MQS Albums Download

On his prior 1967 LP, For Emily, Whenever I May Find Her, Yarbrough had tried to move into contemporary folk-rockish covers, with negligible sales and not much greater artistic success. With Honey & Wine there also seemed to be inclinations to update his sound, but great uncertainty as to which way his music should pull. There was just a bit of a nod to pop/rock on the album, primarily in the title cut, a cover of a relatively little-known Gerry Goffin-Carole King composition. That song is a bluesy, very good yet underrated tune, but Yarbrough was not the best guy to sing it convincingly; look for the Hollies’ version instead. Much of the rest of the disc was given over to Rod McKuen covers with soppy MOR arrangements, which were sometimes (as on the excruciating “Happy Birthday to Me” and the cringingly upbeat “Ain’t You Glad You’re Livin’, Joe”) about as bathetic as McKuen ever got, which is saying something. A couple of Mason Williams tunes, “Here Am I” (with period pop harpsichord) and the bossa nova-flavored “They Are Gone,” are better but hardly memorable. In all, it’s a nearly terrible recording of sluggish easy listening pop, and not worth the money you’ll be charged if you find it in the dollar bin. Some interesting names pop up among the arrangers, though, including Williams, a pre-Bread David Gates, and Mort Garson.

Tracklist:
01 – Honey and Wine
02 – All the Time
03 – Thank You
04 – They Are Gone
05 – Happy Birthday to Me
06 – Walking on Air
07 – Ain’t You Glad You’re Livin’ Joe
08 – I’ll Remember You
09 – Fields of Wonder
10 – So Many Others
11 – Here Am I

Download:

mqs.link_GlennYarbrughHneyAndWine19672017AcusticSunds24192.part1.rar
mqs.link_GlennYarbrughHneyAndWine19672017AcusticSunds24192.part2.rar

Glenn Robertson Yarbrough was an American folk singer and guitarist. He was the lead singer (tenor) with the Limeliters from 1959 to 1963. He also had a prolific solo career, recording on various labels. This compilation has been originally released in 1967 on Tradition Records.

Tracklist:
01 – Dark as a Dungeon
02 – The Tailor and the Mouse
03 – Banks of the Ohio
04 – John Hardy
05 – Suspiros del Chanchamayo
06 – Old Maid’s Song
07 – Lonesome Valley
08 – Waltzing Matilda
09 – Red River Valley
10 – All ‘Round My Hat
11 – My Mule Sal
12 – Poor Boy
13 – Come Again
14 – A Capital Ship

Download:

mqs.link_GlennYarbrughTheBestfGlennYarbrugh19672017Qbuz24441.rar

This 1966 album of Rod McKuen songs was among Glenn’s most popular! Includes the Word Before Goodbye; Night Song; Hello; the Women; Brownstone; the Summertime of Days, and more.

Tracklist:
01 – The Lonely Things
02 – Channing Way, 2
03 – The Word Before Goodbye
04 – Night Song
05 – So Long, San Francisco (From “Lonesome Cities”)
06 – Stanyan Street, Revisited
07 – Hello
08 – The Women
09 – Brownstone
10 – People Change
11 – The Summertime Of Days
12 – A Kind Of Loving

Arranged & Conducted by Mort Garson.

Download:

mqs.link_GlennYarbrughTheLnelyThings19662017AcusticSunds24192.part1.rar
mqs.link_GlennYarbrughTheLnelyThings19662017AcusticSunds24192.part2.rar

レーベル KING RECORDS
配信開始日 2016.06.17
収録曲数全13曲
販売データハイレゾ｜FLAC｜48.0kHz/24bit

http://mora.jp/package/43000014/NOPA1119_F/

ドラマやCM､TV番組とのコラボレーションが多い実力派シンガー･ソングライター､熊木杏里の5thアルバム｡ユニクロ『ブラトップ』のCMソング｢夏の気まぐれ｣､映画『天国はまだ遠く』のEDテーマ｢こと｣､『京王グループ』の企業CM曲｢時の列車｣など”どこかで耳にしたことのある”タイアップ曲が満載です!

収録曲

1 – モウイチド 04:42
2 – 夏の気まぐれ 04:07
3 – 誕生日(ALBUM VERSION) 04:01
4 – こと 48.0kHz/24bit 熊木杏里 feat. 清塚信也 06:09
5 – 青雲 04:13
6 – 春隣 04:33
7 – 青春たちの声がする 03:56
8 – 時の列車 04:14
9 – 雨が空から離れたら 04:22
10 – やっぱり 04:14
11 – my present 05:14
12 – 夏休み(ボーナストラック) 03:35
13 – 晴れ人間(ボーナストラック) 03:14

Download:

mqs.link_20160617WEB24bitFLAC.rar

“ラブソング・プリンセス”シェネルがデビュー10周年のアニバーサリーイヤーに突入した!

http://recochoku.jp/album/A2000974294/

マレーシア生まれ、オーストラリア育ちのシェネル(Che’Nelle、現在米LA在住)は、アメリカのメジャー“キャピトル・レコーズ”と契約し、洋楽アーティストとして2007年にアルバム『シェネル(原題:Things Happen For A Reason)』で世界デビュー。同アルバムに収録の「ラブ・ウィズ・DJ(原題:I Fell In Love With The DJ)」は日本でも大ヒットし、ゴールドディスク大賞で新人賞に輝いた。2011年、TEEの名曲を英語詞でカバーした「ベイビー・アイラブユー」が記録的な大ヒット。J-POPの世界でも活躍し、翌年には映画『BRAVE HEARTS 海猿』の主題歌「ビリーヴ」が大ヒット。ドラマ『ディア・シスター』の主題歌として大ヒットした「Happiness」しかり、ウェディングソングと言えばシェネルであり、結婚式で最も人気の曲・アーティストを決定する「ISUMブライダルミュージックアワード2014」を受賞している。

