MQS Albums Download

レーベル Sony Music Labels Inc.
配信開始日 2018.08.08
収録曲数全2曲
収録時間 08:20
サイズ合計 140.6MB
販売データハイレゾ｜FLAC｜48.0kHz/24bit

https://mora.jp/package/43000001/4547366373875/

2018年5月にデビューした元Galileo Galileiメンバーによる新バンド”Bird Bear Hare and Fish”。バンドサウンドが炸裂するロックナンバーの第2弾シングルは、人気アニメ『BORUTO-ボルト- -NARUTO NEXT GENERATIONS-』の7月クールエンディング・テーマ。

収録内容

1. ライカ
2. ロックフェス

Download:

mqs.link_BirdBearHareandFish20180808WEB24bitFLAC.rar

レーベルポニーキャニオン
配信開始日 2016.11.30
収録曲数全4曲
収録時間 17:37
サイズ合計 297.3MB
販売データハイレゾ｜FLAC｜48.0kHz/24bit

https://mora.jp/package/43000004/PCCG-70338_F/

TVアニメ『SHOW BY ROCK!!』シリーズに2期より初登場するバンド”BUD VIRGIN LOGIC”のシングルが発売！第1話挿入歌「x旋律-Schlehit Melodie-」と第9話挿入歌「断罪のソリテュード」を同時収録！！

【タイアップ】
TVアニメ『SHOW BY ROCK!!#』挿入歌

収録曲

M１．×旋律-Schlehit Melodie-
[作詞/作曲/編曲：マチゲリータ]
M２．断罪のソリテュード
[作詞/作曲/編曲：マチゲリータ]
M３．×旋律-Schlehit Melodie- (Instrumental)
M４．断罪のソリテュード(Instrumental)

Download:

mqs.link_BudVirginLgicxSchlehitMeldie48kHz24bitFLAC.rar

レーベル Music Ray’n Inc.
配信開始日 2018.08.08
収録曲数全4曲
収録時間 18:44
サイズ合計 632.3MB
販売データハイレゾ｜FLAC｜96.0kHz/24bit

https://mora.jp/package/43000001/4580163599383/

「銀魂（第3期）」オープニングテーマ「プライド革命」から3年、
「銀魂～よりぬけ！銀魂さん～」オープニングテーマ「今日もサクラ舞う暁に」から 1年3ヵ月、
CHiCO with HoneyWorksが「銀魂」に、またまた帰ってきた！
今回は2018/7/8(日）スタートの「銀魂」銀ノ魂篇のエンディングテーマ。

【タイアップ】
TVアニメ「銀魂」銀ノ魂篇EDテーマ

収録内容

1. ヒカリ証明論 (04:34)
2. サイダー (04:49)
3. ヒカリ証明論 -instrumental- (04:34)
4. サイダー -instrumental- (04:47)

Download:

mqs.link_CHiCwithHneyWrks20180808WEB24bitFLAC.rar

生活需要溫故而知新，同時也需要不斷更新。老歌新唱，態度延續，融入新歌，不斷超越，這是黃旭送給大家的“黃金”，也期望它能成為讓每位聽者都能從中汲取養分的《黃金》。

人生走過的每個階段有不同的痕跡，然而每一次重新走過都是對痕跡的再次重塑，再次完善。每首歌也是一樣的，每一次創作都是靈感的迸發，每一次重新編曲都是對於靈感迸發的再次詮釋。不忘往昔，尊重每一首曾的演唱過的作品，尊重每一位曾並肩過的人，尊重每一次寫滿了故事的曾經。

《黃金》這張專輯收錄了送給兄弟的《天堂來信》，超強態度感的《強你好幾倍》，老歌新唱，人生的每個階段都應該有新的感悟。
同時也加入了黃旭全新創作的新歌《New K》，要成為不斷超越自己的歌者，要成為自己的New K。

Tracklist:
01. 天堂来信
02. 强你好几倍
03. 你不知道我的名字
04. 我想要
05. 逍遥
06. 二十四
07. 第四回合
08. 爸爸妈妈真心话
09. New K

Download:

mqs.link_BMGld201824bitWEBFLAC.rar

Tracklist
1. We Go Loud (2:51) *Title

Total length: 2:51

Download:

mqs.link_ClarityWeGLudSingle201824bitWEBFLAC.rar

レーベル Mono Creation
配信開始日 2018.03.21
収録曲数全12曲
収録時間 52:37
サイズ合計 1.7GB
販売データハイレゾ｜FLAC｜96.0kHz/24bit

https://mora.jp/package/43000033/A63250/

トラックメイカー / DJとして静岡を拠点に活動するDJ OKAWARIと、ピアニストとしての顔も持つヴォーカリスト / コンポーザーのEmily Styler（エミリー・スタイラー）による初のコラボレーション・アルバム『Restore（レストア）』が「Mono Creation（モノ・クリエーション）」レーベルからリリース。

収録内容

01. Your Love
02. All I Need
03. I’m With You
04. Engage Ring
05. Move It
06. Red Lipstick
07. Flower Dance, Pt. 2
08. Emotions Swim Inside
09. Over the Rain
10. Feel Alive
11. Another Starlight
12. Last Romance

