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TBS系 金曜ドラマ「Nのために」オリジナル・サウンドトラック [Mora FLAC 24bit/48kHz]

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ドラマ「Nのために」サントラ
レーベル Anchor Records
配信開始日 2014.12.10
収録曲数 全21曲
販売データ ハイレゾ|FLAC|48.0kHz/24bit

http://mora.jp/package/43000042/UZCL-2061_F/

各年代から高支持を受けた「夜行観覧車」のスタッフが送る湊かなえ原作「Nのために」。純愛ミステリーを音楽で彩るのは変幻自在に音を操る”横山克”バラエティー豊かな演出でシーンを盛り上げる!!

収録曲

1 – for.N 07:11
2 – start liNe 03:12
3 – caNNed coffee 03:26
4 – close relatioNships 02:41
5 – dowN a street 03:11
6 – lay dowN 02:18
7 – ruN after 03:37
8 – back iN the day 02:49
9 – for.N -aNother versioN- chorus 04:20
10 – agaiN some day 04:47
11 – do somethiNg 02:08
12 – sNitch 03:32
13 – searchiNg for truth 02:28
14 – aNythiNg wroNg? 03:35
15 – for.N -piaNo versioN- 02:19
16 – oN/off 04:25
17 – for.N -aNother versioN- vocal 04:19
18 – paNdora 03:04
19 – hit N up 02:40
20 – coNspiracy 03:02
21 – for.N -vocal versioN- 04:38

Download:

mqs.link_FLACN.part1.rar
mqs.link_FLACN.part2.rar


petit milady –プチミレディア [Mora FLAC 24bit/48kHz]

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レーベル Universal Music LLC
配信開始日 2014.12.03
収録曲数 全13曲
販売データ ハイレゾ|FLAC|48.0kHz/24bit

http://mora.jp/package/43000006/00600406544605/

悠木碧と竹達彩奈、小さな2人のかわいいユニット「petit milady(プチミレディ)」

デビューシングル「鏡のデュアル・イズム/100%サイダーガール」セカンドシングル「azurite」はもちろん、配信限定シングルとしてのみリリースされていたTOYOTA×STUDIO4℃「PESプロジェクト」のコラボ曲「Fortune Future!」やGA文庫「聖剣使いの禁呪詠唱(ワールドブレイク)」コラボ第1弾、期間限定配信楽曲「カサナリアル」も収録!

Remix1曲含む全13曲によるプチミレディワールドを堪能できる1枚!

収録曲

1 – ハジマリズム 04:07
2 – Trip Trick Trap 04:05
3 – azurite 04:00
4 – 鏡のデュアルイズム 03:12
5 – カサナリアル 04:30
6 – ドキ♡ドキド 04:17
7 – Fortune Future ! 03:34
8 – Radio ホイップ 03:51
9 – スキ キライ キライ 大スキ♡ 03:37
10 – 100%サイダーガール 03:57
11 – 茜色のダイアリー 04:26
12 – Ma Chérie 06:15
13 – 100%サイダーガール (Retro Future Mix) 03:54

Download:

mqs.link_FLACpetitmilady48kHz24bit.rar

VA – Heart of Magic Garden2 [e-onkyo FLAC 24bit/96kHz]

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V.A >
Lantis >
2014/09/16 >
(P) ランティス

http://www.e-onkyo.com/music/album/laca15448/

ランティスを代表するアーティストのひとりであり、名コンポーザーでもある伊藤真澄がリアレンジを手がけたセルフ・トリビュートアルバム「Heart of Magic Garden」。その第2弾「Heart of Magic Garden2」のハイレゾバージョンが早くもリリースされる。

 GRANRODEO、ZAQ、TRUE、fhana、ChouCho、伊藤真澄、nano.RIPE、Annabel、CooRie、μ’s(ラブライブ!)という、ランティスの名だたるアーティストが参加するこの「Heart of Magic Garden2」、まさに「ランティス“レーベル”スーパーベスト」と呼びたくなる豪華な参加メンバーとともに、ストリングスアレンジやジャズアレンジに仕立てる、名曲アニソンの新しい一面を垣間見させてくれる、伊藤真澄ならではの、斬新で壮大なスケール感のリアレンジが特徴となっている。しかも、ヴォーカルを含めすべての演奏を新たにレコーディングするという、作品の完成度に関する徹底的なこだわりも嬉しいところ。さらに、今作では、あらかじめハイレゾバージョンのリリースを念頭に置き、96kHz/24bitレコーディングなども行われている。まさに、ハイレゾバージョンですべての“音楽表現”をあまさず受け取りたい、何度も何度もじっくり聴き込みたくなる魅力的なアルバムだ。

<各曲レビュー>
1.GRANRODEO/delight song
 GRANRODEOならではのハードなヴォーカル&ギターサウンドを、大胆にもオーケストレーションとミクスチャー。その壮大なスケール感が、谷山紀章のパワフルなヴォーカルと見事にマッチして、オリジナルバージョンにひけをとらない印象的な楽曲に仕上がっている。さらに、奇しくもGRANRODEO初となったハイレゾバージョンでは、ヴォーカルの声の厚みやリアルさが格別! 谷山紀章ならではの歌声の魅力を、存分に堪能できるタイトルだ。

2.ZAQ/Sparkling Daydream
TVアニメ『中二病でも恋がしたい』OPテーマ
 ZAQのデビュー作にして、名曲の誉れも高い「Sparkling Daydream」を、“生”フルバンド演奏によるリアレンジを敢行。アタマ打ちの縦ノリ曲が、裏打ちのシャッフルしたリズムとなったことで、ZAQならではの特徴的なメロディが際立った、インパクトある楽曲に纏め上げられている。ZAQ初となる“ハイレゾ”ヴォーカルのリアルさにも注目だ。

3.TRUE/UNISONIA
TVアニメ『バディ・コンプレックス』OPテーマ
 リズミカルで勢いのある、アニソンらしさ満開のオリジナルアレンジを、ラテンサウンドにリアレンジ。TRUEならではの美しくも力強い歌声が、さらに活き活きとした印象に感じられる。ハイレゾバージョンならではの、ヴォーカルと演奏のリアルさも素晴らしい。

4.fhana/いつかの、いくつかのきみとのせかい
TVアニメ『僕らはみんな河合荘』OPテーマ
 比較的アップテンポな曲調が多いfhanaを、ミドルテンポの“じっくり聴かせる”サウンドへとリアレンジ。そのおかけで、コンポーザー佐藤純一の紡ぎ出すメロディーの魅力が、いっそう強調されている。同時に、towanaのヴォーカルが一段と抜けの良い、のびのびとした歌声に感じらる。彼女の歌声が、とても“ハイレゾ向き”であることを確認できるのも大きな収穫かもしれない。

5.ChouCho/空とキミのメッセージ
TVアニメ『翠星のガルガンティア』EDテーマ
 原曲の優しさあふれる歌声はそのままに、ストリングスを加えた重層的な演奏にリアレンジ。ChouChoならではの美しい歌声を存分に楽しめる楽曲に仕上がっている。1stアルバム「Flyleaf」のハイレゾジージョンが好評の彼女だけに、ChouChoファン必聴の1曲といえる。

6.伊藤真澄/ユメのなかノわたしのユメ
TVアニメ『人類は衰退しました』EDテーマ
 伊藤真澄が自らのセルフカバーした楽曲。良原リエによるトイピアノの演奏が加わるなど、とてもカラフルなサウンドにリアレンジされ、思わず心がうきうきしてしまうナウな、楽しさあふれる楽曲に仕立てられている。また、ハイレゾバージョンでは、音数の多さ、音のリアルさに注目。特に徳澤青弦のチェロの響きは、ハイレゾならではの芯の強さと音のクリアさが感じられる。