今年は、34冠の大ヒットシングル「Destiny」(TBS系金曜ドラマ『リバース』主題歌)を収録したアルバム『Destiny』、原点回帰の洋楽アルバム『メタモルフォーゼ』を立て続けにリリース、11月には『10th ANNIVERSARY JAPAN TOUR 2017』を控えている。そして12月6日には「初」のオールタイム・ベストの発売が決定している。

収録曲

01. Destiny
02. Heartburn
03. Fun
04. Fall In Love Again
05. Miracle
06. Love Sick
07. Love You Like Me
08. Outta Love (feat.MINMI)
09. 君がいれば
10. Remember My Name
11. 終わらないラブソング～Like A Love Song

Download:

mqs.link_Destiny20170721WEB24bitFLAC.rar

Audio Format: 24bit/44.1kHz
Released at: 2018-03-16
Label: WM Japan

https://ototoy.jp/_/default/p/104776

川谷絵音、小籔千豊、くっきー（野性爆弾）、中嶋イッキュウ（tricot）、新垣隆から成る5人組の超絶個性派バンド、ジェニーハイのデビュー曲『片目で異常に恋してる』配信開始！！ジャケットには、くっきー描き下ろしのメンバー似顔絵がデザイン！

収録曲

1 – 片目で異常に恋してる 04:17

Download:

mqs.link_2018WEB24bitFLAC.rar

udio Format: 24bit/48kHz
Released at: 2018-01-24
Label: avex trax
Catalog: ANTCD-26013

https://ototoy.jp/_/default/p/93256

これまでの集大成ともいえる通算4枚目のアルバム『軌跡 BEST COLLECTION+』をリリースした和楽器バンド、 2018年第1弾のリリースは、セカンド・シングル!

収録曲

01 雪影ぼうし
02 あまりりす
03 花になれ!

Download:

mqs.link_FLACHiResWEB48.0kHz24bit2018.rar

約1年9ヶ月ぶり、通算4枚目のオリジナルアルバム!TVアニメ『キノの旅-the Beautiful World- the Animated Series』OPテーマ「here and there」/EDテーマ「砂糖玉の月」、TVアニメ『Just Because!』OPテーマ「over and over」、TVアニメ『時間の支配者』EDテーマ「時間は窓の向こう側」、TVアニメ『ベルセルク』EDテーマ「瞑目の彼方」他、収録。 (C)RS

http://recochoku.jp/album/A2001152338/

約1年9ヶ月ぶり、4枚目のオリジナルアルバム

<収録曲>
・here and there(TVアニメ「キノの旅-the Beautiful World- the Animated Series」OP)
・砂糖玉の月(TVアニメ「キノの旅-the Beautiful World- the Animated Series」ED)
・over and over(TVアニメ「Just Because!」OP)
・時間は窓の向こう側(TVアニメ「時間の支配者」ED)
・瞑目の彼方(TVアニメ「ベルセルク」ED)
他収録

やなぎなぎ:
5月31日生まれ関西出身
2006年から音楽活動をするアーティスト/ボーカリスト。
ふとした日常やノスタルジックな風景、童話のような情景を描く音づくりを目指している。
2009年、supercellからオファーを受け、「nagi」名義でゲストボーカルを担当。
2011年、「麻枝准×やなぎなぎ」コラボレーションプロジェクトが始動。
2012年2月29日、TVアニメ「あの夏で待ってる」EDテーマ「ビードロ模様」でメジャーソロデビュー
2013年7月3日に発売した1stアルバム「エウアル」をはオリコンウィークリー4位を記録した。
その後も数々の楽曲の発売に加え、全国ツアーや企画ライブなどの活動も精力的に行っている。
一度聴いたら忘れられない繊細な声質と、印象的な楽曲の世界観が支持され、活躍の場を広げている。

収録曲

01. snowglobe (6:22)
02. 時間は窓の向こう側 (5:01)
03. over and over (4:53)
04. here and there (4:51)
05. スーパーヒーロー (2:46)
06. あなたはサキュレント (4:03)
07. 海を込めて (4:00)
08. 瞑目の彼方 (4:39)
09. 砂糖玉の月 (4:37)
10. relaxin’soup (4:22)
11. 目覚めの岸辺 (4:13)
12. 夜明けの光をあつめながら (5:18)
13. natte (2:30)

Download:

mqs.link_20180124WEB24bitFLAC.rar

‘The meditation, sobriety and modesty of Bach’s music are profoundly moving. In this era when so much importance is granted to appearances, his music remains, pushes us to introspection and raises existential questions that, despite the passage of centuries, remain topical. ‘I have chosen works transcribed by Busoni, Siloti or Kempff, and not that of works written for harpsichord, for their transcriptions hold out a thread between Bach’s era and our modern world.

That is tangible proof of the universality and timelessness of his music: it throws a bridge between men of different centuries. ‘Thierry Escaich’s music also has its roots in Bach’s. So it is that his latest works recall the music of the cantor of Leipzig, whilst strangely tinting it with the colours of the 21st centuries: bouquets of colourful harmonies, wild rhythms, moments of mystical ecstasy… ‘Béatrice Berrut Recognized on the international scene and by her peers asa major artist, for her debut on the Aparté lable, the Swiss pianist Béatrice Berrut gives us a highly intimate vision of Johann Sebastian Bach’s music.

