產品名稱: 懷舊名曲選 (SACD)
歌手名稱: 鄧麗君 (歌手)
推出日期: 2015-10-27
語言: 國語
製作來源地: 中國香港
光碟格式: Super Audio CD, 鐳射唱片

http://www.yesasia.com/global/%E6%87%B7%E8%88%8A%E5%90%8D%E6%9B%B2%E9%81%B8-sacd/1045981301-0-0-0-zh_TW/info.html

萬眾期待．十款中文流行錄音巨著SACD．強勢列陣
原裝封面、底式樣
終極聲效．質高量限

01 – 海韻
02 – 南海姑娘
03 – 不管你是誰
04 – 初次嚐到寂寞
05 – 我沒有騙你
06 – 微風細雨
07 – 賣肉粽(福建)
08 – 君心我心
09 – 舊夢何處尋
10 – 四個願望
11 – 雨中的點點滴滴
12 – 愛的理想
13 – 我怎能離開你
14 – 想你想斷腸
15 – 後悔愛上你
16 – 風從那裡來

Download:

mqs.linkSACDTeresaTengHuaiJiuMingQuXuan.part1.rar
mqs.linkSACDTeresaTengHuaiJiuMingQuXuan.part2.rar
mqs.link_SACDTeresaTengHuaiJiuMingQuXuan.part3.rar

產品名稱: 粵語名曲選 (SACD)
歌手名稱: 鄧麗君 (歌手)
推出日期: 2015-10-27
語言: 粵語
製作來源地: 中國香港
光碟格式: Super Audio CD, 鐳射唱片

http://www.yesasia.com/global/%E7%B2%B5%E8%AA%9E%E5%90%8D%E6%9B%B2%E9%81%B8-sacd/1045981302-0-0-0-zh_TW/info.html

萬眾期待．十款中文流行錄音巨著SACD．強勢列陣
原裝封面、底式樣
終極聲效．質高量限

01 – 漫步人生路
02 – 風霜伴我行
03 – 東山飄雨西山晴(原曲: 蘇州河邊)
04 – 遇見舊情人
05 – 忘記他
06 – 雪中情
07 – 有誰知我此時情「詞牌: 鷓鴣天」
08 – 向日葵
09 – 檳城艷
10 – 從今日起
11 – 遇見你(原曲: 北酒場)
12 – 雨中追憶
13 – 一水隔天涯
14 – 相思淚
15 – 誰在改變

Download:

mqs.linkSACDTeresaTengYueYuMingQuXuan.part1.rar
mqs.linkSACDTeresaTengYueYuMingQuXuan.part2.rar
mqs.link_SACDTeresaTengYueYuMingQuXuan.part3.rar

The Isley Brothers – The RCA Victor & T-Neck Album Masters 1959-1983 (23CD) (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 20:34:19 minutes | 24.4 GB | Genre: Soul/Funk/R&B
Studio Master, Official Digital Download – Source: Q0buz | @ Epic – Legacy

An essential library collection chronicling the sonic evolution and abiding achievements of the unprecedented R&B ensemble, The Isley Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) follows The Isley Brothers through their transformation from a 1950’s doo-wop/gospel vocal group into the world’s preeminent R&B rock ‘n’ soul powerhouse party band. As evidenced in this quarter century of recordings, The Isley Brothers absorbed the music and culture surrounding them to continually create contemporary sounds spanning the decades.    The Isley Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) features newly remastered versions of The Isley Brothers’ 21 albums released for both labels, nearly all of which are expanded with rare mixes and tracks making their CD debut. The new collection includes 84 rare and previously unreleased bonus tracks.   This set also includes, released here for the first time in its entirety, the “Great Lost Isley Brothers Album”: Wild In Woodstock: The Isley Brothers Live At Bearsville Sound Studio 1980. First conceived as a “live” double album (with overdubbed crowd noise), this newly restored performance offers an immersive look at a crucial chapter in The Isley Brothers’ history, a pivotal moment in the fusion of rock and funk music in an era fueled by the sound of the Isleys.    The Isley Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) offers new music fans an opportunity to revisit the seminal R&B sounds that continue to reverberate through contemporary soul, rock, hip-hop and pop records.

The Isley Brothers: The RCA Victor and T-Neck Album Masters (1959-1983)
(* includes bonus tracks)
• Shout! (RCA Victor, 1959)*
• It’s Our Thing (T-Neck, 1969)*
• The Brothers: Isley (T-Neck, 1969)*
• The Isley Brothers Live At Yankee Stadium (T-Neck, 1969)
• Get Into Something (T-Neck, 1970)*
• In The Beginning…The Isley Brothers & Jimi Hendrix (T-Neck, recorded 1964-1965; remixed/released 1971)*
• Givin’ It Back (T-Neck, 1971)*
• Brother, Brother, Brother (T-Neck, 1972)*
• The Isleys Live (T-Neck, 1973)
• 3+3 (T-Neck, 1973)*
• Live It Up (T-Neck, 1974)*
• The Heat Is On (T-Neck, 1975)*
• Harvest For The World (T-Neck, 1976)*
• Go For Your Guns (T-Neck, 1977)*
• Showdown (T-Neck, 1978)*
• Winner Takes All (T-Neck, 1979—2 CDs)*
• Go All The Way (T-Neck, 1980)*
• Wild In Woodstock: The Isley Brothers Live At Bearsville Studios 1980 (previously unreleased)*
• Grand Slam (T-Neck, 1981)*
• Inside You (T-Neck, 1981)*
• The Real Deal (T-Neck, 1982)*
• Between The Sheets (T-Neck, 1983)*

Tracklist:

Disc 1: Shout! (RCA Victor 2156, 1959)
1 When The Saints Go Marching In 2:32
2 Louis Blues 3:00
3 Yes, Indeed! 2:02
4 How Deep Is The Ocean 1:54
5 Ring-A-Ling-A-Ling (Let The Wedding Bells Ring) 2:57
6 Rock Around The Clock 2:14
7 He’s Got The Whole World In His Hands 1:57
8 That Lucky Old Sun (Just Rolls Around Heaven All Day) 2:44
9 Respectable 2:08
10 Without A Song 1:58
11 Shout (Part 1 and 2) 4:28
12 Turn To Me (mono) 2:43 (from RCA Victor single 7537)
13 Not One Minute More 2:21
14 I’m Gonna Knock on Your Door (mono) 1:54 (B-side of RCA Victor 7537)
15 Shout! (Part 1) (mono) 2:16 (from RCA Victor single 7588)
16 Shout! (Part 2) (mono) 2:18 (B-side of RCA Victor single 7588, with extended fade)
17 Respectable (mono) 2:07 (from RCA Victor single 7657)
18 Gypsy Love Song (Slumber On, My Little Gypsy Sweet) 2:36 (from RCA Victor single 7746)
19 Open Up Your Heart (B-side of RCA Victor 7746)
20 Tell Me Who 2:42 (RCA Victor single 7787)
21 Say You Love Me Too (Rehearsal) 0:54
22 Say You Love Me Too 2:05 (B-side of RCA Victor 7787)

