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Berliner Philharmoniker, Herbert von Karajan – Dvorak: Symphony No. 9 ‘From the New World’; Bedrich Smetana: Die Moldau (2014) [Qobuz FLAC 24bit/96kHz] [Qobuz FLAC 24bit/96kHz]

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Antonin Dvorak: Symphony No. 9 ‘From the New World’; Bedrich Smetana: Die Moldau – Berliner Philharmoniker, Herbert von Karajan (2014)
FLAC (tracks) 24 bit/96 kHz  | Time – 54:08 minutes | 1,04 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © Warner Classics
Recorded: #1-4 – 1957, #5 – 1958, Grunewaldkirche, Berlin

The Karajan Official Remastered Edition comprises 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, and which are now a jewel of the Warner Classics catalogue.

For many, Herbert von Karajan (1908-1989) – hailed early in his career as ‘Das Wunder Karajan’ (The Karajan Miracle) and known in the early 1960s as ‘the music director of Europe’ – remains the ultimate embodiment of the maestro. The release of the Karajan Official Remastered Edition over the first half of 2014 marks the 25th anniversary of the conductor’s death in July 1989 at the age of 81.

He was closely associated with EMI for the majority of his recording career (specifically from 1946 to 1960 and then again from 1969 to 1984). EMI’s legendary producer Walter Legge sought him out in Vienna just after World War II and the long relationship that ensued embraced recordings with the Vienna Philharmonic, the Philharmonia (the orchestra founded by Legge), the Berlin Philharmonic (of which Karajan became ‘conductor for life’ in 1955), the forces of La Scala, Milan, and the Orchestre de Paris.

The Karajan Official Remastered Edition will feature primarily symphonic and choral music. The entire edition will comprise recordings remastered from the original sources in 24-bit/96kHz at Abbey Road Studios, the world’s most renowned recording studio.

Tracklist:
Antonín Dvořák (1841-1904)
Symphony No. 9 in E minor, ‘From the New World’
1. I. Adagio – Allegro molto 9:42
2. II. Largo 12:57
3. III. Scherzo – Molto vivace 8:12
4. IV. Allegro con fuoco 11:04
Bedřich Smetana (1824-1884)
Má Vlast
5. II. Vltava 12:13

Personnel:
Berliner Philharmoniker
Herbert von Karajan, conductor

Download:

mqs.link_DvkSymphnyN.9SmetanaDieMldauBPHerbertvnKarajan2014Qbuz2496.part1.rar
mqs.link_DvkSymphnyN.9SmetanaDieMldauBPHerbertvnKarajan2014Qbuz2496.part2.rar


Amsterdam Sinfonietta, Candida Thompson – Dvorak, Haas & Schulhoff: The Bohemian Album (2009) [DSF DSD64/2.82MHz]

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Dvorak, Haas & Schulhoff – The Bohemian Album – Amsterdam Sinfonietta, Candida Thompson (2009)
DSF Stereo DSD64/2.82MHz  | Time – 01:18:01 minutes | 3,08 GB | Genre: Classical
Source: ISO SACD | © Channel Classics Records B.V. | Front Cover, Booklet
Recorded: Bachzaal, Amsterdam (Haas, Schulhoff); Philharmonie, Haarlem (Dvořák); 23 & 24 may 2008 (Haas); 21 december 2008 (Schulhoff); 22 & 23 december 2008 (Dvořák)

The Bohemian AlbumAmsterdam Sinfonietta has combined aromantic masterpiece of the string orchestrarepertoire with two wild compositions from theinter-war period. Dvo?ák, Haas, and Schulhoffhardly make a conventional mixture, but allthree of these composers had their roots in aregion which was known for many centuriesas “Bohemia.” One can hear this commonground in the rhythmic diversity, the influenceof folk music, and the melodic inventivenessthat characterizes their music. Haas andSchulhoff were part of a very promising groupof composers whose music was proclaimed“entartet” [degraded] at the end of the 1930s.Fortunately, their music has been rediscoveredand performed in recent decades. Themusic of Haas and Schulhoff is refreshinglyrebellious and original, and forms a contrastwith Dvo?ák’s romantic Serenade. Marijn vanProoijen wrote out a beautiful double-basspart for the works of Haas and Schulhoff,which were originally conceived for stringquartet.

Though only Dvorák’s Serenade is familiar here, and is given a performance of great friendliness and charm, a firm historical thread links the three works. Pavel Haas was a great loss to the tradition, a Janácek pupil who understood what his teacher had to offer and produced music of much gaiety and exuberance right up to his dying days. The booklet does not mention that these were in the Terezín concentration camp when he was only 45. This is an early piece (1925), with influences including Czech folk scenes with the grinding glissandos of wagons being hauled, beautiful long nocturnal melodic lines, and in the finale a kind of macabre exuberance that includes contributions from a percussion section (some work lists describe it as a jazz band). If this is not such a stylistic jumble as it sounds, it is because Haas’s vivid ear manages to provide some kind of unity.
Ervín Schulhoff, whose death at 48 in a concentration camp also goes unmentioned in the booklet-note, was encouraged as a boy by Dvorák and developed a range of interests that included jazz and the microtonal music of Hába. His quick ear for parody shows here in five witty miniatures: an “Alla valse viennese” in which the music seems to be irritably challenging the inexorable 3/4 rhythm, a blithe Serenade, a bouncy “Alla czeca” that doesn’t take national rhythms too seriously, a perilously languorous Tango and a furious concluding Tarantella. None of it amounts to much but is entertaining enough, especially when played with the cheerful abandon it is here. –John Warrack, Gramophone

Tracklist:
Antonin Dvořák (1841-1904)
Serenade for Strings in E opus 22 (1875)
1 Moderato 04.23
2 Tempo di Valse 06.16
3 Scherzo: vivace 06.16
4 Larghetto 05.24
5 Finale: allegro vivace 05.37
Pavel Haas (1899-1944)
String Quartet no. 2 opus 7 (1925) “From the Monkey Mountains”
(version for string orchestra and percussion)
6 Landscape 11.06
7 Cart, Driver and Horse 04.52
8 The Moon and I 08.50
9 A Wild Night 08.22
Erwin Schulhoff (1894-1942)
Five Pieces for String Quartet WV 68 (1923)
(version for string orchestra)
10 Alla Valse Viennese (allegro) 01.56
11 Alla Serenata (allegretto con moto) 04.14
12 Alla Czeca (molto allegro) 01.42
13 Alla Tango Milonga (andante) 04.55
14 Alla Tarantella (prestissimo con fuoco) 02.46