7.nano.RIPE/ハナノイロ
TVアニメ『花咲くいろは 』OPテーマ
 大人気の楽曲が、ストリングスやピアノを加えた重奏的な構成にリアレンジ。まるで映画のエンディング曲のような、情緒感たっぷりの壮大なサウンドに生まれ変わっている。おかげで、印象的で美しいメロディが一段と輝いて聴こえる。また、ハイレゾバージョンならではの恩恵として、きみコの歌声がさらに可愛らしく、力強く感じられるのも嬉しい。

8.Annabel/Above your hand
TVアニメ『さんかれあ』EDテーマ
 生バンドによる演奏にストリングスが加わり、壮大なスケール感のサウンドに仕立てられたリアレンジ。原曲のイメージはそのままながら、新たにレコーディングされたヴォーカルと演奏は、とてもクリアで、とても活き活きとしている。特にハイレゾバージョンでは、Annabelがまるで目の前で歌ってくれているかのよう。このリアルさを、ハイレゾバージョンで存分に味わって欲しい。

9.CooRie/星屑のサラウンド
TVアニメ『宙のまにまに』EDテーマ
 2009年リリースのCooRie15枚目のシングルが、伊藤真澄の手によって新たに生まれ変わった。フュージョンテイストが盛り込まれたフルバンドによる演奏は、優しさと心地よさに満ちたCooRieの歌声にピッタリ。とても聴き心地の良い、美しいサウンドに仕上がっている。ハイレゾバージョンに向いた、音楽性、クォリティともに完成度の高い楽曲だ。

10.μ’s/Snow halation
『ラブライブ!』μ’sセカンドシングル
 μ’sの名曲が、オーケストレーションと生バンドの演奏によって、壮大なスケール感をもつサウンドへと生まれ変わった。音数の多い、重奏的なアレンジながら、ヴォーカル9人の歌声がしっかりと届いてくる絶妙なサウンドバランスは、原曲の美しいメロディと、畑亜貴ならではの素敵な詩が一段と魅力的に感じられるようになった。また、すべてのレコーディングを96kHz/24bitで行っている点も注目だ。新たにレコーディングされたヴォーカルは、原曲よりもそれぞれのメンバーの個性が際立っており、さらにハイレゾ音源ならではの活き活きとした、のびのびとした歌声が堪能できる。是非ともハイレゾバージョンで楽しんで欲しい、素敵なタイトルだ。

(野村ケンジ)

収録曲
01_delight song
02_Sparkling Daydream
03_UNISONIA
04_いつかの、いくつかのきミとのせかい
05_空とキミのメッセージ
06_ユメのなかノわたしのユメ
07_ハナノイロ
08_Above your hand
09_星屑のサラウンド
10_Snow halation

Download:

mqs.link_FLACVariusArtistsHeartfMagicGarden2.part1.rar
mqs.link_FLACVariusArtistsHeartfMagicGarden2.part2.rar

Tiffany – Ruby & Sapphire (2010) {SACD ISO + FLAC 24bit/88,2kHz}

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Tiffany – Ruby & Sapphire (2010)
PS3 Rip | 2x SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 61:23 minutes | Scans included | 2,51 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,27 GB
Vocal Jazz | Eighty Eights / Village Music, Inc.
Genre: Jazz, Fusion

ティファニーの5thアルバム。<Disc.1 ルビー・ディスク> ルビー色に染まる「赤とんぼ」から「スターダスト」、「スマイル」まで珠玉のジャズ・スタンダード。ティファニーの抜群な歌唱と燻し銀ジャズメンの演奏が一体化! <Disc.2 サファイア・ディスク>「レット・イット・ビー」や「ローズ」などのポップス・スタンダード。ティファニーとソウルフル・ミュージシャン達の心地よいサウンドはまるでサファイアのよう! 【参加メンバー】<Disc.1> 山本剛、野本晴美、井上陽介、ジミー・スミス、レイモンド・マクモーリン、外山喜雄、田辺充邦 <Disc.2> ケイレブ・ジェームス、日野”JINO”賢二、マサ小浜、ジェイ・スティックス、鈴木央紹 ※SA-CDプレーヤー対応盤(ハイブリッドCD)+音匠仕様(ソニーが開発した技術により、レーベル面に特殊インクレーベルコートを施し、音質向上を目指した高音質ディスク)。

Tracklist

SACD 1 – Ruby:
01. Akatonbo – Stardust
02. When You’re Smiling
03. Why Don’t You Do Right ?
04. Take The A Train
05. I’ve Got You Under My Skin
06. Smile

SACD 2 – Sapphire:
01. Let It Be
02. The Rose
03. Feel Like Makin’ Love
04. You’ve Got A Friend
05. We’ll Be Together
06. Georgia On My Mind

DSD Recording.

SACD ISO

mqs.link_TiffanyRubySapphire20102xSACDIS.part1.rar
mqs.link_TiffanyRubySapphire20102xSACDIS.part2.rar
mqs.link_TiffanyRubySapphire20102xSACDIS.part3.rar

FLAC 24bit/88,2kHz

mqs.link_TiffanyRubySapphire2010FLAC2488.2.part1.rar
mqs.link_TiffanyRubySapphire2010FLAC2488.2.part2.rar

Tony Williams – Young At Heart (1997) [Reissue 1999] {SACD ISO + FLAC 24bit/88,2kHz}

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Tony Williams – Young At Heart (1997) [Reissue 1999]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 69:12 minutes | Small pictures included | 2,78 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Small pictures included | 1,23 GB
Genre: Jazz

Drummer Tony Williams died suddenly, and tragically, in early 1997. His death struck hard, eliminating one of jazz rhythm’s sharpest innovators since the 1950s. Williams first made his brilliance clear in the second great Miles Davis Quintet of the early 1960s. He whirled like mad later, especially with his own jazz-rock fusion trio Lifetime. In between, he created rhythmic vapor trails behind Miles and increased the wobbly rhythmic ratio with artists like Eric Dolphy. Sadly, in Young at Heart, we have his final recording. With Mulgrew Miller and Ira Coleman, Williams sounds as complex and hitting as ever. The tunes vary from standards (“On Green Dolphin Street” is the best here) to Williams’s own tunes. Perhaps in honor of Williams, it sounds like the producer of Young miked Williams so he sounded louder, sometimes even domineering. But he was undoubtedly superb, and he mixes well with an unusually tough-toned Miller on the keys. This is a historic session, because it is Sony’s 1st commercially released DSD recording, made in Tokyo in September 1996.

This would be the drummer’s last recording, cut six months before he died. It shows Williams in a more conciliatory mood, sublimating his huge chops and bombastic style for subtler shadings and support for pianist Mulgrew Miller and bassist Ira Coleman, while lessening none of his indefatigable swing. This was also the last band Williams toured with, indicating he was committed to and comfortable with the acoustic piano-bass-drums format. It’s a setting he had never really fully exploited over his years of leadership, no doubt inspired by the Herbie Hancock-Ron Carter partnership within the Miles Davis quintet of the mid-’60s. On the six standards present, Miller shines like a million facet diamond, his ultra-bright ideas swimming happily in this cauldron of crackling rhythms. The pianist peculiarly reharmonizes — perhaps even shifts keys — on six bars of the first line of the ballad “Body and Soul” and hits the kicker, his composition “Promethean,” hard and strong, ripping off boppish melodic and harmonic phrases as if child’s play. Williams trades fours on “Promethean” and the bass-led feature for Coleman during “You and the Night and the Music”; he also busts out with his typical triplet and quadruplet fury for the solidly swinging, slightly reharmonized “On Green Dolphin Street.” The trio also recapitulates the previously larger-ensemble Williams original “Neptune” in a more pensive, poised, Aquarian mode than the caravan processional of the earlier recording. Miller’s extraordinary modal chord extrapolations at the end are stunningly beautiful. Although this might not be viewed by fans as typical of Tony Williams, it is a logical conclusion to a brilliant career in jazz, and holds up high the lofty improvisational values he kept close to his vest, but near to our hearts. Recommended.