Download:

mqs.link_DJKAWARIEmilyStyler2018.03.21Restre24bitWEB.part1.rar
mqs.link_DJKAWARIEmilyStyler2018.03.21Restre24bitWEB.part2.rar

Tracklist
1. LOVE BOMB (3:19) *Title
2. DANCING QUEEN (3:25)
3. 물들어 (3:36)
4. 두근두근 (DKDK) (From.9 Ver.) (CD Only)
5. 22세기 소녀 (From.9 Ver.) (CD Only)

Total length: 10:20

Download:

mqs.link_frmis9Frm.92018FLAC24bit48kHz.rar

Tracklist
1. I4P.KR (Prod. By 바이빈) (3:32)
2. 키보드 (Prod. By Hansen) (3:32) *Title
3. 키스 (Prod. By taalthechoi) (Feat. 염따) (3:13)
4. hook송 (Prod. By sec paul) (3:22)
5. Skyblue (Prod. By 기리보이) (Feat. The Quiett, BewhY) (3:48) *Title
6. acrnm (Prod. By 기리보이) (Feat. Goretexx) (3:04)
7. vr (Prod. By Coa White) (Feat. JUSTHIS, 스윙스) (3:27)
8. www (Prod. By 기리보이) (1:27)
9. I4P.KR (Prod. By 바이빈) (Inst.) (CD Only)
10. 키보드 (Prod. By Hansen) (Inst.) (CD Only)
11. 키스 (Prod. By taalthechoi) (Inst.) (CD Only)
12. hook송 (Prod. By sec paul) (Inst.) (CD Only)
13. Skyblue (Prod. By 기리보이) (Inst.) (CD Only)
14. acrnm (Prod. By 기리보이) (Inst.) (CD Only)
15. vr (Prod. By Coa White) (Inst.) (CD Only)

Total length: 25:25

Download:

mqs.link_GIRIBYScienceFictinMusic201824bitWEBFLAC.rar

Adela Dalto has been immersed in the highest levels of creative Latin and Brazilian music and has mixed the sophisticated elements of this music with American jazz. Her Latin Jazz repertoire also includes her original compositions, combining beautiful vocal sounds with fiery rhythms. As a Latin Jazz vocalist, recording artist and songwriter, with a successful career that spans over 30 years, her performance has been described as “A sublime melding of Latin and jazz styles – Dalto is sensuous and spellbinding”.

The sister of late Latin jazz pianist Jorge Dalto, Adela Dalto has claimed her own ground as a powerful R&B and jazz vocalist. Having honed her skills through years of performing in small New York clubs, her rise to international stardom was boosted by her involvement with her brother’s group, the InterAmerican Band. She was featured soloist on the tune, “Ease My Pain”, from the group’s 1985 album, Urban Oasis. One of her first performances was as a backup singer for Celia Cruz, and she has since performed with some of the top Latin Jazz artists including Arturo O’Farrell, Mario Bauza’s Afro Cuban Jazz Orchestra and Carlos “Patao” Valdez. Her recordings include world class musicians such as Chucho Valdez, David Sanchez, Jerry Gonzalez, David Valentin, Ray Vega and Claudio Roditi. She has collaborated on albums with Mario Bauzá, Lee Konitz, and Aloisio Aguiar. She has performed around the world with her musical group including the U.S., Latin America, the Caribbean, Europe, Japan, China, Indonesia and Egypt.

Tracklist:
01. Blue For You (Instrumentally known as “Blue Bossa”)
02. Freedom Jazz Dance
03. A Brazilian Affair
04. Into The Night
05. Emorio
06. Love Me With Your Heart
07. Una Manana (Morning)
08. I’ll Remember Your Name
09. The Days of Wine and Roses
10. Agua De Beber (Water To Drink)
11. Summertime

Produced by Aloisio Aguiar & Tetsuo Hara. Engineered by Jon Fausty.
Recorded in September 1994 at Variety Studios and Nola Studio in New York.
Mixed & Mastered by Tetsuo Hara. Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-292.

Personnel
Adela Dalto, vocals
Aloisio Aguiar, piano, keyboards
Romero Lubambo, guitar
Sergio Brandao, bass
Nilson Matta, bass
Ricky Sebastian, drums
Portinho, drums
Dick Oates, sax
Tom Malone, trombone
Sergio Brandao, cavaquinho
Jerry Gonzalez, trumpet
Charlie Sepulveda, flugelhorn
Cafe, percussion
Charles Negrita, percussion
Frank Colon, percussion
Jerry Gonzalez, percussion
Nicky Marrero, percussion

SACD ISO

mqs.link_AdelaDaltBlueBssa1994Japan2018SACDIS.part1.rar
mqs.link_AdelaDaltBlueBssa1994Japan2018SACDIS.part2.rar
mqs.link_AdelaDaltBlueBssa1994Japan2018SACDIS.part3.rar

FLAC 24bit/48kHz

mqs.link_AdelaDaltBlueBssa1994Japan2018FLAC2448.rar

Italian pianist Andrea Pozza admires Wynton Kelly, Hampton Hawes and Red Garland, and his straight-ahead style reflects their influences as well as his own touches of lyricism and sophisticated harmonies. The Japanese label Venus Records is known for finding talent early, and this 2005 recording and his debut CD for the label (reissued here as a deluxe gate-fold paper sleeve edition) is a great example, as Pozza had recorded only one previous album as a leader before this one. Playing a collection of well-known standards, this album served as a perfect introduction of his piano style to the Japanese audience who since then has come to regard Pozza as one of the top Italian jazz pianists. A strong and thrilling piano trio album.

