MQS Albums Download

Original Soundtrack (OST) from the film The Biggest Little Farm (2019). The score music composed by Jeff Beal (House Of Cards, Bigger: The Joe Weider Story, Shock And Awe). The Biggest Little Farm is a 2019 documentary film written by John Chester and Mark Monroe, directed by John Chester. Molly Chester and John Chester in lead roles.

Tracklist:
1. Wild Fire / Title Sequence
2. Molly’s Dream
3. A Life That Would Chance Ours
4. Regeneration
5. Purpose
6. Barking All Day
7. A Great Idea
8. Apricot Lane Farms
9. Not Much Life
10. Alan York
11. Laying Out the Plan
12. Clearing the Land
13. An Army of Farmers
14. Plants Build Soil
15. The Animals Arrive
16. Meet Emma
17. The Fruit Basket Orchard
18. Emma’s Brood
19. First Breakthrough
20. Self-Perpetuating
21. Alan’s Secret
22. Emma’s Fever
23. Emma Survives
24. The Bees Arrive
25. Becoming a Paradise
26. Alan Passes
27. Orphaned Lamb
28. Overwhelming
29. Ducks vs. Snails
30. Observation
31. Patient Dance
32. Coyote Attack
33. Coyotes Return
34. Death of Idealism
35. Drought and Wind
36. The Rains Arrive
37. Emma’s New Piglets
38. The Night Vision
39. Too Many Gophers
40. No Longer Alone
41. Purpose Driven Life
42. It’s Perfect

Download:

mqs.link_JeffBealTheBiggestLittleFarm0riginalM0ti0nPictureS0undtrack201924441.rar

Original Series Soundtrack (OST) from the sci-fi television series Star Trek: Discovery Season 2 (2019).
Music composed by Jeff Russo. Star Trek: Discovery is a 2017 American action-adventure science fiction television series created by Bryan Fuller and Alex Kurtzman. The series stars Sonequa Martin-Green, Doug Jones, Shazad Latif, Anthony Rapp, Mary Wiseman, Jason Isaacs.

Tracklist:
1. The Final Frontier
2. Christopher Pike
3. Lost Communication
4. What’s Wrong
5. All Of Them
6. I’m Coming Back
7. Flashback
8. Stuck
9. The Cathedral
10. He’ll Never Know Me
11. The Sphere
12. Quarantined
13. Shields
14. Questions
15. Prey
16. The Hull
17. Airlock
18. Ariam in Space
19. Fiercely Loyal
20. Song of Remembrance
21. On Site
22. Two Minutes
23. Big Picture
24. Gone
25. What Do They Call You
26. Pillar of the Past
27. Failure
28. Essential Personnel
29. Goodbyes
30. Pike On The Bridge
31. Ready
32. Time Traveler
33. Change
34. Goodbye, Pike
35. Spock’s Personal Log
36. Star Trek Discovery End Credits (Season 2 Finale Version)
37. Many Mudds (Previously Unreleased (From Short Treks ‘The Escape Artist’))
38. Star Trek Short Treks End Credits (Lounge Version (From Short Treks ‘The Escape Artist’)
39. Star Trek Short Treks Main Title (Disco Version (From Short Treks ‘The Escape Artist’)

Download:

mqs.link_JeffRuss0StarTrekDisc0verySeas0n20riginalSeriesS0undtrack201924441.part1.rar
mqs.link_JeffRuss0StarTrekDisc0verySeas0n20riginalSeriesS0undtrack201924441.part2.rar

While violinist Jenny Scheinman has been a longtime contributor to drummer Allison Miller’s Boom Tic Boom band, Parlour Game marks the first co-billed outing between the two veteran players and bandleaders. The quartet featured here, which also includes pianist Carmen Staaf and bassist Tony Scherr, is a nimble troupe whose sparkling folk-jazz interplay and deep musical vocabulary make for an immediately pleasing listen. From the start, the band’s chemistry is apparent with concise arrangements that still retain a breezy, casual air. The bulk of Parlour Game’s compositions are credited to Scheinman, with two originating from Miller and the entrancing mid-album standout, “Michigan,” credited to both. The overall impression, however, is that of a collective gelling of minds and aesthetics. As a melodicist, Scheinman is in her element, dancing and weaving through earthy tones and lithe runs as Staaf paints the landscape, weaving her own powerful spells. With Miller and Scheer driving the bottom end, there is a nice mix of rhythmic variance, from the rigorous skittering of the city-flavored “116th & Congress” to the pensive pop bounce of “The Right Fit” and the robust complicated patterns of “Top Shelf.” The band languorously stretches out on a pair of dreamy delicate ballads in “Lead with Love” and “Sleep Rider,” turning the acreage of space between notes into a silent fifth member. At their most engaging, the quartet dazzles with more up-tempo pieces like “Play Money” and “Miss Battle’s Cannonball,” two playful cuts that show off all their combined assets: intricate but approachable melodies, effortless chops, and a shared communal language that promotes a sense of relaxed, joyful creativity. ~ Timothy Monger

Tracklist:
1 Play Money 05:12
2 116th & Congress 05:12
3 The Right Fit 03:24
4 Michigan 05:21
5 Fake Weather 05:19
6 Lead With Love 04:39
7 Beans & Rice 04:28
8 Meanwhile 00:46
9 Top Shelf 03:48
10 Miss Battle’s Cannonball 05:07
11 Sleep Rider 05:02

Download:

mqs.link_JennyScheinmanAllis0nMillersParl0urGameParl0urGame20192496.rar

The past few years have found saxophonist/composer Jeremy Udden stepping away from his more fleshed out ensemble projects to focus on music with a more stripped down, direct approach. This led him to working up solo concerts, which, in turn led him back to one of his main influences, the great saxophonist and musical conceptualist Steve Lacy.

The loose and instinctive playing of Lacy has long been a draw for Udden. Udden even studied with the master improviser when Lacy was teaching at the New England Conservatory. After Lacy passed in 2004, Udden performed at a memorial concert that was held in New York City, along with a number of Lacy’s friends and collaborators, including the drummer John Betsch.