Tracklist:
01. Promethean
02. Young At Heart
03. On Green Dolphin Street
04. Farewell To Dogma
05. How My Heart Sings
06. The Fool On The Hill
07. Neptune: Fear Not
08. You And The Night And The Music
09. Body And Soul
10. This Here
11. Summer Me, Winter Me

Produced by Tony Williams

Personnel
Tony Williams – drums
Ira Coleman – bass
Mulgrew Miller – piano

SACD ISO

mqs.link_TnyWilliamsYungAtHeart1997Reissue1999SACDIS.part1.rar
mqs.link_TnyWilliamsYungAtHeart1997Reissue1999SACDIS.part2.rar
mqs.link_TnyWilliamsYungAtHeart1997Reissue1999SACDIS.part3.rar

FLAC 24bit/88,2kHz

mqs.link_TnyWilliamsYungAtHeart1997Reissue1999FLAC2488.2.part1.rar
mqs.link_TnyWilliamsYungAtHeart1997Reissue1999FLAC2488.2.part2.rar

Walter Gieseking – Claude Debussy: The Complete Piano Works (1953/2012) [Remaster 2011] {SACD ISO + FLAC 24bit/88,2kHz}

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Walter Gieseking – Claude Debussy: The Complete Piano Works (1953/2012)
PS3 Rip | 4x SACD ISO | DSD64 Stereo > 1-bit/2.8224 MHz | 251:27 minutes | Artwork | 10.6 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Artwork | 3,4 GB

Complete Piano Works offer listeners more clarity and detail than ever before. The expert engineers at Abbey Road Studios who remastered the original EMI recordings on Hybrid Super Audio CDs have breathed new life into these iconic catalog recordings. Each title in the Signature Collection is beautifully presented in a full-color illustrated hardback book. The liner notes explore mot only the rich music but also the story behind original LP covers. Also included are never before seen photographs of the original master tapes.

Tracklist:
CD1 #01. Preludes Book I: I. Danseuses de Delphes
CD1 #02. Preludes Book I: II. Voiles
CD1 #03. Preludes Book I: III. Le vent dans la plaine
CD1 #04. Preludes Book I: IV. ‘Les sons et les parfums tournent dans l’air du soir’ – Ch. Baudelaire
CD1 #05. Preludes Book I: V. Les collines d’Anacapri
CD1 #06. Preludes Book I: VI. Des pas sur la neige
CD1 #07. Preludes Book I: VII. Ce qu’a vu le vent d’ouest
CD1 #08. Preludes Book I: VIII. La fille aux cheveux de lin
CD1 #09. Preludes Book I: IX. La serenade interrompue
CD1 #10. Preludes Book I: X. La cathedrale engloutie
CD1 #11. Preludes Book I: XI. La danse de Puck
CD1 #12. Preludes Book I: XII. Minstrels
CD1 #13. Preludes Book II: I. Brouillards
CD1 #14. Preludes Book II: II. Feuilles mortes
CD1 #15. Preludes Book II: III. La Puerta del Vino
CD1 #16. Preludes Book II: IV. ‘Les fees sont d’exquises danseuses’
CD1 #17. Preludes Book II: V. Bruyeres
CD1 #18. Preludes Book II: VI. ‘General Lavine’ – eccentric
CD1 #19. Preludes Book II: VII. La terrasse des audiences du clair de lune
CD1 #20. Preludes Book II: VIII. Ondine
CD1 #21. Preludes Book II: IX. Hommage a S. Pickwick, Esq., P.P.M.P.C.
CD1 #22. Preludes Book II: X. Canope
CD1 #23. Preludes Book II: XI. Les tierces alternees
CD1 #24. Preludes Book II: XII. Feux d’artifice

CD2 #01. Images Set I : I. Reflets dans l’eau
CD2 #02. Images Set I : II. Hommage a Rameau
CD2 #03. Images Set I : III. Mouvement
CD2 #04. Images Set II : I. Cloches a travers les feuilles
CD2 #05. Images Set II : II. Et la lune descend sur le temple qui fut
CD2 #06. Images Set II : III. Poissons d’or
CD2 #07. Pour le piano: I. Prelude
CD2 #08. Pour le piano: II. Sarabande
CD2 #09. Pour le piano: III. Toccata
CD2 #10. Estampes: I. Pagodes
CD2 #11. Estampes: II. La soiree dans Grenade
CD2 #12. Estampes: III. Jardins sous la pluie
CD2 #13. Berceuse heroique
CD2 #14. Hommage a Haydn

CD3 #01. 12 Etudes: Pour les cinq doigts-d’apres Monsieur Czerny
CD3 #02. 12 Etudes: Pour les tierces
CD3 #03. 12 Etudes: Pour les quartes
CD3 #04. 12 Etudes: Pour les sixtes
CD3 #05. 12 Etudes: Pour les ocatves
CD3 #06. 12 Etudes: Pour les huits doigts
CD3 #07. 12 Etudes: Pour les degres chromatiques
CD3 #08. 12 Etudes: Pour les agrements
CD3 #09. 12 Etudes: Pour les notes repetees
CD3 #10. 12 Etudes: Pour les sonorites opposees
CD3 #11. 12 Etudes: Pour les arpeges composes
CD3 #12. 12 Etudes: Pour les accords
CD3 #13. D’un cahier d’esquisses
CD3 #14. Tarantelle styrienne
CD3 #15. Nocturne
CD3 #16. Valse romantique
CD3 #17. The Little Nigar
CD3 #18. Masques
CD3 #19. Danse bohemienne
CD3 #20. Ballade
CD3 #21. Mazurka

CD4 #01. Suite Bergamasque: I. Prelude
CD4 #02. Suite Bergamasque: II. Menuet
CD4 #03. Suite Bergamasque: III. Clair de lune
CD4 #04. Suite Bergamasque: IV. Passepied
CD4 #05. Reverie
CD4 #06. Arabesque No. 1
CD4 #07. Arabesque No. 2
CD4 #08. Children’s Corner: I. Doctor Gradus ad Parnassum
CD4 #09. Children’s Corner: II. Jimbo’s Lullaby
CD4 #10. Children’s Corner: III. Serenade for the Doll
CD4 #11. Children’s Corner: IV. The Snow is Dancing
CD4 #12. Children’s Corner: V. The Little Shepherd
CD4 #13. Children’s Corner: VI. Golliwogg’s Cake Walk
CD4 #14. La plus que lente
CD4 #15. L’Isle joyeuse

SACD ISO

mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part01.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part02.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part03.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part04.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part05.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part06.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part07.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part08.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part09.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part10.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part11.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue20124xSACDIS.part12.rar

FLAC 24bit/88,2kHz

mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue2012FLAC2488.2.part1.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue2012FLAC2488.2.part2.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue2012FLAC2488.2.part3.rar
mqs.link_WalterGiesekingClaudeDebussy.TheCmpletePianWrks1953Reissue2012FLAC2488.2.part4.rar

Zubin Mehta, Los Angeles Philharmonic – Holst: The Planets, John Williams: Star Wars Suite (1971/1978) {SACD ISO + FLAC 24bit/88,2kHz}

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Zubin Mehta, Los Angeles Philharmonic –
Holst: The Planets, John Williams: Star Wars Suite (1971/1978) [Japanese SHM-SACD 2012]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 79:47 minutes | Scans included | 3,24 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,38 GB
Uses 2012 DSD master based on the Decca’s original analog tape
Genre: Classical

Written by Gustav Holst over a three-year period in 1914, The Planets is a true masterpiece of classical music and features seven movements based on the planets in our own solar system excluding Pluto and the Earth itself. This world renowned piece, that has always overshadowed Holst’s other famous works of music, is conducted by Zubin Mehta and performed by the Los Angeles Philharmonic Orchestra.
Also, the disc includes Star Wars suite wriiten by John Williams.