Andrea Pozza is one of the most promising jazz pianists of his generation to emerge on the European scene. On these sessions, he is accompanied by bassist Luciano Milanese and drummer Stefano Bagnoli, both of whom are first-call players for Italian record dates. Producer Tetsuo Hara has a strong preference for a heavy dose of standards, and Pozza doesn’t disappoint, starting with a tense yet swinging take of “Yesterdays.” “Sweet Lorraine” is inevitably compared to landmark versions by Nat King Cole or Art Tatum; Pozza’s lyrical arrangement doesn’t have a vocal nor fireworks at the keyboard, it is just a solid, swinging effort that gradually gathers steam, with a strong solo by Milanese as well. The pianist also has a gift for ballads, opening Duke Ellington’s bittersweet “All Too Soon” unaccompanied while utilizing the sustain pedal extensively until his sidemen join him. He omits the verse to “Poor Butterfly,” opting to pick up the tempo a bit more than most interpreters. There is one relative obscurity present: Billy Strayhorn’s gorgeous ballad “Orson,” a dreamy solo feature for Pozza. Recommended.

Tracklist:
01. Yeaterdays
02. I Love You
03. Sweet Lorraine
04. Alone Together
05. All Too Soon
06. Crazy He Calls Me
07. If I Should Lose You
08. If I Had You
09. I’ll Be Seeing You
10. I Want To Be Happy
11. Orson
12. Poor Butterfly

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Benedict Frassinelli.
Recorded on January 20 & 21, 2005 at Mondial Sound in Milano, Italy.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-271.

Personnel
Andrea Pozza – piano
Luciano Milanese – bass
Stefano Bagnoli – drums

SACD ISO

mqs.link_AndreaPzzaTriSweetLrraine2005Japan2018SACDIS.part1.rar
mqs.link_AndreaPzzaTriSweetLrraine2005Japan2018SACDIS.part2.rar
mqs.link_AndreaPzzaTriSweetLrraine2005Japan2018SACDIS.part3.rar

FLAC 24bit/88,2kHz

mqs.link_AndreaPzzaTriSweetLrraine2005Japan2018FLAC2488.2.part1.rar
mqs.link_AndreaPzzaTriSweetLrraine2005Japan2018FLAC2488.2.part2.rar

Anna Kolchina’s mellow seductive voice has been heard around the world. Born in the Russian Republic of Bashkortostan and a graduate of the St.Petersburg State University of Cultural Arts, Anna has since performed and recorded with world class musicians from Russia, Europe and USA. In 2015, Anna’s debut album Street of Dreams was recorded with the world famous Italian jazz pianist Massimo Farao’s trio in Turin, Italy. In 2016, Anna released her sophomore record with Venus Records, Dark Eyes. Wild Is The Wind is Anna’s third record with Venus, recorded in New York with an all star band featuring John Di Martino on piano, Peter Washington on bass and Willie Jones III on drums.

Anna Kolchina’s Wild is the Wind is a masterclass in ensemble performance. Backed by pianist John di Martino, bassist Peter Washington, and drummer Willie Jones, Kolchina is more an equal quartet member than a singer backed by a trio. This is experienced immediately on the title piece, where Kolchina’s delicately-played voice peeks out from behind Washington’s gentle bass playing as it directs the remainder of the arrangement. It is a stunningly organic musical effect that increases the intimacy of the performance greatly. This approach characterizes the remaining tunes, all “standards” to one degree or another. The engineering captures the music three-dimensionally, where the listener can almost walk among the musicians as they perform.

Another element to note about this recording is its programing. The album is made up of 14 love songs… all kinds of love songs. On one hand there is the tentative cynicism introducing “You Do Something To Me,” and maturing in “So In Love,” while a completely different love aspect is studied in the loss-lessening “Don’t Look Back,” “It Never Was You,” and “You Can Have Him.” In all the different settings, Kolchina uses her refined, yet street-smart voice to finely hone the song she is presenting. The totality of approach on Wild is the Wind makes it an event in itself. While Kolchina’s voice is less than perfect, it is perfect in that her vocals betray a knowing and aware character not afraid to show its wounds in its vulnerability, while telegraphing a warning to the listener that it has been all places and knows all things.

Tracklist:
01. Wild Is The Wind
02. So In Love
03. You Do Something To Me
04. Don’t Worry’bout Me
05. You Won’t Forget Me
06. Don’t Look Back
07. Exactly Like You
08. I Never Told You
09. With A Song In My Heart
10. It Never Was You
11. A Fine Romance
12. You Can Have Him
13. Day By Day
14. A Sinner Kissed An Angel

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Tom Tedesco.
Recorded on September 12-14, 2017 at Tedesco Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-267.