For this, she is accompanied by a Bösendorfer piano prototype and the microphones of Nicolas Bartholomée, set up in the setting of Flagey, a multi-disciplinary arts centre in Brussels.

Tracklist:
Johann Sebastian Bach (1685-1750)
1 Siciliano, BWV 1031 (transcripted by Wilhelm Kempff) 04:01
2 Aria, BWV 1068 (transcripted by Alexander Siloti) 05:08
3 Chaconne, BWV 1004 (transcripted by Ferrucio Busoni) 14:42
4 Komm Gott Schöpfer, heiliger Geist, BWV 667 02:03
5 Wachet auf, ruft uns die Stimme (BWV 645) 03:09
6 Nun komm der heiden Heiland, BWV 659 04:13
7 Nun freut euch, lieben Christen g’mein, BWV 734 02:16
8 Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 02:55
9 Herr Gott, nun schleuss den Himmel auf, BWV 617 01:46
1 0Durch Adams Fall ist ganz verderbt, BWV 637 01:57
11 Durch Adams Fall ist ganz verderbt, BWV 705 04:19
12 In Dir ist Freude, BWV 615 02:17
13 Jesus Christus, unser Heiland, BWV 665 05:45
14 Trois études baroques – I. Vivacissimo 01:52
15 Trois études baroques – II. Andante 04:05
16 Trois études baroques – III. Moderato 06:51
17 Jeux de doubles 05:06

Personnel:
Beatrice Berrut, piano

Download:

mqs.link_BeatriceBerrutLuxaeternaVisinsfBach20152496Qbuz.part1.rar
mqs.link_BeatriceBerrutLuxaeternaVisinsfBach20152496Qbuz.part2.rar

Beatrice Rana – Silver Medalist: Fourteenth Van Cliburn International Piano Competition (2013)
FLAC (tracks) 24-bit/48 kHz | Time – 01:02:01 minutes | 543 MB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © harmonia mundi

Silver Medal winner Beatrice Rana was praised for her ‘intensely personalized music-making’ (Dallas Morning News) that ‘had an electrical current running through virtually every measure’ (The Plain Dealer). Already a rising star, Rana was named ‘One to Watch’ by International Piano magazine just before her Cliburn appearance. In addition to a tour of the United States arranged by the Cliburn, highlights of Rana’s 2013–14 season include invitations to perform with Yannick Nézet-Seguin and the Orchestre Métropolitain, Miguel Harth-Bedoya with the Fort Worth Symphony Orchestra, and Fayçal Karoui with the Orchestre Lamoureux in Paris’ Théâtre des Champs-Elysées. This live recording of her competition performances features works by Schumann Ravel and Bartók.

With performances heralded as “sheer enchantment, alternately out-of-body and almost fearsome in intensity” (Dallas Morning News) and “an endlessly fascinating piece of humanity that had the orchestra riveted on every note” (Huffington Post), Italian pianist Beatrice Rana drew mass attention during the 2013 Cliburn Competition, capturing second prize, as well as the Audience Award.

A prizewinner many times over, Ms. Rana was named “One to Watch” by International Piano magazine just before her Cliburn appearance. Highlights of her 2013–14 season include invitations to perform with Yannick Nézet-Seguin and the Orchestre Métropolitain, Miguel Harth-Bedoya with the Fort Worth Symphony Orchestra, and Fayçal Karoui with the Orchestre Lamoureux in Paris’ Théâtre des Champs-Élysées, and tours of the United States arranged by the Cliburn. Beatrice has previously been invited to several festivals around the world, including the Busoni, La Folle Journée, La Roque d’Anthéron, Lanaudière and Radio-France Festivals. In 2012, she released her first CD of works by Scriabin and Chopin on ATMA Classique.

“So the evening’s shining star was Beatrice Rana… She engaged the listener from the first moments, taking time in the introspective moments and capturing the irony and atmosphere of Prokofiev. The first movement cadenza was a tour-de-force She has technique to burn, but she also paced herself well… Her control of mood and sonority was often stunning.” (Cincinnati Enquirer)

Tracklist:
Robert Schumann (1810-1856)
Symphonic Études, Op. 13
01. Thema: Andante
02. Etude I: Un poco piu vivo
03. Etude II
04. Etude III: Vivace
05. Etude IV
06. Etude V
07. Etude VI: Agitato
08. Etude VII: Allegro molto
09. Etude VIII
10. Etude IX: Presto possibile
11. Etude X
12. Etude XI: Con espressione
13. Etude XII: Allegro brillante
Maurice Ravel (1875-1937):
Gaspard de la Nuit
14. I. Ondine
15. II. Le gibet
16. III. Scarb
Béla Bartók (1881–1945)
Out of Doors, Sz. 81 (1927)
17. I. With Drums and Pipes. Pesante
18. II. Barcarolla. Andante
19. III. Musettes. Moderato
20. IV. The Night’s Music. Lento
21. V. The Chase. Presto

Personnel:
Beatrice Rana, piano

Recorded in concert May 24–June 9, 2013 at Bass Performance Hall, Fort Worth, Texas Audio Engineer: Tom Lazarus, Classic Sound, Inc. Mastering: Brad Michel Producers: Richard Dyer, Jacques Marquis, Robina G. Young

Download:

mqs.link_BeatriceRanaSilverMedalistFurteenthVanCliburnInternatinalPianCmpetitin20132448Qbuz.rar

Bejun Mehta, Akademie für Alte Musik Berlin & René Jacobs – Che Puro Ciel: The Rise of Classical Opera (2013)
FLAC (tracks) 24-bit/96 kHz | Time – 01:09:43 minutes | 1,22 GB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © harmonia mundi

Arias & scenes from l’Orféo et Euridice, Ascanio in Alba, Antigona et Ifigenia in Tauride (Traetta), Il trionfo di Clelia (Hasse), Artaserse (Bach), Ezio (Gluck), Mitridate (Mozart)

In the famous Preface to Alceste (1767), Christoph Willibald Gluck and his librettist Ranieri de’ Calzabigi posited a new direction for opera. They spoke of moving beyond Baroque forms, of striving for a new naturalism in opera. They wanted, in Calzabigi’s lovely phrase, to liberate the language of the heart. Taken from the height of this Reform period, the arias on this disc reveal composers exploring and experimenting, at struggle and at play, as they create the new forms that bring to opera the noble simplicity of the Classical era. Bejun Mehta returns to the Wigmore Hall and Covent Garden in 2014 [Mitridate].