Over the past few years, Udden also began a collaboration with Paris based bassist Nicolas Moreaux, with whom he recorded Belleville Project, which was released in 2015. The two continued to interact and consider new projects. As it turns out, the American born Betsch called Paris home for decades and Moreaux had been performing with him on occasion. The idea of incorporating Betsch into a trio project began to coalesce and would eventually culminate in their new recording, Three In Paris.

Betsch has long been a favorite in the world of avant-garde jazz, being the engine behind ensembles led by musicians as diverse as Abdullah Ibrahim, Benny Golson, Dewey Redman, Archie Shepp, Mal Waldron and Henry Threadgill. The drummer had a two-decade affiliation with Lacy, being featured on many of Lacy’s fascinating albums. This led to a deep understanding of the saxophonist’s unique approach to improvisation.

After reconnecting with Udden, Betsch was thrilled to take part in the new project. When Udden flew to Paris with his wife and young daughter in August 2018, he brought thirty pieces to rehearse, including originals and compositions by Steve Lacy. Though aware of the potential emotional and artistic weight of performing material by Lacy with Betsch, Udden’s apprehension proved to be unfounded as Betsch was humble and incredibly supportive. Their single rehearsal was spent finding which tunes worked best and which direction they should take them.

The recording begins with an open take on Don Cherry’s tribute to the Jamaican saxophonist, Roland Alphonso. Regularly played in sessions when Udden was younger, “Roland Alphonso” keeps an offbeat ska rhythm while Betsch sculpts the performance under Udden’s sax. The obscure Moross and Latouche standard “Lazy Afternoon” is a hypnotic, mainly modal piece allowing the players to take their time, filling the space or leaving it open. Udden plays Lacy’s lyrical “Who Needs It?” in a duet with Betsch, the pretty tune leading to a free improvisation.

Udden’s “Hope” has a buoyant melody played breezily over a tempo free rubato, while Ellington’s “Azure” (a regular in the book of Lacy and Mal Waldron) is a bright and groovingly Sun Ra-esque, a throwback to the kinds of pieces Udden played while in the Either/Orchestra. Lacy’s dirge-like “Prayer” channels its composer as the piece seems to play itself, the sax and bass fitting together beautifully while Betsch shapes the piece to perfection.

Udden and Betsch are in and out of time on Lacy’s playful “The Crust,” while Lacy’s “Bone” is wildly spontaneous, the swing even eliciting Betsch’s impromptu vocals at the end. The wistful “Folk Song 2” is one of Udden’s simple, singable songs that seems to provide space to let the moment sit. The program concludes with the freely improvised “One for Us,” a palette cleanser that showcases the wonderful interplay the group was able to develop over two days of playing.

The influence of Steve Lacy’s monumental works has been instrumental in Jeremy Udden’s musical development. It was a fantastic coincidence that as he began to explore a more unadorned method of music making that Udden was able to reconnect with Lacy alum John Betsch through Nicolas Moreaux, which led to the creation of their unassuming yet poignant recording, Three In Paris.

Tracklist:
1 Roland Alphonso 05:40
2 Lazy Afternoon 04:54
3 Who Needs It? 04:11
4 Hope 03:55
5 Azure 05:17
6 Prayer 05:06
7 The Crust 04:09
8 Bone 04:23
9 Folk Song 2 05:35
10 One For Us 02:45

Personnel:
Jeremy Udden – alto & soprano sax
Nicolas Moreaux – acoustic bass
John Betsch – drums

Download:

mqs.link_JeremyUddenThreeInParis20192496.rar

Jerry Vale’s beautiful high-tenor voice graced many of the most enchanting pop songs of the ’50s and ’60s, including a parade of Italian-American favorites like “Innamorata (Sweetheart),” “Volare,” “Amore, Scusami,” and his signature song, “Al Di La.” Vale, born Genaro Louis Vitaliano in 1932, learned the Italian repertoire from an early age; his mother often sang around the house and trotted out the old songs at extended-family gatherings. While shining shoes at a local barber shop at the age of 11, young Vitaliano began singing popular songs for customers while he worked. He was soon sent to a vocal coach, where he learned piano as well as voice. Over the course of just four years, he’d progressed from school productions to paying gigs to residencies at supper clubs around New York City.

I Have But One Heart After Guy Mitchell caught his set at one club, Jerry Vale began recording demonstration discs for Columbia. When A&R supremo Mitch Miller heard his excellent voice, however, he signed Vale to his own contract. Vale first hit the charts in 1953 with “You Can Never Give Me Back My Heart” (arranged by Percy Faith), and continued during the mid-’50s with “Two Purple Shadows,” “I Live Each Day,” and his biggest hit, “You Don’t Know Me.” Though his first explicitly Italian recording, “Innamorata (Sweetheart),” finally appeared in 1956, it wasn’t until 1962 that Vale convinced the notoriously conservative Miller to record a full album of Italian songs. I Have But One Heart proved a big seller and was followed one year later by Arrivederci, Roma and a continental LP, The Language of Love, both of which placed even higher than the first on the album charts.

There Goes My Heart Though the mid-’60s were a trying time for traditional pop singers, Vale continued to be successful, with singles like “Have You Looked Into Your Heart” and “For Mama,” and Top 40 LPs like There Goes My Heart and It’s Magic. And even after his albums began failing to make the charts in the early ’70s, Vale remained a popular name in clubs and on television throughout the ’70s and ’80s.

Tracklist:
01. Love Is Blue
02. Moon River
03. Yesterday
04. Strangers In the Night
05. The Impossible Dream
06. Sunny
07. This Guy’s In Love with You
08. The Shadow of Your Smile
09. Hello Dolly
10. Blue Velvet
11. Can’t Take My Eyes off of You
12. Spanish Eyes
13. Born Free
14. Little Green Apples
15. What Kind of Fool Am I
16. More

Download:

mqs.link_JerryValeSings16GreatestHits0fthe60s197020182496.part1.rar
mqs.link_JerryValeSings16GreatestHits0fthe60s197020182496.part2.rar

Detroit born/LA based, prolific singer/songwriter Jesse Palter releases full-length, debut album ‘Paper Trail’, featuring ten tracks of aggressive, piano-pounding pop/rock in the soulful vein of Carole King, Sarah McLachlan and Sara Bareilles.