Disc 2: It’s Our Thing (T-Neck 3001, 1969)
1 I Know Who You Been Socking It To 2:44
2 Somebody Been Messin’ 2:39
3 Save Me 3:31
4 I Must Be Losing My Touch 2:02
5 Feel Like The World 3:28
6 It’s Your Thing 2:49
7 Give The Women What They Want 2:19
8 Love Is What You Make It 2:40
9 Don’t Give It Away 2:46
10 He’s Got Your Love 1:59
11 I Know Who You Been Socking It To – Dave “Baby” Cortez 2:41 (T-Neck single 907/The Isley Brothers Way, T-Neck 3005, 1969)
12 Somebody Been Messin’ – Dave “Baby” Cortez 2:16 (from The Isley Brothers Way)
13 From The Beginning – The Sweet Cherries 2:11 (T-Neck single 910)
14 He’s Got Your Love – Judy White 1:57 (previously unreleased)
15 It’s Your Thing (mono) 2:56 (from T-Neck single 901, with alternate fade)
16 Somebody Been Messin’ – Judy White (mono) 2:23 (from T-Neck single 905)
17 Love Is What You Make It (mono) – The Sweet Cherries 2:54 (from T-Neck single 904)
18 Don’t Give It Away (mono) 2:54 (B-side of T-Neck single 901, alternate mix)
19 Somebody Been Messin’ (Instrumental) (mono) – The Isley Brothers Band 2:20 (B-side of T-Neck 905)

Disc 3: The Brothers: Isley (T-Neck 3002, 1969)
1 I Turned You On 2:37
2 Vacuum Cleaner 2:55
3 I Got To Get Myself Together 3:37
4 Was It Good To You 2:42
5 The Blacker The Berrie (a/k/a Black Berries) (Parts 1 & 2) 5:53
6 My Little Girl 3:40
7 Get Down Off of the Train 3:11
8 Holdin’ On 2:35
9 Feel Like The World 3:24
10 Black Berries (Part 1) (mono) 3:05 (T-Neck single 906, 1969)
11 Black Berries (Part 2) (mono) 2:49 (B-side of T-Neck single 906, 1969)
12 I Turned You On – Dave “Baby” Cortez 2:45 (T-Neck single 907-B, 1969)
13 Vacuum Cleaner – Judy White 3:10
14 I’ve Got To Get Myself Together – Rudolph Isley and Judy White 3:55

Disc 4: The Isley Brothers Live at Yankee Stadium (T-Neck 3004, 1969)
1 Introduction 1:54
2 I Know Who You Been Socking It To 3:02
3 I Turned You On 4:49
4 It’s Your Thing 3:55
5 Shout 7:46
6 Jesus, Lover Of My Soul 4:35
7 Joy, Joy 8:01
8 Oh Happy Day 8:55
9 People Get Ready 2:01
10 Talkin’ About My Baby 0:55
11 It’s All Right 0:35
12 Keep On Pushing 0:52
13 You Must Believe Me 0:56
14 I’m So Proud 1:55
15 Amen 2:10
16 Don’t Change Your Love 5:25
17 Somebody Been Messin’ 3:17
18 Love Is What You Make It 5:04
Recorded on June 21, 1969, at Yankee Stadium, Bronx, New York.
Tracks 2-5 performed by The Isley Brothers, Tracks 6-8 by The Edwin Hawkins Singers,
Tracks 9-15 by The Brooklyn Bridge, Track 16 by The Five Stairsteps and Cubie,
Track 17 by Judy White and Track 18 by Sweet Cherries.

Disc 5: Get Into Something (T-Neck 3006, 1970)
1 Get Into Something 7:30
2 Freedom 3:38
3 Take Inventory 2:46
4 Keep On Doin’ (mono) 4:02
5 Girls Will Be Girls, Boys Will Be Boys 2:50
6 I Need You So 4:25
7 If He Can, You Can 3:45
8 I Got To Find Me One 4:38
9 Beautiful 3:06
10 Bless Your Heart (mono) 3:04
11 Baby You Got It (mono) 3:02
12 Get Into Something (Part 1) (mono) 3:52
13 Get Into Something (Part 2) (mono) 3:39
14 Turn On, Tune In, Drop Out (Part 1) (mono) – The Brothers Three (a.k.a. The Isley Brothers) 2:59 (T-Neck single 903)
15 Turn On, Tune In, Drop Out (Part 2) (mono) – The Brothers Three 3:00 (B-side of T-Neck 903)

Disc 6: In the Beginning – The Isley Brothers and Jimi Hendrix (T-Neck 3007, 1971)
1 Move Over And Let Me Dance (Part 1)* 2:41
2 Have You Ever Been Disappointed (Part 1 & 2) * 6:19
3 Testify (Part 1 & 2) (mono) 4:13
4 Move Over And Let Me Dance (Part 2) * 2:43
5 Wild Little Tiger 2:24
6 The Last Girl * 2:51
7 Simon Says (mono) 2:27
8 Looking For A Love 3:15
9 Testify (Part 1) (mono single) 2:52 (from T-Neck single 501)
10 Testify (Part 2) (mono single) 3:09 (B-side of T-Neck 501)
Ronald, Rudolph and O’Kelly: vocals. Jimi Hendrix: guitar (except Wild Little Tiger and Simon Says).
Arranged and conducted by Teacho Wiltshire
Tracks recorded in 1964 and 1965
Remixed and released on LP in 1971
*Featuring Teacho Wiltshire’s Orchestra.
*Background vocals by Dionne Warwick.

Disc 7: Givin’ It Back (T-Neck 3008, 1971)
1 Ohio/Machine Gun 9:16
2 Fire And Rain 5:32
3 Lay Lady Lay 10:23
4 Spill The Wine 6:35
5 Nothing To Do But Today 3:42
6 Cold Bologna 3:03
7 Love The One You’re With 3:37
8 Warpath (single version) (mono) 2:32 (from T-Neck single 929)
9 Spill the Wine (single version) (mono) 2:43 (from T-Neck single 932)
10 Love the One You’re With (single version) (mono) 3:30 (from T-Neck single 930)
11 Lay Lady Lay (single version) (mono) 3:57 (from T-Neck single 933)

Disc 8: Brother, Brother, Brother (T-Neck 3009, 1972)
1 Brother, Brother 3:16
2 Put A Little Love In Your Heart 3:01
3 Sweet Seasons 2:59
4 Keep On Walkin’ 2:14
5 Work To Do 3:12
6 Pop That Thang 2:52
7 Lay-Away 3:23
8 It’s Too Late 10:31
9 Love Put Me on the Corner 6:32
10 It’s Too Late (single) 3:27 (T-Neck single 937)

Disc 9: The Isleys Live (T-Neck 3010, 1973)
1 Work To Do 4:36
2 It’s Too Late 13:04
3 It’s Your Thing 3:16
4 Pop That Thang 3:35
5 Love the One You’re With 5:45
6 Lay Lady Lay 7:36
7 Lay-Away 3:24
8 Ohio/Machine Gun 13:31

Disc 10: 3+3 (Featuring: That Lady) (T-Neck 32453, 1973)
1 That Lady (Part 1 & 2) 5:34
2 Don’t Let Me Be Lonely Tonight 4:03
3 If You Were There 3:23
4 You Walk Your Way 3:06
5 Listen to the Music 4:05
6 What It Comes Down To 3:53
7 Sunshine (Go Away Today) 4:22
8 Summer Breeze (Part 1 & 2) 6:12
9 The Highways of My Life 4:17
10 That Lady (Part 1) (Single) 3:09 (from T-Neck single 2251)
11 Summer Breeze (Part 1) (Single) 3:05 (from T-Neck single 2253)
12 The Highways of My Life (Single) 3:17 (from Epic U.K. single S EPC 1980)
13 Sunshine (Go Away Today) (SQ-Quad Mix) 4:32
14 Summer Breeze (SQ-Quad Mix) 6:17
15 That Lady – A conversation with O’Kelly Isley and Bruce Harris of Epic Records from a promotional sampler for 3+3 – Interview Part 1 6:34
16 Listen To The Music – Interview Part 2 5:12
17 Summer Breeze – Interview Part 3 2:26
18 The Highways of My Life and What It Comes Down To – Interview Part 4 3:26