Personnel
Anna Kolchina – vocals
John Di Martino – piano
Peter Washington – bass
Willie Jones – drums

SACD ISO

mqs.link_AnnaKlchinaWildIsTheWind2017Japan2018SACDIS.part1.rar
mqs.link_AnnaKlchinaWildIsTheWind2017Japan2018SACDIS.part2.rar
mqs.link_AnnaKlchinaWildIsTheWind2017Japan2018SACDIS.part3.rar

FLAC 24bit/88,2kHz

mqs.link_AnnaKlchinaWildIsTheWind2017Japan2018FLAC2488.2.part1.rar
mqs.link_AnnaKlchinaWildIsTheWind2017Japan2018FLAC2488.2.part2.rar

Arnett Cleophus Cobb was an American jazz tenor saxophonist, sometimes known as the “Wild Man of the Tenor Sax” because of his uninhibited stomping style. His album, Party Time, has been recorded in 1959 for the Prestige label. This release is a part of the ultimate audiophile Prestige stereo reissues from Analogue Productions – 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made.

Tenor saxophonist Arnett Cobb, who was inactive between 1957 and 1958 due to a serious auto accident, recorded three strong albums for Prestige during the first half of 1959. This album is the only one of the trio that features Cobb as the only horn and backed by a pianist (Ray Bryant) instead of an organ player. With bassist Wendell Marshall, drummer Art Taylor and Ray Barretto on conga completing the group, most of the focus is on Cobb’s tough yet flexible tenor. Such songs as “When My Dreamboat Comes Home,” “Blues in the Closet” and a remake of “Flying Home” make this the definitive Arnett Cobb album from the era. Highly recommended.

Tracklist:
01. When My Dreamboat Comes Home
02. Lonesome Road
03. Blues in the Closet
04. Party Time
05. Flying Home
06. The Slow Poke
07. Cocktails for Two

Recorded on May 14, 1959 at Van Gelder Studio, Hackensack, NJ.
Mastered from the original analog master tapes by Kevin Gray.

Personnel
Arnett Cobb – tenor saxophone
Ray Bryant – piano
Wendell Marshall – bass
Art Taylor – drums
Ray Barretto – congas

SACD ISO

mqs.link_ArnettCbbPartyTime1959APRemaster2018SACDIS.part1.rar
mqs.link_ArnettCbbPartyTime1959APRemaster2018SACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_ArnettCbbPartyTime1959APRemaster2018FLAC2488.rar

Nominated as ‘Album of the Year’ in the 2008 BBC Jazz Awards, and as ‘Best Ensemble’ in the UK Parliamentary Jazz Awards, this debut album from Arnie Somogyi’s Ambulance immediately caught the jazz world’s attention. The album features five of the UK’s most exciting young jazz musicians, in collaboration with U.S. jazz legend, trumpeter Eddie Henderson. The majority of ‘Accident and Insurgency’ was completed during one four-hour live session thus capturing the essence and live energy of the band. Tracks combine traditional jazz instruments and improvisation as well as modern electronic techniques and soundscapes of local noises creating a new innovative sound.

Classy UK bassist Somogyi’s Ambulance quintet is currently touring with the gleaming sound of the American former Herbie Hancock trumpeter Eddie Henderson in its front line. But the repertoire on this CD comes from a series of workshop improvisations supported by Aldeburgh’s Snape Maltings in 2006. The area’s flatlands and seascapes are strongly evoked by the tidal cymbal washes, occasional birdsong electronics, and trickling piano atmospherics (pianist Tim Lapthorn and tenor saxist Paul Booth both establish a strong presence), but there’s also plenty of forceful jazz grooving, with Henderson’s sound keeping its lustre and poise over the band’s trickiest time-signature challenges. Herbie Hancock’s 1970s Mwandishi sextet exerts a subtle influence on the tone colours (Henderson played in it, and Somogyi loves it), and the drifting Tumbledown brings out the trumpeter’s Miles Davis-like muted tenderness. The slow-Latin Solace and the shimmery Ellingtonesque Adrift tread water a little, but for the most part it’s elegant writing hitched to imaginative improvising.

Tracklist:
01. Walking Wounded
02. Mick the Fish
03. Captain Courageous
04. Tumbledown
05. Lobster Pot 999
06. Don’t Improvise
07. Solace
08. Serenity
09. Adrift
10. Sirenity (aka deaf on arrival)
11. Broadside

Produced by Arnie Somogyi. Engineered by Paul Madden.
Recorded at Intimate Studios London, on May 9 & September 6, 2007.
Edited By Rob Townsend at Mutant Studios, Watford.
Mixed and Mastered by Andrew Tulloch at The Blue Studio, London.