Tracklist:
01. THE PLANETS: 1. MARS
02. THE PLANETS: 2. VENUS
03. THE PLANETS: 3. MERCURY
04. THE PLANETS: 4. JUPITER
05. THE PLANETS: 5. SATURN
06. THE PLANETS: 6. URANUS
07. THE PLANETS: 7. NEPTUNE
08. STAR WARS: 1. MAIN TITLE
09. STAR WARS: 2. PRINCESS LEIA’S THEME
10. STAR WARS: 3. THE LITTLE PEOPLE
11. STAR WARS: THE CANTINA BAND
12. STAR WARS: 4. THE BATTLE
13. STAR WARS: 5. THE THRONE ROOM AND END TITLE

Personnel:
Los Angeles Philharmonic, Conducted by Zubin Mehta
Women’s voices of the Los Angeles Master Chorale

SACD ISO

mqs.link_ZubinMehtaLsAngelesPhilharmnicHlst.ThePlanetsJhnWilliams.StarWarsSuite2012SHMSACDIS.part1.r.rar
mqs.link_ZubinMehtaLsAngelesPhilharmnicHlst.ThePlanetsJhnWilliams.StarWarsSuite2012SHMSACDIS.part2.r.rar
mqs.link_ZubinMehtaLsAngelesPhilharmnicHlst.ThePlanetsJhnWilliams.StarWarsSuite2012SHMSACDIS.part3.r.rar
mqs.link_ZubinMehtaLsAngelesPhilharmnicHlst.ThePlanetsJhnWilliams.StarWarsSuite2012SHMSACDIS.part4.r.rar

FLAC 24bit/88,2kHz

mqs.link_ZubinMehtaLsAngelesPhilharmnicHlst.ThePlanetsJhnWilliams.StarWarsSuite2012FLAC2488.2.part1..rar
mqs.link_ZubinMehtaLsAngelesPhilharmnicHlst.ThePlanetsJhnWilliams.StarWarsSuite2012FLAC2488.2.part2..rar

Zucchero ‘Sugar’ Fornaciari – Rispetto (1986) [Reissue 2004] {SACD ISO + FLAC 24bit/88,2kHz}

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Zucchero ‘Sugar’ Fornaciari – Rispetto (1986) [Reissue 2004] {2.0 & 5.1}
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 39:54 minutes | Scans included | 2,78 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 813 MB
Genre: Rock

Adelmo Fornaciari, more commonly known by his stage name Zucchero Fornaciari or simply Zucchero, is an Italian rock singer and Order of Merit of the Italian Republic. His music is largely inspired by gospel, soul and rock music, and alternates between ballads and more rhythmic boogie-like pieces.

After the relative success of Zucchero & The Randy Jackson Band, Fornaciari and Rustici again gathered in California to work on a follow-up. Rispetto, which included several hit singles including the titletrack and “Come il sole all’improvviso”, combining the Italo-pop sound of Fornaciari’s earlier albums with a more American soul sound.

Tracklist:
01. Introduction
02. Rispetto
03. Come il Sole all’Improvviso
04. Tra Uomo e Donna
05. Nella Casa C’era
06. Una Ragione per Vivere
07. Solo Seduto Sulla Panchina del Porto Guardo le Navi Partir
08. Torna a Casa
09. Nuovo Meraviglioso Amico
10. Canzone Triste
11. No No

SACD ISO

mqs.link_ZuccherSugarFrnaciariRispett1986Reissue2004SACDIS.part1.rar
mqs.link_ZuccherSugarFrnaciariRispett1986Reissue2004SACDIS.part2.rar
mqs.link_ZuccherSugarFrnaciariRispett1986Reissue2004SACDIS.part3.rar

FLAC 24bit/88,2kHz

mqs.link_ZuccherSugarFrnaciariRispett1986Reissue2004FLACStere2488.2.rar


Zucchero ‘Sugar’ Fornaciari – Zucchero (1986/1991) [Reissue 2004] {SACD ISO + FLAC 24bit/88,2kHz}

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Zucchero ‘Sugar’ Fornaciari – Zucchero (1986/1991) [Reissue 2004] {2.0 & 5.1}
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 57:38 minutes | Scans included | 4,01 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,19 GB
Genre: Rock

Zucchero is a collection of Italian artist Zucchero “Sugar” Fornaciari greatest hits aimed at the international market. It features artists such as Eric Clapton, Paul Young and Randy Crawford.

Adelmo Fornaciari, otherwise known as Zucchero, broke onto the international scene with this 1986 album. Guitar work from Eric Clapton heightens the profile of this release, and underscores Zucchero’s fondness for electric blues. But it is Zucchero’s songwriting and emotive voice that really captivate, and that paved the way for his immense popularity throughout Italy and the rest of Europe in the late ’80s and ’90s.
Zucchero’s voice is gritty and textured, but he sings with a great sensitivity and lyricism (at times recalling the quality of Peter Gabriel’s voice), and these same qualities are mirrored in his songwriting. By blending blues, pop, and adult contemporary, Zucchero’s music can be quite affecting. This self-titled album alternates songs in Italian with songs in English, making the artist’s music all the more diverse and accessible.

Tracklist:
01. Diamante English Version
02. Wonderful World
03. Il Mare
04. Mama English Version
05. Dunes of Mercy
06. Senza una Donna English Version
07. You’re Losing Me
08. Solo Una Sana
09. You’ve Chosen Me
10. Diavolo in Me
11. Overdose (D’Amore)
12. Nice (Nietzsche) Che Dice

SACD ISO

mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004SACDIS.part1.rar
mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004SACDIS.part2.rar
mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004SACDIS.part3.rar
mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004SACDIS.part4.rar
mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004SACDIS.part5.rar

FLAC 24bit/88,2kHz

mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004FLACStere2488.2.part1.rar
mqs.link_ZuccherSugarFrnaciariZuccher1991Reissue2004FLACStere2488.2.part2.rar

ONE OK ROCK – 35xxxv [Mora FLAC 24bit/48kHz]

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レーベル A-Sketch Inc.
配信開始日 2016.03.01
収録曲数 全13曲
販売データ ハイレゾ|FLAC|48.0kHz/24bit

http://mora.jp/package/43000026/AZCS-1041_F/

前作「人生×僕=」以来、約2年ぶりとなる7枚目のアルバム。
パワー・コントロールの効いた情感豊かなTakaのヴォーカルは、メロディにも心を宿らせる。大きく強い愛情と血がすみずみにまで通った大作!

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
M5:映画「るろうに剣心 京都大火編」主題歌
M6:映画「るろうに剣心 伝説の最期編」主題歌

収録曲

1 – 3xxxv5 01:41
2 – Take me to the top 03:15
3 – Cry out 03:48
4 – Suddenly 03:03
5 – Mighty Long Fall 04:03
6 – Heartache 04:24
7 – Memories 03:21
8 – Decision 03:44
9 – Paper Planes (featuring Kellin from Sleeping with Sirens) 03:20
10 – Good Goodbye 03:44
11 – One by One 03:39
12 – Stuck in the middle 03:32
13 – Fight the night 04:16

Download:

mqs.link_35xxxv.rar

Miles Davis – Doo-Bop (1992/2011) [HDTracks FLAC 24bit/192kHz]

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Miles Davis – Doo-Bop (1992/2011)
FLAC (tracks) 24 bit/192 kHz | Time – 43:45 minutes | 1,86 GB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | Front cover

Miles Davis’s last studio project is an adventurous collision of jazz and hip-hop.