All of the songs on ‘Paper Trail’ were written by Palter, a multi-instrumentalist, and are autobiographical, capturing an intimate snapshot of her life. She focused on strengthening her creative muscles to explore what melodies, lyrics and chord changes worked best, allowing herself to be vulnerable, brave and brutally honest.

Palter, who has been in the entertainment industry her entire life, began working with GRAMMY®-winning production team the Bass Brothers (Eminem) at age 15. She honed her skill and passion for improvisational singing throughout Detroit with music greats such as Christian McBride, Geoffrey Keezer, Sean Jones, Marcus Belgrave and Avishai Cohen, and later headlined top venues across the country.

Jesse’s move from jazz to pop was seamless, with her eclectic musical upbringing and deep respect and admiration for great songs and songwriters.

Tracklist:
1 Sever the Ties 04:00
2 TMI (Wouldn’t You Like to Know) 04:31
3 Paper Trail 04:58
4 Waitin’ 04:27
5 Heavy is the Crown 03:31
6 Wildfire 03:59
7 Heart so Cold 03:42
8 Alright in Time 03:37
9 The Wrong Girl 04:24
10 Goodbye My Friend 03:47

Download:

mqs.link_JessePalterPaperTrail201924441.rar

Singer/songwriter Jessica Heine threads gossamer cords between all she has lost, finding regrowth, born in the aftermath.

Singer/songwriter Jessica Heine’s dynamic voice shakes rooms. Yet on her third album, ”Goodbye Party”, her power is tampered by loss. With new fragility, she opens up about her personal grief, threading gossamer cords between her painful divorce, the untimely death of her nephew, the loss of her grandmother and the regrowth born in the aftermath of these losses.

Amongst the songs, dreams are celebrated and mourned. Dreams of the future float away and new dreams surface in their place.

Her own guitar work is primarily supported by a full band consisting of piano, mandolin, bass and drums and on the title track, ”Goodbye Party,” textured backing vocals offer a hand to their sinking friend.

Heine’s voice may not quake the room in ”Goodbye Party,” but she harnesses powers that shake the soul much deeper. You’re left seeing the buds of new life poking through the ashes scattered on the ground, knowing that they, like these songs, will bloom beautifully.

Tracklist:
1 Captain My Captain 03:48
2 Aspartame 03:00
3 Figure It Out 03:06
4 I Wasn’t Here 03:35
5 Easy to Please 02:35
6 Goodbye Party 04:43
7 Be Gentle with My Heart 02:00
8 Could Have Loved You Better 04:01
9 When You Loved Me 04:58
10 To the Moon with You Alice 04:56

Download:

mqs.link_JessicaHeineG00dbyeParty20192496.rar

“Duke Ellington recognized Jimmy Hamilton as both a talented clarinetist and composer and featured him extensively during his quarter century in the band. Swing Low Sweet Clarinet, a 1960 session for Everest, features the clarinetist leading a small group drawn primarily from Ellington’s band, including tenor saxophonist Paul Gonsalves, Booty Wood and Britt Woodman (heard on baritone horns instead of their usual trombones), bassist Aaron Bell, and drummer Sam Woodyard, while adding non-Ellington musicians Jimmy Rowles on piano, Dave Wells on baritone horn, and John Anderson on trumpet. It’s not surprising that Hamilton draws from Ellington’s vast repertoire, covering “Do Nothing ‘Till You Hear From Me,” “In a Sentimental Mood,” and the lesser-known ballad “I Didn’t Know About You” but with fresh approaches, especially with his use of the three baritone horns to add warm backgrounds. Hamilton’s off-center approach to the old chestnut “Ain’t She Sweet” is anything but ordinary. His originals include the exotic “Tempo de Brazilia” and “Taj Mahal.” The primary focus is on the leader in these brief arrangements, who delivers consistent lyrical and swinging solos, though there is plenty of solo space for Gonsalves, who obviously knows how to complement his longtime section mate in the Ellington orchestra. Long out of print!” (Ken Dryden, AMG)

Tracklist:
1. I’ve Got the World on a String 03:24
2. Do Nothing ‘Til You Hear from Me 02:46
3. Tempo de Brazilia 02:15
4. The Nearness of You 04:20
5. Blue Room 05:07
6. Ain’t She Sweet 02:29
7. I Didn’t Know About You 02:53
8. Taj Mahal 03:37
9. In a Sentimental Mood 05:12
10. After You’ve Gone 03:20

Personnel:
Jimmy Hamilton, clarinet
John Anderson, trumpet
Paul Gonsalves, tenor saxophone
Mitchell Wood, baritone horns
Britt Woodman, baritone horns
Dave Wells, baritone horns
Jimmy Rowles, piano
Aaron Bell, bass
Sam Woodyard, drums

Digitally remastered

Download:

mqs.link_JimmyHamilt0nAndHis0rchestraSwingL0wSweetClarinet1960201924441.rar

Singer-songwriter Julia Michaels‘ Inner Monologue: Part 1 was one of the year’s most impressive EPs, and the prolific musician has already announced her follow-up. Inner Monologue: Part 2 is due out June 28 via Republic.

The announcement follows Michaels’ CMT Award win for Collaborative Video Of The Year for her song “Coming Home” with Keith Urban. In addition to her solo career, Michaels has also written some of the biggest pop hits of the last few years — pretty much every single off Justin Bieber‘s Purpose and the best of Shawn Mendes and Selena Gomez‘s recent releases. Inner Monologue: Part 1 featured collaborations with Gomez and Niall Horan, and although the official track list hasn’t been shared yet, Part 2 is probably just as iconic.

Tracklist
1. Julia Michaels – 17
2. Julia Michaels – Falling For Boys
3. Julia Michaels – Hurt Again
4. Julia Michaels – Work Too Much
5. Julia Michaels – Body
6. Julia Michaels – Priest
7. Julia Michaels – Fucked Up, Kinda (feat. Role Model)
8. Julia Michaels – Shouldn’t Have Said It

Download:

mqs.link_JuliaMichaelsInnerM0n0l0guePart2201924441.rar

The late quartets of Beethoven are renowned as the pinnacle of his output, and stand among the greatest compositions of all time. The Brodsky Quartet’s keenly anticipated recording celebrates the Beethoven year.