„Bejun Mehta’s disc towers above the other Handel ‘medley’ recordings currently fashionable among opera stars. Musicality and a brilliant intelligence emanate from every track. Mehta and René Jacobs, by contrast, achieve a perfect meeting of musical minds…This is not just another aria collection, but a celebration of genius, in composition and performance alike.” (BBC Music Magazine)

‘AMERICAN Bejun Mehta is a phenomenon among today’s countertenors…he explores a universe of colour and emotion, and demonstrates the sheer effortlessness of his delivery (never once do you sense that slight unnatural unease so common among average countertenors) with the supremely stylish backing of the Freiburg Baroque Orchestra under René Jacobs. Welsh soprano Rosemary Joshua also features.’ (Kenneth Walton, The Scotsman)

Tracklist:
01. Orfeo ed Euridice: Aria Che puro ciel!
02. Orfeo ed Euridice: Coro Vieni a’ regni del riposo
03. Ascanio in Alba: Recitativo Perché tacer degg’io?
04. Ascanio in Alba: Aria Cara, lontano ancora
05. Antigona: Aria Ah, se lo vedi piangere
06. Il Trionfo di Clelia: Aria Dei di Roma, ah perdonate!
07. Artaserse: Recitativo accompagnato No, che non ha la sorte
08. Artaserse: Aria Vo solcando un mar crudele
09. Ifigenia in Tauride: Dormi Oreste!
10. Ezio: Aria Pensa a serbarmi, o cara
11. Ascanio in Alba: Aria Ah di sì nobil alma
12. Antigona: Aria Ah, sì, da te dipende
13. Ezio: Aria Se il fulmine sospendi
14. Mitridate: Recitativo accompagnato Vadasi…
15. Mitridate: Aria Già dagli occhi il velo è tolto

Personnel:
Bejun Mehta, countertenor
Akademie für Alte Musik Berlin
René Jacobs, conductor
RIAS Kammerchor (on track 2, 9)

Download:

mqs.link_BejunMehtaAkademiefrAlteMusikBerlinRenJacbsChePurCielTheRisefClassicalpera20132496Qbuz.part.rar
mqs.link_BejunMehtaAkademiefrAlteMusikBerlinRenJacbsChePurCielTheRisefClassicalpera20132496Qbuz.part.rar

Benjamin Alard – Bach: The Work for Organ & Harpsichord, Chapter I – 1. Jesu meine Freude (2017)
FLAC (tracks) 24-bit/88,2 kHz | Time – 26:22 minutes | 431 MB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Front Cover | © harmonia mundi

We are delighted to announce that organist and harpsichordist Benjamin Alard is now recording for harmonia mundi. Following several acclaimed recordings for Alpha, Benjamin Alard will now devote himself to the complete works for organ and harpsichord of Johann Sebastian Bach. A massive undertaking, involving around 30 hours of music, which will be structured into chapters that mark the significant moments in the life of the Cantor of Leipzig: “This is indeed the first time Johann Sebastian Bach’s complete works for solo harpsichord will be performed by the same musician. Contrary to the encyclopaedic complete works so far published (harpsichord, organ, cantatas, concertos, etc.), my approach is to present Bach’s harpsichord music in parallel with the chronology ofhis life, his inf luences, his travels, his professional choices, grouped symbolically into 14 chapters, to represent the number of letters in his name.” (Benjamin Alard)

Recorded last May on the Andreas Silbermann organ of 1718 (recently restored by the Blumenroeder Company) at Sainte-Aurélie’s Church in Strasbourg, and on a harpsichord made by Émile Jobin, inspired by models he has restored (Ruckers 1612, preserved in the Musée de Picardie; Dulcken 1747, preserved in the Vleeshuis, Antwerp), the first volume of this complete works will bring together pieces composed between 1695 and 1705, under the title “The Young Heir”, and will be released on 30 March 2018, the anniversary of Bach’s birth.

Tracklist:
Johann Sebastian Bach (1685-1750)
01. Jesu, meine Freude, BWV 1105
02. Ach, was soll ich Sünder machen, BWV 770
03. Herr Jesu Christ, du höchstes Gut, BWV 1114
04. O Jesu, wie ist dein Gestalt, BWV 1094

Personnel:
Benjamin Alard, harpsichord, organ
Gerlinde Sämann (soloist)

Download:

mqs.link_BenjaminAlardBachTheWrkfrrganHarpsichrdChapterI1.JesumeineFreude20172488.2Qbuz.rar

Bernard Foccroulle here continues his exploration of the north German organist composers with a recording of the works of Georg Böhm, a composer with whom J.S. Bach had come into contact at the end of his adolescence. At the foot of a manuscript dated around 1700 in which he had copied out pieces by Buxtehude, Reinken and Pachelbel that served as models for his own compositions, the young Johannes Sebastian Bach wrote that he was a pupil of Georg Böhm in Lüneburg. The organ works of this north German master foreshadow the young J.S. Bach’s first compositions in many respects; it was also clearly thanks to Böhm that Bach came into contact with the various genres of French music of the period. The Schnitger organ of the Grote Kerk in Alkmaar lends itself particularly well to this repertoire thanks to the power and the quality of its solo registers.

