempe, RV 709, Act I, Scene 1: Sinfonia. Allegro-Dell’ aura al sussurrar
04. Dorilla in Tempe, RV 709, Act I, Scene 1: Or fra questi, o Dorilla (Recitativo) (Elmiro, Dorilla)
05. Dorilla in Tempe, RV 709, Act I, Scene 1: Mi lusinga il dolce affetto (Aria) (Elmiro)
06. Dorilla in Tempe, RV 709, Act I, Scene 2: Figlia, Nomio, oh Dei! (Recitativo) (Admeto, Dorilla, Nomio)
07. Dorilla in Tempe, RV 709, Act I, Scene 2: La speranza ch’in me sento (Aria) (Dorilla)
08. Dorilla in Tempe, RV 709, Act I, Scene 3: Quale, Signor, daresti (Nomio, Admeto)
09. Dorilla in Tempe, RV 709, Act I, Scene 3: Dall’orrido soggiorno (Aria) (Admeto)
10. Dorilla in Tempe, RV 709, Act I, Scene 4: Se Apollo io son sotto (Solo) (Nomio)
11. Dorilla in Tempe, RV 709, Act I, Scene 4: Se al mio ben rivolgo il ciglio (Aria) (Nomio)
12. Dorilla in Tempe, RV 709, Act I, Scene 5: Nume tu, che di Tempe (Admeto)
13. Dorilla in Tempe, RV 709, Act I, Scene 5: Gemiti e lagrime (Coro di pastori)
14. Dorilla in Tempe, RV 709, Act I, Scene 5: Quale portento?-Queste inutili voci (Dorilla, Elmiro, Admeto)
15. Dorilla in Tempe, RV 709, Act I, Scene 6 & 7: Fiero destin che sento!-Senza l’uso de’ sensi-Noiosi tormenti (Elmiro, Dorilla, Eudamia)
16. Dorilla in Tempe, RV 709, Act I, Scene 7: Saprò ben con petto forte (Aria) (Elmiro)
17. Dorilla in Tempe, RV 709, Act I, Scene 8: D’un tal disprezzo a fronte-Qui in disparte-No, t’arresta, o Filindo (Eudamia, Filindo)
18. Dorilla in Tempe, RV 709, Act I, Scene 8: Al mio amore il tuo risponda (Aria) (Eudamia)
19. Dorilla in Tempe, RV 709, Act I, Scene 9: Ancor questo di più? Mio cuor (Recitativo) (Filindo)
20. Dorilla in Tempe, RV 709, Act I, Scene 9: Rete, lacci, e strali adopra (Aria) (Filindo)
21. Dorilla in Tempe, RV 709, Act I, Scene 10 & 11: Quest’ è il campo fatal, ma glorioso-Non temer, o Dorilla-Oh clemenza del Ciel! Oh prode Nomio!-Parte così Dorilla (Dorilla, Nomio, Admeto)
22. Dorilla in Tempe, RV 709, Act I, Scene 11: Lieta, o Tempe-Ogni cuor grato si mostri
23. Dorilla in Tempe, RV 709, Act II, Scene 1: Ah che da tanta gioia-Come? D’un tal timore (Elmiro, Dorilla)
24. Dorilla in Tempe, RV 709, Act II, Scene 1: Come l’onde in mezzo al mare (Aria) (Dorilla)
25. Dorilla in Tempe, RV 709, Act II, Scene 2: Ah, che non val costanza (Recitativo) (Elmiro)
26. Dorilla in Tempe, RV 709, Act II, Scene 2: Vorrei dai lacci sciogliere (Aria) (Elmiro)
27. Dorilla in Tempe, RV 709, Act II, Scene 3: Admeto padre, e re se ha quanto basta-Se dunque generoso-Del genitor ai cenni (Admeto, Nomio, Dorilla)
28. Dorilla in Tempe, RV 709, Act II, Scene 5: Ma in tal contrasto il fine tuo più degno-Come? Son re, son padre-Non indugiar, libero parla, e tutta-Ma giacché risoluto saperlo (Eudamia, Admeto, Dorilla, Nomio, Filindo)
29. Dorilla in Tempe, RV 709, Act II, Scene 5: Se ostinata a me resisti (Aria) (Admeto)