If On the Corner suggested hip-hop beats as far back as two decades ago, then consider Doo-Bop as offspring. Miles’ teaming with producer Easy Mo Bee is a natural — more in league with England’s acid jazz scene than anything in the trumpeter’s recent canon. Those who’ve howled over the post-Bitches Brew work will find no solace here; instead, chalk this up as one of Miles’ most entertaining efforts.

Tracklist:
01 – Mystery
02 – The Doo-Bop Song
03 – Chocolate Chip
04 – High Speed Chase
05 – Blow
06 – Sonya
07 – Fantasy
08 – Duke Booty
09 – Mystery (Reprise)

Download:

mqs.link_MilesDavisDBp19922011HDTracks24192.part1.rar
mqs.link_MilesDavisDBp19922011HDTracks24192.part2.rar

Miles Davis – In a Silent Way (1969/2013) [HDTracks FLAC 24bit/176,4kHz]

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Miles Davis – In a Silent Way (1969/2013)

FLAC (tracks) 24 bit/176.4 kHz | Time – 38:06 minutes | 1,66 GB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | Digital Booklet | © Columbia/Legacy

Chart History/Awards
– Reached #3 on Billboard‘s Top Jazz Albums.
– One of Rolling Stone‘s “50 Coolest Records of All Time.”

In A Silent Way is Miles Davis’ 1969 masterpiece. It is widely regarded as one of Davis’ finest works and one of the most innovative jazz albums of all time. It is an unforgettable and intriguing fusion of jazz and rock. The album features fellow virtuosos Tony Williams, Herbie Hancock, Wayne Shorter, Chick Corea, John McLaughlin, Dave Holland and Joe Zawinul. The musicians create rich layers of brilliance. This is a landmark achievement and an important document in jazz history.

“This gave birth to yet another new sound: electronic, lush, melancholy, full of otherworldly beauty.” – Rolling Stone
4 stars out of 5 – “…Cool, quiet and gently insistent.” –Uncut
“The record is an essential piece to understanding Miles.” – All About Jazz

Tracklist:

1 Shhh/Peaceful 18:14
2 In A Silent Way 19:52

Download:

mqs.link_MilesDavisInASilentWay19692013HDTracks24176.4.part1.rar
mqs.link_MilesDavisInASilentWay19692013HDTracks24176.4.part2.rar

Miles Davis – Kind Of Blue (1959/2013) [HDTracks FLAC 24bit/192kHz]

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Miles Davis – Birth Of The Cool (1957/2013) Stereo/Mono
FLAC (tracks) 24 bit/192 kHz | Time – 45:26 minutes | 1,61 GB / 866 MB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | Digital booklet |  © Columbia/Legacy

Kind of Blue is an album most have heard many times before in a wide variety of formats. Now, you can hear it as if you were right there in the recording studio with the musicians! After many years, Sony finally decided to remaster Kind of Blue hi-res at 192kHz/24bit with the brilliant engineer Mark Wilder and the dedicated and knowledgeable producer Steve Berkowtiz (who has spent more time with and knows this album better than anyone out there). The quality of sound on this recording is unparalleled—listening to this release is like being in the studio with Miles.

Kind of Blue isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue possess such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of “So What.” From that moment on, the record never really changes pace — each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It’s the pinnacle of modal jazz — tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn’t quite explain why seasoned jazz fans return to this record even after they’ve memorized every nuance. They return because this is an exceptional band — Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb — one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes before the tape rolled, and then the band improvised. The end results were wondrous and still crackle with vitality. Kind of Blue works on many different levels. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don’t like Kind of Blue, you don’t like jazz — but it’s hard to imagine it as anything other than a cornerstone of any jazz collection.

Tracklist:
01 – So What
02 – Freddie Freeloader
03 – Blue in Green
04 – All Blues
05 – Flamenco Sketches

Kind of Blue Becomes Digital, by Engineer Mark Wilder
Since the Kind of Blue mixed masters are multiple generations from the original (due to excessive play/wear), we decided to go directly to the original session reels. Not only does this put us at the original session as a starting point, but it also allows us to deal with the pitch issue as well.

The three, 3-track half-inch tapes are in good condition, but age has force them to “scallop” a little, meaning that the edges curl away from the tape head. This changed the initial focus from mixing from the originals to archiving them before mixing and working from the archive files. This allowed us to gently guide the tape against the playback head to get optimal contact and fidelity.

The archiving was done at 192kHz/24 bits, played from a modified Ampex ATR 104, and hard-wired to HDCD Model 2’s directly patched to a Lynx 2 sound card.

An upside to working from the archive files was the ability to chase the original fader moves done during the mix in 1959. We constantly compared to an early pressing – mono and stereo – and worked bar by bar to duplicate the level moves on the three tracks to match as well as possible.

Each channel was converted to analog and passed through a GML mixer, bussed to stereo or mono – depending on the release format – and converted once again to 192Kc/24 bits. At the GML, we inserted processing where needed.

Stereo Version

mqs.link_MilesDavisKindfBlue19592013HDTracks24192.part1.rar
mqs.link_MilesDavisKindfBlue19592013HDTracks24192.part2.rar

Mono Version

mqs.link_MilesDavisKindfBlue1959MN2013HDTracks24192.rar

Miles Davis – Miles Davis Volume 1 & 2 (1985/2013) [HDTracks FLAC 24bit/192kHz]

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Miles Davis – Miles Davis Volume 1 & 2 (1985/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 87:18 minutes | 1,88 GB |  Genre: Jazz
Official Digital Download – Source: HDTracks.com | Digital booklet | © Blue Note Records

Miles Davis’ recordings from the years of 1951-1954 are often overlooked for a number of reasons. Davis had a somewhat erratic lifestyle at the time, and these recordings do not feature the first ‘classic’ quintet. Even though Davis did not record nearly as often as in later years, what was recorded is quite outstanding.

Volume 1:
Miles Davis’ recordings of 1951-1954 tend to be overlooked because of his erratic lifestyle of the period and because they predated his first classic quintet. Although he rarely recorded during this era, what he did document was often quite classic. The two sessions included on this CD (which includes three alternate takes) are among the earliest hard bop recordings and would indirectly influence the modern mainstream music of the 1960s. The first session features Davis in a sextet with trombonist J.J. Johnson, altoist Jackie McLean, pianist Gil Coggins, bassist Oscar Pettiford, and drummer Kenny Clarke; highlights include “Dear Old Stockholm,” “Woody ‘n You,” and interpretations of “Yesterdays” and “How Deep Is the Ocean.” The remaining six numbers showcase Davis in a quartet with pianist Horace Silver, bassist Percy Heath, and drummer Art Blakey, really stretching out on such numbers as “Take Off” and “Well, You Needn’t.” However, on “It Never Entered My Mind,” Davis’ muted statement (his only one on this set) looks toward his treatments of ballads later in the decade.