Personnel:
Amsterdam Sinfonietta
Candida Thompson, leader

Download:

mqs.link_DvkHaasSchulhffTheBhemianAlbumAmsterdamSinfnietta2009DSD64.part1.rar
mqs.link_DvkHaasSchulhffTheBhemianAlbumAmsterdamSinfnietta2009DSD64.part2.rar
mqs.link_DvkHaasSchulhffTheBhemianAlbumAmsterdamSinfnietta2009DSD64.part3.rar
mqs.link_DvkHaasSchulhffTheBhemianAlbumAmsterdamSinfnietta2009DSD64.part4.rar

Johannes Moser, PKF-Prague Philharmonia, Jakub Hrusa – Dvorak & Lalo: Cello Concertos (2015) [DSF DSD64/2.82MHz]

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Dvorak & Lalo – Cello Concertos – Johannes Moser, PKF-Prague Philharmonia,
Jakub Hrusa (2015)
DSF Stereo DSD64/2.82MHz  | Time – 01:05:34 minutes | 2,58 GB | Genre: Classical
Source: ISO SACD | © Pentatone Music B.V. | Booklet, Front Cover
Recorded: Forum Karlín in Prague, Czech Republic in January 2015

German-Canadian international soloist Johannes Moser recently signed an exclusive recording contract with PENTATONE. He regularly performs with the world’s leading orchestras such as the Berlin Philharmonic, New York Philharmonic, Chicago Symphony, London Symphony, Royal Concertgebouw, NHK Symphony, Philadelphia and Cleveland Orchestras as well as the leading conductors of our time including Mariss Jansons, Valery Gergiev, Zubin Mehta and Gustavo Dudamel. He has received many accolades for his recordings including two ECHO Klassik awards as well as the Preis der Deutschen Schallplattenkritik.

For his debut album with PENTATONE Johannes chose to record the pinnacle of the repertoire for cello and orchestra, the concerto by Antonín Dvořák. In this monumental work Dvořák explores the entire spectrum of human emotion, very much inspired by his own experiences, ranging from exhilarating bursts of life in New York City to the devastating tragedy of his unfulfilled love.

In preparation for the recording, made with the PKF – Prague Philharmonia, Johannes Moser and conductor Jakub Hrůša had Dvořák’s own manuscript at hand in order to come closer to the composer’s intention rather than relying on unquestioned traditions and acquired habits, while paying tribute to the concerto’s nickname, “Dvořák’s 10th Symphony”.

Moser completes his debut album with the Cello Concerto by Édouard Lalo. It is a work of great verve which fully embodies Spanish flair combined with romantic spirit.
Besides being staples of the Romantic cello repertoire the two works have a lot in common. Johannes Moser says about the two concerti: “The unifying motif between these two Cello Concertos is a sense of yearning: From America, Dvořák yearned for his homeland and an unfulfilled love, whereas Lalo yearned for the typically Spanish flair and the Mediterranean temperament”.

Tracklist:
Antonín Dvořák (1841-1904)
Cello Concerto in B minor, Op. 104
1. I. Allegro 14:50
2. II. Adagio ma non troppo 11:26
3. III. Finale: Allegro moderato 12:28
Édouard Lalo (1823-1892)
Cello Concerto in D minor
4. I. Prelude: Lento – Allegro maestoso 13:04
5. II. Intermezzo: Andantino con moto 05:54
6. III. Introduction: Andante – Allegro vivace 07:37

Personnel:
Johannes Moser, cello
PKF-Prague Philharmonia
Jakub Hrůša, conductor

DSF DSD64

mqs.link_DvkLalCellCncertsJhannesMserPKFPraguePhilharmniaJakubHra2015DSD64.part1.rar
mqs.link_DvkLalCellCncertsJhannesMserPKFPraguePhilharmniaJakubHra2015DSD64.part2.rar
mqs.link_DvkLalCellCncertsJhannesMserPKFPraguePhilharmniaJakubHra2015DSD64.part3.rar

Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Adrian Boult – Dvorak: Cello Concerto (2017) [Qobuz FLAC 24bit/96kHz]

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Antonin Dvorak – Cello Concerto – Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Adrian Boult (2017) 
FLAC (tracks) 24 bit/96 kHz | Time – 39:04 minutes | 751 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Front Cover | © Warner Classics
Recorded: 1958

In March 2017, Warner Classics marks the 10th anniversary of Mstislav Rostropovich’s death and 90 years since his birth with the deluxe collectors’ box set Cellist of the Century, comprising of selected remastered recordings.

The label was given unprecedented access to Rostropovich’s personal archive and worked closely with his daughters Elena and Olga. The range and variety of music in the box set is nothing short of extraordinary, embracing works by more than 60 composers, from iconic recordings to rarities. A number of the live performances originate from Russian tapes saved from destruction by resourceful Soviet archivists when Rostropovich was exiled from the USSR (1974-1990), and which came back to light in the late 1990s. Another highlight is the complete Bach Cello Suites, presented here in both audio and video versions. The collection also features an exclusive audio interview of Rostropovich recorded by personality Jon Tolansky.

Although Rostropovich died 10 years ago, on 27 April 2007, he remains a powerful presence on the world’s cultural scene through his legacy as the greatest cellist of his time, as a brave advocate of human rights, and as a man of proverbial generosity and charisma.

Special care has been taken to ensure the highest quality of sound reproduction. Wherever possible, the engineers of Art et Son studios have refined the sound, always with scrupulous respect to the original sources. The analogue recordings originating from EMI and Erato (CD1-15) have been remastered in 96 kHz from the original tapes. These are, therefore, the first recordings where the presence and definition of sound are heard in such detail.