Tracklist:
Georg Böhm (1661-1733)
01. Praeludium (und Fugue) in C
02. Vom Himmel hoch da komm ich her
03. Nun bitten wir den heiligen Geist
04. Christe, der du bist Tag und Licht: I. Versus 1
05. Christe, der du bist Tag und Licht: II. Versus 2
06. Christe, der du bist Tag und Licht: III. Versus 3
07. Praeludium (und Fugue) in A
08. Wer nur den lieben Gott lässt walten
09. Christ lag in Todesbanden (à 2 claviers et pédalier)
10. Christ lag in Todesbanden (à 1 clavier et pédalier)
11. Auf meinen lieben Gott: I. Versus 1
12. Auf meinen lieben Gott: II. Versus 2
13. Auf meinen lieben Gott: III. Versus 3
14. Auf meinen lieben Gott: IV. Versus 4
15. Vater unser im Himmelreich: I. Versus 1
16. Vater unser im Himmelreich: II. Versus 2
17. Vater unser im Himmelreich
18. Praeludium (und Fugue) in D

Personnel:
Bernard Foccroulle (organ)

Download:

mqs.link_BernardFccrulleBhmrgelwerke20112444.1.rar

For his second release on Erato, Bertrand Chamayou is dedicating two CDs to the complete solo piano music of Ravel. “My style of playing and the way I imagine sound can be largely attributed to Ravel,” says Chamayou. “Recording his music is not just a return to my roots, but also a natural stage in my development.” This new set makes a fitting successor to Chamayou’s debut disc for the label: released in early 2014 and devoted to music by Schubert, it was praised by the Sunday Times as an “affecting, beautifully performed disc,” by Pianist magazine for “playing of intellectual conviction paired with a singing tone of heart-breaking beauty,” and by the Telegraph for “playing that radiates a generous Schubertian spirit, thoughtful in its shaping, structurally cohesive, absorbing in a spectrum of pianism that draws you into the music’s expressive heart.”

Schubert was one of the composers who inspired Ravel – notably in Valses nobles et sentimentales – as was Franz Liszt, whose transcriptions of Schubert songs were a feature of Chamayou’s debut album. His influence is evident in Ravel’s dauntingly virtuosic Gaspard de la nuit and glittering Jeux d’eau. The latter was the first ‘modern’ score that Chamayou saw as a child, and he began to play it at the age of eleven or twelve. The pianist even has a connection to the composer through one of his teachers at the Paris Conservatoire, Jean François Hessier; he was a student of Vlado Perlemuter who was mentored by Ravel himself. “I admire the purity and simplicity of Perlemuter’s approach, which seems in keeping with the famous – and probably exaggerated – statement attributed to the composer: ‘I don’t expect people to interpret me, just to play me.’”

Tracklist:
Maurice Ravel (1875-1937)
01. Jeux d’eau, M. 30
02. Pavane pour une infante défunte, M. 19
03. A la manière de… Chabrier, M. 63
04. Miroirs, M. 43: I. Noctuelles
05. Miroirs, M. 43: II. Oiseaux tristes
06. Miroirs, M. 43: III. Une barque sur l’océan
07. Miroirs, M. 43: IV. Alborada del gracioso
08. Miroirs, M. 43: V. La Vallée des cloches
09. Menuet antique, M. 7
10. Sérénade grotesque, M. 5
11. A la manière de… Borodine, M. 63
12. Valses nobles et sentimentales, M. 61
Alfredo Casella (1883-1947)
13. A la manière de… Ravel, Op.17b, Book 2: No. 4 Almanzor ou le mariage d’Adelaïde
Maurice Ravel
14. Gaspard de la nuit, M. 55: I. Ondine
15. Gaspard de la nuit, M. 55: II. Le Gibet
16. Gaspard de la nuit, M. 55: III. Scarbo
17. Menuet in C-Sharp Minor, M. 42
18. Sonatine, M. 40: I. Modéré
19. Sonatine, M. 40: II. Mouvement de menuet
20. Sonatine, M. 40: III. Animé
21. Prelude in A Minor, M. 65
22. Le Tombeau de Couperin, M. 68: I. Prélude
23. Le Tombeau de Couperin, M. 68: II. Fugue
24. Le Tombeau de Couperin, M. 68: III. Forlane
25. Le Tombeau de Couperin, M. 68: IV. Rigaudon
26. Le Tombeau de Couperin, M. 68: V. Menuet
27. Le Tombeau de Couperin, M. 68: VI. Toccata
28. Menuet sur le nom de Haydn, M. 58
Alexander Ziloti (1863-1945)
29. Kaddisch, Mélodie hébraïque in C Minor

Personnel:
Bertrand Chamayou, piano

Download:

mqs.link_BertrandChamayuRavelCmpleteWrksfrSlPian20162496Qbuz.part1.rar
mqs.link_BertrandChamayuRavelCmpleteWrksfrSlPian20162496Qbuz.part2.rar
mqs.link_BertrandChamayuRavelCmpleteWrksfrSlPian20162496Qbuz.part3.rar

Blake Shelton’s sixth album (not including compilations), Red River Blue features production by the in-demand, award-winning Scott Hendricks. It is preceded by smash single ‘Honey Bee,’ which reached number one on the Billboard and Mediabase country single charts within seven weeks, and has logged a million digital downloads; it holds the record for the fastest-selling digital single to be certified gold by the R.I.A.A. by a country male. It’s his fourth straight number one single and his ninth overall. In fact, given that Shelton had less than half an album completed when the single was released, he and his team were given two weeks to complete the album after it hit number one. The energy is evident throughout the 11-song set.