Disc 11: Live It Up (T-Neck 33070, 1974)
1 Live It Up (Part 1 & 2) 6:15
2 Brown Eyed Girl 4:08
3 Need a Little Taste of Love 3:08
4 Lover’s Eve 4:41
5 Midnight Sky (Part 1 & 2) 6:56
6 Hello It’s Me 5:33
7 Ain’t I Been Good To You (Part 1 & 2) 8:31
8 Live It Up (Part 1) (single) 3:07 (from T-Neck 2254)
9 Midnight Sky (Part 1) (single) 3:40 (from T-Neck 2255)
10 Ain’t I Been Good To You (Part 1) (single) 2:41

Disc 12: The Heat is On (T-Neck 33536, 1975)
1 The Power (Part 1 & 2) 5:20
2 The Heat Is On (Part 1 & 2) 5:36
3 Hope You Feel Better Love (Part 1 & 2) 6:03
4 For The Love Of You (Part 1 & 2) 5:40
5 Sensuality (Part 1 & 2) 6:52
6 Make Me Say It Again Girl (Parts 1 & 2) 7:39
7 Fight The Power (Part 1) (Clean radio edit) 3:21

Disc 13: Harvest for the World (T-Neck 33809, 1976)
1 Harvest for the World (Prelude) 2:12
2 Harvest for the World 3:53
3 People of Today 4:40
4 Who Loves You Better 5:32
5 (At Your Best) You Are Love 5:24
6 Let Me Down Easy 6:30
7 So You Wanna Stay Down 3:52
8 You Still Feel The Need 4:52
9 Who Loves You Better (Part 1) (mono) 3:29 (from T-Neck promo single 2260)
10 Harvest for the World (Part 1) (Single Version) 3:30 (from T-Neck single 2261)
11 Harvest for the World (Instrumental) 3:40 (B-side of T-Neck 2261)

Disc 14: Go for Your Guns (T-Neck 34432, 1977)
1 The Pride (Part 1 & 2) 5:33
2 Footsteps in the Dark (Part 1 & 2) 5:06
3 Tell Me When You Need It Again (Part 1 & 2) 5:04
4 Climbin’ Up the Ladder (Part 1 & 2) 6:38
5 Voyage to Atlantis 4:32
6 Livin’ In The Life 4:12
7 Go For Your Guns 2:14
8 The Pride (Disco Mix) 5:29
9 Voyage To Atlantis (mono single) 3:54 (T-Neck single 2270)
10 Livin’ In The Life/Go For Your Guns (Disco Version) 6:28

Disc 15: Showdown (T-Neck 34930, 1978)
1 Showdown (Part 1 & 2) 5:25
2 Groove With You (Part 1 & 2) 4:52
3 Ain’t Givin’ Up No Love 4:43
4 Rockin’ With Fire (Part 1 & 2) 5:57
5 Take Me To The Next Phase (Part 1 & 2) 5:11
6 Coolin’ Me Out (Part 1 & 2) 6:04
7 Fun And Games 4:41
8 Love Fever (Part 1 & 2) 5:00
9 Showdown (Part 1) (single) (from T-Neck single 2278) 4:25
10 Groove With You (Part 1) (single) (from T-Neck single 2277) 4:05
11 Take Me To The Next Phase (Part 1) (single) (from T-Neck single 2272) 4:16
12 Take Me To The Next Phase (Alternate Version) 5:23
13 Showdown (Rehearsal) – Guide vocal by Chris Jasper; drums by Everett Collins 6:03

Disc 16 & 17: Winner Takes All (T-Neck 36077, 1979)
1 I Wanna Be With You (Parts 1 & 2) 6:22
2 Liquid Love (Parts 1 & 2) 5:17
3 Winner Takes All 4:15
4 Life in the City (Parts 1 & 2) 7:54
5 It’s A Disco Night (Rock Don’t Stop) (Parts 1 & 2) 5:16
6 (Can’t You See) What You Do To Me? 4:11
7 Let’s Fall In Love (Parts 1 & 2) 4:42
8 How Lucky I Am (Parts 1 & 2) 5:43
9 You’re The Key to My Heart 3:23
10 You’re Beside Me (Parts 1 & 2) 5:38
11 Let Me In Your Life (Parts 1 & 2) 5:10
12 Love Comes and Goes (Parts 1 & 2) 5:10
13 Go For What You Know 3:25
14 Mind Over Matter (Parts 1 & 2) 6:07
15 I Wanna Be With You (Parts 1 & 2) (Extended Version) 7:27
16 It’s A Disco Night (Rock Don’t Stop) (Parts 1 & 2) (Disco Remix) 8:50
17 Rudy’s Tune (How Lucky I Am) – Rudolph Isley (vocal) 5:45

Disc 18: Go All the Way (T-Neck 36305, 1980)
1 Go All The Way (Parts 1 & 2) 5:03
2 Say You Will (Parts 1 & 2) 5:27
3 Pass It On (Parts 1 & 2) 5:39
4 Here We Go Again (Parts 1 & 2) 7:36
5 Don’t Say Goodnight (It’s Time For Love) (Parts 1 & 2) 5:45
6 The Belly Dancer (Parts 1 & 2) 6:13
7 Here We Go Again (Part 1) (Single Version) 4:14 (T-Neck single 2291)
8 Don’t Say Goodnight (It’s Time For Love) (Instrumental)
9 Go All The Way (Rehearsal) (previously unreleased)
10 Pass It On (Rehearsal) (previously unreleased)

Disc 19: Wild in Woodstock: The Isley Brothers Live at Bearsville Sound Studio 1980
1 That Lady* 3:38
2 Say You Will* 5:38
3 Here We Go Again* 6:27
4 Don’t Say Goodnight (It’s Time For Love) 10:56
5 Medley: Hello It’s Me/Footsteps In The Dark* 1:05
6 For The Love Of You* 5:01
7 Fight The Power* 3:30
8 Groove With You 4:19
9 Summer Breeze* 10:28
10 Voyage To Atlantis 6:36
11 It’s A Disco Night (Rock Don’t Stop)* 6:15
12 Livin’ In The Life/Go For Your Guns* 5:23
(*) previously unreleased

Disc 20: Grand Slam (T-Neck/Epic 37080, 1981)
1 Tonight Is the Night (If I Had You) 4:57
2 I Once Had Your Love (And I Can’t Let Go) 4:41
3 Hurry Up and Wait 3:54
4 Young Girls 5:01
5 Party Night 4:08
6 Don’t Let Up 5:07
7 Who Said? 4:19
8 World Series * – Chris Jasper 6:57
9 I Once Had Your Love (And I Can’t Let Go) (Instrumental) 4:41 (from T-Neck single 02179)
10 Hurry Up And Wait (Instrumental) 4:06 (B-side of T-Neck 02033)
11 Party Night (Instrumental)* 4:10
12 Who Said? (Rhythm Mix)* 4:20
(*) previously unreleased