CD2
01. Dorilla in Tempe, RV 709, Act II, Scene 6: Ma dimmi, tu, qual parte-Vile, indiscreta tirannia è quella (Dorilla, Eudamia, Nomio, Eudamia)
02. Dorilla in Tempe, RV 709, Act II, Scene 6: Se amarti non poss’io (Aria) (Dorilla)
03. Dorilla in Tempe, RV 709, Act II, Scene 7: Grande fatalità de’ nostri affetti-No, Eudamia, ancor non devi (Filindo, Eudamia, Nomio)
04. Dorilla in Tempe, RV 709, Act II, Scene 7: Bel piacer saria d’un core (Aria) (Nomio)
05. Dorilla in Tempe, RV 709, Act II, Scene 8: Ingrata Eudamia, a rendermi infelice (Filindo, Eudamia)
06. Dorilla in Tempe, RV 709, Act II, Scene 8: Arsa da rai cocenti (Aria) (Eudamia)
07. Dorilla in Tempe, RV 709, Act II, Scene 9: Che deggio far? Creder convien (Solo) (Filindo)
08. Dorilla in Tempe, RV 709, Act II, Scene 9: Non vo’ che un infedele (Aria) (Filindo)
09. Dorilla in Tempe, RV 709, Act II, Scene 10: Misero Elmiro, oh Dio! Della sciagura (Elmiro)
10. Dorilla in Tempe, RV 709, Act II, Scene 11: Con eco giuliva
11. Dorilla in Tempe, RV 709, Act II, Scene 11: Tempe qui tutta vedi-La conquista d’un cor (Admeto, Nomio, Dorilla, Eudamia)
12. Dorilla in Tempe, RV 709, Act II, Scene 11: Si beva, si danzi, si canti
13. Dorilla in Tempe, RV 709, Act II, Scene 12: Stuolo de’ cacciatori (Filindo, Admeto, Tutti)
14. Dorilla in Tempe, RV 709, Act II, Scene 12: Alla caccia ognuno presti
15. Dorilla in Tempe, RV 709, Act III, Scene 1: Di Dorilla, o signor, tosto in soccorso -L’offesa al mio signore (Filindo, Admeto)
16. Dorilla in Tempe, RV 709, Act III, Scene 1: Col piacer del tuo comando (Aria) (Filindo)
17. Dorilla in Tempe, RV 709, Act III, Scene 2 & 3: Ah indegna figlia! Forse-Offeso tu non sei se violata-Signor, ciò ch’in Elmiro-In oltraggio all’amor, (Admeto, Nomio, Elmiro, Dorilla)
18. Dorilla in Tempe, RV 709, Act III, Scene 3: Fidi amanti al vostro amore (Aria) (Nomio)
19. Dorilla in Tempe, RV 709, Act III, Scene 4: Ah padre, deh permetti-Padre crudel spietato (Dorilla, Admeto)
20. Dorilla in Tempe, RV 709, Act III, Scene 4: Il povero mio core (Aria) (Dorilla)
21. Dorilla in Tempe, RV 709, Act III, Scene 5 & 6: Olà! Costui fra tanto-Né all’amor della vita già infelice-Lasciami, o traditor! (Admeto, Elmiro, Eudamia)
22. Dorilla in Tempe, RV 709, Act III, Scene 6: Più non vo’ mirar quel volto (Aria) (Eudamia)
23. Dorilla in Tempe, RV 709, Act III, Scene 7: Eh che invano tu speri (Recitativo (Elmiro)
24. Dorilla in Tempe, RV 709, Act III, Scene 7: Non ha più pace il cor amante (Aria) (Elmiro)
25. Dorilla in Tempe, RV 709, Act III, Scene 8-10: Desolata Dorilla-All’imminente scena-Ah giacché si feroce-Deh oh Dio! (Dorilla, Admeto, Elmiro)
26. Dorilla in Tempe, RV 709, Act III, Scene 11: Ceda il duolo! In riso, in giubilo
27. Dorilla in Tempe, RV 709, Act III, Scene 11: Admeto, ecco tua figlia-A un tal portento (Nomio, Admeto, Elmiro, Dorilla, Eudamia, Filindo)
28. Dorilla in Tempe, RV 709, Act III, Scene 11: Il Cielo ancora

Personnel:
Romina Basso, Serena Malfi, Marina de Liso, Lucia Cirillo, Sonia Prina, Christian Senn
I Barocchisti
Coro della Radiotelevisione Svizzera
Diego Fasolis, conductor