Volume 2:
Like Miles Davis, Vol. 1, this set features arrangements in the order that they were recorded. (Vol. 2 contains the second Blue Note session, while Vol. 1 focused on the first and third.) This 1953 date was the most inspired, overtly beboppish of Davis’ three Blue Note sessions — an ambitious showcase for modern jazz’s greatest composers (J.J. Johnson, Ray Brown, Bud Powell, Jimmy Heath, Walter Fuller, and Dizzy Gillespie), and a remarkable rhythm section (drummer Art Blakey, bassist Percy Heath, and the obscure pianist Gil Coggins). A dynamic front line of Davis, trombonist J.J. Johnson, and the bassist’s brother Jimmy Heath on tenor saxophone, gives each tune big-band weight and texture. J.J. Johnson’s lilting “Kelo” and tragic “Enigma” proceed from the orchestral tradition of Birth of the Cool, and his taut, velvety, tenor trombone counterpoint contrasts nicely with Davis’ burnished mid-range and brassy cry. Tenor man Jimmy Heath seems to take the Basie and Gillespie big bands as the jumping-off point for his jazz classic “C.T.A.,” and ends his own solo with an affectionate nod to Lester Young. Davis’ ballad turn on “I Waited for You” is one of his most alluring performances, while his effortless swing on “C.T.A.” and “Ray’s Idea” sums up his innovations in blues phrasing. But his solo and arrangement on “Tempus Fugit” are simply transcendent. This Bud Powell anthem for modernists generates a challenging set of symphonic variations, driven along by the emotional intensity of Art Blakey. The joy with which Davis and Blakey morph between swing and Afro-Cuban rhythms, blues, and bop phrasing, is what jazz is all about.

Tracklist
Volume 1:
01 – Tempus Fugit
02 – Kelo
03 – Enigma
04 – Ray’s Idea
05 – How Deep Is The Ocean
06 – C.T.A. (Alternate Take)
07 – Dear Old Stockholm
08 – Chance It
09 – Yesterdays
10 – Donna
11 – C.T.A.
12 – Woody’n You

Volume 2:
01 – Take Off
02 – Weirdo
03 – Woody ‘N You
04 – I Waited For You
05 – Ray’s Idea
06 – Donna
07 – Well You Needn’t
08 – The Leap
09 – Lazy Susan
10 – Tempus Fugit
11 – It Never Entered My Mind

Download:

mqs.link_MilesDavisMilesDavisVlume1219852013HDTracks24192.part1.rar
mqs.link_MilesDavisMilesDavisVlume1219852013HDTracks24192.part2.rar
mqs.link_MilesDavisMilesDavisVlume1219852013HDTracks24192.part3.rar

Miles Davis – Volume 3 (1954/2014) [AcousticSounds FLAC 24bit/192kHz]

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Miles Davis – Volume 3 (1954/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 26:22 minutes | 915 MB | Genre: Jazz
Official Digital Download – Source: acousticsounds.com | Front Cover | © Blue Note Records
Recorded at the Van Gelder’s Studio, Hackensack, New Jersey, on March 6, 1954.

Miles Davis, Volume 3 (BLP 5040) is a 1954 10 inch LP album by Miles Davis. It consists of the third and last of three sessions recorded for Blue Note Records. Several years later, Davis would once again record at Blue Note, but as a sideman on Cannonball Adderley’s Somethin’ Else (BLP 1595).
The six tracks were recorded at Rudy Van Gelder’s Studio, Hackensack, New Jersey, on March 6, 1954 For the session he used exactly the same quartet he would again record with seven days later for side 2 of the Miles Davis Quartet LP (PRLP 161), released by Prestige. Davis says in his autobiography that these were his first recording sessions after successfully quitting his heroin habit, and that he arranged them both quickly as he needed money fast, and both Blue Note’s Alfred Lion and Prestige’s Bob Weinstock had given him a fair chance earlier when his reputation was in decline. This was also the first of several sessions Davis would record with the young Horace Silver, whom he liked for his funky style of playing.
After the 10″ LP format was discontinued, the tracks would all reappear on the 12″ album version of Miles Davis Volume 2 (BLP 1502), alongside tracks from Davis’ first two Blue Note sessions. In the CD era all six tracks would be reassigned to the CD version of Miles Davis Volume 1.

Tracklist:
1. Take Off 03:39
2. It Never Entered My Mind 04:02
3. Well You Needn’t 05:23
4. Lazy Susan 04:02
5. Weirdo 04:44
6. The Leap 04:32

Personnel:
Miles Davis – trumpet
Horace Silver – piano
Percy Heath – bass
Art Blakey – drums

Download:

mqs.link_MilesDavisVlume3195419224.rar


Miles Davis –‘Round About Midnight (1957/2014) [Qobuz FLAC 24bit/96kHz]

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Miles Davis – ‘Round About Midnight (1957/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 00:39:22 minutes | 396 MB | Genre: Jazz
Studio Master, Official Digital Download  | Source: Qobuz | Artwork: Front Cover | © Columbia

‘Round About Midnight is an album by jazz musician Miles Davis. It was his debut on Columbia Records, and was originally released in March 1957 (CL 949). The album took its name from the Thelonious Monk song “‘Round Midnight”. Recording sessions took place at Columbia Studio D on October 26, 1955, and at Columbia’s 30th Street Studio on June 5 and September 10, 1956.

Although it had a lukewarm reception upon its release,  ’​Round About Midnight has since been regarded by critics as a masterpiece of the hard bop genre and one of the greatest jazz albums of all time.On April 17, 2001, Sony reissued the album for compact disc on its Columbia/Legacy label, which featured 24-bit remastering and included bonus tracks and master takes from the initial sessions. A further two-disc reissue, on June 14, 2005, featured the 2001 reissue and a second disc containing Davis’ 1955 Newport Jazz Festival performance of “‘Round Midnight”, along with a recording of the quintet’s set from the 1956 Pacific Jazz Festival.

Tracklist:

01. ‘Round Midnight
02. Ah-Leu-Cha
03. All Of You
04. Bye Bye Blackbird
05. Tadd’s Delight
06. Dear Old Stockholm

Download:
mqs.link_MilesDavisRundAbutMidnight2014FLAC24.rar

Miles Davis – The Last Word: The Warner Bros. Years (2015) [HDTracks FLAC 24bit/44,1kHz]

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Miles Davis – The Last Word: The Warner Bros. Years (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time – 6:57:17 minutes | 4,67 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: HDTracks | @ Rhino/Warner Bros.

8 disc set from Miles’ work in the 1980-1990s plus live performances. Newly remastered in 2015.

Disc 1 – Tutu
Disc 2 – Music From Siesta (With Marcus Miller)
Disc 3 – Amandla
Disc 4 – Dingo Original Soundtrack (With Michele Legrand)
Disc 5 – Doo Bop
Disc 6 – Miles & Quincy Live At Montreux
Disc 7 – Live Around The World
Disc 8 – Live Performance from Nice Festival, France

In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called Perfect Way after a tune by Scritti Politti, later renamed Tutu by producer Tommy LiPuma. When Tutu (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, fully remastered, from the Warner Bros studio albums Tutu, Amandla and Doo-Bop, the Dingo and Siesta soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.