Tracklist:
Antonín Dvorák (1841-1904)
Cello Concerto in B Minor, Op. 104
1. I. Allegro 14:44
2. .II. Adagio ma non troppo 11:46
3. III. Finale (Allegro moderato) 12:32

Personnel:
Mstislav Rostropovich, Cello
Royal Philharmonic Orchestra
Sir Adrian Boult, Conductor

Download:

mqs.link_DvkCellCncertMstislavRstrpvichRPSirAdrianBult2017Qbuz2496.rar

JAM Project – DRAGONFLAME [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2017.02.15
収録曲数 全2曲
収録時間 09:17
サイズ合計 313.3MB
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/A52303/

牙狼シリーズ最新作 2017年放送 TVシリーズ 「 絶狼-DRAGON BLOOD- 」 OP主題歌 !

牙狼と言えばJAM Project ! 16年のベストアルバム 「 AREA Z 」 から続く、
海外を含む帯規模LIVEツアーと、
11月2日には12枚目のベストアルバム 「 THUNDERBIRD 」 、
そして話題のドラマ、テレビ東京系ドラマ24 「 勇者ヨシヒコと導かれし七人 」 OPテーマ
「 The Brave 」 をリリースするなど、
相変わらず活発でワールドワイドな活動を続けるJAM Projectの2017年第一弾シングル !

【タイアップ】
TVシリーズ『絶狼-DRAGON BLOOD-』

収録曲

1. DRAGONFLAME
2. 彷徨う果ての荒野は

Download:

mqs.link_JPDB96f.rar

JAM Project –鋼のWarriors [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2018.04.25
収録曲数 全2曲
収録時間 10:43
サイズ合計 361.7MB
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/LACM-14740_HI-24_96/

JAM Project 約1年ぶりのシングルは、人気ゲームタイトル『スーパーロボット大戦』シリーズの最新作『スーパーロボット大戦X』のオープニング主題歌!

【タイアップ】
「鋼のWarriors」:
PS4®/PS Vita『スーパーロボット大戦X』オープニング

「The Oath ~夜明けの誓い~」:
PS4®/PS Vita『スーパーロボット大戦X』エンディング

収録曲

01. 鋼のWarriors
作詞・作曲:影山ヒロノブ/編曲:寺田志保・栗山善親

02. The Oath~夜明けの誓い~
作詞:影山ヒロノブ/作曲:遠藤正明/編曲:寺田志保

Download:

mqs.link_JPHWF96.rar

JAM Project – RISING FORCE [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2014.10.29
収録曲数 全1曲
収録時間 04:02
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/LACM-4344_F/

オープニング主題歌「Break out」に続く今回のテーマ曲は、スパロボファンの心をつかみ、
更に多くの視聴者にアニメの感動を伝えます。

【タイアップ】
TVアニメ『スーパーロボット大戦OG ディバイン・ウォーズ』OPテーマ

収録曲

01.RISING FORCE

Download:

mqs.link_JPRF96f.rar

JAM Project – Shining Storm ~烈火の如く~ [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2016.07.27
収録曲数 全3曲
収録時間 13:32
サイズ合計 456.8MB
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/A48322/

ボット大戦25周年を記念する第1弾タイトル『スーパーロボット大戦OG』の新章開幕!
スパロボの代名詞ともいえる、熱いJAM Projectサウンドが炸裂!

【タイアップ】
PSR3/PSR4『スーパーロボット大戦OG ムーン・デュエラーズ』OP主題歌

収録曲

01.Shining Storm 〜烈火の如く〜
02.Heaven’s Door
03.神激の勇者 〜KISHIN〜

Download:

mqs.link_JPShin96f.rar


JAM Project – SKILL [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2014.10.29
収録曲数 全1曲
収録時間 05:50
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/LACM-4090_F/

話題の大注目シリーズ最新作、プレイステーション2用ゲームソフト『第2次スーパーロボット対戦α』OP主題歌。
前作に引き続き、増強したJAM Projectによる強力作品。

【タイアップ】
「SKILL」
プレイステーション2用ゲームソフト『第2次スーパーロボット対戦α』OP主題歌

収録曲

01.SKILL

Download:

mqs.link_JPSKIL96f.rar

JAM Project – The Brave [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2016.11.02
収録曲数 全2曲
収録時間 09:56
サイズ合計 335.3MB
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/A49930/

あの人気ドラマ『勇者ヨシヒコ』の新シリーズOPテーマがJAM Projectに決定!4年ぶりの『勇者ヨシヒコ』の新シリーズとJAM Projectの組み合わせは2016年秋の話題を独占!JAM Projectがまた新たなフィールドを開拓していきます!

============
アニソン界で最もメジャーなヴォーカルユニットであるJAM Projectが、12thベストコレクション「JAM Project BEST COLLECTION? THUNDERBIRD」とシングル「The Brave」の2タイトルを同時発売。両作品のハイレゾ版も、同日にリリースされることとなった。

そのうち、シングル「The Brave」は、テレビ東京系ドラマ24『勇者ヨシヒコと導かれし七人』OPテーマ。JAM Projectならではのパワフルな歌声や演奏はそのままに、ジャズ調のアレンジなどを加えることによって、これまでの代表曲とは趣の異なる楽曲に仕上がっている。JAM Projectの”新たなる一面”を楽しむことができる、ファン必聴のタイトルだ。

<サウンドインプレッション>
この「The Brave」、JAM Projectらしさ溢れる楽曲でありながら、これまでに聴いたことのないようなアレンジ構成に仕上げられているのが興味深い。基本的な曲調はJAM Projectならでは、JAM Projectでしかできないパワフルで熱気溢れるサウンドなのだが、間奏部分にジャズ調のアレンジが入ったりと、楽曲全体がドラマティックな展開に纏め上げられているのだ。なかなかに聴き応えのある作品といえる。