Personnel
Arnie Somogyi – double bass
Eddie Henderson – trumpet, flugelhorn
Paul Booth – tenor saxophone, soprano saxophone, bass clarinet
Tim Lapthorn – piano, fender rhodes, melodica
Dave Smith – drums
Rob Townsend – tenor saxophone, soprano saxophone, alto flute
Mick Lawson – vocals

SACD ISO

mqs.link_ArnieSmgyisAmbulanceAccidentAndInsurgency2007SACDIS.part1.rar
mqs.link_ArnieSmgyisAmbulanceAccidentAndInsurgency2007SACDIS.part2.rar
mqs.link_ArnieSmgyisAmbulanceAccidentAndInsurgency2007SACDIS.part3.rar
mqs.link_ArnieSmgyisAmbulanceAccidentAndInsurgency2007SACDIS.part4.rar

FLAC 24bit/88,2kHz

mqs.link_ArnieSmgyisAmbulanceAccidentAndInsurgency2007FLACStere2488.part1.rar
mqs.link_ArnieSmgyisAmbulanceAccidentAndInsurgency2007FLACStere2488.part2.rar

Art Blakey led many editions of his Jazz Messengers over more than three decades, but a strong argument can be made that the Messengers of his Riverside period constituted his strongest unit. With Freddie Hubbard, Wayne Shorter, and Curtis Fuller in the front line, with Cedar Walton and Reggie Workman as Blakey’s rhythm-section mates, its combination of musicianship and sheer swinging force has rarely been equaled in a small band. Caravan was the first of Blakey’s Riverside albums and endures as a living monument to his nonpareil drumming and leadership. His solo on the title tune is one of the finest recorded examples of Blakey’s unique melding of precision and power. Hubbard and Shorter contributed memorable compositions and, with Fuller and Walton, some of the greatest soloing of the 1960s. Caravan rolls again in the full color and range of SACD sound.

By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years. The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who’s who of 20th century jazz. On Caravan – his first of several notable sides for the venerable label – he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn’t sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards “Skylark” and “In the Wee Small Hours of the Morning” likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard – which make up half of the album’s material. The title and leadoff track liquefies Duke Ellington’s original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard’s first solo harks back to his own recording of “Caravan,” which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax). Blow for blow, however, this reading has more than just an edge – it possesses the entire blade. The melody snakes in and out of Blakey’s strident flurry of syncopation. Another highlight is Shorter’s interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis’ coterie. Among the original compositions, Shorter’s upbeat “Sweet ‘n’ Sour” stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively “This Is for Albert” as well. By contrast, Hubbard’s “Thermo” is more angular – taking full advantage of the musicians’ aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of “Sweet ‘n’ Sour” and take two of “Thermo.” This release can be considered definitive Blakey, bop, and Jazz Messengers.

Tracklist:
01. Caravan
02. Sweet ‘n’ Sour (take 4)
03. Sweet ‘n’ Sour
04. (In the) Wee Small Hours (Of the Morning)
05. This Is For Albert
06. Skylark
07. Thermo (take 2)
08. Thermo

Recorded on October 23 & 24, 1962 at Plaza Sound Studios, New York City.
Tracks “2 & 7” not on original LP release.

Personnel
Art Blakey – drums
Wayne Shorter – tenor saxophone
Freddie Hubbard – trumpet
Curtis Fuller – trombone
Cedar Walton – piano
Reggie Workman – bass

SACD ISO

mqs.link_ArtBlakeyTheJazzMessengersCaravan1963Reissue2004SACDIS.rar

FLAC 24bit/96kHz

mqs.link_ArtBlakeyTheJazzMessengersCaravan1963Reissue2004FLAC2496.part1.rar
mqs.link_ArtBlakeyTheJazzMessengersCaravan1963Reissue2004FLAC2496.part2.rar

Angel Clare is the debut solo studio album by Art Garfunkel, released on September 11, 1973. It is his highest charting solo album, peaking at number 5 and contains his only Top 10 hit in the US, “All I Know” which peaked at number 9. It also contained two other Top 40 hits, “Traveling Boy” (#102 Bubbling under the Hot 100, #38 Adult Contemporary) and “I Shall Sing” (#38 Hot 100, #4 Adult Contemporary). It was produced by long-time Simon & Garfunkel producer Roy Halee, alongside Art Garfunkel. The title, Angel Clare, comes from the name of a character in Thomas Hardy’s novel, Tess of the d’Urbervilles.

Garfunkel (he was billed without his first name here) had a lot riding on his debut solo album, and Angel Clare, named after a character in Thomas Hardy’s novel Tess of the d’Urbervilles, lived up to the heightened expectations for the man who had sung “Bridge Over Troubled Water” and other Simon & Garfunkel favorites. Garfunkel took no chances, issuing as the first single Jimmy Webb’s “All I Know,” which was arranged in a similar style to “Bridge” and made the Top Ten. Elsewhere on the record, Garfunkel took a more spirited approach, notably on a version of Van Morrison’s “I Shall Sing” that was reminiscent of Simon & Garfunkel’s “Cecilia” and made the Top 40. Certainly, there was enough firepower on the record, which featured guitarists Jerry Garcia and J.J. Cale. But much of it was filled with stately, orchestra-laden ballads, sung by Garfunkel in his naïve, breathy tenor. If Simon & Garfunkel had been the thinking man’s Everly Brothers, Garfunkel alone turned out to be the thinking man’s Johnny Mathis.