Perhaps even more so than his ’70s fusion period, trumpeter Miles Davis’ recordings for Warner Bros. from the ’80s sharply divided audiences. If 1970’s Bitches Brew forced jazz fans to take sides in the debate over what qualifies as jazz, albums like 1986’s Tutu and 1989’s Amandla were dismissed outright by the jazz police as over-produced pop albums that bore little if any resemblance to Davis’ classic recordings of the ’50s and ’60s. Despite such backlash from the elite, Tutu earned Davis a Grammy Award, and his records from this era often sold better than his previous, more reverent albums. Long in gestation, the 2015 eight-disc Miles Davis box set The Last Word: The Warner Bros. Years brings together all of the albums the trumpeter recorded for Warner Bros. from 1986 to 1991, plus various live recordings. Originally planned for release as far back as 2001, issues with the Davis estate meant the collection went unreleased. Instead, the label released several similar collections, including 2010’s Perfect Way and 2011’s 1986-1991: The Warner Years. While those sets offered useful thumbnail-sketch versions of Davis’ career with Warner, they are not the complete picture that is The Last Word. Choosing for various reasons to part ways with his longtime label Columbia, Davis signed with Warner Bros. in 1985. Coming out of the tail end of his electric fusion period of the ’70s and early ’80s, Davis embarked on what would be his final creative period, recording and performing right up until his death in September 1991. A fruitful time for Davis, albums included here like Tutu, Amandla, and Doo-Bop found him utilizing modern technology such as computerized loops and overdubs. Working with a bevy of talented younger musicians including bassist Marcus Miller and guitarist John Scofield, Davis continued to embrace a cross-genre aesthetic, delving further into funk and hip-hop, and even collaborating with post-punk outfits like Scritti Politti (whose “Perfect Way” he covered on Tutu). Also included are Davis’ soundtracks for the films Siesta and Dingo, the latter of which found him reuniting with composer Michel Legrand. Davis’ Warner years also found him at the apex of his return to the stage, and to that end, this collection includes three discs of live recordings, the most notable being the storied 1991 Montreux concert with Quincy Jones in which he revisited his classic Gil Evans arrangements. Recorded months before his death, the Montreux concert impossibly brought Davis’ relentlessly forward-thinking career full circle. Ultimately, while Davis’ Warner years will probably never appeal to the jazz police, they reveal an artist who remained a maverick until the end.

Tracklist:

Disc 1 – Tutu
01 – Tutu
02 – Tomaas
03 – Portia
04 – Splatch
05 – Backyard Ritual
06 – Perfect Way
07 – Don’t Lose Your Mind
08 – Full Nelson

Disc 2 – Music From “Siesta” (With Marcus Miller)
01 – Lost In Madrid Part I
02 – Siesta – Kitt’s Kiss – Lost In Madrid Part II
03 – Theme For Augustine – Wind – Seduction – Kiss
04 – Submission
05 – Lost In Madrid Part III
06 – Conchita – Lament
07 – Lost In Madrid Part IV – Rat Dance – The Call
08 – Claire – Lost In Madrid Part V
09 – Afterglow
10 – Los Feliz

Disc 3 – Amandla
01 – Catembe
02 – Cobra
03 – Big Time
04 – Hannibal
05 – Jo-Jo
06 – Amandla
07 – Jilli
08 – Mr. Pastorius

Disc 4 – “Dingo” Original Soundtrack (With Michele Legrand)
01 – Kimberley Trumpet
02 – The Arrival
03 – Concert On The Runway
04 – The Departure
05 – Dingo Howl
06 – Letter As Hero
07 – Trumpet Cleaning
08 – The Dream
09 – Paris Walking II
10 – Paris Walking I
11 – Kimberly Trumpet In Paris
12 – The Music Room
13 – Club Entrance
14 – The Jam Session
15 – Going Home
16 – Surprise!

Disc 5 – Doo Bop
01 – Mystery
02 – The Doo-Bop Song
03 – Chocolate Chip
04 – High Speed Chase
05 – Blow
06 – Sonya
07 – Fantasy
08 – Duke Booty
09 – Mystery (Reprise)

Disc 6 – Miles & Quincy “Live At Montreux”
01 – Introduction By Claude Nobs And Quincy Jones (Live at Montreux)
02 – Boplicity (Live at Montreux)
03 – Introduction To Miles Ahead Medley (Live at Montreux)
04 – Springsville (Live at Montreux)
05 – Maids Of Cadiz (Live at Montreux)
06 – The Duke (Live at Montreux)
07 – My Ship (Live at Montreux)
08 – Miles Ahead (Live at Montreux)
09 – Blues For Pablo (Live at Montreux)
10 – Introduction To Porgy And Bess Medley (Live at Montreux)
11 – Orgone (Live at Montreux)
12 – Gone, Gone Gone (Live at Montreux)
13 – Summertime (Live at Montreux)
14 – Here Come De Honey Man (Live at Montreux)
15 – The Pan Piper (Live at Montreux)
16 – Solea (Live at Montreux)

Disc 7 – Live Around The World
01 – In A Silent Way (Live at Indigo Blues Club 12/17/1988, New York, NY 2nd Show)
02 – Intruder (Live at Indigo Blues Club, New York, NY 12/17/1988 2nd Show)
03 – New Blues (Live at Greek Theatre 8/14/1988 Los Angeles, CA)
04 – Human Nature (Live at Liebenauer Eishalle 11/1/1988 Graz, Austria)
05 – Mr. Pastorius (Live at Le Zenith – Domaine de Grammond 04/12/89 Montpelier, France)
06 – Amandla (Live at Pallazo Della Civita ‘The Steps’ Rome, Italy, 07/26/1989)
07 – Wrinkle (Live at Casino De Montreux, Montreux International Festival 07/20/90 Montreux, Switzerland)
08 – Tutu (Live at Casino De Montreux 07/20/90)
09 – Full Nelson (Live at Osaka Expo Live Under The Sky Festival, Tokyo, Japan 08/7/88)
10 – Time After Time (Live at Chicago Theatre – JVC Jazz Festival Chicago, IL 6/9/89)
11 – Hannibal (Live)

Live Performance from Nice Festival, France (July 1986)
01 – Opening Medley (‘Theme From Jack Johnson’ / ‘Speak’ / That’s What Happened’)( Live at Nice Festival, France, July 1986)
02 – New Blues (Live at Nice Festival, France, July 1986)
03 – The Maze (Live at Nice Festival, France, July 1986)
04 – Human Nature (Live at Nice Festival, France, July 1986)
05 – Portia (Live from Nice Festival, France, July 1986)
06 – Splatch (Live at Nice Festival, France, July 1986)
07 – Time After Time (Live at Nice Festival, France, July 1986)
08 – Carnival Time (Live at Nice Festival, France, July 1986)

Download:

mqs.link_MilesDavisTheLastWrdTheWarnerBrs.Years2015HDTracks24441.part1.rar
mqs.link_MilesDavisTheLastWrdTheWarnerBrs.Years2015HDTracks24441.part2.rar
mqs.link_MilesDavisTheLastWrdTheWarnerBrs.Years2015HDTracks24441.part3.rar
mqs.link_MilesDavisTheLastWrdTheWarnerBrs.Years2015HDTracks24441.part4.rar
mqs.link_MilesDavisTheLastWrdTheWarnerBrs.Years2015HDTracks24441.part5.rar

Miles Davis – Tutu (1986/2011) [HDTracks FLAC 24bit/192kHz]

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Miles Davis – Tutu (1986/2011)
FLAC (tracks) 24 bit/192 kHz | Time – 42:47 minutes | 1,75 GB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | Front cover

One of Miles Davis’ late career-defining masterworks and the winner of two Grammy® Awards, Tutu found Davis again revolutionizing jazz by bringing it further into the realm of rock, funk, and R&B. The album features compositions by multiple Grammy winning bassist/songwriter Marcus Miller.

The controversial but memorable Tutu is mostly a duet between Miles Davis and the many overdubbed instruments of producer Marcus Miller (although violinist Michal Urbaniak, percussionist Paulinho da Costa, and keyboardist George Duke are among the other musicians making brief apperaances). Certainly the results are not all that spontaneous, but Davis is in top form and some of the selections (most notably the title cut) are quite memorable.