いっぽうで、ハイレゾ音源ならではの恩恵も多くの部分で感じ取ることができた。まず、JAM Projectの要である5人のヴォーカルは、全員が一斉に歌うパートであってもそれぞれの声を追うことができるくらい解像感や分解能が高く、コーラスに更なる厚みを与えている。いっぽうで、演奏全体はライブステージの最前席で聴いているかのような、圧倒的なインパクトと雄大な広がり感を併せ持っている。エネルギッシュでありながら何処か心地よい、JAM Projectらしさがとことん堪能できるサウンドだ。

(野村ケンジ)

制作フォーマット:96kHz/32bit floating
配信フォーマット:96kHz/24bit flac
マスタリングエンジニア:唐司真
マスタリングスタジオ:Bernie Grundman MASTERING
============

【タイアップ】
テレビ東京系ドラマ『ドラマ24 勇者ヨシヒコと導かれし七人』オープニングテーマ

収録曲

01.The Brave
02.Vagabond〜風とさすらいの日々〜

Download:

mqs.link_JPTBVag96f.rar

JAM Project – THE EXCEEDER/NEW BLUE [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2017.03.01
収録曲数 全2曲
収録時間 11:17
サイズ合計 380.8MB
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/A52626/

2017年もJAM Projectの勢いはとどまることを知らない!
スーパーロボット大戦シリーズ25周年作品第2弾『スーパーロボット大戦V』OP・ED主題歌。歌うのはもちろんJAM Project!激しく力強いOP主題歌「THE EXCEEDER」と、慈愛に満ちた壮大なバラード、ED主題歌「NEW BLUE」を収録した両A面シングル!

【タイアップ】
PlayStation(R)4/PlayStation(R)Vita用ソフトウェア『スーパーロボット大戦V』

収録曲

01. THE EXCEEDER <PlayStation(R)4/PlayStation(R)Vita用ソフトウェア『スーパーロボット大戦V』オープニング主題歌>
作詞/作曲:影山ヒロノブ・遠藤正明  編曲:鈴木マサキ・寺田志保

02. NEW BLUE <PlayStation(R)4/PlayStation(R)Vita用ソフトウェア『スーパーロボット大戦V』エンディング主題歌>
作詞:奥井雅美 作曲:福山芳樹 編曲:寺田志保

Download:

mqs.link_JPTE96f.rar

JAM Project – TOKYO DIVE [Mora FLAC 24bit/96kHz]

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レーベル Lantis
配信開始日 2017.10.18
収録曲数 全13曲
収録時間 59:06
サイズ合計 1.9GB
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000152/LACA-15670_HI-24_96/

世界中を渡り歩いたJAM Projectが奏でる、このTOKYOから世界に向けたROCKサウンドがここに!結成から18年が経過し、更なる進化をし続けるJAM Project。

アニソンファンはもちろん、ジャンルを問わず「音楽」が純粋に好きな人に楽しんで頂きたい!これまで世界中を渡ってきたメンバーそれぞれが、思い思いに描いた「世界観」を新しいロックサウンドで綴る珠玉の1枚。

収録曲

1. Spinning Out of Control
2. TOKYO DIVE
3. Kami no Kiba ~The Fang of Apocalypse~
4. BAD CITY ~We’ll be alright!~
5. EMG
6. First Love
7. Shouri no Mirai -Toki- (勝利の未来-とき-)
8. I KILL (イキル)
9. Alexandria (アレクサンドリア)
10. Swatch! ~Kimi wo Mamoritai~ (シュワッチ!~キミを護りたい~)
11. sweet SWEET home
12. Tokyo Scandal (東京スキャンダル)
13. Everything

Download:

mqs.link_JPTKDI96.part1.rar
mqs.link_JPTKDI96.part2.rar
mqs.link_JPTKDI96.part3.rar

Ella Fitzgerald – Clap Hands, Here Comes Charlie! (1961/2012) [AcousticSounds DSF DSD64/2.82MHz]

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Ella Fitzgerald – Clap Hands, Here Comes Charlie! (1961/2012)
DSF Stereo DSD64, 1 bit/2,82 MHz | Time – 50:35 minutes | 2,0 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: AcousticSounds | Front Cover | © Verve Records / Analogue Productions XVRJ4053D64

Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945, played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella Fitzgerald in completely new and personal interpretations in 1961.

Clap Hands, Here Comes Charlie! is absolutely top notch as regards to musicality; perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz!

Another typically wonderful CD reissue of Ella Fitzgerald in her prime, this set augments the original LP (which finds Ella joined by pianist Lou Levy, guitarist Herb Ellis, bassist Joe Mondragon, and drummer Stan Levey) with three previously unreleased selections from the same era (with Levey, bassist Wilfred Middlebrooks, and drummer Gus Johnson). Ella is in fine form on such numbers as “A Night in Tunisia,” an emotional “You’re My Thrill,” “Jersey Bounce,” “Clap Hands! Here Comes Charlie,” and an unissued “The One I Love (Belongs to Somebody Else).” Although not reaching the heights of her live performances, this is an excellent (and somewhat underrated) set. –AllMusic Review by Scott Yanow

Tracklist:
1. Night In Tunisia 04:07
2. You’re My Thril 03:38
3. My Reverie 03:17
4. Stella By Starlight 03:17
5. ‘Round Midnight 03:27
6. Jersey Bounce 03:33
7. Signing Off 03:46
8. Cry Me A River 04:14
9. This Year’s Kisses 02:17
10. Good Morning Heartache 04:20
11. (I Was) Born To Be Blue 02:42
12. Clap Hands Here Comes Charlie! 02:43
13. Spring Can Really Hang You Up The Most 06:15
14. Music Goes Round And Around 02:28

Recorded: 22-23 June 1961 in Los Angeles
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.