Tracklist:
01. String Quartet No. 11 in F Minor, Op. 95 “Serioso”: I. Allegro con brio (4:27)
02. String Quartet No. 11 in F Minor, Op. 95 “Serioso”: II. Allegretto ma non troppo (7:59)
03. String Quartet No. 11 in F Minor, Op. 95 “Serioso”: III. Allegro assai vivace ma serioso (4:35)
04. String Quartet No. 11 in F Minor, Op. 95 “Serioso”: IV. Larghetto espressivo. Allegretto agitato (5:12)
05. String Quartet No. 13 in B-Flat Major, Op. 130: I. Adagio ma non troppo. Allegro (13:09)
06. String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto (2:00)
07. String Quartet No. 13 in B-Flat Major, Op. 130: III. Andante con moto ma non troppo (7:02)
08. String Quartet No. 13 in B-Flat Major, Op. 130: IV. Alla danza tedesca. Allegro assai (3:12)
09. String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina. Adagio molto espressivo (7:41)
10. String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale. Allegro (9:43)
11. Große Fuge, Op. 133 (15:03)
12. String Quartet No. 12 in E-Flat Major, Op. 127: I. Maestoso. Allegro (6:47)
13. String Quartet No. 12 in E-Flat Major, Op. 127: II. Adagio ma non troppo e molto cantabile (16:56)
14. String Quartet No. 12 in E-Flat Major, Op. 127: III. Scherzando vivace (8:42)
15. String Quartet No. 12 in E-Flat Major, Op. 127: IV. Finale. Allegro (7:22)
16. String Quartet No. 14 in C-Sharp Minor, Op. 131: I. Adagio ma non troppo e molto espressivo (7:23)
17. String Quartet No. 14 in C-Sharp Minor, Op. 131: II. Allegro molto vivace (2:58)
18. String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato (0:42)
19. String Quartet No. 14 in C-Sharp Minor, Op. 131: IV. Andante ma non troppo e molto cantabile (14:29)
20. String Quartet No. 14 in C-Sharp Minor, Op. 131: V. Presto (4:46)
21. String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio quasi un poco andante (2:23)
22. String Quartet No. 14 in C-Sharp Minor, Op. 131: VII. Allegro. Poco adagio (6:04)
23. String Quartet No. 15 in A Minor, Op. 132 “Heiliger Dankgesang”: I. Assai sostenuto. Allegro (9:48)
24. String Quartet No. 15 in A Minor, Op. 132 “Heiliger Dankgesang”: II. Allegro ma non tanto (8:58)
25. String Quartet No. 15 in A Minor, Op. 132 “Heiliger Dankgesang”: III. Molto adagio. Andante (19:44)
26. String Quartet No. 15 in A Minor, Op. 132 “Heiliger Dankgesang”: IV. Alla marcia, assai vivace (2:02)
27. String Quartet No. 15 in A Minor, Op. 132 “Heiliger Dankgesang”: V. Allegro appassionato (6:40)
28. String Quartet No. 16 in F Major, Op. 135: I. Allegretto (6:20)
29. String Quartet No. 16 in F Major, Op. 135: II. Vivace (3:18)
30. String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo (8:12)
31. String Quartet No. 16 in F Major, Op. 135: IV. Grave, ma non troppo tratto. Allegro (6:38)

Download:

mqs.link_Br0dskyQuartetBeeth0venLateStringQuartets20202496.part1.rar
mqs.link_Br0dskyQuartetBeeth0venLateStringQuartets20202496.part2.rar
mqs.link_Br0dskyQuartetBeeth0venLateStringQuartets20202496.part3.rar
mqs.link_Br0dskyQuartetBeeth0venLateStringQuartets20202496.part4.rar
mqs.link_Br0dskyQuartetBeeth0venLateStringQuartets20202496.part5.rar

Brad Paisley- This Is Country Music is led by the hit single and title track, “This Is Country Music,” which exploded on the country radio charts. The album includes special guest appearances on songs like “Old Alabama (Featuring Alabama)” and “Remind Me (Duet With Carrie Underwood).” Paisley has 18 #1 singles to his name with album sales of more than 12 million. Paisley is also a three-time Grammy winner, a four-time ACM Top Male Vocalist, and is once again nominated for the ACM Awards Top Male Vocalist and Entertainer of the Year.

Consciously backpedaling from the all-encompassing embrace of American Saturday Night, Brad Paisley narrows his definition of what constitutes modern country on his seventh collection of new songs, This Is Country Music. Gone are the casual multiculturalism, the allusions to the age of Obama, the subtle instrumental flourishes that suggested a world outside of country; whenever Paisley chooses to broaden the horizons on This Is Country Music, he brings in Don Henley to duet on a power ballad or kicks up the reverb for a bit of landbound surf-rock. From the album title right on down to a rousing tribute to “Old Alabama” — a tribute so clever it seamlessly references a handful of the band’s ’80s hits, its chorus playfully inverting “Mountain Music,” then enlists the group to sing the punch line — Paisley celebrates the strict confines of country, gently bending its topical borders but adhering to country customs so strictly he even convinces Clint Eastwood to whistle a Morricone melody on a spaghetti Western instrumental tribute to the actor. Here’s where Paisley’s skills as a craftsman come into play. Always a traditionalist — the kind who saluted the Grand Ol Opry by regularly having Bill Anderson and Little Jimmy Dickens come out to do some cornpone humor on his albums — he builds a song with care but is keenly aware that he’s living in 2011, not 1965. Even when he’s determined to rein in his ambition, his music is rich and surprising. His silly novelties (“Camouflage” and “Be the Lake”) are underpinned by a sly sense of humor not readily apparent on their hammy choruses; he has an eye for details, whether it’s how a relationship builds (“Toothbrush”) or how a soul erodes in this modern world (“A Man Don’t Have to Die”); he opens the album by singing “You’re not supposed to say the word cancer in a song,” then breaks that very rule a few songs later; his twanging Telecaster may echo back to Don Rich, but is equally indebted to the shredders of the ‘80s. Paisley’s determination to keep This Is Country Music lean and lanky does mean it’s not as wily as his other records, but his consummate skill as a musician and big heart are always evident, always keeping things compelling. ~ Stephen Thomas Erlewine

Tracklist:

01. This Is Country Music
02. Old Alabama
03. A Man Don’t Have to Die
04. Camouflage
05. Remind Me
06. Working On a Tan
07. Love Her Like She’s Leavin’
08. One of Those Lives
09. Toothbrush
10. Be the Lake
11. Eastwood
12. New Favorite Memory
13. Don’t Drink the Water
14. I Do Now
15. Life’s Railway to Heaven

Download:

mqs.link_BradPaisleyThisIsC0untryMusic201124441.rar

The historic meeting of two Smooth jazz icons! Between them, they have scored more than 25 Top Ten Smooth Jazz radio hits, more than 15 Top Ten Billboard Contemporary Jazz albums, toured to packed houses worldwide and shared the stage with everyone from Larry Carlton and George Duke to The Neville Brothers!