Tracklist:
01 – Tutu
02 – Tomaas
03 – Portia
04 – Splatch
05 – Backyard Ritual
06 – Perfect Way
07 – Don’t Lose Your Mind
08 – Full Nelson

Download:

mqs.link_MilesDavisTutu19862011HDTracks24192.part1.rar
mqs.link_MilesDavisTutu19862011HDTracks24192.part2.rar

Miles Davis – Workin’ With The Miles Davis Quintet (1959/2016) [PonoMusic FLAC 24bit/192kHz]

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Miles Davis – Workin’ With The Miles Davis Quintet (1959/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 42:17 minutes | 1,93 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: Pono Music | @ Concord Music / Universal Music

Trumpeter Miles Davis led several sessions for Prestige Records between November 1955 and October 1956 with his legendary “first” quintet, featuring tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones. The sessions represent an incomparable musical legacy. Impeccably engineered by Rudy Van Gelder, the music was released on five albums that provide a unique glimpse at how five brilliant instrumentalists coalesced into one of the most extraordinary ensembles in modern jazz. Workin’ presents an easygoing program that balances ballads with the blues and includes quintet performances of originals by Davis (“Four,” “Half Nelson”), Coltrane (“Trane’s Blues”), and Dave Brubeck (“In Your Own Sweet Way”); an interpretation of the standard “It Never Entered My Mind” without saxophone; and a piano-trio version of Ahmad Jamal’s “Ahmad’s Blues.” Coltrane’s melancholy solo on Brubeck’s tune and Garland’s spry excursion on Coltrane’s are two of this classic’s many highlights.

Workin’ is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin’ and Relaxin’, Workin’ is the product of not one – as mythology would claim – but two massively productive recording sessions in May and October of 1956, respectively. Contradicting the standard methodology of preparing fresh material for upcoming albums, Davis and company used their far more intimate knowledge of the tunes the quintet was performing live to inform their studio recordings. As was often the case with Davis, the antithesis of the norm is the rule. Armed with some staggering original compositions, pop standards, show tunes, and the occasional jazz cover, Workin’ is the quintessence of group participation. Davis, as well as Coltrane, actually contributes compositions as well as mesmerizing performances to the album. The band’s interaction on “Four” extends the assertion that suggests this quintet plays with the consistency of a single, albeit ten-armed, musician. One needs listen no further than the stream of solos from Davis, Coltrane, Garland, and Jones, with Paul Chambers chasing along with his rhythmic metronome. Beneath the smouldering bop of “Trane’s Blues” are some challenging chord progressions that are tossed from musician to musician with deceptive ease. Chambers’ solo stands as one of his defining contributions to this band. In sly acknowledgement to the live shows from which these studio recording sessions were inspired, Davis concludes both sets (read: album sides) with “The Theme” – a brief and mostly improvised tune – indicating to patrons that the tab must be settled. In this case, settling the tab might include checking out Steamin’, the final Miles Davis Quintet recording to have been culled from these historic sessions.

Tracklist:
01 – It Never Entered My Mind
02 – Four
03 – In Your Own Sweet Way
04 – The Theme
05 – Trane’s Blues
06 – Ahmad’s Blues
07 – Half Nelson
08 – The Theme (Take 2)

Produced by Bob Weinstock.
Recorded on May 11 and October 26, 1956 at Rudy Van Gelder Studio, Hackensack, NJ.
All tracks recorded on May 11, 1956, except “Half Nelson”, recorded on October 26.

Musicians:
Miles Davis – trumpet
John Coltrane – tenor saxophone
Red Garland – piano
Paul Chambers – bass, cello
Philly Joe Jones – drums

Download:

mqs.link_MilesDavisWrkinWithTheMilesDavisQuintet19592016Pn24192.part1.rar
mqs.link_MilesDavisWrkinWithTheMilesDavisQuintet19592016Pn24192.part2.rar
mqs.link_MilesDavisWrkinWithTheMilesDavisQuintet19592016Pn24192.part3.rar

Robert Glasper & Miles Davis – Everything’s Beautiful (2016) [Qobuz FLAC 24bit/44,1kHz]

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Robert Glasper & Miles Davis – Everything’s Beautiful (2016)
FLAC (tracks) 24-bit/44,1 kHz | Time – 47:04 minutes | 502 MB | Genre: Jazz
Studio Master, Official Digital Download – Source: Q0buz | Artwork: Front cover | © Columbia – Legacy

Everything’s Beautiful brings Miles Davis’ sound into the 21st century, blending a diverse group of master takes and outtakes from across Miles’ incredible tenure with Columbia Records (1955-1985) with original reinterpretations. Robert Glasper produced the collaboration. “I didn’t want to do just a remix record,” Glasper noted when discussing the 11-song set. “My idea was to show how Miles inspired people to make new art”. Knowing that “Miles didn’t have one audience,” Glasper recruited a legion of diverse guest artists to add to the magic of the project including familiar collaborators like R&B musicians Erykah Badu, Ledisi, Bilal and KING. They are joined by British soul singer-songwriter Laura Mvula; hip-hop producer Rashad Smith; Grammy-nominated Australian neo-soul quartet Hiatus Kaiyote, rapper/producer Illa J; jazz guitarist John Scofield, who collaborated with Davis; and the legendary Stevie Wonder.

Everything’s Beautiful isn’t quite a tribute or a remix project. It’s not a collaboration between Miles Davis and Robert Glasper, as it is billed. On the surface, from a stylistic standpoint and in terms of personnel, it is closer to a sequel to Black Radio Recovered. Predominantly relaxed and rather ethereal, richly layered yet not quite psychedelic, and rhythmically hip-hop more than anything else, the two releases feature much of the same production and vocal lineup, including Glasper and partner Jewels, Georgia Anne Muldrow, 9th Wonder, and Bilal and Phonte. Likenesses to Black Radio Recovered notwithstanding, this should be taken on its on own terms. Issued the day after Davis would have turned 90, less than two months after the release of Don Cheadle’s Miles Ahead – for which Glasper co-produced the soundtrack and provided the score – Everything’s Beautiful was marketed as “reimagined interpretations.” Sony’s catalog division had sought Glasper for remixes, but the keyboardist countered with the concept of making new material out of Davis’ multi-track Columbia recordings. He and his extended cast of associates were granted access to all of it, even studio chatter, amusingly laced through “Talking Shit,” an intro sourced from sessions for three LPs. Glasper plays on five cuts, soloing only on the animated Muldrow collaboration “Milestones.” Among the remaining six are essentially new recordings by Hiatus Kaiyote, King, and Ledisi with 1982-1985 Davis guitarist John Scofield, some of which don’t involve Glasper on production, either. Bill Evans’ piano from “Blue in Green,” as heard on 9th Wonder and Phonte’s “Violets,” and Davis’ trumpet from “Maiysha,” are among the more familiar elements. The latter arrives during Erykah Badu’s bossa nova vocalese version of the same-titled song, one of the album’s most creative moments. At times, Davis’ presence is inconspicuous. There’s only one instance, where a typically raspy exclamation is repetitiously inserted hype-man (Sen Dog) style, where it’s truly jarring. Considering the disparate source material and the quantity of vocalists, instrumentalists, and producers involved, it’s remarkable how smoothly the album flows from one track to the next. Unsurprisingly, it’s most appealing to fans of Glasper and those he involved. As the keyboardist states in the liner notes, “To me, the best way to show gratitude is to show how you’ve been inspired by someone: ‘Hey man, I wrote this song because of you!’ Not, ‘Hey, I’m playing your tune.’

Tracklist:
01 – Talking Shit
02 – Ghetto Walkin’ (feat. Bilal)
03 – They Can’t Hold Me Down (feat. Illa J)
04 – Maiysha (So Long) (feat. Erykah Badu)
05 – Violets (feat. Phonte)
06 – Little Church (feat. Hiatus Kaiyote)
07 – Silence Is The Way (feat. Laura Mvula)
08 – Song For Selim (feat. KING)
09 – Milestones (feat. Georgia Anne Muldrow)
10 – I’m Leaving You (feat. John Scofield & Ledisi)
11 – Right On Brotha (feat. Stevie Wonder)

Download:

mqs.link_RbertGlasperMilesDavisEverythingsBeautiful2016Qbuz24441.rar

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