Download:

mqs.link_DiegFaslisIBarcchistiCrdellaRaditelevisineSvizzeraVivaldiDrillainTempeRV70920172496Qbuz.par.rar
mqs.link_DiegFaslisIBarcchistiCrdellaRaditelevisineSvizzeraVivaldiDrillainTempeRV70920172496Qbuz.par.rar
mqs.link_DiegFaslisIBarcchistiCrdellaRaditelevisineSvizzeraVivaldiDrillainTempeRV70920172496Qbuz.par.rar
mqs.link_DiegFaslisIBarcchistiCrdellaRaditelevisineSvizzeraVivaldiDrillainTempeRV70920172496Qbuz.par.rar

Dean Martin – Italian Love Songs (1962/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 32:50 minutes | 752 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © CAPITOL

Dean Martin typified both the romance and seeming effortlessness of the early-1960s swinger. This collection of lushly orchestrated songs features Italian pop classics like ‘There’s No Tomorrow,’ ‘Arrivederci Roma,’ ‘Return to Me,’ and the Latin-flavored ‘Belle From Barcelona,’ all performed with Martin’s familiar relaxed intimacy and devil-may-care swagger. The sessions producing this album’s songs were recorded between September 6 and September 8 of 1961. The backing orchestra was conducted and arranged by Gus Levene.

„The only surprising thing about an album of Italian songs by Dean Martin, the most overtly Italian of the Italian-American pop singers, was that it wasn’t recorded until near the end of Martin’s recording contract with Capitol Records. Maybe it was the success of similar albums by Connie Francis that convinced the label or the artist that such a collection could have commercial appeal, but given that some of Martin’s biggest hits, including ‘That’s Amore’ and ‘Volare,’ had been Italian-flavored, it’s hard to see why they would have needed convincing. In any case, Martin was typically convincing on this album in both English and Italian, whether re-cutting his hit ‘Return to Me’ or trying an alternate English lyric for ‘O Sole Mio’ (‘There’s No Tomorrow’). Listeners should be forewarned that this is not a collection of Martin’s Italian hits, but rather a newly recorded album (circa 1961). Nevertheless, it is a good match of singer to songs, and it became Martin’s first charting album on Capitol.“ (William Ruhlmann, AMG)

Tracklist:
01. Just Say I Love Her (Dicitencello Vuie) (Remastered)
02. Arrivederci Roma (Remastered)
03. My Heart Reminds Me (Remastered)
04. You’re Breaking My Heart (Mattinata) (Remastered)
05. Non Dimenticar (Remastered)
06. Return To Me
07. Vieni Su (Say You Love Me, Too) (Remastered)
08. On An Evening In Roma (Sott’er Celo De Roma) (Remastered)
09. Pardon (Perdoname) (Remastered)
10. Take Me In Your Arms (Torna A Surriento) (Remastered)
11. I Have But One Heart (‘O Marenariello) (Remastered)
12. There’s No Tomorrow (Remastered)

Personnel:
Dean Martin, vocals
Robert F. Bain, guitar
Alton R. Hendrickson, guitar
Allan J. Reuss, guitar
Murray Shapinsky, bass
Nick Fatool, drums
Louis ‘Lou’ Singer, drums
Kermit ‘Ken’ Lane, piano
Carl L. Fortina, accordion
Justin DiTullio, cello
Virginia Majewski, viola
Paul Robyn, viola
Victor Arno, violin
Israel Baker, violin
Kurt Dieterle, violin
Anatol Kaminsky, violin
Nathan Kaproff, violin
Joseph Livoti, violin
Daniel Lube, violin
Harry Zagon, violin
Ann Mason Stockton, harp

Recorded from September 6–8, 1961, 1750 N. Vine Street, Hollywood, California
Produced by Dave Cavanaugh
Digitally remastered

Download:

mqs.link_DeanMartinItalianLveSngs196220152496.rar

David Garrett – TIMELESS Brahms & Bruch Violin Concertos (2014) 
FLAC (tracks) 24 bit/96 kHz  | Time – 01:03:49 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca

The photogenic violinist David Garrett, who uses the maiden name of his American mother professionally, has been known for crossover releases featuring the likes of Nirvana’s “Smells Like Teen Spirit.” He was trained partly in Israel, which may have led to his pairing with the nearly octogenarian conductor Zubin Mehta and the Israel Philharmonic Orchestra. Mehta makes his aims explicit in the booklet: “I hope that this CD will help David’s other public, the crossover public, to also listen to Brahms and Bruch and to admire his honesty toward this music. I hope David brings in this whole generation into the classical concert hall.” The performance is perhaps led by Mehta with this end in mind: as a whole it’s brash, bright, and sharp. You might have a different taste in the Brahms Violin Concerto in D major, Op. 77, especially, but the fact is that Garrett is a good deal more than adequate here. He may be following Mehta’s lead in some respects, but the dense first-movement interactions between violin and orchestra Brahms wrote for the virtuoso Joseph Joachim crackle with intensity. The inevitably crowd-pleasing Violin Concerto in G minor, Op. 26, of Max Bruch fits Garrett still better. The booklet offers an interview with Garrett geared toward newcomers, who may well find this album an enjoyable path into core classical repertoire.

Tracklist:
Max Bruch (1838-1920)
Violin Concerto No.1 in G minor, Op.26
1 1. Vorspiel (Allegro moderato) Violin Concerto No.1 in G minor, Op.26 07:55
2 2. Adagio: Violin Concerto No.1 in G minor, Op.26 08:38
3 3. Finale Violin Concerto No.1 in G minor, Op.26 07:26
Johannes Brahms (1833-1897)
Violin Concerto in D, Op.77
4 1. Allegro non troppo Violin Concerto in D, Op.77 22:40
5 2. Adagio Violin Concerto in D, Op.77 08:51
6 3. Allegro giocoso Violin Concerto in D, Op.77 08:20

Personnel:
David Garrett, Violin
Israel Philharmonic Orchestra
Zubin Mehta, Conductor

Download:

mqs.link_DavidGarrettTimelessBrahmsBruchVilinCncerts20142496.part1.rar
mqs.link_DavidGarrettTimelessBrahmsBruchVilinCncerts20142496.part2.rar

Danko Jones – Wild Cat (2017)
FLAC (tracks) 24-bit/96 kHz | Time – 38:38 minutes | 878 MB | Genre: Rock
Studio Master, Official Digital Download – Source: Qobuz | Front Cover | © AFM Records

Back in the mid-20th century, before rock & roll was used to describe a type of music, it was an obscure euphemism for the physical act of love. In 2017, Danko Jones haven’t tried to reclaim rock & roll’s original meaning, but they have decided to make a rock & roll album (music that’s fast, loud, and has a lot of guitars) about rock & roll (love, sex, and the charms of the female species). Wild Cat isn’t crassly obsessed with sex, but on this album, Danko Jones sound as fascinated with women as they are with guitars, and tunes like “Do This Every Day,” “My Little Rock ‘n’ Roll,” and “She Likes It” are lean, loud, and swaggering celebrations of both romance and Eros. Most hard rock bands don’t have a great track record of writing tunes about sex that don’t sound bone-headed or hostile, but Wild Cat manages the impressive feat of making women every bit as cool as the guys who are crazy for them. Suitably, this music sounds a bit less aggressive than the majority of Danko Jones’ work, but the hard rock groove here is highly potent. And the swagger the titular bandleader brings to the music is impressive while his guitar work is explosive, and the rhythm section of bassist John Calabrese and drummer Rich Knox is a marvel of power and finesse. Danko Jones still worship at the shrines of AC/DC, Motörhead, and Thin Lizzy, but they more than do right by their influences, and like those bands, they’ve learned to write songs about sex that have a genuine sense of humor, especially the grand finale “Revolution (But Then We Make Love).” Wild Cat is a wild ride from one of the best hard rock bands treading the boards today, and it’s a fine introduction to their high-octane style and certain to please loyal fans. ~ Mark Deming

Tracklist:
01. I Gotta Rock
02. My Little RnR
03. Going out Tonight
04. You Are My Woman
05. Do This Every Night
06. Let’s Start Dancing
07. Wild Cat
08. She Likes It
09. Success in Bed
10. Diamond Lady
11. Revolution (But Then We Make Love)

Download:

mqs.link_DankJnesWildCat20172496Qbuz.rar

David Bowie – A New Career In A New Town (1977-1982) (2017) 
FLAC (tracks) 24-bit/192 kHz | Time – 05:50:08 minutes | 13,6 GB | Genre: Rock
Studio Master, Official Digital Download | Digital Booklet | © Parlophone UK

This HighResaudio set features all of the material officially released by David Bowie between 1977 and 1982 including all four studio albums, his 1978 live album ‘STAGE’ in both original and expanded tracklistings, the newly compiled “HEROES” E.P., collecting together both the German and French long and single versions of “Heroes”, and the exclusive new compilation of single versions, non-album singles and B-sides, ‘RE:CALL 3’. Also included exclusively is a brand new remix of the 1979 album ‘LODGER’ by long time Bowie producer/collaborator Tony Visconti.