Brian and Steve are famous for their melodic richness, captivating grooves and delicate touch and ‘Unified’ is the perfect expression of those qualities. Highlights include the romantic, dreamy “Last Summer,” the super-sophisticated “Café du Monde,” the grooving title tune “Unified” and much more.

“Simpson is in the forefront of Smooth Jazz keyboard icons.” – Allmusic

“As soon as Steve Oliver strums that guitar, you know you are about to hear some great tracks.” – TheJazzWorld

Tracklist:
01. Unified (3:59)
02. The Road Never Ends (4:48)
03. What The Wind Knows (3:35)
04. Fired Up (4:23)
05. Last Summer (3:41)
06. Like No Other (4:01)
07. The Way Home (3:45)
08. Celestial Body (3:30)
09. Café Du Monde (4:33)
10. A Distant Love (4:03)
11. And Then You Loved Me (2:07)

Download:

mqs.link_BrianSimps0nSteve0liverUnified20202448.rar

Bruce Springsteen & E Street Band – 1978-12-15 San Francisco, CA (2019)
FLAC (tracks) 24-bit/192 kHz | Time – 03:03:13 minutes | 8,15 GB | Genre: Rock
Official Digital Download – Source: live.brucespringsteen.net | Front Cover | © Live Bruce Springsteen
Recorded: 1978-12-15 San Francisco, CA

Winterland 12/15/78 was the final legendary radio concert on the Darkness tour. A fan favorite (bootlegged as Live In The Promised Land), this essential ’78 tour document is now available in best-ever quality, Plangent transferred from recently discovered two-track, 15 IPS master reels recorded by the Record Plant Remote Truck. Winterland 12/15/78 offers vital performances of “Prove It All Night, “She’s The One” (feat. snippets of “Mona” and “Preacher’s Daughter”), “Backstreets,” “Fire” and “Santa Claus Is Coming To Town,” plus future River tracks “Point Blank” and “The Ties That Bind,” and an epic resurrection of “The Fever.”

Tracklist:

1. Badlands (5:08)
2. Streets of Fire (5:34)
3. Spirit In The Night (8:11)
4. Darkness on the Edge of Town (5:33)
5. Factory (3:44)
6. Promised Land (6:07)
7. Prove It All Night (13:21)
8. Racing in the Street (8:27)
9. Thunder Road (6:20)
10. Jungleland (10:46)

1. The Ties That Bind (4:53)
2. Santa Claus Is Coming To Town (8:11)
3. The Fever (8:16)
4. Fire (3:08)
5. Candy’s Room (3:12)
6. Because the Night (7:38)
7. Point Blank (8:45)
8. Mona – Preacher’s Daughter – She’s The One (12:42)

1. Backstreets (12:09)
2. Rosalita (Come Out Tonight) (14:34)
3. Born to Run (4:55)
4. Detroit Medley (9:20)
5. Tenth Avenue Freeze-Out (6:31)
6. Raise Your Hand (6:29)
7. Quarter To Three (9:31)

Download:

Bruce Springsteen & The E Street Band – 1978-12-16 San Francisco, CA (2019)
FLAC (tracks) 24-bit/192 kHz | Time – 03:06:09 minutes | 6,77 GB | Genre: Rock
Official Digital Download – Source: live.brucespringsteen.net | Front Cover | © Live Bruce Springsteen
Recorded: 1978-12-16 San Francisco, CA

Winterland 12/16/78 is previously unheard save for the inclusion of “Fire” on Live 1975/85, and captures the exhilarating second show in San Francisco, newly mixed from Plangent Processed, multi-track master tapes by Jon Altschiller. Bruce loosens up and reshapes the previous night’s broadcast set, opening in high spirits via “Good Rockin’ Tonight,” giving a tour debut to the infectious “Rendezvous,” summoning a deeply affecting “Independence Day” and absolutely crushing the top of the second set with “(It’s Hard To Be A) Saint In The City.”

Tracklist:

1. Good Rockin’ Tonight (4:20)
2. Badlands (5:19)
3. Rendezvous (3:17)
4. Spirit in the Night (8:01)
5. Darkness on the Edge of Town (5:17)
6. Independence Day (6:07)
7. The Promised Land (5:50)
8. Prove It All Night (11:58)
9. Racing in the Street (9:31)
10. Thunder Road (6:27)
11. Jungleland (10:35)

1. It’s Hard To Be A Saint In The City (5:50)
2. Santa Claus Is Coming To Town (12:01)
3. The Fever (7:58)
4. Fire (2:48)
5. Candy’s Room (3:18)
6. Because the Night (8:17)
7. Point Blank (8:50)
8. Mona – Preacher’s Daughter – She’s The One (12:24)

1. Backstreets (8:38)
2. Rosalita (Come Out Tonight) (14:17)
3. Born to Run (7:08)
4. Detroit Medley (9:27)
5. Tenth Avenue Freeze-Out (7:23)
6. Quarter To Three (11:23)

Download:

mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part1.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part2.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part3.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part4.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part5.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part6.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part7.rar
mqs.link_BruceSpringsteenTheEStreetBand19781216SanFrancisc0CA201924192.part8.rar

Bruce Springsteen & The E Street Band – 2009-05-04 Uniondale, NY (2020)
FLAC (tracks) 24-bit/48 kHz | Time – 02:49:19 minutes | 2,18 GB | Genre: Rock
Official Digital Download – Source: live.brucespringsteen.net | Front Cover | © Live Bruce Springsteen
Recorded: 2009-05-04 Uniondale, NY

The first leg of the 2009 Working On A Dream tour enters the spotlight with Nassau 5/4/09. This superlative 27-song set serves as a showcase for the album, including key songs “Outlaw Pete,” “Kingdom of Days,” “The Wrestler” and the title track. Beyond WOAD, Nassau offers a delectable blend of classics (“She’s The One” and a brilliant “For You”), contemporary material (“Radio Nowhere,” “American Land,” “Hard Times [Come Again No More]”) and fun surprises, including the tour premiere of “Rendezvous” and the E Street Band’s one-for-the-ages cover of Gamble & Huff’s irresistible “Expressway To Your Heart.”