Tracklist:
01. Traveling Boy
02. Down in the Willow Garden
03. I Shall Sing
04. Old Man
05. Feuilles Oh Do Space Men Pass
06. All I Know
07. Mary Was an Only Child
08. Woyaya
09. Barbara Allen
10. Another Lullaby

Personnel
Art Garfunkel (vocals)
Larry Knechtel, Michael Omartian (keyboards)
Louie Shelton, Larry Carlton, Dean Parks (guitars)
Joe Osborn (bass)
Hal Blaine, Jim Gordon (drums)

Other musicians:
J. J. Cale, Fred Carter, Jerry Garcia, Paul Simon (guitars)
Carl Radle (bass)
Tommy Tedesco (mandolin/bouzouki)
Jules Broussard, Jack Schroer (saxophones)
Jorge Milchberg (charango)
Stuart Canin (violin)
Milt Holland (percussion)
Dorothy Morrison, Sally Stevens, Jackie Ward & St. Mary’s Choir (vocals)

Remastered from the Original Master tapes by Michael J. Dutton.

SACD ISO

mqs.link_ArtGarfunkelAngelClare1973Reissue2018SACDIS.part1.rar
mqs.link_ArtGarfunkelAngelClare1973Reissue2018SACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_ArtGarfunkelAngelClare1973Reissue2018FLACStere2488.2.rar

Breakaway is the second solo studio album by Art Garfunkel. It was released in 1975 on Columbia Records. It was produced by Richard Perry who has produced albums for other artists such as Carly Simon. It includes three Top 40 singles: “I Only Have Eyes for You” (US #18, UK #1), “Break Away” (US #39) and the Simon And Garfunkel reunion duet, “My Little Town” which peaked at #9. “I Only Have Eyes For You” is noted also for being Garfunkel’s first #1 single in the UK. Breakaway has proven to be Garfunkel’s most successful solo album; although only peaking at number 9 in the United States, which was lower than his first album Angel Clare (US #5), it has been certified platinum by RIAA.

The second time around, Art Garfunkel turned to pop producer Richard Perry, who liked to record in studios rather than cathedrals and who replaced the angelic style of the first album with a lush pop approach. The result was Garfunkel’s best-selling album. The title track and a cover of “I Only Have Eyes for You” reached the Top 40 (the latter topped the U.K. charts), though the most prominent song was the Simon & Garfunkel reunion single “My Little Town.” But the album was full of wise pop choices, among them Bruce Johnston’s “Disney Girls,” Stevie Wonder’s “I Believe (When I Fall in Love It Will Be Forever),” and Hal David and Albert Hammond’s “1199 Miles from L.A.” Perry proved that, given the right material and production, the problem of the relative sameness of Garfunkel’s vocal approach could be overcome.

Tracklist:
01. I Believe When I Fall in Love it Will Be Forever
02. Rag Doll
03. Breakaway
04. Disney Girls
05. Waters of March
06. My Little Town
07. I Only Have Eyes for You
08. Looking for the Right One
09. 99 Miles from LA
10. The Same Old Tears on a New Background

Remastered from the Original Master tapes by Michael J. Dutton.

SACD ISO

mqs.link_ArtGarfunkelBreakaway1975Reissue2018SACDIS.part1.rar
mqs.link_ArtGarfunkelBreakaway1975Reissue2018SACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_ArtGarfunkelBreakaway1975Reissue2018FLACStere2488.2.rar

British singer-songwriter James Bay follows up four digital-only EPs with his first full-length album, recorded in Nashville with triple Grammy-winning producer Jacquire King. Chaos And The Calm includes the top 10 British single Hold Back The River from the EP of the same name. In 2015 Bay received the Critics’ Choice trophy at the Brit Awards, putting him in the same illustrious company as previous winners and international superstars Adele, Florence + The Machine, Ellie Goulding and Sam Smith.

James Bay is a young British singer and songwriter whose heartfelt songs and passionate vocal style suggest a greater maturity and experience than one would expect from an artist whose debut album was released when he was 24 years old. Chaos and the Calm, Bay’s first full-length album following a pair of well-received EPs, reveals he has a precocious talent as a songwriter, guitarist, and vocalist, and is just as comfortable with outgoing tracks like “Collide” as he is with intimate, personal numbers such as “Let It Go” as he winds together elements of pop, folk, rock, blues, and soul. Often compared to Ed Sheeran and Ben Howard, Chaos and the Calm shows James Bay has the style and the ability to stand on his own, and it’s the work of a new performer with an impressive potential.

Tracklist:
01 – Craving
02 – Hold Back The River
03 – Let It Go
04 – If You Ever Want To Be In Love
05 – Best Fake Smile
06 – When We Were On Fire
07 – Move Together
08 – Scars
09 – Collide
10 – Get Out While You Can
11 – Need The Sun To Break
12 – Incomplete

Download:

mqs.link_JamesBayChasAndTheCalm2015Qbuz2488.2.part1.rar
mqs.link_JamesBayChasAndTheCalm2015Qbuz2488.2.part2.rar

On this critically acclaimed album, pianist Jan Lundgren displays his deep understanding of both tradition and modernism together with his preternatural instinct for bringing the two together. Entirely composed by Lundgren save for one track, Potsdamer Platz provides ample evidence of the compatibility of the musicians and their growth together as the band moves forward with a clear and strong common purpose.