This description may differ from the content of the album. The track-list represents the complete content of the album.

Digitally remastered

Disc 1: David Bowie – Low (1977/2017)
FLAC (tracks) 24-bit/192 kHz | Time – 39:04 minutes | 1.52 GB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – Speed of Life (2017 Remastered Version)
02 – Breaking Glass (2017 Remastered Version)
03 – What in the World (2017 Remastered Version)
04 – Sound and Vision (2017 Remastered Version)
05 – Always Crashing in the Same Car (2017 Remastered Version)
06 – Be My Wife (2017 Remastered Version)
07 – A New Career in a New Town (2017 Remastered Version)
08 – Warszawa (2017 Remastered Version)
09 – Art Decade (2017 Remastered Version)
10 – Weeping Wall (2017 Remastered Version)
11 – Subterraneans (2017 Remastered Version)

Disc 2: David Bowie – Heroes (1977/2017)
FLAC (tracks) 24-bit/192 kHz | Time – 40:47 minutes | 1.56 GB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – Beauty and the Beast (2017 Remastered Version)
02 – Joe the Lion (2017 Remastered Version)
03 – “Heroes” (2017 Remastered Version)
04 – Sons of the Silent Age (2017 Remastered Version)
05 – Blackout (2017 Remastered Version)
06 – V-2 Schneider (2017 Remastered Version)
07 – Sense of Doubt (2017 Remastered Version)
08 – Moss Garden (2017 Remastered Version)
09 – Neuköln (2017 Remastered Version)
10 – The Secret Life of Arabia (2017 Remastered Version)

Disc 3: David Bowie – Heroes EP (1977/2017)
FLAC (tracks) 24-bit/96 kHz | Time – 19:25 minutes | 817 MB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – “Heroes” / “Helden”
02 – “Helden” (German Single Version) [2017 Remastered Version]03 – “Heroes” / “Héros”
04 – “Héros” (French Single Version) [2017 Remastered Version]

Disc 4: David Bowie – Stage (1978/2017) [Original Version]
FLAC (tracks) 24-bit/192 kHz | Time – 73:38 minutes | 2,86 GB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – Hang On to Yourself (Live) [2017 Remastered Version]02 – Ziggy Stardust (Live) [2017 Remastered Version]03 – Five Years (Live) [2017 Remastered Version]04 – Soul Love (Live) [2017 Remastered Version]05 – Star (Live) [2017 Remastered Version]06 – Station to Station (Live) [2017 Remastered Version]07 – Fame (Live) [2017 Remastered Version]08 – TVC 15 (Live) [2017 Remastered Version]09 – Warszawa (Live) [2017 Remastered Version]10 – Speed of Life (Live) [2017 Remastered Version]11 – Art Decade (Live) [2017 Remastered Version]12 – Sense of Doubt (Live) [2017 Remastered Version]13 – Breaking Glass (Live) [2017 Remastered Version]14 – “Heroes” (Live) [2017 Remastered Version]15 – What in the World (Live) [2017 Remastered Version]16 – Blackout (Live) [2017 Remastered Version]17 – Beauty and the Beast (Live) [2017 Remastered Version]