Personnel:
Ella Fitzgerald, vocals
Lou Levy, piano
Herb Ellis, guitar
Joe Mondragon, bass
Gus Johnson, drums

Download:

mqs.link_EllaFitzgeraldClapHandsHereCmesCharlie19612012AcusticSundsDSD64.part1.rar
mqs.link_EllaFitzgeraldClapHandsHereCmesCharlie19612012AcusticSundsDSD64.part2.rar
mqs.link_EllaFitzgeraldClapHandsHereCmesCharlie19612012AcusticSundsDSD64.part3.rar

Elvis Presley – Aloha From Hawaii Via Satellite (1973/2015) [Qobuz FLAC 24bit/96kHz]

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Elvis Presley – Aloha From Hawaii Via Satellite (1973/2015) 
FLAC (tracks) 24 bit/96 kHz  | Time – 01:02:07 minutes | 1,28 GB | Genre: Pop, Rock
Studio Masters, Official Digital Download – Source: Qobuz | Front Cover | © RCA Records
Recorded live at the Honolulu International Center, 12:30 AM, Sunday, January 14, 1973

Aloha from Hawaii Via Satellite is a live concert album by American singer and musician Elvis Presley, released by RCA Records in February 1973 and peaked at #1 on the Billboard chart in the spring of the same year. Despite the satellite innovation, the US did not air the concert until April 4. Aloha from Hawaii (which was a worldwide ratings smash) went to #1 on the Billboard album chart. The album dominated the charts, reaching #1 in both the pop and country charts in the US.
Aloha from Hawaii was a two-disc set—only the second such release of Presley’s career (the first being 1969’s double set From Memphis to Vegas/From Vegas to Memphis, which contained one album each of studio and concert recordings). It was initially released only in quadraphonic sound, becoming the first album in the format to top the Billboard album chart.
The album contains all the live performances from the TV special, but omits the five songs Presley recorded after the show and which were featured on the original broadcast; these would be issued later on the album Mahalo from Elvis. The album also omits Presley’s brief announcement concerning the concert being presented for the benefit of the Kui Lee Cancer Fund.
The album was certified Gold on February 13, 1973, platinum and 2× Platinum on May 20, 1988, 3× Platinum on July 15, 1999, and 5× Platinum on August 1, 2002, by the RIAA.On April 15, 2016 the BPI certified the album Silver for sales of 60,000 units.

Aloha from Hawaii Via Satellite is a double-album set that captures Elvis’ celebrated live television concert from 1973. Arguably, it also captures the peak of the Presley live extravaganzas of the ’70s. Spanning two albums and 30 songs (the single-CD reissue from 1992 trims the number of songs to 24), the record finds Elvis pulling out all the stops, running through a set that favors covers and new material at the expense of classics. That’s hardly a complaint, since the whole point of his concerts in the ’70s was a sensory onslaught, where a bluesy (albeit over the top) version of “See See Rider” could sit next to a schmaltzy showstopper like “American Trilogy.” And the key to the whole thing is that Elvis actually sounds more committed to “American Trilogy” than “See See Rider.” That passion and energy are carried over to each song, and that’s what makes the entire enterprise so entertaining. It’s also why the record was a massive hit upon its release and why so many fans have fond memories of Aloha from Hawaii decades after the actual concert. –AllMusic Review by Stephen Thomas Erlewine

Tracklist:
1 Introduction: Also Sprach Zarathustra (Theme From 2001: A Space Odyssey) 1:10
2 See See Rider 2:59
3 Burning Love 3:10
4 Something 3:31
5 You Gave Me A Mountain 3:17
6 Steamroller Blues 3:04
7 My Way 4:04
8 Love Me 1:55
9 Johnny B. Goode 1:43
10 It’s Over 2:10
11 Blue Suede Shoes 1:13
12 I’m So Lonesome I Could Cry 2:16
13 I Can’t Stop Loving You 2:27
14 Hound Dog 0:52
15 What Now My Love 3:15
16 Fever 2:28
17 Welcome To My World 1:54
18 Suspicious Minds 4:31
19 Introductions By Elvis 1:37
20 I’ll Remember You 2:31
21 Medley: Long Tall Sally/Whole Lotta Shakin’ Goin’ On 2:04
22 American Trilogy 4:34
23 A Big Hunk O’ Love 2:09
24 Can’t Help Falling In Love 2:43

Personnel:
Elvis Presley, guitar, vocals
Background vocalists:
J.D. Sumner & the Stamps Quartet: Ed Enoch, Bill Baize, Donnie Sumner, Ed Wideman, J.D. Sumner
The Sweet Inspirations: Myrna Smith, Sylvia Shemwell, Estelle Brown
Kathy Westmoreland
The TCB Band:
James Burton, lead guitar
John Wilkinson, rhythm guitar
Ronnie Tutt, drums
Jerry Scheff, Fender bass
Glen Hardin, piano, keyboards
Charlie Hodge, vocals, acoustic guitar
The Joe Guercio Orchestra

Download:

mqs.link_ElvisPresleyAlhaFrmHawaiiViaSatellite19732015Qbuz2496.part1.rar
mqs.link_ElvisPresleyAlhaFrmHawaiiViaSatellite19732015Qbuz2496.part2.rar

Elvis Presley – Elvis Today (1975/2015) [HDTracks FLAC 24bit/96kHz]

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Elvis Presley – Elvis Today (1975/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 34:03 minutes | 693 MB | Genre: Pop, Rock
Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © RCA Records
Recorded: March 10–12, 1975, RCA Studio C, Hollywood, CA

Today is a studio album by American singer Elvis Presley, released on May 7, 1975 by RCA Records. The Today sessions were held in RCA’s Studio C, Hollywood, Los Angeles, California, March 10–12, 1975, and marked the last time Presley would record in a studio. He last recorded at Studio C, Hollywood in 1972 where he recorded the gold records “Burning Love” and “Separate Ways”. At this time, Elvis was 40 years old. He was accompanied by his then-current girlfriend, Sheila Ryan. In the 2005 FTD TODAY release from these sessions, Presley asked her to “step up here Sheila, let me sing to ya baby” on Take 1 of Don McLean’s “And I Love You So”. He continued to make “And I Love You So” and “Fairytale” a part of his live concerts until his death. On stage, he often referred to “Fairytale” as the story of his life.
Today featured a new rock song, “T-R-O-U-B-L-E”, which was released as its first single and went Top 40 in the US. “Bringin’ It Back” was its second single in the US. The album also features covers of songs by Perry Como, Tom Jones, The Pointer Sisters, Billy Swan, Faye Adams, The Statler Brothers and Charlie Rich.
“Green, Green Grass of Home” was released as a single in the UK, where it went Top 30, and also received US airplay. Presley first heard the song in 1967 while driving his bus back to Memphis after making another movie, and heard Tom Jones’ new single “Green Green Grass of Home” for the first time and loved it. He had the Memphis Mafia call the local AM station to make them replay it over and over again. Eight years later, he cut his own version.