Pianist Jan Lundgren is a fine example of a classically-trained European musician with a strong empathy with mainstream jazz. Potsdamer Platz is, in turn, a fine example of Lundgren’s ability to compose fresh-sounding and often beautiful tunes, allied to a talented quartet of players who know just how to bring the pianist’s ideas to life.

The all-Scandinavian band is terrific—Finnish saxophonist Jukka Perko, Danish drummer Morten Lund and Lundgren’s fellow Swede Dan Berglund on bass. The quartet decamped to Germany to record: Hansa Studio is situated on the titular Berlin square. There’s a jauntiness to tunes like “Twelve Tone Rag” (where some of Lundgren’s phrasing could be mistaken for Mose Allison’s) and the catchy “Potsdamer Platz”—which opens proceedings in an upbeat and positive fashion. “Dance Of Masja” ups the jauntiness quotient: a fast tempo, a rolling rhythm and some driving percussion add up to a great 6′ 25″ of music. By contrast, “No. 9” and “Never Too Late” display a more vulnerable and melancholy side to Lundgren’s writing (and to the quartet’s playing). Both tunes are quite beautiful. “Lycklig Resa” might just be the coolest track of the year. Effortless waltz-time swing, a graceful melody, Perko’s mellow saxophone all generate a nostalgic, early-60s mood. Dudley Moore, Dave Brubeck and Paul Desmond spring readily to mind alongside visions of E-type Jags, sharp suits and a touch of brylcreem. Lundgren wrote it as a tribute to Jan Johansson, Sweden’s star jazz pianist of the ’60s, and it certainly fits that bill.

Tracklist:
01 – Potsdamer Platz
02 – No. 9
03 – Lycklig Resa
04 – Bullet Train
05 – The Poet
06 – Never Too Late
07 – Twelve Tone Rag
08 – Song for Jørgen
09 – Dance of Masja
10 – On the Banks of the Seine
11 – Tväredet

Produced by Siggi Loch.
Recorded on May 3 & 4, 2015 at Hansa Studio, Berlin.
Engineered, Mixed & Mastered by Arne Schumann.

Musicians:
Jan Lundgren – piano
Jukka Perko – alto & soprano saxophone
Dan Berglund – bass
Morten Lund – drums

Download:

mqs.link_JanLundgrenPtsdamerPlatz2017Qbuz2496.part1.rar
mqs.link_JanLundgrenPtsdamerPlatz2017Qbuz2496.part2.rar

Dirty Computer arrives April 27 via Wondaland Records/Epic/Sony. Monáe previously revealed that Prince worked on the project before he died in 2016. So far, she’s shared the tracks “I Like That,” “PYNK” featuring Grimes, and “Make Me Feel,” and “Django Jane.” Her last album was 2013’s The Electric Lady.

“Yoga” was an ostensibly minor part of the Janelle Monáe discography by the arrival of Dirty Computer. Three years old and outshined by another Wondaland release, Jidenna’s “Classic Man,” it nevertheless became Monáe’s first single to hit the Billboard Hot 100. That Monáe hadn’t previously hit the chart as a headliner was further evidence of a flawed industry, given that she and primary collaborators Nate Wonder and Chuck Lightning had been making songs with pop appeal for nearly a decade. “Yoga” did show that Monáe was more open to messing with contemporary trends. Moreover, the song’s humanized, sexually uninhibited, and anti-authoritarian qualities — she was earthbound, celebrating her body, asserting “You cannot police me” — also indicated the course she has taken with her third album. Oddly enough, “Make Me Feel,” the one Dirty Computer track on which Monáe employs a wholly pop songwriting team including Julia Michaels, Justin Tranter, and Mattman & Robin, is the funkiest and friskiest number here, clearly influenced by the late (and uncredited) Prince. Monáe and her trusty Wondaland partners, the album’s dominant creative force, colorfully twist and flip new wave-leaning pop with booming bass drums and rattling percussion. They transmit powerful and defiant jubilance in response to “wack ass fuckboys everywhere (from the traphouse to the White House) who make the lives of little brown girls so damn hard,” among dozens of other inspirations Monáe acknowledges in the essential liner notes. Almost every track is densely packed with quotables delivered in approaches that shift from easygoing elegance to hard-fought, triumphant conviction. The latter approach yields the album’s apex, “Django Jane,” in which Monáe raps throughout with inhuman precision, threatening a pussy riot, declaring “We ain’t hidden no more,” and uplifting the “highly melanated” while dropping some of the set’s few sci-fi allusions, “Made a fandroid outta yo’ girlfriend” among them. Not to be lost in all the power moves are indirect and direct references to a romantic relationship — another form of dissent — referenced and explored throughout, from the glowing “Crazy, Classic, Life” through the fiery “So Afraid,” the only moment of emotional fragility. While this is easily the most loaded Monáe album in terms of guests, with Brian Wilson, Stevie Wonder, and Grimes among the contributors, there’s no doubt that it’s a Wondaland product. It demonstrates that artful resistance and pop music are not mutually exclusive.