Tracklist:
1. Badlands (6:49)
2. No Surrender (4:56)
3. Outlaw Pete (8:30)
4. She’s the One (5:26)
5. Working On A Dream (7:17)
6. Seeds (6:34)
7. Johnny 99 (6:49)
8. The Ghost of Tom Joad (8:28)
9. Raise Your Hand (6:50)
10. Expressway To Your Heart (4:05)
1. For You (7:53)
2. Rendezvous (3:05)
3. Night (3:33)
4. Waitin’ on a Sunny Day (5:44)
5. The Promised Land (6:18)
6. The Wrestler (5:29)
7. Kingdom Of Days (4:19)
8. Radio Nowhere (3:55)
9. Lonesome Day (4:19)
10. The Rising (5:16)
11. Born to Run (8:29)
12. Hard Times Come Again No More (4:16)
1. Jungleland (10:58)
2. Land Of Hope And Dreams – People Get Ready (7:38)
3. American Land (7:56)
4. Dancing in the Dark (5:37)
5. Rosalita (Come Out Tonight) (9:05)

Download:

mqs.link_BruceSpringsteenTheEStreetBand20090504NassauVeteransMem0rialC0liseumUni0ndaleNYnugsflac24.part1.rar
mqs.link_BruceSpringsteenTheEStreetBand20090504NassauVeteransMem0rialC0liseumUni0ndaleNYnugsflac24.part2.rar
mqs.link_BruceSpringsteenTheEStreetBand20090504NassauVeteransMem0rialC0liseumUni0ndaleNYnugsflac24.part3.rar

Bruno Walter recorded the Eighth in southern California in 1962, at the end of a glorious career in the opera pit, on the podium, and in the studio. A finer valedictory could scarcely have been possible. This sunny, ebullient account is full of real grazioso phrasing and has a wonderful lightness of touch, yet shows plenty of muscle from a man who was 85 at the time he conducted it. The playing of the Columbia Symphony is inspired, and the recording, now more than 50 years old, remains exemplary for its balance and extraordinarily good sonics.

“A lovely recording, yet another reminder of the magnificent Indian summer in which Bruno Walter came out of his retirement in California to make stereo recordings of some of his favorite pieces for the last time. The orchestra consisted of the best of Hollywood’s studio musicians, and by all accounts they loved working with the old man–and he with them. You can certainly tell.” (David Hurwitz)

Tracklist:
1. Symphony No. 9 in E Minor, Op. 95, B. 178 “From the New World”: I. Adagio – Allegro molto (9:31)
2. Symphony No. 9 in E Minor, Op. 95, B. 178 “From the New World”: II. Largo (12:08)
3. Symphony No. 9 in E Minor, Op. 95, B. 178 “From the New World”: III. Molto vivace (8:14)
4. Symphony No. 9 in E Minor, Op. 95, B. 178 “From the New World”: IV. Allegro con fuoco (12:16)
5. Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio (10:00)
6. Symphony No. 8 in G Major, Op. 88, B. 163: II. Adagio (9:16)
7. Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso – Molto vivace (5:58)
8. Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo (10:11)

Personnel:
Columbia Symphony Orchestra
Bruno Walter, conductor

Digitally remastered

Download:

mqs.link_Brun0WalterDv0rkSymph0niesN0s.89Remastered202024192.part1.rar
mqs.link_Brun0WalterDv0rkSymph0niesN0s.89Remastered202024192.part2.rar
mqs.link_Brun0WalterDv0rkSymph0niesN0s.89Remastered202024192.part3.rar
mqs.link_Brun0WalterDv0rkSymph0niesN0s.89Remastered202024192.part4.rar

At the birth of his solo career Bryan Ferry released two records, ‘These Foolish Things’ and ‘Another Time, Another Place’ in 1973 and 1974 respectively – but had never performed them live. The setlist from ‘Live at the Royal Albert Hall 1974’ is built from these two albums and is a marked departure from the music he was performing with Roxy Music in the years previous. The tracklist consists of fan favourites including ‘A Hard Rain’s a-Gonna Fall’, ‘The ‘In’ Crowd’, ‘Smoke Gets in Your Eyes’, and ‘I Love How You Love Me’ and spans his influences from the ’30s, ’40s and ’50s, including the records that shaped him growing up and throughout his formative years.

Only a year after the release of the first Roxy Music album, Bryan Ferry also put out his first record. A frenzy of material which allowed the British dandy to satisfy his passion for performance, plain and simple. On These Foolish Things (1973), the leader of Roxy Music covers Dylan, The Beatles, The Stones, The Beach Boys, The Four Tops and Elvis, whereas Another Time, Another Place (1974) sees him revisiting Dylan but also Sam Cooke, Ike Turner, Kris Kristofferson, Willie Nelson, Joe South and a few gems from some 60s girl groups. Unpublished until now, this live recording from the Royal Albert Hall in London in December 1974 is essentially made up of these two solo albums. Irony, mismatch and the exuberance of the glam philosophy shine out during every second of this grandiose and bombastic concert which sees three members of Roxy Music join him on stage: the guitarist Phil Manzanera (insane!), drummer Paul Thompson and bassist John Porter. With a smoking jacket, flares, and long hair, Bryan Ferry delivers a performance as decadent as they come, kicking tradition to the kerb. Champagne, bubble bath and rock’n’roll! – Marc Zisman