As it turned out, Today would be the last full studio album Elvis Presley recorded in his life. Headed out to Hollywood to collect the Grammy he won for Best Inspirational Performance of 1975 (it was awarded for a live version of “How Great Thou Art”), Presley booked sessions in RCA’s L.A. Studio C with his longtime producer Felton Jarvis and settled in to knock out ten songs over the course of three days. Because it opens with the rollicking boogie “T-R-O-U-B-L-E” — a legitimate throwback to the dawn of rock & roll — and also finds space for the down-and-dirty gospel-soul groove of “Shake a Hand” and Billy Swan’s cheerful “I Can Help,” Today was pegged upon its initial release as something of a return to Elvis’ Sun roots, but the rest of the record plays straight down the middle: a collection of Presley’s preferred majestic ballads and MOR pop tempered by a touch of lushly produced Nashville country. This combination had long been a winning one for Elvis — it’s the blend developed in the wake of 1971’s Elvis Country (I’m 10,000 Years Old) — but in 1975, it was slightly past its sell-by date, so it didn’t quite sell in blockbuster numbers (“T-R-O-U-B-L-E” did turn into a hit, nearly cracking the country Top Ten and revived in 1992 by Travis Tritt). Nevertheless, these era-specific concerns fade over time and leave Today standing as an excellent latter-day Elvis album. Those rockabilly revivals find Presley game and loose, as does a nimble version of the Statler Brothers’ “Susan When She Tried”; the trio of orchestrated ballads (Don McLean’s “And I Love You So,” Jerry Chesnut’s “Woman Without Love,” Troy Seals’ “Pieces of My Life”) give Elvis an opportunity to find a moving heart beating underneath the shine, a skill that also enlivens an almost corny version of the ’60s standard “Green, Green Grass of Home”; while the country reinvention of the Pointer Sisters’ “Fairytale” and the soulful rendition of Gregg Gordon’s “Bringin’ It Back” are expert adult contemporary — gorgeous and skirting the edges of being overwrought. Added up, Today touches upon nearly everything he did well in the mid-’70s — a nice portrait of Elvis at a time when he was still an active, thriving working musician and a record that remains easy to enjoy today. –AllMusic Review by Stephen Thomas Erlewine

Tracklist:
1 T-R-O-U-B-L-E 3:00
2 And I Love You So 3:36
3 Susan When She Tried 2:15
4 Woman Without Love 3:31
5 Shake A Hand 3:46
6 Pieces Of My Life 3:59
7 Fairytale 2:41
8 I Can Help 4:01
9 Bringin’ It Back 2:58
10 Green Green Grass Of Home 3:32

Personnel:
Elvis Presley – lead vocals
James Burton, Chip Young, Johnny Christopher – guitar
David Briggs, Tony Brown, Glen Hardin, Jimmy Gordon – keyboards
Buddy Spicher – fiddle
Millie Kirkham, Mary Holladay, Ginger Holladay, Lea Berinati – background vocals
Weldon Myrick – steel guitar
Norbert Putnam, Mike Leech, Duke Bardwell – bass
Ronnie Tutt – drums
Charlie Hodge – guitar, harmony vocals

Download:

mqs.link_ElvisPresleyElvisTday19752015HDTracks2496.rar


Elvis Presley – Good Times (1974/2015) [HDTracks FLAC 24bit/96kHz]

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Elvis Presley – Good Times (1974/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 30:05 minutes | 620 MB | Genre: Pop, Rock
Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © RCA Records
Recorded: July 21 – December 16, 1973, Stax Studios, Memphis

Good Times is a 1974 album by American singer and musician Elvis Presley and his 20th studio album. The album was constructed by the first pick of a session held at Stax Studios in Memphis in December 1973 and two songs, “I’ve Got a Thing About You Baby” and “Take Good Care of Her”, which were left over from the session at Stax in July 1973. The album includes a collection of songs that vary in style and genre. Released the same day as the recording of Elvis: Recorded Live on Stage in Memphis was being made, the title was taken from the song “Talk About the Good Times”. Many of the songs are covers of hits at the time, like “Spanish Eyes” and “She Wears My Ring”. Charting low at the time of its release, it was considered typical 1970s Elvis material and was his first album to hit the “cut-out bins”. The album did have some success though upon its original release, becoming a Cashbox #1 hit and charting in the Top 50 in the UK. Original copies of the LP with the sticker on the cover (stating the singles on the album) are very rare and sell for large amounts on auction sites. The album released two singles, both hits: “I’ve Got a Thing About You Baby” rose to #4 on the Country charts, #39 pop; “My Boy” hit #1 on the Adult Contemporary charts, as well as #14 Country and #20 Pop.

No one could have known it at the time, but Elvis Presley had only a handful of studio albums left ahead of him when Good Times showed up in the late winter of 1974. Recorded in the summer and fall of the previous year at Stax Studios in Memphis, this ten-song album caught the artist near his late-career peak — he still had better, greater records left to do, but there’s nothing here that mars the image or the legend. Whether trading in rock & roll or soul sounds or accompanied by a full-blown gospel choir on “If That Isn’t Love,” he’s in great voice, and with the likes of James Burton and Norbert Putnam playing with him, it’s hard to find any fault with Good Times, except perhaps its brevity. It wasn’t necessarily what longtime fans or potential listeners among younger audiences were looking for, but the album has more than stood the test of time, even if it isn’t his best work of this period. –AllMusic Review by Bruce Eder

Tracklist:
1 Take Good Care Of Her 2:50
2 Loving Arms 2:48
3 I Got A Feelin’ In My Body 3:33
4 If That Isn’t Love 3:29
5 She Wears My Ring 3:12
6 I’ve Got A Thing About You Baby 2:20
7 My Boy 3:19
8 Spanish Eyes 2:21
9 Talk About The Good Times 2:22
10 Good Time Charlie’s Got The Blues 3:09