Disc 21: Inside You (T-Neck 37533, 1981)
1 Inside You (Parts 1 & 2) 9:06
2 Baby Hold On 4:25
3 Don’t Hold Back Your Love (Parts 1 & 2) 6:24
4 First Love 4:40
5 Love Merry-Go-Round 5:07
6 Welcome Into My Heart 5:03
7 Love Zone 4:25
8 Inside You (Part 1) (Single Version) 4:25 (T-Neck single 02531)
9 Inside You (Part 2) (Single Version) 4:51 (B-side of T-Neck single 02531)
10 First Love (Instrumental) 3:04
11 Playin’ for the Funk (Love Zone Outtake) (previously unreleased) 1:25

Disc 22: The Real Deal (T-Neck 38047, 1982)
1 The Real Deal (Part I and 2) 7:04
2 Are You With Me? 4:49
3 Stone Cold Lover 5:13
4 It’s Alright with Me 5:32
5 All In My Lover’s Eyes 5:15
6 I’ll Do It All For You 4:19
7 Under the Influence 5:43
8 The Real Deal (Instrumental) 7:09 (B-side of T-Neck single 02985)
9 It’s Alright With Me (Instrumental) 4:16 (B-side of T-Neck single 03281)

Disc 23: Between the Sheets (T-Neck 38674, 1983)
1 Choosey Lover 4:42
2 Touch Me 5:11
3 I Need Your Body 4:40
4 Between The Sheets 5:40
5 Let’s Make Love Tonight 4:49
6 Ballad for The Fallen Soldier 5:19
7 Slow Down Children 4:21
8 Way Out Love 4:12
9 Gettin’ Over 3:45
10 Rock You Good 3:34
11 Choosey Lover (Instrumental) 4:47 (B-side of T-Neck single 03994)
12 Touch Me (Instrumental) 5:07 (previously unreleased)
13 I Need Your Body (Instrumental) 4:41 (T-Neck single 04148)
14 Between The Sheets (Instrumental) 4:57 (B-side of T-Neck single 03797)
15 Let’s Make Love Tonight (Instrumental) 4:48 (B-side of T-Neck single 04320)

Download:

Disc1ShutRCAVictr21561959.part1.rar
Disc1ShutRCAVictr21561959.part2.rar
Disc2ItsurThingTNeck30011969.rar
Disc3TheBrthersIsleyTNeck30021969.rar
Disc4LiveAtYankeeStadiumTNeck30041969.part1.rar
Disc4LiveAtYankeeStadiumTNeck30041969.part2.rar
Disc5GetIntSmethingTNeck30061970.part1.rar
Disc5GetIntSmethingTNeck30061970.part2.rar
Disc6InTheBeginning…TheIsleyBrthersJimiHendrixTNeck30071971.rar
Disc7GivinItBackTNeck30081971.part1.rar
Disc7GivinItBackTNeck30081971.part2.rar
Disc8BrtherBrtherBrtherTNeck30091972.rar
Disc9TheIsleysLiveTNeck30101973.part1.rar
Disc9TheIsleysLiveTNeck30101973.part2.rar
Disc1033TNeck324531973.part1.rar
Disc1033TNeck324531973.part2.rar
Disc11LiveItUpTNeck330701974.part1.rar
Disc11LiveItUpTNeck330701974.part2.rar
Disc12TheHeatIsnTNeck335361975.rar
Disc13HarvestFrTheWrldTNeck338091976.rar
Disc14GFrYurGunsTNeck344321977.part1.rar
Disc14GFrYurGunsTNeck344321977.part2.rar
Disc15ShwdwnTNeck349301978.part1.rar
Disc15ShwdwnTNeck349301978.part2.rar
Disc1617WinnerTakesAllTNeck360771979.part1.rar
Disc1617WinnerTakesAllTNeck360771979.part2.rar
Disc1617WinnerTakesAllTNeck360771979.part3.rar
Disc18GAllTheWayTNeck363051980.part1.rar
Disc18GAllTheWayTNeck363051980.part2.rar
Disc19WildInWdstckTheIsleyBrthersLiveAtBearsvilleSundStudi1980.part1.rar
Disc19WildInWdstckTheIsleyBrthersLiveAtBearsvilleSundStudi1980.part2.rar
Disc20GrandSlamTNeck370801981.part1.rar
Disc20GrandSlamTNeck370801981.part2.rar
Disc21InsideYuTNeck375331981.part1.rar
Disc21InsideYuTNeck375331981.part2.rar
Disc22TheRealDealTNeck380471982.part1.rar
Disc22TheRealDealTNeck380471982.part2.rar
Disc23BetweenTheSheetsTNeck386741983.part1.rar
Disc23BetweenTheSheetsTNeck386741983.part2.rar

Lucy Rose – Work It Out (2015) [Deluxe Edition]
FLAC (tracks) 24-bit/44,1 kHz | Time – 62:11 minutes | 687 MB | Genre: Alternative, Indie
Studio Master, Official Digital Download | Source: Qobuz | @ Columbia

Lucy Rose Parton, known as Lucy Rose is an English singer-songwriter from Warwickshire, England. Her debut album, Like I Used To was released in September 2012. Lucy Rose released her second album Work It Out in 6 July 2015 on Columbia Records.

Lucy Rose’s sophomore album, Work It Out, marks appreciable changes for the singer/songwriter: it was recorded at London’s Snap Studios instead of largely in her parents’ living room, produced by Rich Cooper (Mark Knopfler, Mystery Jets), and embraces drums, keyboards, and pop production, in general, for a modified palette. The new direction is clearly a conscious one, moving from sparse, strummed acoustic indie folk to a driving, atmospheric, electronic sound, though all remains governed by Rose’s foamy vocal delivery. More enlivened arrangements include persistent drums, mixed high on the uptempo, rhythm-focused “Köln,” a song unlike anything on her debut. The shift is announced subtly at the start of the delicate opening track, “For You,” which begins with soft strummed guitar, quietly humming keyboards, and slide guitar effects, until the song breaks open with full drums, synths, and echoing vocals two-thirds of the way through. (This type of development takes place on the eventually little bit funky “My Life” as well.) “Fly High (Interlude)” and “She’ll Move” offer more ambient, reverb-loaded fare, the latter still beat-driven. Rose’s wispy, reedy tone both limits the volume of any production and provides the charm that sets her apart from much of the Lilith Fair-variety crowd. Engaging songwriting, with lyrics mostly of the love variety here, also anchor her solidly in worthwhile territory — Work It Out is far from a sellout-type effort. The move will surely attract some and alienate others, but her fragile, sometimes sultry carriage finds her more radio-ready without sacrificing distinctiveness. [A deluxe edition of Work It Out was issued simultaneously with five bonus tracks, including a live-in-studio version of Like I Used To’s “Shiver.”]

Tracklist:
01 – For You
02 – Our Eyes
03 – Like an Arrow
04 – Nebraska
05 – Köln
06 – Shelter
07 – My Life
08 – Fly High (Interlude)
09 – Till the End
10 – Cover Up
11 – She’ll Move
12 – Work It Out
13 – Into the Wild
14 – Sheffield [Bonus Track]
15 – Lone Ranger [Bonus Track]
16 – I Tried [Bonus Track]
17 – Like That [Bonus Track]
18 – Shiver (Live from RAK Studios) [Bonus Track]

Download:

LucyRseWrkItut201544.124.rar

Tame Impala – Currents (2015) 
FLAC (tracks) 24 bit/44.1 kHz | Time – 00:51:14 minutes | 613 MB | Genre: Alternative
Official Digital Download – Source:  | @ Interscope/Modular Recordings
Recorded: 2013–2015, Fremantle, Western Australia

Currents is the third studio album by Australian psychedelic rock act Tame Impala, to be released on 17 July 2015 on Interscope Records. Like the group’s previous two albums, Currents was written, recorded, performed, and produced by primary member Kevin Parker.
In contrast to the psychedelic rock sound of those albums, Currents marks a shift to more dance-oriented music, with more emphasis placed on synthesizers than guitars. Parker was inspired to seek a change out of desire to hear Tame Impala’s music played in dance clubs and after an emotional experience listening to the Bee Gees’ “Stayin’ Alive”. Thematically, the record is about the process of personal transformation. Parker said, “It follows the progression of someone feeling like they are becoming something else. They’re becoming the kind of person they thought they’d never become.” For Currents, Parker returned to the seaside house in which he recorded the group’s first album, Innerspeaker (2010).