„With Blake Shelton being at the top of his game, he deserves all the great things that are going in his direction. If you love good country music, then check out Red River Blue. You won’t regret it.“ (Scott Sexton, Country Music)

Tracklist:
01. Honey Bee
02. Ready To Roll
03. God Gave Me You
04. Get Some
05. Drink On It
06. Good Ole Boys
07. I’m Sorry
08. Sunny In Seattle
09. Over
10. Hey
11. Red River Blue
12. Chill (Bonus Track)
13. Addicted (Bonus Track)

Personnel:
Blake Shelton, vocals, guitars
Ilya Toshinsky, acoustic guitar
Bryan Sutton, acoustic guitar
Paul Jenkins, electric guitar
Troy Lancaster, electric guitar
Tom Bukovac, electric guitar
Adam Shoenfeld, electric guitar
Brent Mason, electric guitar
Aubrey Haynie, mandolin, fiddle
Carole Rabinowitz, strings
Elizabeth Lamb, strings
Eberhard Ramm, strings
Conni Ellisor, strings
Pamela Sixfin, strings
Gordon Mote, piano, Hammond b-3 organ, programming
Tim Akers, piano, Hammond b-3 organ
Chris McHugh, drums, percussion
Greg Morrow, drums, percussion
Eric Darken, percussion
Jessi Alexander, background vocals
Martina McBride, background vocals
Miranda Lambert, background vocals
Wes Hightower, background vocals
Perry Coleman, background vocals

Engineered by Chris Stevens, Scott Hendricks, Steve Marcantonio
Produced by Scott Hendricks

Download:

mqs.link_BlakeSheltnRedRiverBlueDeluxeVersin20112488.2.rar

Time passes and the harpsichordist Blandine Verlet’s witty imagination doesn’t fade. Regularly rewarded for her legendary records, she releases for the second time pieces of her beloved Couperin: the 13th and 18th so called “ordres” of the Third Book. Known for her unique interpretations, Blandine Verlet’s tempi are sometimes voluntarily slower than prescribed but they are never heavy because she is animated by a strong and lively breath. At the harpsichord, she is carried by her writer’s delicate sensitivity. The noble programme and a text of lyrical prose of her own match harmoniously in this CD book. Such as in her subtle narratives, Blandine Verlet’s interpretations give a large place to the imaginary. The fantasy of her musical self is never erased in the name of an abstract idea of the work: the life of the score mingles with that of its interpreter.

Tracklist:
François Couperin (1668 – 1733)
01. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur: I. Les Lys naissants
02. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur: II. Les Roseaux
03. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur: III. L’Engageante
04. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: I. La Virginité sous le Domino couleur d’invisible
05. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: II. La Pudeur sous le Domino couleur de rose
06. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: III. L’Ardeur sous le Domino couleur incarnat
07. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: IV. L’Espérance sous le Domino vert
08. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: V. La Fidélité sous le Domino bleu
09. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: VI. La Persévérance sous le Domino gris de lin
10. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: VII. La Langueur sous le Domino violet
11. Pièces De Clavecin, Livre III, Treizième Ordre En Si Mineur, Les Folies Françaises Ou Les Dominos: VIII. La Coquetterie Sous Différents Dominos
12. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: IX. Les Vieux Galants et les Trésorières surannées sous les Dominos pourpres et feuilles mortes
13. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: X. Les Coucous bénévoles sous des Dominos jaunes
14. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: XI. La Jalousie taciturne sous le Domino gris de maure
15. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur, les Folies françaises ou les Dominos: XII. La Frénésie ou le Désespoir sous le Domino noir
16. Pièces de clavecin, Livre III, Treizième ordre en Si Mineur: V. L’Âme-en-peine
17. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: I. La Verneuil
18. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: II. Verneuillète
19. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: III. Sœur Monique
20. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: IV. Le Turbulent
21. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: V. L’Attendrissante
22. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: VI. Le Tic-toc-choc ou Les Maillotins
23. Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: VII. Le Gaillard boiteux
24. Pièces de clavecin, Livre I, Troisième ordre en Ut Mineur: XII. La Favorite

Personnel:
Blandine Verlet, harpsichord

Download:

mqs.link_BlandineVerletCuperinPicesdeclavecinTrisimeLivre20182496.part1.rar
mqs.link_BlandineVerletCuperinPicesdeclavecinTrisimeLivre20182496.part2.rar

With a huge variety of sources and influences, Bobo Stenson’s music is never limited to a single territory. He’s not really the kind of Swedish pianist who throws himself into the wide range of improvised music, be it jazz or other genres. He is very much in line with the ECM aesthetic, the label on which he has been one of the most prominent musicians for over four decades… His Swedish trio (Anders Jormin on the double bass and Jon Fält on the drums) makes a stand in the ever so indecisive world of 2017 with this Contra La Indecisión, an album as magnificent as it is decisive. Staying true to themselves, the group supports the originality of their approach here. In addition to collective improvisations and original compositions signed by Stenson and Jormin, we find on the menu the piece which gives the album its name, composed by the Cuban Silvio Rodríguez as well as the adaption of a Slovak folk song signed by Béla Bartók, an extract from Cançons I Danses by Federico Mompou and even the famous Elégie by Erik Satie! The physical and mental force of the trio and the individuality of each of its members is such that all these influences come to blend coherently into an organic whole of profound originality. With Stenson’s lyrical touch as well as Jordan’s folk tinged phrasing make Contra La Indecisión as exquisite as possible…