Personnel:
Elvis Presley – guitar, vocals
J.D. Sumner & The Stamps, Voice – background vocals
Mike Leech – string and horn arrangements
Glen Spreen – string arrangement on “I’ve Got a Thing About You Baby”

Download:

mqs.link_ElvisPresleyGdTimes19742015HDTracks2496.rar

Elvis Presley – He Touched Me (1972/2015) [HDTracks FLAC 24bit/96kHz]

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Elvis Presley – He Touched Me (1972/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 30:56 minutes | 651 MB | Genre: Pop, Rock
Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © RCA Records
Recorded: March–June 1971

He Touched Me is a 1972 contemporary gospel music album by American singer and musician Elvis Presley. It earned him his second of three Grammy Awards. The album his third and final studio gospel album, and the most contemporary of the three. He Touched Me was certified Gold on March 27, 1992 and Platinum on July 15, 1999 by the RIAA.

Elvis’ third and final gospel album, He Touched Me, is distinct from both of his previous LPs — it was not only recorded five years after the prior album, but included a far different set of songs and musicians. This is Elvis’ contemporary gospel record, including material from Bill Gaither (the title song), Andraé Crouch (“I’ve Got Confidence”), and Dallas Frazier (“He Is My Everything”). His vocal backgrounds come from the Imperials and J.D. Sumner & the Stamps, and the instrumental arrangements leave space for electric guitar and electric bass. Though it’s spiritual, it doesn’t have the sacred feel of 1960’s His Hand in Mine or the first half of 1966’s How Great Thou Art. –AllMusic Review by John Bush

Tracklist:
1 He Touched Me 2:37
2 I’ve Got Confidence 2:20
3 Amazing Grace 3:32
4 Seeing Is Believing 2:50
5 He Is My Everything 2:38
6 Bosom Of Abraham 1:34
7 An Evening Prayer 1:52
8 Lead Me, Guide Me 2:39
9 There Is No God But God 2:17
10 A Thing Called Love 2:22
11 I, John 2:14
12 Reach Out To Jesus 3:12

Personnel:
Elvis Presley – arranger, guitar, vocals
The Imperials, Ginger Holladay, Mary Holladay, Millie Kirkham, Kathy Westmoreland, Sonja Montgomery, June Page, Temple Riser – vocals
David Briggs – organ, piano
James Burton, Joe Esposito, Charlie Hodge, Chip Young – guitar
Kenny Buttrey, Jerry Carrigan – drums
Charlie McCoy – organ, piano
Joe Moscheo – organ, piano
Norbert Putnam – bass guitar

Download:

mqs.link_ElvisPresleyHeTuchedMe19722015HDTracks2496.rar

Elvis Presley – Let’s Be Friends (1970/2015) [AcousticSounds FLAC 24bit/96kHz]

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Elvis Presley – Let’s Be Friends (1970/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 21:54 minutes | 407 MB | Genre: Pop, Rock
Studio Masters, Official Digital Download – Source: AcousticSounds | Front Cover | © RCA Records
Recorded: March 1962 to March 1969

Let’s Be Friends is the thirty-seventh album by American singer and musician Elvis Presley, released on RCA Camden Records CAS 2408, in April 1970. It is the second Presley budget album to appear on the RCA subsidiary label. It peaked at number 105 on the Billboard 200 album chart. It was certified Gold on June 15, 1999 and Platinum on January 6, 2004 by the Recording Industry Association of America.

Just as Elvis Presley returned to the top of the charts with his 1968 comeback, RCA’s budget line Camden began to flood the market with compilations of leftovers. The process started in 1968 with Singer Presents Elvis Singing Flaming Star and Others, a record initially released as a promo but seeing wider circulation toward the end of the year, but it began in earnest with Let’s Be Friends, a hodgepodge released in April of 1970. Camden LPs offered a quick buck for both RCA and Elvis but that swift infusion of cash came at the expense of coherence, particularly in the case of Let’s Be Friends, which snags a couple of good leftovers from the American Sound Studio sessions from 1969 — “If I’m a Fool (For Loving You),” “I’ll Be There” — and pairs them with movie leftovers dating all the way back to 1962. That particular oldie would be “Mama,” an exceptionally sticky ballad, but most of the leftovers are recent, including three selections from Presley’s last film, 1969’s Change of Habit. Although these tracks pale when compared to the songs Elvis cut for Chips Moman, the production is informed by Presley’s soulful comeback, so they don’t feel quite as hackneyed as, say, the contrived down-home stomp “Stay Away, Joe” that unfortunately opens up the album. It’s the worst thing on the album, providing an uneasy start to what otherwise is a fitfully entertaining and worthwhile collection. –AllMusic Review by Stephen Thomas Erlewine

Tracklist:
1 Stay Away, Joe 1:39
2 If I’m A Fool (For Loving You) 2:45
3 Let’s Be Friends 2:44
4 Let’s Forget About The Stars (original LP Mono Mix) 2:26
5 Mama (original LP Mono Mix) 2:15
6 I’ll Be There 2:26
7 Almost 1:51
8 Change Of Habit 3:20
9 Have A Happy 2:23

Personnel:
Elvis Presley – Guitar, Vocals

Download:

mqs.link_ElvisPresleyLetsBeFriends19702015AcusticSunds2496.rar

Elvis Presley – On Stage (1970/2015) [HDTracks FLAC 24bit/96kHz]

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Elvis Presley – On Stage (1970/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 31:52 minutes | 693 MB | Genre: Pop, Rock
Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © RCA Records
Recorded: February 17–19, 1970, International Hotel, Las Vegas, Nevada

On Stage is an Elvis Presley live album mostly recorded between February 17 and 19, 1970 at the International Hotel, Las Vegas, Nevada, and released on RCA Records LSP-4362. It was an immediate follow up to From Memphis to Vegas/From Vegas to Memphis, which also featured live recordings. Unlike the previous release, however, this album focused on songs that were not, at the time, associated with Elvis. This album was released in June 1970 and reached number 13 on both the Billboard 200 and country music charts. It was certified Gold on February 23, 1971, and Platinum on July 15, 1999, by the Recording Industry Association of America.
It features the worldwide number one single “The Wonder of You”, which topped both the United States Adult Contemporary tracks chart and the British music chart. Other selections include “See See Rider”, “Yesterday”, Tony Joe White’s “Polk Salad Annie”, Del Shannon’s “Runaway”, and a version of “Let It Be Me”. “See See Rider” would go on to become Elvis’ frequent introductory number at his concerts up to his last performance at the (now defunct) Market Square Arena in Indianapolis Indiana on June 26, 1977, while “Polk Salad Annie” also became a regular part of his repertoire. The album is notable for not showing Elvis’ name anywhere on the cover.