After a long break from making Tame Impala music, during which time Kevin Parker produced other people’s albums and played in side projects, 2015’s Currents shows that much has changed with the project. Like before, Parker recorded the album on his own, only this time without Dave Fridmann’s guiding hand and by mostly forsaking electric guitars in favor of a wealth of synthesizers, and this time out there’s a much more relaxed, intimate approach. In addition to the soft rock of the ’70s feel that permeates the sound, Parker adds elements of R&B and hip-hop to the mix, gets lyrically introspective in spots, and generally sounds like he’s either on the verge of a long nap or just waking up from one. These aren’t bad things when done right, and Parker’s prowess as a producer and musician makes most of Currents palatable, if not extremely exciting. However, by focusing on all these new elements, and by sleepwalking through at least half of the songs, this new way of doing things does a lot to frustrate the expectations of anyone looking to this album as another mind-blowing expression of guitar-heavy psych-pop. It’s hard to deny artists the chance for change or growth, and Parker seems dedicated to both here. Where you can fault them is if they don’t change or grow in an interesting or unique way. Great chunks of Currents sound like plenty of other bands and artists in 2015, especially since practically everyone with access to recording equipment did their own takes on midtempo, chilled-out R&B. Does Parker do it as well as others like Unknown Mortal Orchestra or Caribou? Sure, he does. Is it enough to make this album worth checking out? Yes, but it’s not enough to make it an improvement over his previous work. At Tame Impala’s best, they blend huge guitar sounds, melodic basslines, and vintage synths into sweeping psychedelic rock with energy and drive that feel hugely cinematic while still feeling real. There are only a couple times here when Parker comes close to that sweet spot. For example, the both “Let It Happen” and “Reality in Motion” have a good blend of guitars and synths and a sense of purpose that’s often missing elsewhere. There are far more times where he strays too far from his strengths and gets bogged down in meandering, overly smoothed-out sounds and meandering songs that deliver no real payoff or sound half-baked at best, like the embarrassingly weak “Cause I’m a Man.” It’s too bad that Parker stashed his guitars away instead of keeping them around to add to the mix. It’s definitely not a case of addition by subtraction; it’s quite the opposite. While Currents would have made a decent Kevin Parker solo album, people coming to the album and expecting to hear the Tame Impala they are used to will most likely end up quite disappointed.    ~~ AllMusic Review by Tim Sendra

Tracklist:
1. Let It Happen 7:46
2. Nangs 1:47
3. The Moment 4:15
4. Yes I’m Changing 4:30
5. Eventually 5:19
6. Gossip 0:55
7. The Less I Know the Better 3:38
8. Past Life 3:47
9. Disciples 1:48
10. ‘Cause I’m a Man 4:01
11. Reality in Motion 4:12
12. Love/Paranoia 3:06
13. New Person, Same Old Mistakes 6:02

Personnel:
Kevin Parker – vocals, guitar, bass, drums, keys
Jay Watson – drums, keys, guitar
Dominic Simper – percussion, bass, guitar, effects

Download:

TameImpalaCurrents201544.124.rar

The Knights – the ground beneath our feet (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 1:15:21 minutes | 1,45 GB  | Genre: Classical
Studio Master, Official Digital Download  | Source: highresaudio.com | Digital Booklet | @ Warner Classics
Recorded live at Dumbarton Oaks, Washington, DC, October 7-8, 2013.

Recorded live in concert at Dumbarton Oaks in DC, to commemorate the 75th anniversary of Stravinsky’s chamber concerto at the Washington estate for which it was originally named, ‘the ground beneath our feet’ brings together radically divergent examples of the concerto grosso, by composers ranging from Bach and Haydn to those of the present day, by way of modern masters Stravinsky and Steve Reich. True to their collegial creed, The Knights’ own contribution to the form – the title track, …the ground beneath our feet, recorded here for the first time – is a genuine group composition, collaborative from inception to interpretation. Also receiving its world premiere recording is the Concerto for Santur, Violin, and Orchestra, which represents the third collaboration between longtime friends and musical partners Colin Jacobsen and Siamak Aghaei, leading exponent of the Iranian santur, or hammered dulcimer. The Knights juxtapose these two original concerto grossi with four earlier examples of the form. Representing its apotheosis in the Baroque is the Concerto for Violin and Oboe by J.S. Bach, whose third Brandenburg Concerto provided the model for Stravinsky’s neoclassical masterpiece “Dumbarton Oaks.” Steve Reich’s Duet for Two Violins and Strings is dedicated to Yehudi Menuhin and “the ideals of international understanding which he practiced throughout his life.”

The concerto grosso is a Baroque concept and form, wherein a small group of soloists (the concertino) is pitted against a larger ensemble (the ripieno), and the alternations of material between these groups give the music its feeling of virtuosity and mounting excitement. This 2015 album by the Knights presents five pieces styled on the concerto grosso scheme, and the most authentic example is J.S. Bach’s Concerto for violin and oboe, a model for many composers exploring concertante ideas. Two works that take Bach as a jumping off point are Steve Reich’s minimalist Duet for two violins and strings, and Igor Stravinsky’s neo-classical “Dumbarton Oaks” Concerto, which invokes Bach’s Brandenburg Concertos. Taking the concerto grosso idea further afield, Colin Jacobsen and Siamak Aghei present their Concerto for santur (a trapezoidal hammered dulcimer), violin, and orchestra, and the group-composed work, …the ground beneath our feet, which includes the song, “Fade Away,” sung by vocalist Christina Courtin. The program has an eclectic feeling, due to its even mix of classical, modern, international, and folk elements, and this may be an attraction or a hindrance. Fans of crossover music will enjoy the Knights’ fluidity between different kinds of music, and the ease of their exchanges gives the album a feeling of spontaneity and freshness. However, strictly classical listeners may appreciate the Bach and Stravinsky more readily than the other less predictably structured pieces. –AllMusic Review by Blair Sanderson

Tracklist:
Steve Reich (b. 1936)
1. Duet for Two Violins and Strings 06:03
Johann Sebastian Bach (1685-1750)
Concerto for violin & oboe in C minor, BWV 1060R
2. I. Allegro 04:42
3. II. Adagio 04:31
4. III. Allegro 03:22
Igor Stravinsky (1882-1971)
Concerto in E flat major “Dumbarton Oaks”
5. I. Tempo giusto 04:49
6. II. Allegretto 04:22
7. III. Con moto 06:05
Colin Jacobsen (b. 1978) / Siamak Aghaei (b. 1974)
Concerto for santur, violin & orchestra
8. I. Prelude – Invocation of a Bakhshi 03:31
9. II. Part 1 – Twisting, the Vine is Strengthened 03:56
10. III. Part 2 – The Circle tends Inwards… 07:12
11. IV. Part 3 – And Outwards… 11:40
The Knights
12. the ground beneath our feet 15:08