Tracklist:
1. Canción Contra La Indecisión (04:12)
2. Doubt Thou the Stars (07:57)
3. Wedding Song From Poniky (07:26)
4. Three Shades of a House (07:11)
5. Élégie (06:11)
6. Canción Y Danza VI (05:14)
7. Alice (06:19)
8. Oktoberhavet (05:52)
9. Kalimba Impressions (03:12)
10. Stilla (04:27)
11. Hemingway Intonations (06:40)

Personnel:
Bobo Stenson, piano
Anders Jormin, double bass
Jon Falt, drums

Download:

mqs.link_BbStensnTriCntraLaIndecisin20182496Qbuz.part1.rar
mqs.link_BbStensnTriCntraLaIndecisin20182496Qbuz.part2.rar

In twenty years as leader, pianist/composer Bojan Z has been judicious with the frequency and quality of his releases. Soul Shelter is his ninth CD in that time, and his first solo outing since Solobsession (Label Bleu, 2001). A new release by the pianist is always an event, and the wait, as always, has been worth it. The music on Soul Shelter covers wide stylistic territory and marks another significant milestone in Z’s captivating career to date.

Ten of the eleven compositions are originals, and this marks the biggest shift from Solobssession, where almost half the tracks were interpretive ventures. Z’s Balkan roots still influence much of the music, but he blends and bends genres so convincingly, that baroque figures, Balkan airs and rag rhythms intertwine to weave a vibrant, inclusive mosaic. Electric piano—reinvented to superb effect on Xenophonia (Label Bleu, 2006)—adds subtle textures occasionally, but this is essentially a bare bones piano outing, and a beguiling one at that.

“Full Half Moon” represents a beautiful confluence of Z’s influences; the lovely baroque intro eases delicately into Balkan folkloric realm, before Z’s tumbling, Keith Jarrett-esque lines change the composition’s course. Though Z’s a wonderful technician and soloist, Soul Shelter is perhaps better defined by adherence to melody and song form, and the pianist’s virtuoso displays are limited, and for that reason, all the more impacting. Melody always rises to the surface—almost surreptitiously at times—as on the ruminative “Sweet Shelter of Mine, where it wafts in and out like an elusive breeze, finally asserting its presence.

Wavy electric piano imbues a Ray Charles soul-funk vibe on the intro to “Hometown,” but Z is rarely if ever predictable, and is soon exploring moodier terrain. Even at his most tangential, there’s always the sense with Z that the defining melody is never far away. “Bohemska” packs plenty of punch in three minutes, moving from its Thelonious Monk-esque intro to Balkan themes and finishing with dashing, melodic runs in the tail. The classically-tinged “Dad’s Favorite” boasts a simple yet grand melody, and manages to be vaguely sad yet unabashedly romantic.

Contrast between light and heavy shading partly defines Z’s approach, particularly on the gentle “Sabalaye Blues,” where his singular use of damped strings is as much narrative in effect as percussive. On the episodic “Nedyalko’s Eleven” electric piano-drone contrasts with Z’s fluid, dramatic glissandos and urgent, punched block chords. After a period of moody abstraction, Z is inevitably drawn again to the beautiful opening melody, as though woken from fitful slumber by warm sunlight.

Drama and beauty are everywhere juxtaposed; the nervy atmospherics of the vignette “Subway”—almost keyless bar odd notes that fall like drops of water—give way to the flowing lines of the folk-flavored “303.” Electric piano brings lyricism to the music-box “Sizuit Forever,” and Duke Ellington’s timeless “On a Turquoise Cloud” closes the CD with exquisite, slow-waltz elegance. Utterly absorbing and quite beautiful, Soul Shelter is essential listening for those who still have faith in the possibility of solo piano to surprise and delight. ~ By IAN PATTERSON

Tracklist:
01. Full Half Moon
02. Sweet Shelter Of Mine
03. Hometown
04. Bohemska
05. Dad’s Favorit
06. Sabayle Blues
07. Nedyalko’s Eleven
08. Subways
09. 303
10. Sizuit Forever
11. On A Turquoise Cloud

Personnel:
Bojan Z: piano, electric piano.

Download:

mqs.link_BjanZSulShelter20122488.2.rar

A dialogue between Terry Riley’s Keyboard Study No. 2 (1964) and the Codex Faenza, a 15th century manuscript considered to be one of the very first collections of keyboard music. By putting forth the work of the performer/creator above that of the composer, this back-and-forth takes the listener on a journey that is at once timeless and eminently current.

In 1964, in the American West Coast city of San Francisco, composer Terry Riley invented American repetitive music. Based on improvisation, his studies are loosely articulated around the free combination of a series of melodic cells of different lengths, giving the pianist the freedom to use them following a freeform protocol. Codex includes the very first acoustic piano versions of Terry Riley´s seminal piece.
The Codex Faenza created circa 1420 and rediscovered in the 1930s, became an object of fascination for harpsichordists, organists and pianists the world over, as one of the oldest keyboard scores to have survived.
The American pianist intertwines them on one album, working out their textures to bring out their differences – the Codex Faenza’s quasi-declaratory, rhythmically-unstable dimension contrasting with Riley’s metronomic ostinatos – as well as their similitudes, in particular their rhythmic ambiguity.