Disc 5: David Bowie – Stage (1978) [2017 Version]
FLAC (tracks) 24-bit/192 kHz | Time – 97:08 minutes | 3,71 GB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – Warszawa (Live) [2017 Remastered Version]02 – “Heroes” (Live) [2017 Remastered Version]03 – What in the World (Live) [2017 Remastered Version]04 – Be My Wife (Live) [2017 Remastered Version]05 – The Jean Genie (Live)
06 – Blackout (Live) [2017 Remastered Version]07 – Sense of Doubt (Live) [2017 Remastered Version]08 – Speed of Life (Live) [2017 Remastered Version]09 – Breaking Glass (Live) [2017 Remastered Version]10 – Beauty and the Beast (Live) [2017 Remastered Version]11 – Fame (Live) [2017 Remastered Version]12 – Five Years (Live) [2017 Remastered Version]13 – Soul Love (Live) [2017 Remastered Version]14 – Star (Live) [2017 Remastered Version]15 – Hang On to Yourself (Live) [2017 Remastered Version]16 – Ziggy Stardust (Live) [2017 Remastered Version]17 – Suffragette City (Live)
18 – Art Decade (Live) [2017 Remastered Version]19 – Alabama Song (Live) [2017 Remastered Version]20 – Station to Station (Live) [2017 Remastered Version]21 – Stay (Live) [2017 Remastered Version]22 – TVC 15 (Live) [2017 Remastered Version]

Disc 6: David Bowie – Lodger (1979/2017)
FLAC (tracks) 24-bit/192 kHz | Time – 34:58 minutes | 1.37 GB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – Fantastic Voyage (2017 Remastered Version)
02 – African Night Flight (2017 Remastered Version)
03 – Move On (2017 Remastered Version)
04 – Yassassin (Turkish for: Long Live) [2017 Remastered Version]05 – Red Sails (2017 Remastered Version)
06 – D.J. (2017 Remastered Version)
07 – Look Back in Anger (2017 Remastered Version)
08 – Boys Keep Swinging (2017 Remastered Version)
09 – Repetition (2017 Remastered Version)
10 – Red Money (2017 Remastered Version)

Disc 7: David Bowie – Scary Monsters (And Super Creeps) (1980/2017)
FLAC (tracks) 24-bit/192 kHz | Time – 45:48 minutes | 1,82 GB
Studio Master, Official Digital Download | Artwork: Front cover

Tracklist:
01 – It’s No Game (Part 1) [2017 Remastered Version]02 – Up the Hill Backwards (2017 Remastered Version)
03 – Scary Monsters (And Super Creeps) [2017 Remastered Version]04 – Ashes to Ashes (2017 Remastered Version)
05 – Fashion (2017 Remastered Version)
06 – Teenage Wildlife (2017 Remastered Version)
07 – Scream Like a Baby (2017 Remastered Version)
08 – Kingdom Come (2017 Remastered Version)
09 – Because You’re Young (2017 Remastered Version)
10 – It’s No Game (Part 2) [2017 Remastered Version]

Download:

mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part01.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part02.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part03.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part04.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part05.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part06.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part07.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part08.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part09.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part10.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part11.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part12.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part13.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part14.rar
mqs.link_DavidBwieANewCareerInANewTwn197719827CD201724192.part15.rar

Guy Bélanger – Traces & Scars (2017)
FLAC (tracks) 24-bit/88,2 kHz | Time – 46:32 minutes | 858 MB | Genre: Blues
Studio Master, Official Digital Download  – Source: Qobuz | Booklet, Front Cover | © Disques Bros Records

The 7th recording of Guy Bélanger’s eventful career showcases the composer, band leader and harp master at the top of his game. The album includes 10 superb instrumental Folk and Blues compositions and two songs, one of which sung by Quebec favourite Luce Dufault. Virtuoso guitar player Preston Reed (Scotland) and cello master Eric Longsworth also contribute. Guy Bélanger has received many awards for his songwriting, the latest the André Gagnon Award from the Spacq last September.

“My Dearest Friend” is a track dedicated to one of Guy’s closest friends, Bob Walsh. The harmonica on this track is phenomenal and it pulls everything together. You can hear the story line behind the instrumentals and the slow but meaningful sound.

“Traces & Scars” is a great collaboration between a cellist from France, Eric Longsworth and Guy Bélanger. It is a song that tells of the journey of life through the musical instruments played.

“Hot Time” is a track with some good ol’ VooDoo traces sliding in and out throughout the song. With the facts between our French culture in Canada creating the famous Louisiana city and dating back to the war of 1812 and implementing that amazing culture. You can feel the culture pour out in this song.

So with all these perfectly put together tracks, along with the French culture, blues and folk sound, it has a way of opening your mind, as well as your imagination up.