The Knights:
Violin – Colin Jacobsen (concertmaster), Christina Courtin, Johnny Gandelsman, Ariana Kim, Guillaume Pirard, Amie Weiss
Viola – Kyle Armbrust, Max Mandel, Miranda Sielaff
Cello – Alex Greenbaum, Eric Jacobsen
Bass – Shawn Conley, Grey Fulmer
Flute – Alex Sopp
Oboe – Michelle Farah, Adam Hollander
Clarinet – Agnes Marchione
Bassoon – Edward A. Burns
Horn – Michael P. Atkinson, Jason Sugata
Harpsichord – Paolo Bordignon
Percussion – Shane Shanahan

Download:

TheKnightsthegrundbeneathurfeet20159624.part1.rar
TheKnightsthegrundbeneathurfeet20159624.part2.rar

Various Artists – Hommage a Eberhard Weber (2015)
FLAC (tracks) 24-bit/48 kHz | Time – 01:18:45 minutes | 886 MB | Genre: Jazz
Studio Master, Official Digital Download – Source: Q0buz | @ ECM Records GmbH
Recorded by SWR, January 2015, at Theaterhaus Stuttgart

In January 2015 musicians and listeners converged upon Stuttgart’s Theaterhaus for two consecutive nights to celebrate the 75th birthday of Eberhard Weber. The concerts centered around a specially commissioned 35-minute suite by Pat Metheny, with whom Weber had played and recorded back in the 1970s. Featuring Metheny, the SWR Big Band conducted by Helge Sunde, Gary Burton, bassist Scott Colley and Danny Gottlieb on drums, the composition was arranged around recordings of solos by Weber. Other performers during the two nights playing selections from Weber’s vast body of work were Weber’s longtime companions Jan Garbarek, Paul McCandless and arranger Michael Gibbs, all drawing ovations from the packed house. “A truly special event, this.” Michael Tucker, Jazz Journal.

Tracklist:
1 Resume Variations 08:00
2 Hommage 31:33
3 Touch 08:20
4 Maurizius 09:27
5 Tubingen 06:55
6 Notes After An Evening 05:33
7 Street Scenes (Bonus Track) 09:00

Personnel:
Pat Metheny: guitar
Jan Garbarek: saxophones
Gary Burton: vibraphone
Scott Colley: double bass
Danny Gottlieb: drums
Paul McCandless: oboe and soprano saxophone
Eberhard Weber: bass, from tapes
SWR Big Band, conducted by Helge Sunde and Mike Gibbs

Download:

VAHmmageEberhardWeber20154824.rar

Villa-Lobos: Complete Choros & Bachianas Brasileiras – São Paulo Symphony Orch. [Official Digital Download 24bit/44.1kHz, 2009]
FLAC (tracks) 24 bit/44.1 kHz | 7 Discs | 08:33:01 minutes | 4,43 GB | Genre: Classical
Studio Master, Official Digital Download | Artwork: Full PDF Booklet (in Disc 1 folder)
2009 BIS Release

The finest recordings of these works available! The Brazilian composer (we needn’t remind his most ardent supporters that he’s the most significant Latin American composer of all time) behind numerous orchestral, chamber, instrumental and vocal works lets his creative genius show on Choros (from the Portuguese verb chorar , “to weep”) Nos. 1-12 and Bachianas Brasileiras (“Brazilian Bach-pieces”) Nos. 1-9. Also includes a bonus disc of solo guitar music played by the distinguished Anders Miolin. Great notes in the booklet, too…highly recommended! – Gramophone Magazine

The works on these seven discs by Villa-Lobos are a marvel. The most interesting thing that he accomplished with these works are the varying lengths and unique combinations of instruments within the Choros and Bachianas Brasileiras blueprints. Choros No. 1 is a short guitar solo. Choros No. 11 is a 3 movement, hour long piano concerto. You get such a wide and eclectic variety that it doesn’t get stale. There’s a lot of music here. Bachianas No. 4 is especially note-worthy. You have the original piano solo as well as the much superior orchestral versions with this collection. No. 5 is set for soprano and “orchestra of cellos”. No. 3 for horns and trombone. You get the idea. There is such a wealth of ideas and originality in the Bachianas Brasileiras; using the idiom of Bach and filtering it through the Brazilian style. The Choros are a group of pieces that sound improvisational and wild, sculpted around the language of Brazilian street music. The playing here is phenomenal, and the sound quality is exceptional!

Tracklist:
CD 1:
Heitor Villa-Lobos
1. Introduction to the Choros for guitar and orchestra 13’32
Two Choros (bis) for violin and cello
2. I. Moderé 4’24
3. II. Lent – Moins – Lent 4’17
4. Choros No.2 for flute and clarinet 2’42
5. Choros No.3, ‘Pica-Pau’ for male choir and wind instruments 3’32
6. Choros No.10, ‘Rasga o Coração’ for orchestra and mixed choir 13’01
7. Choros No.12 for orchestra 37’01

CD 2:
1. Choros No.6 for orchestra 24’49
2. Choros No.1 for guitar 5’09
3. Choros No.8 for large orchestra and 2 pianos 20’00
4. Choros No.4 for 3 horns and trombone 5’31
5. Choros No.9 for orchestra 24’19

CD 3:
Choros No.11 for piano and orchestra
1. Allegro preciso ma non troppo (attacca) 21’02
2. Adagio (attacca) 15’39
3. Allegro moderato 26’09
4. Choros No.5, ‘Alma Brasileira’ for piano 5’02
5. Choros No.7, ‘Settimino’ for winds, violin and cello 9’15

CD 4:
Bachianas Brasileiras No.5 for soprano and orchestra of violoncelli
1. I. Ária (Cantilena) 6’26
2. II. Dança (Martelo) 4’33
Bachianas Brasileiras No.4 (version for piano solo)
3. I. Prelúdio (Introdução) 7’00
4. II. Coral (Canto do sertão) 3’50
5. III. Ária (Cantiga) 5’03
6. IV. Dança (Miudinho) 2’55
Bachianas Brasileiras No.6 for flute and bassoon
7. I. Ária (Choro) 3’37
8. II. Fantasia 5’25
Bachianas Brasileiras No.1 for orchestra of violoncelli
9. I. Introdução (Embolada) 6’24
10. II. Prelúdio (Modinha) 8’31
11. III. Fuga (Conversa) 4’02

CD 5:
Bachianas Brasileiras No.2 for orchestra
1. I. Prelúdio (O canto do capadócio) 7’02
2. II. Ária (O canto da nossa terra) 5’21
3. III. Dança (Lembrança do sertão) 5’02
4. IV. Toccata (O trenzinho do caipira) 4’32
Bachianas Brasileiras No.3 for piano and orchestra
5. I. Prelúdio (Ponteio) 7’00
6. II. Fantasia (Devaneio) 7’04
7. III. Ária (Modinha) 7’24
8. IV. Toccata (Picapau) 6’00
Bachianas Brasileiras No.4 (version for orchestra)
9. I. Prelúdio (Introdução) 4’06
10. II. Coral (Canto do sertão) 4’27
11. III. Ária (Cantiga) 5’55
12. IV. Dança (Miudinho) 3’51