Tracklist:
01. Constantia
02. Keyboard Study 2
03. Indescort
04. Che pena questa
05. Riley: Keyboard Study 2
06. Hont paur
07. Riley: Keyboard Study 2
08. J’aime la biauté
09. Tūpes
10. Riley: Keyboard Study 2
11. Jour mour lanie
12. Elas mon cuer
13. Riley: Keyboard Study 2
14. Bel fiore dança
15. De tout flors
16. Riley: Keyboard Study 2
17. J’ay grant espoir

Download:

mqs.link_BruceBrubakerCdex20182444.1.rar

Heralded by Springsteen himself as one of his finest and most meaningful shows, Jazz Fest 2006 beautifully captures Bruce and the Seeger Sessions Band opening their tour with a cathartic performance just months after Hurricane Katrina devastated New Orleans. Playing the album’s folk and protest songs (plus a few rearranged originals) with rollicking reverence, Bruce and the band deliver an inspired set that emotionally resonates with the audience, the venue and the moment.

Tracklist:
Disc 1:
01. O Mary Don’t You Weep 9:27
02. John Henry 7:09
03. Johnny 99 6:58
04. Old Dan Tucker 3:36
05. Eyes on the Prize 6:38
06. Jesse James 6:46
07. My Oklahoma Home 8:25
08. Mrs. McGrath 6:51
09. How Can a Poor Man Stand Such Times and Live? 4:33
10. Jacob’s Ladder 8:41
11. We Shall Overcome 5:46
Disc 2:
12. Open All Night 6:52
13. Pay Me My Money Down 9:42
14. My City of Ruins 5:33
15. Buffalo Gals 4:53
16. You Can Look (But You Better Not Touch) 11:48
17. When the Saints Go Marching In 7:14

Personnel:
Bruce Springsteen – Lead Vocal, Guitar, Harmonica
Sam Bardfeld – Violin
Art Baron – Tuba
Frank Bruno – Guitar, Vocals
Jeremy Chatzky – Bass
Greg Liszt – Banjo
Larry Eagle – Drums
Clark Gayton – Trombone
Charles Giordano – B3 Organ, Piano, Accordion
Curtis King Jr. – Vocals
Lisa Lowell – Vocals
Eddie Manion – Saxophone
Cindy Mizelle – Vocals
Mark Pender – Trumpet
Curt Ramm – Trumpet
Marty Rifkin – Pedal Steel Guitar
Richie “La Bamba” Rosenberg – Trombone
Patti Scialfa – Guitar, Vocals
Marc Anthony Thompson – Vocals
Soozie Tyrell – Violin, Vocals

Technical:
Recorded by Toby Scott
Engineered by John Cooper
Mixed by Jon Altschiller, additional engineering by Danielle Warman
Post Production by Brad Serling and Micah Gordon
Production Supervision by Toby Scott
Artwork Design by Michelle Holme
Tour Director: George Travis
Jon Landau Management: Jon Landau, Barbara Carr, Jan Stabile, Alison Oscar, Laura Kraus
HD Files are 24 bit / 48 kHz – Audiophile DSD files are DSD64
Read Essay by Erik Flannigan

Download:

mqs.link_BruceSpringsteen20060430NewrleansLA20172448.part1.rar
mqs.link_BruceSpringsteen20060430NewrleansLA20172448.part2.rar

Glenn Yarbrough – Honey And Wine (1967/2017) [AcousticSounds FLAC 24bit/192kHz]

Glenn Yarbrough – The Best Of Glenn Yarbrough (1967/2017) [Qobuz FLAC 24bit/44,1kHz]

Glenn Yarbrough – The Lonely Things (1966/2017) [AcousticSounds FLAC 24bit/192kHz]

熊木杏里 (Anri Kumaki) – ひとヒナタ [Mora FLAC 24bit/48kHz]

CHE’NELLE (シェネル) – Destiny [Recochoku FLAC 24bit/48kHz]

ジェニーハイ (Genie High) –片目で異常に恋してる [Ototoy FLAC 24bit/44,1kHz]

和楽器バンド –雪影ぼうし [Ototoy FLAC 24bit/48kHz]

やなぎなぎ – natte [Recochoku FLAC 24bit/48kHz]

Beatrice Berrut – Lux aeterna: Visions of Bach (2015) [Qobuz FLAC 24bit/96kHz]

Beatrice Rana – Silver Medalist: Fourteenth Van Cliburn International Piano Competition (2013) [Qobuz FLAC 24bit/48kHz]

Bejun Mehta, Akademie fur Alte Musik Berlin & Rene Jacobs – Che Puro Ciel: The Rise of Classical Opera (2013) [Qobuz FLAC 24bit/96kHz]

Benjamin Alard – Bach: The Work for Organ & Harpsichord, Chapter I – 1. Jesu meine Freude (2017) [Qobuz FLAC 24bit/88,2kHz]

Bernard Foccroulle – Bohm: Orgelwerke (2011) [FLAC 24bit/44,1kHz]

Bertrand Chamayou – Ravel: Complete Works for Solo Piano (2016) [Qobuz FLAC 24bit/96kHz]

Blake Shelton – Red River Blue (Deluxe Version) (2011/2014) [FLAC 24bit/88,2kHz]

Blandine Verlet – Couperin: Pieces de clavecin, Troisieme Livre (2018) [FLAC 24bit/96kHz]

Bobo Stenson Trio – Contra La Indecision (2018) [Qobuz FLAC 24bit/96kHz]

Bojan Z – Soul Shelter (2012) [FLAC 24bit/88,2kHz]

Bruce Brubaker – Codex (2018) [FLAC 24bit/44,1kHz]

Bruce Springsteen – 2006-04-30 – New Orleans, LA (2017) [FLAC 24bit/48kHz]