Tracklist:
1. Sympathy for the Devil (Live at the Royal Albert Hall, 1974) (5:13)
2. I Love How You Love Me (Live at the Royal Albert Hall, 1974) (2:56)
3. Baby I Don’t Care (Live at the Royal Albert Hall, 1974) (1:47)
4. It’s My Party (Live at the Royal Albert Hall, 1974) (2:04)
5. Don’t Worry Baby (Live at the Royal Albert Hall, 1974) (3:34)
6. Another Time, Another Place (Live at the Royal Albert Hall, 1974) (4:31)
7. Fingerpoppin’ (Live at the Royal Albert Hall, 1974) (2:24)
8. The Tracks of My Tears (Live at the Royal Albert Hall, 1974) (2:40)
9. You Won’t See Me (Live at the Royal Albert Hall, 1974) (2:41)
10. Smoke Gets in Your Eyes (Live at the Royal Albert Hall, 1974) (2:42)
11. A Hard Rain’s A-Gonna Fall (Live at the Royal Albert Hall, 1974) (4:24)
12. A Really Good Time (Live at the Royal Albert Hall, 1974) (3:44)
13. The ‘In’ Crowd (Live at the Royal Albert Hall, 1974) (4:09)
14. These Foolish Things (Live at the Royal Albert Hall, 1974) (5:59)

Download:

mqs.link_BryanFerryLiveattheR0yalAlbertHall197420202496.part1.rar
mqs.link_BryanFerryLiveattheR0yalAlbertHall197420202496.part2.rar

A previously unreleased treasure. This is the final ever recording of the legendary, influential drummer, whose impact across rock, funk and soul, as well as jazz, is unrivalled to this day. Recorded over 2 nights, 19th & 20th November 1986, at Ronnie Scott’s in London, England. Includes full liner notes by Buddy’s daughter Cath, who also appears as a guest vocalist on the recording.

“My dad chose set lists for the two nights that I hadn’t heard before. He was always brilliant in choosing the right sets, but this time he shied away from the tried and true and went to places musically that were very different. It was as if he knew that he didn’t have to prove anything anymore and could relax and go wherever he wanted and enjoy it. I think the end result proves just that. For two incredible nights I got to sit in the audience and cheer right along with everyone else. I will always remember that time as one of the greatest moments in my life. Now I can revel in the fact that, thankfully, his last recordings were caught on tape for all of us to enjoy forever. It has taken thirty-three years to finally get these recordings out. An absolute labor of love that I never gave up on. At times it was quite a struggle, but in the end it was all about the music.”

Tracklist:
1. Wind Machine (3:22)
2. Night Blood (3:59)
3. Ready Mix (3:28)
4. The Trolley Song (4:20)
5. Winding Way (7:01)
6. Harco Shuffle (6:25)
7. Just in Time (5:21)
8. Loose (3:56)
9. Love for Sale (4:19)
10. Shawnee (3:48)
11. Up Jumped Spring (3:27)
12. Why Bother? (4:40)
13. Porgy and Bess (10:31)
14. Twisted (6:41)
15. Good News, Pt.1 (15:07)
16. Good News, Pt. 2 (16:20)

Personnel:
Buddy Rich: drums; Eric Miyahiro: trumpet; Kevin Richardson: trumpet; Greg Gisbert: trumpet; Dana Watson: trumpet; Rick Trager: trombone; Tom Garling: trombone; Jim Martin: trombone, bass trombone; Bob Bowlby: saxophone; Mike Rubino: saxophone, flute; Steve Marcus: saxophone; Chris Bacas: Jay Craig: saxophone; Matt Harris: piano; Rob Amster: double bass; Cathy Rich: vocals (14).

Download:

mqs.link_BuddyRichJustinTimeTheFinalRec0rding20192496.part1.rar
mqs.link_BuddyRichJustinTimeTheFinalRec0rding20192496.part2.rar
mqs.link_BuddyRichJustinTimeTheFinalRec0rding20192496.part3.rar

Buffalo Philharmonic Orchestra – R. Strauss: Le bourgeois gentilhomme Suite & Ariadne auf Naxos, Symphony-suite (2017)
FLAC (tracks) 24-bit/96 kHz | Time – 01:15:28 minutes | 1,31 GB | Genre: Classical
Studio Master, Official Digital Download | Digital Booklet, Front Cover | © Naxos

Richard Strauss’ Le Bourgeois Gentilhomme suite was one of his own favourite scores, an absolute jewel of incidental music that combines the composer’s romanticism with his love of the Baroque music of Jean-Baptiste Lully. D. Wilson Ochoa has created a new symphonic orchestral suite from Strauss’ opulent Ariadne auf Naxos, enabling the orchestra to revel in music of extreme beauty and sensuous luxury, studded with gorgeous instrumental solos and the composer’s incomparable blend of poignancy, humour and melodic richness.

Tracklist:

01. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: I. Ouverture to Act I (Auftritt des Jourdain)
02. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: II. Menuett
03. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: III. Der Fechtmeister
04. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: IV. Auftritt und Tanz der Schneider
05. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: V. Das Menuett des Lully
06. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: VI. Courante
07. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: VII. Auftritt des Cléonte
08. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: VIII. Prelude to Act II (Intermezzo)
09. Le bourgeois gentilhomme Suite, Op. 60, TrV 228c: IX. Das Diner (Tafelmusik und Tanz des Küchenjungen)
10. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): I. Prologue [Overture to the Prologue]
11. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): II. Duet [Ein Augenblick ist wenig, ein Blick ist viel]
12. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): III. Waltz [Eine Störrische zu trösten]
13. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): IV. Overture – Ein Schönes war
14. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): V. Aria [Es gibt ein Reich]
15. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): VI. Interlude
16. Ariadne auf Naxos, Symphony-suite (Arr. D.W. Ochoa): VII. Finale [Gibt es kein Hinüber?]

Composer: Strauss, Richard
Arranger: Ochoa, D. Wilson
Conductor: Falletta, JoAnn
Orchestra: Buffalo Philharmonic Orchestra
Label: Naxos
Genre: Orchestral
Period: 20th Century

Download:

mqs.link_Buffal0Philharm0nic0rchestraR.StraussLeb0urge0isgentilh0mmeSuiteAriadneaufNax0sSymph0nysuite2017FLAC2496.part1..rar
mqs.link_Buffal0Philharm0nic0rchestraR.StraussLeb0urge0isgentilh0mmeSuiteAriadneaufNax0sSymph0nysuite2017FLAC2496.part2..rar

Far from being an actual “best of,” The Very Best of Lightin’ Hopkins comes off as being a largely nonessential purchase many classic songs are absent and there’s a lack of detailed liner notes to even denote which period the tracks are taken from. That’s not to say the material selected isn’t consistently engaging, with tunes like “Trouble in Mind,” “Shaggy Dad,” and the classic “See See Rider” being standouts among the 16 tracks. Contributions from Luke “Long Gone” Miles, Big Joe Williams, Brownie McGhee, and Sonny Terry highlight the collection as well. Most of the tracks, though, sound like alternate takes from other Hopkins sessions and some of the live tracks included are far from essential. Overall, there are bound to be better compilations on the market for similar prices.