CD 6:
Bachianas Brasileiras No.7 for orchestra
1. I. Prelúdio (Ponteio) 7’14
2. II. Giga (Quadrilha caipira) 4’23
3. III. Toccata (Desafio) 6’59
4. IV. Fuga (Conversa) 7’07
Bachianas Brasileiras No.9 (version for string orchestra)
5. I. Prelúdio 2’06
6. II. Fuga 6’07
Bachianas Brasileiras No.9 (version for choir a cappella)
7. I. Prelúdio 2’00
8. II. Fuga 6’34
Bachianas Brasileiras No.8 for orchestra
9. I. Prelúdio 5’16
10. II. Ária (Modinha) 7’37
11. III. Toccata (Catira batida) 5’35
12. IV. Fuga 5’14
13. Quinteto em forma de Choros 9’44

CD 7:
Five Preludes for guitar
1. I. Andantino expressivo 4’39
2. II. Andantino 3’01
3. III. Andante 3’15
4. IV. Lento 3’06
5. V. Poco animato 3’32
Suite populaire brésilienne for guitar
6. Mazurka-choro 2’57
7. Schottish-choro 3’27
8. Valsa-choro 3’49
9. Gavota-choro 5’02
10. Chorinho 4’35
Twelve Études for guitar
11. I. Allegro non troppo 2’21
12. II. Allegro 1’45
13. III. Allegro moderato 1’39
14. IV. Andante 3’47
15. V. Andantino 3’16
16. VI. Poco allegro 2’04
17. VII. Très animé 2’41
18. VIII. Modéré 2’55
19. IX. Très peu animé 3’08
20. X. Très animé 3’41
21. XI. Lent 4’07
22. XII. Animé 2’40
23. Choros No.1 for guitar 4’44

Artists:
Donna Brown, soprano
Sato Moughalian, flute
Elizabeth Plunk, flute
Ovanir Buosi, clarinet
Alexandre Silvério, bassoon
Anders Miolin, guitar
Fabio Zanon, guitar
Cláudio Cruz, violin
Johannes Gramsch, cello
Jean Louis Steuerman, piano
Cristina Ortiz, piano
São Paulo Symphony Orchestra Choir, choir
Berlin Philharmonic Wind Quintet, ensemble
São Paulo Symphony Orchestra, orchestra
John Neschling, conductor
Roberto Minczuk, conductor
Naomi Munakata, conductor

Download:

VillaLbsCmpleteChrsBachianasBrasileirasSaPaulSymphnyrch2444.1.part1.rar
VillaLbsCmpleteChrsBachianasBrasileirasSaPaulSymphnyrch2444.1.part2.rar
VillaLbsCmpleteChrsBachianasBrasileirasSaPaulSymphnyrch2444.1.part3.rar
VillaLbsCmpleteChrsBachianasBrasileirasSaPaulSymphnyrch2444.1.part4.rar
VillaLbsCmpleteChrsBachianasBrasileirasSaPaulSymphnyrch2444.1.part5.rar

Romanus Weichlein – Opus 1, 1695 – Ensemble Masques (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:56 minutes | 1,22 GB  | Genre: Classical
Studio Master, Official Digital Download  | Source: Q0buz | Digital Booklet | @ Alpha Productions / Outhere Music
Recorded: 5 to 8 september 2014 at the church OF of laval en brie, France

After a first disc devoted to Schmelzer, enthusiastically hailed by the critics (‘Editor’s Choice’ Gramophone, ‘Choc’ of Classica), the ensemble Masques, conducted by Olivier Fortin, returns to Alpha with a programme combining works by Muffat, Kerll and Pachelbel along with those of a composer who has remained largely unknown and totally forgotten: Romanus Weichlein (1652–1706).
Benedictine monk, prefect and official composer of the Benedictine abbey of Säben, Romanus Weichlein left several collections of sonatas and masses as well as large chaconnes, magnificent works in the tradition of his compatriots Biber, Johann Heinrich Schmelzer, Pavel Josef Vejvanovský and Georg Muffat.
In this new programme, Masques presents both ensemble pieces and others for solo or two harpsichords (the second harpsichord being played by Skip Sempé ), always featuring the expressiveness, eloquence and profound interpretation for which it is known.

Tracklist:
Romanus Weichlein (1652–1706)
01 | Encaenia musices, Op.1: Sonata III in A Minor 10:19
Johann Kuhnau (1660-1722)
02 | Suonata sesta in B Flat Major (Transcription for Two Harpsichords): Ciaccona 03:29
Romanus Weichlein
03 | Encaenia musices, Op.1: Sonata XI in B Minor 05:47
Georg Böhm (1661-1731)
04 | Capriccio in D Major 05:15
Romanus Weichlein
05 | Encaenia musices, Op.1: Sonata IX in D Minor 05:17
Johann Pachelbel (1653-1706)
06 | Ciaccona in D Minor, T. 204 04:53
Romanus Weichlein
07 | Encaenia musices, Op.1: Sonata VI in F Major 08:03
Johann Kaspar Kerll (1627-1693)
08 | Ciaccona in C Major (Transcription for Two Harpsichords) 02:51
Romanus Weichlein
09 | Encaenia musices, Op.1: Sonata II in G Minor 08:09
Georg Muffat (1653-1704)
10 | Passacaglia in G Minor 06:56

Personnel:
Ensemble Masques
Sophie Gent & Tuomo Suni, violine
Kathleen Kajiokaa, viola
Mélisande Corriveau, bassgambe
Benoît Vanden Bemden, violone
Olivier Fortin, cembalo & orgel
mit der teilnehmen von skip sempe für die zwei-cembalo stück (spuren 2, 6 & 8)

Download:

Weichleinpus11695EnsembleMasques2015ALPHAStudiMaster96kHz24bit.part1.rar
Weichleinpus11695EnsembleMasques2015ALPHAStudiMaster96kHz24bit.part2.rar

レーベル Sony Music Labels Inc.
配信開始日 2014.08.13
収録曲数 全5曲
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000001/4988009096551/

前作がTVアニメ「キルラキル」のEDテーマとしてスマッシュヒットを記録した沢井美空のニューシングルはTVアニメ『アカメが斬る！』エンディング・テーマに抜擢。世界観を完璧に書き下ろした’壮大なロックバラード’完成。

収録曲

1 – こんな世界、知りたくなかった。 04:17
2 – Blue 03:48
3 – Fly!! 02:59
4 – こんな世界、知りたくなかった。（Anime Ver.） 01:33
5 – こんな世界、知りたくなかった。（Instrumental) 04:15

Download:

mqs.link_AkamegaKill.rar

レーベル Sony Music Labels Inc.
配信開始日 2015.03.04
収録曲数 全3曲
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000001/4547557037869/

約1年半ぶりとなる今回の『恋の寿命』は、彼らが大切に温め続けた渾身の”恋のうた”。

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
「恋の寿命」：
読売テレビ・日本テレビ系TVアニメ『まじっく快斗1412』エンディングテーマ

収録曲

1 – 恋の寿命 05:13
2 – いやしらんけど 03:42
3 – Sports 04:14

Download:

mqs.link_GalileGalileiAlbumMraHIRESflac.rar

レーベル loversoul music & associates
配信開始日 2016.05.09
収録曲数 全1曲
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000081/4988013885851_H/

P.A.WORKS 15周年記念アニメーション作品『クロムクロ』OPテーマとしてオンエア中、作詞・作曲HISASHIによる疾走感溢れるロックチューン！

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
TVアニメ『クロムクロ』OPテーマ

収録曲

1 – デストピア 96.0kHz/24bit GLAY 04:00

Download:

mqs.link_GLAY.rar

レーベル ポニーキャニオン
配信開始日 2016.05.11
収録曲数 全4曲
販売データ ハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000004/PCCG-01524_F/