Tracklist:
01. My Dearest Friend
02. Better Days
03. Fat Boy (feat. Preston Reed)
04. Les mauvaises herbes
05. Little Heart
06. See the Light
07. Traces & Scars (feat. Eric Longsworth)
08. Common Ground
09. Kalaw (feat. Claude Fradette)
10. Who’s Left Standing (feat. Luce Dufault)
11. Nitassinan
12. Hot Time

Personnel:
Guy Bélanger, harmonica, vocals
André Lachance, guitars, vocals
Rob MacDonald, guitar
Kaven Girouard, guitar
Preston Reed, guitar
Marc-André Drouin, double bass, guitars, piano
Michel Roy, drums, percussions
Luce Dufault, vocals (on “Who’s left Standing”)
Claude Fradette, vocals (on “Kalaw”)
Eric Longsworth, vocals (on “Traces & Scars”)

Download:

mqs.link_GuyBlangerTracesScars20172488.2Qbuz.rar

レーベル Victor
配信開始日 2016.09.21
収録曲数 全9曲
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000005/VICL-64584_F/

「明日への手紙」のヒットも記憶に新しい、「今、日本でいちばん求められている歌声」とも形容される手嶌葵の待望の新作。 前作に続くセルフプロデュースとなる今作は、より濃密で手嶌葵でしか表現し得ない、どこか不思議で異国情緒も感じられる全9曲。

収録曲

1 – 想秋ノート 03:38
2 – 白薔薇のララバイ 04:51
3 – ナルキスと人魚 05:17
4 – 海を見つめる日 05:15
5 – 蒼と白～水辺、君への愛の詩～ 03:47
6 – ワインとアンティパスト 03:22
7 – ミス・ライムの推理 04:47
8 – Handsome Blue 03:40
9 – 白い街と青いコート 05:01

Download:

mqs.link_AiTeshima.part1.rar
mqs.link_AiTeshima.part2.rar

Audio Format: 24bit/44.1kHz
Released at: 2018-02-21
Label: YUTORI MUSIC

https://ototoy.jp/_/default/p/96390

収録曲

01. You’re My Own

Download:

mqs.link_SHACHIYuremywn20182444.1WEBFLAC.rar

レーベル avex trax
配信開始日 2017.11.29
収録曲数 全18曲
収録時間 1:15:31
サイズ合計 2.5GB
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000002/ANTCD-25517_F/

和楽器とロックバンドの融合という圧倒的な個性で日本の音楽業界に衝撃を与えた孤高のエンタテインメント集団、和楽器バンド。
今作ではYouTube再生数6700万回超えの大ヒット曲「千本桜」を始めとして、2013年の結成以降MUSIC VIDEOとして発表された全楽曲と新曲を収録！

収録曲

1.六兆年と⼀夜物語
2.天樂
3.千本桜
4.華⽕
5.戦-ikusa-
6.なでしこ桜
7.暁ノ糸
8.反撃の刃
9.Valkyrie-戦⼄⼥-
10.Strong Fate
11.起死回⽣
12.オキノタユウ
13.雪よ舞い散れ其⽅に向けて
14.⾬のち感情論
15.花⼀匁
16.拍⼿喝采
17.シンクロニシティ

Download:

mqs.link_BESTCLLECTIN2496.part1.rar
mqs.link_BESTCLLECTIN2496.part2.rar
mqs.link_BESTCLLECTIN2496.part3.rar

レーベル Music Ray’n Inc.
配信開始日 2017.12.13
収録曲数 全3曲
収録時間 12:05
サイズ合計 407.8MB
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000001/4580163598546/

激しいマイナーロックでこれまでになくアグレッシヴ、そしてダークながらも美しい雨宮天の新たなチャレンジ。

ユニット「TrySail」として、初のアリーナライブ後の全国ツアーも発表、並行してのソロ活動も精力的に活動中の声優シンガー、雨宮天。7月にリリースされた前作「irodori」が自身最高となるオリコン週間ランキング8位を記録、同時に発表した東阪Zeppワンマンが前売分で即完など、異彩を放つクールビューティーの女性声優シンガーのワン＆オンリーな存在として今年に入っての雨宮天への注目はさらに急上昇中！