Elvis’ second live album, partly cut at the International Hotel in Las Vegas in early 1970, is one of his most unfairly underrated releases. At the time, it did seem a bit cheap, offering ten songs that weren’t necessarily associated with Presley. By this time, he was adding covers of other artists’ contemporary hits to his set, not to capitalize on their success but to keep his hand in contemporary music and show audiences of the era that he was capable of doing more than reprising his own ’50s and early-’60s songs. The critics failed to notice two things, however: Presley had the same first-rate band who had graced the previous tour, led by James Burton on guitar; when he performed Neil Diamond’s “Sweet Caroline,” Tony Joe White’s “Polk Salad Annie,” and (most especially) Del Shannon’s “Runaway,” he did them extremely well. “The Wonder of You” might not have been “That’s All Right” or even “Heartbreak Hotel,” but it was a towering performance by a singer who could, even then, run circles around virtually anyone in the business this side of Roy Orbison. –AllMusic Review by Bruce Eder

Tracklist:
1 See See Rider 3:06
2 Release Me (And Let Me Love Again) 3:12
3 Sweet Caroline 2:43
4 Runaway 2:47
5 The Wonder Of You 2:39
6 Polk Salad Annie 5:33
7 Yesterday 2:28
8 Proud Mary 2:48
9 Walk A Mile In My Shoes 3:00
10 Let It Be Me (Je T’Appartiens) 3:39

Personnel:
Elvis Presley – Guitar, Guitar (Baritone), Vocals
James Burton, James Wilkinson – Guitar, Guitar (Baritone)
Glen D. Hardin – Keyboards, Piano
Charlie Hodge – Guitar, Guitar (Baritone), Vocals (Background)
The Imperials Quartet, The Sweet Inspirations – Vocals
Bob Lanning – Drums, Drums (Snare)
Bobby Morris – Conductor
Larry Muhoberac – Organ, Piano
Jerry Scheff – Bass, Guitar (Bass)
Ron Tutt, Ronnie Tutt – Drums

Download:

mqs.link_ElvisPresleynStage19702015HDTracks2496.rar

Elvis Presley – Promised Land (1975/2015) [HDTracks FLAC 24bit/96kHz]

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Elvis Presley – Promised Land (1975/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 28:51 minutes | 588 MB | Genre: Rock
Studio Masters, Official Digital Download – Source: HDTracks | Front Cover | © RCA Records
Recorded: December 10–15, 1973, Memphis, Tennessee

Promised Land is a 1975 album by American singer and musician Elvis Presley on RCA Records. It was recorded in December 1973 at Stax Records studios in Memphis and released on Presley’s 40th birthday. The material was the second pick from the December 1973 session, as the songs considered strongest had been issued on Good Times. The title track, a cover of the 1965 hit by Chuck Berry, was issued earlier as a single on September 27, 1974, and hit number 14 on the Billboard Hot 100 and the UK top ten. Its flip side, “Its Midnight”, reached 9 on the Country Charts. Another hit single from the album was “If You Talk in Your Sleep” reaching 17 on the Billboard Hot 100. In the US the album only reached number 47 on the Billboard Top 200 chart, but reached 1 in Billboard’s Top Country LPs chart. The album also reached 1 in the Country Cashbox albums chart. In the UK the album reached #21.

Promised Land came from the last studio recordings that Elvis Presley ever made in Memphis, the city where his fame and his legend started. The December 1973 Stax Records sessions showed him, as he had on From Elvis in Memphis, reaching out to publishers other than those he owned for songs, and the repertory embraces material by Chuck Berry, Waylon Jennings, and Larry Gatlin, among others. With the best players on hand and an upbeat mood when these songs were cut, and the singer himself lean and rested after a couple of years of concertizing, the vibes throughout this album were positive (and then some). Elvis sounds bold and confident in ways that make this album a diverting, if not profoundly exciting experience. It’s not as distinctive or as involved a personal document as Elvis Country or the concentrated soul workout of From Elvis in Memphis, but it does feature some fine, passionate singing throughout (most notably on “It’s Midnight,” a wrenching performance). –AllMusic Review by Bruce Eder

Tracklist:
1 Promised Land 2:51
2 There’s A Honky Angel (Who Will Take Me Back In) 3:01
3 Help Me 2:27
4 Mr. Songman 2:07
5 Love Song Of The Year 3:15
6 It’s Midnight 3:19
7 Your Love’s Been A Long Time Coming 2:53
8 If You Talk In Your Sleep 2:25
9 Thinking About You 3:02
10 You Asked Me To 2:51

Personnel:
Elvis Presley – vocals, guitar
David Briggs – piano, organ
James Burton, Johnny Christopher, Doug Bartenfeld – guitar
Jeannie Green – backing vocals
Per Erik Hallin – piano, organ
Mary and Ginger Holladay – backing vocals
Susan Pilkington – backing vocals
Norbert Putnam – bass
Ronnie Tutt – drums
Voice (Donnie Sumner, Sherrill Nielsen, Tim Baty, Per Eric “Pete” Hallin) – backing vocals
JD Sumner & The Stamps (Bill Baize, Ed Enoch, David Rowland) – backing vocals
Kathy Westmoreland – backing vocals
Per Eric “Pete” Hallin (“Promised Land”) – clavinet

Download:

mqs.link_ElvisPresleyPrmisedLand19752015HDTracks2496.rar

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