Tracklist:
01. Dirty Computer (feat. Brian Wilson)
02. Crazy, Classic, Life
03. Take a Byte
04. Jane’s Dream
05. Screwed (feat. Zoë Kravitz)
06. Django Jane
07. Pynk (feat. Grimes)
08. Make Me Feel
09. I Got the Juice (feat. Pharrell Williams)
10. I Like That
11. Stevie’s Dream
12. Don’t Judge Me
13. So Afraid
14. Americans

Download:

mqs.link_JanelleMnaeDirtyCmputer2018HDTracks2444.1.rar

This 1975 MPS release continues Pork Pie’s cutting-edge exploration on the outer boundaries of fusion, jazz, and ethno. Keyboardist Van’t Hof, saxophonist Charlie Mariano, and guitarist Philip Catherine are joined by renowned Danish musician Bo Stief on electric bass and English drummer John Marshall of Soft Machine fame.

Catherine’s Devil Toes heats up in a tempestuous modal flare, with Mariano’s soprano supplying the fire. Mariano pursues the haunting melody on his Zana, followed by Catherine’s majestic solo over Van’t Hof’s flowing chordal backdrop. Written by one of the greatest South Indian classical music composers, Tyagaraga (1767-1847), Mariano’s arrangement of Telisi Rama illustrates the music’s influence on such jazz greats as John Coltrane, and Van’t Hof’s stellar piano solo intimates his debt to McCoy Tyner. The balladic He’s Gone features Mariano poignant flute, while on Van’t Hof’s Simul Sincrone Mariano sings out on alto saxophone in a wide-open impassioned performance. Avoid the Year of the Monkey runs the gamut from aleatory electronics to sophisticated fusion, as the drums propel stunning soprano sax and organ solos, while Van’t Hof’s The Door is Open reveals an intensely beautiful surreal landscape. As a sequel to Pork Pie’s Transitory, the album’s music is every bit as ‘exploratory, electrifying, and exciting’ as its predecessor.

Tracklist:
01 – Devil Toes
02 – Zana
03 – Telist Rama
04 – He’s Gone
05 – Simul Synchrone
06 – Avoid the Year of the Monkey
07 – The Door Is Open

Produced by Achim Hebgen. Engineered and Mixed by Mike Bobak.
Recorded & Mixed on July 29 – August 2, 1975 at Morgan Studio, Brussels.
Digitally Remastered.

Musicians:
Jasper Van’t Hof – electric piano, organ, grand piano
Charlie Mariano – alto saxophone, soprano saxophone, flutes
Philip Catherine – electric guitar, acoustic guitar, banjo
Bo Stief – bass
John Marshall – drums

Download:

mqs.link_JasperVantHfsPrkPieTheDrIspen19762017Qbuz24882.rar

Bird Bear Hare and Fish –ライカ [FLAC 24bit/48kHz]

Bud Virgin Logic – TVアニメ「SHOW BY ROCK!!#」BUD VIRGIN LOGIC double A-side 挿入歌「x旋律-Schlehit Melodie-/断罪のソリテュード」 [Mora FLAC 24bit/48kHz]

CHiCO with HoneyWorks –ヒカリ証明論 [FLAC 24bit/96kHz]

黄旭 (BooM) –黄金 (Gold) [FLAC 24bit/48kHz]

Clarity – We Go Loud [FLAC 24bit/44,1kHz]

DJ OKAWARI × Emily Styler – Restore [FLAC 24bit/96kHz]

fromis_9 – From.9 [FLAC 24bit/48kHz]

Giriboy (기리보이) – Science Fiction Music (공상과학음악) [FLAC 24bit/48kHz]

Adela Dalto – Blue Bossa (1994) [Japan 2018] {SACD ISO + FLAC 24bit/48kHz}

Andrea Pozza Trio – Sweet Lorraine (2005) [Japan 2018] {SACD ISO + FLAC 24bit/88,2kHz}

Anna Kolchina – Wild Is The Wind (2017) [Japan 2018] {SACD ISO + FLAC 24bit/88,2kHz}

Arnett Cobb – Party Time (1959) [APO Remaster 2018] {SACD ISO + FLAC 24bit/88,2kHz}

Arnie Somogyi’s Ambulance – Accident And Insurgency (2007) {SACD ISO + FLAC 24bit/88,2kHz}

Art Blakey & The Jazz Messengers – Caravan (1963) [Reissue 2004] {SACD ISO + FLAC 24bit/96kHz}

Art Garfunkel – Angel Clare (1973) [Reissue 2018] {SACD ISO + FLAC 24bit/88,2kHz}

Art Garfunkel – Breakaway (1975) [Reissue 2018] {SACD ISO + FLAC 24bit/88,2kHz}

James Bay – Chaos And The Calm (2015) [Qobuz FLAC 24bit/88,2kHz]

Jan Lundgren – Potsdamer Platz (2017) [Qobuz FLAC 24bit/96kHz]

Janelle Monae – Dirty Computer (2018) [HDTracks FLAC 24bit/44,1kHz]

Jasper Van’t Hof’s Pork Pie – The Door Is Open (1976/2017) [Qobuz FLAC 24bit/88,2kHz]