収録曲

01. Eternal
02. Marvelous scene
03. Eternal (Instrumental)

Download:

mqs.link_Eternal201724bit96kHzFLAC.rar

レーベル GIRL’Sset/ HMVS
配信開始日 2018.01.31
収録曲数 全2曲
収録時間 08:48
サイズ合計 148.5MB
販売データ ハイレゾ｜FLAC｜48.0kHz/24bit

http://mora.jp/package/43000033/A60405/

収録曲

01 Believe
02 No Woman No Cry

Download:

mqs.link_MashilHerMeldiusViceBelieveNWmanNCry20182448WEBFLAC.rar

レーベル Sony Music Labels Inc.
配信開始日 2017.04.05
収録曲数 全3曲
収録時間 13:06
サイズ合計 442.1MB
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000001/4547366304046/

ニューシングルは、80’sテイストが色濃いグルーヴィーなダンスナンバー！

表題曲 M-1「Magical Fiction」は、80’sテイストが色濃いグルーヴィーなリズムラインの上で橋本の力強いヴォーカルが跳ねる、新機軸のダンスナンバー。
M-2「ほとんどチョコレート」は、2011年に一度だけLiveで披露した未発表曲を今のモード＆体制で大胆にリアレンジ、そして歌詞も大きく改変した上で収録。
M-3「かわいいひと」は、ウルフルズの名曲を阿波踊りテイストを盛り込みつつカヴァー。

それぞれテイストが大きく違う楽曲の持ち味を活かす様にマスタリングされた楽曲を、より高解像度で味わえます。

【使用マスター】オリジナルマスター
【マスタリング年】2017年

【トラックダウンエンジニア】宮島哲博 (M-1、M-3), 佐藤宏明 (M-2 / molmol)
【トラックダウンスタジオ】GREENBIRD (M-1), グリオスタジオ（M-2), RCM STUDIO 3 (M-3)

【マスタリングエンジニア】山崎 翼
【マスタリングスタジオ】Bernie Grundman Mastering Tokyo

収録曲

01. Magical Fiction
02. ほとんどチョコレート
03. かわいいひと

Download:

mqs.link_MagicalFictin20170405WEB24bitFLAC.rar

Audio Format: 24bit/96kHz,24bit/48kHz
Released at: 2018-01-10
Label: KING RECORDS
Catalog: KICM-1819

https://ototoy.jp/_/default/p/92169

十二年の歳月を経て、 新たに紡がれる物語に唄の糸で彩りを添えるのは、 陰陽座。 TV アニメ 『バジリスク ~甲賀忍法帖~』 のオープニングテーマ 「甲賀忍法帖」 で魅せた魂の輝きを、 再びバジリスクシリーズ最新TV アニメ 『バジリスク ~桜花忍法帖~』 オープニングテーマで放つ!!アニメ化より以前から山田風太郎先生による 『甲賀忍法帖』 に対し、 多大なリスペクトを示していた陰陽座。 刻を超えてもなお、 色褪せることのない絆と想いをのせた 「桜花忍法帖」 が、 2018 年の始まりを飾る。

収録曲

1 桜花忍法帖
02 甲賀忍法帖 (実況録音版)
03 愛する者よ、死に候え (実況録音版)
04 蛟龍の巫女 (実況録音版)

Download:

mqs.link_HiResFLACLsslessWEBSingle2018.rar

レーベル Speedstar
配信開始日 2017.03.08
収録曲数 全14曲
収録時間 55:22
サイズ合計 1.8GB
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://recochoku.jp/album/A2000870378/
http://mora.jp/package/43000005/VICL-64717_F/

アルバム『New generation』での衝撃的なメジャーデビューからほぼ1年ぶり、待望のセカンド・アルバム。先行シングル「You」、「stage」はもちろん、 NHKアニメ「ほのぼのログ」のテーマ音楽「morning」、「Gap 1969 RECORDS SUMMER 2016」のキャンペーンソング「1969」などのタイアップ楽曲、インタールードを含む全14曲を収録。

【タイアップ】
M2:TBS系テレビ「CDTV」2016年12月度エンディングテーマ
M12:「Gap 1969 RECORDS SUMMER 2016」キャンペーンソング
M14:NHKアニメ「ほのぼのログ」テーマ音楽

収録曲

01 Change your mind
02 free
03 stage
04 Count me out
05 Take my hand
06 perspective (Interlude)
07 You
08 feel
09 Hey Boy,
10 intuition (Interlude)
11 寝顔
12 1969
13 speech (Interlude)
14 morning

Download:

mqs.link_Changeyurpps20170308WEB24bitFLAC.part1.rar
mqs.link_Changeyurpps20170308WEB24bitFLAC.part2.rar