Tracklist:
1. Lightnin’ Hopkins – Mojo Hand [03:04]
2. Lightnin’ Hopkins – Have You Ever Loved a Woman [02:43]
3. Lightnin’ Hopkins – Trouble in Mind [02:56]
4. Lightnin’ Hopkins – Katie Mae [03:08]
5. Lightnin’ Hopkins – See See Rider [03:13]
6. Lightnin’ Hopkins – Mama and Papa Hopkins [04:47]
7. Lightnin’ Hopkins – Backwater Blues [02:48]
8. Lightnin’ Hopkins – My Black Cadillac [07:00]
9. Lightnin’ Hopkins – Stool Pigeon Blues [03:00]
10. Lightnin’ Hopkins – Ain’t Nothin’ Like Whiskey [07:57]
11. Lightnin’ Hopkins – Penitentiary Blues [06:47]
12. Lightnin’ Hopkins – Blues for Gamblers [06:56]
13. Lightnin’ Hopkins – Wimmin from Coast to Coast [05:49]
14. Lightnin’ Hopkins – Shaggy Dad [02:45]
15. Lightnin’ Hopkins – What’d I Say [02:25]
16. Lightnin’ Hopkins – Mr. Dillard’s Store [06:54]
17. Lightnin’ Hopkins – Goin’ Back Home [02:53]
18. Lightnin’ Hopkins – Found My Baby Crying [04:03]
19. Lightnin’ Hopkins – Move on out, Pt. 1 [03:00]
20. Lightnin’ Hopkins – Back Door Friend [04:26]
21. Lightnin’ Hopkins – Fishing Clothes [03:45]
22. Lightnin’ Hopkins – Morning Blues [04:39]
23. Lightnin’ Hopkins – Evil Hearted Woman [02:46]
24. Lightnin’ Hopkins – Vietnam Wars, Pts. 1 & 2 [04:17]
25. Lightnin’ Hopkins – Last Affair [03:03]
26. Lightnin’ Hopkins – Lovin’ Arms [04:21]
27. Lightnin’ Hopkins – Rock Me Mama [04:59]
28. Lightnin’ Hopkins – Ride in Your New Automobile [04:14]
29. Lightnin’ Hopkins – Lightnin’ Strikes One More Time [02:54]
30. Lightnin’ Hopkins – Wig Wearing Woman [03:48]
31. Lightnin’ Hopkins – Lonesome Dog Blues [02:42]
32. Lightnin’ Hopkins – West Texas Blues [03:13]
33. Lightnin’ Hopkins – Mr. Charlie [04:53]
34. Lightnin’ Hopkins – Got Her Letter This Morning [05:00]
35. Lightnin’ Hopkins – Mighty Crazy [03:49]
36. Lightnin’ Hopkins – Little School Girl [04:09]
37. Lightnin’ Hopkins – Last Affair [02:43]
38. Lightnin’ Hopkins – Y’all Excuse Me [06:14]

Download:

mqs.link_LightninH0pkinsTheVeryBest0fLightninH0pkins1973ExpandedEditi0n201824441.part1.rar
mqs.link_LightninH0pkinsTheVeryBest0fLightninH0pkins1973ExpandedEditi0n201824441.part2.rar

Jeff Beal – The Biggest Little Farm (Original Motion Picture Soundtrack) (2019) [FLAC 24bit/44,1kHz]

Jeff Russo – Star Trek: Discovery (Season 2) [Original Series Soundtrack] (2019) [FLAC 24bit/44,1kHz]

Jenny Scheinman & Allison Miller’s Parlour Game – Parlour Game (2019) [FLAC 24bit/96kHz]

Jeremy Udden – Three In Paris (2019) [FLAC 24bit/96kHz]

Jerry Vale – Sings 16 Greatest Hits of the 60’s (1970/2018) [FLAC 24bit/96kHz]

Jesse Palter – Paper Trail (2019) [FLAC 24bit/44,1kHz]

Jessica Heine – Goodbye Party (2019) [FLAC 24bit/96kHz]

Jimmy Hamilton And His Orchestra – Swing Low Sweet Clarinet (1960/2019) [FLAC 24bit/44,1kHz]

Julia Michaels – Inner Monologue Part 2 (2019) [FLAC 24bit/44,1kHz]

Brodsky Quartet – Beethoven: Late String Quartets (2020) [FLAC 24bit/96kHz]

Brad Paisley – This Is Country Music (2011) [FLAC 24bit/44,1kHz]

Brian Simpson & Steve Oliver – Unified (2020) [FLAC 24bit/48kHz]

Bruce Springsteen & E Street Band – 1978-12-15 San Francisco, CA (2019) [FLAC 24bit/192kHz]

Bruce Springsteen & The E Street Band – 1978-12-16 San Francisco, CA (2019) [FLAC 24bit/192kHz]

Bruce Springsteen & The E Street Band – 2009-05-04 Uniondale, NY (2020) [FLAC 24bit/48kHz]

Bruno Walter – Dvorak: Symphonies Nos. 8 & 9 (Remastered) (2020) [FLAC 24bit/192kHz]

Bryan Ferry – Live at the Royal Albert Hall, 1974 (2020) [FLAC 24bit/96kHz]

Buddy Rich – Just in Time: The Final Recording (2019) [FLAC 24bit/96kHz]

Buffalo Philharmonic Orchestra, JoAnn Falletta – R. Strauss: Le bourgeois gentilhomme Suite & Ariadne auf Naxos, Symphony-suite (2017) [FLAC 24bit/96kHz]

Lightnin’ Hopkins – The Very Best of Lightnin’ Hopkins (Expanded Edition) (1973/2018) [FLAC 24bit/44,1kHz]