TVアニメ『六花の勇者』OP&ED第一章にて、鮮烈デビューを飾った期待のアーティスト、MICHI待望のサード・シングル!P.A.WORKS 15周年記念アニメーション作品であるTVアニメ『クロムクロ』のEDテーマ。今回も引き続き楽曲プロデュースを担当するのは、水樹奈々や茅原実里などで有名なアニソン界のヒットメーカー『Elements Garden』が担当。

★★アニメが熱い！mora春アニメキャンペーン★★
moraでは豪華アニメ関連プレゼントが当たるキャンペーンを4/27より実施！
ハイレゾ音源の表題曲「リアリ・スティック」を”単曲購入”してご応募された方が対象となっております。
商品購入後、ページ内の応募バナーより奮ってご応募ください！

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
TVアニメ「クロムクロ 」のEDテーマ

収録曲

1 – リアリ・スティック 04:49
2 – 真夏のオーケストラ 03:36
3 – リアリ・スティック(Instrumental) 04:49
4 – 真夏のオーケストラ(Instrumental) 03:32

Download:

mqs.link_MICHI.rar

Hank Crawford & The Marty Paich Orchestra – The Soul Of The Ballad (1963/2012)
FLAC (tracks) 24 bit/192 kHz | Time – 37:05 minutes | 1,49 GB | Genre: Smooth Jazz
Official Digital Download – Source: HDTracks.com | Front cover | Label: Rhino Atlantic

On The Soul Of The Ballad, Hank Crawford is backed by The Marty Paich Orchestra. The crossover sensation performs with effortless ease as he plays a dozen flawless ballads. With riveting arrangements, the repertoire includes the standouts “I Left My Heart In San Francisco,” “Whispering Glass” and “Time Out For Tears.”

This Atlantic Lp has been repackaged in a classy audiophile reissue Lp by Mobile Fidelity. The soulful altoist Hank Crawford plays a dozen ballads while backed by the Marty Paich Orchestra and the sound reproduction is flawless. Unfortunately the quality of the music itself is not high at all. The repertoire includes more than its share of losers (including “I Left My Heart In San Francisco,” “Whispering Grass” and “Time Out For Tears”), the arrangements are quite dull and Crawford does little more than caress the melodies. Definitely a lesser effort. –AllMusic Review by Scott Yanow

Tracklist:
1 Blueberry Hill 3:25
2 I Left My Heart In San Francisco 2:45
3 Stormy Weather 3:18
4 Sweet Slumber 2:53
5 If I Didn’t Care 2:47
6 Stardust 3:58
7 Any Time 2:43
8 Whispering Glass 2:47
9 Time Out For Tears 2:58
10 I’m Getting’ Sentimental All Over You 3:20
11 There Goes My Heart 3:15
12 Have A Good Time 2:56

Personnel:
Hank Crawford, alto, tenor saxophone
The Marty Paich Orchestra
Marty Paich, arranger, conductor

Download:

mqs.linkHankCrawfrdTheMartyPaichrchestraTheSulfTheBallad196319224.part1.rar
mqs.linkHankCrawfrdTheMartyPaichrchestraTheSulfTheBallad196319224.part2.rar

Henri Herz – Piano Concerto No. 2 – Tasmanian Symphony Orchestra, Howard Shelley (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 01:05:06 minutes | 1,01 GB | Genre: Classical
Studio Master, Official Digital Download  – Source: hyperion-records | @ Hyperion Records
Recorded: May 2014, Federation Concert Hall, Hobart, Tasmania, Australia

Henri Herz—as much a phenomenon in 1830s Paris and for the ensuing decades in America as he has been derided since the curtain fell on his world of sparkle—wrote eight piano concertos. One is lost, so it is for the final time in this mini series that Howard Shelley and the Tasmanian Symphony Orchestra here get to put on their finest dancing shoes and perform the Piano Concerto No 2 in C minor (the one with which Herz conquered America in 1846) and three extended fantasies.

Recorded during May 2014 in the Federation Concert Hall, Hobart, Tasmania, this is the third volume from Hyperion devoted to the piano concertos of Henri Herz (1803-1888). It’s also Volume 66 in Hyperion’s ongoing series The Romantic Piano Concerto, which has unearthed a good deal of excellent material which would otherwise have lain dormant, undiscovered and neglected.
Born in Vienna in 1803 (though some say 1806) Heinrich Herz arrived in Paris in 1816 to study at the Paris Conservatoire. He became utterly Parisian, adopting Henri as his first name, and spent his long life largely touring around the world as a highly successful virtuoso pianist, building pianos in France, and teaching as a Professor of Piano at the Conservatoire.
His sort of music, sometimes light-hearted and light of tone, coupled with the need for dazzling dexterity, was thought of by some by the mid-1850s to be too superficial, and was viewed as no more than cheap Parisian musique du salon. Robert Schumann possibly had no greater bête noire than Herz, referring to him as a stenographer rather than composer, and writing his Phantasie satyrique (nach Henri Herz) to poke fun at what he perceived as worthless playing to easily-impressed crowds. Indeed, one of Schumann’s insults was to refer to music he despised as ‘Herzian’. Jeremy Nicholas has written extensively about Herz’s life and times and his contribution to 19th-century music, and his essays in the booklets of all four of Hyperion’s releases are well worth investigating to throw further light on this fascinating, near-forgotten and certainly neglected composer.
Herz wrote eight concertos for piano and orchestra, though one is lost, and with this release all seven survivors are now available on record. The second, presented here, was written around 1830, and opens profoundly with a long introduction for the orchestra in C minor. The mood does change during the concerto, the first movement ending in a bold and confident C major, and the last, a Rondo, is also in the major key. The slow movement, in E flat, is marked ‘Andantino cantabile con molt’ espressione’ and is a delight, Howard Shelley bringing out the singing melodies, which reminded me of Irish folk-songs, quite beautifully.
The Grand Polonaise Brillante, Op 30 is the earliest work here, written before 1830, and could be mistaken for Chopin. The two Fantaisies from around 1832 and 1850 make up the remainder of the programme and are based on works very popular at the time, by Donizetti and Rossini. The Grande fantaisie militaire sur La Fille du Régiment positively sparkles with wit, and the military orchestration towards the end, replete with percussion and piccolo certainly brought a smile to my face. Perhaps Schumann would not have been amused.
A lot of Herz’s writing for piano is fiendishly difficult and highly delicate, more filigree than barn-storming keyboard-bashing display, requiring sensitive handling. Howard Shelley shows all this off very successfully indeed, the light and bright-toned piano making the rapid, lithe passage-work crystal-clear, especially heard through the 24-bit download. Directed from the keyboard by Howard Shelley the Tasmanian Symphony Orchestra contributes a lean clear sound in a credible concert-hall balance, all captured in fine sound by Hyperion’s engineers. Bravo! –Peter Joelson, Audiophile Audition

Tracklist:
Henri Herz (1803-1888)
Piano Concerto No 2 in C minor Op 74
1 Allegro moderato[9’10]
2 Andantino cantabile con molt’ espressione[5’32]
3 Rondo: Allegro vivo[7’42]
4 Grande fantaisie militaire sur La fille du régiment Op 163[12’55]
5 Fantaisie et variations sur la marche d’Otello de Rossini Op 67[15’45]
6 Grande polonaise brillante Op 30[14’02]

Personnel:
Howard Shelley, piano/conductor
Tasmanian Symphony Orchestra

Download:

mqs.linkHenriHerzPianCncertN.2HwardShelleyTasmanianSymphnyrch20159624.part1.rar
mqs.linkHenriHerzPianCncertN.2HwardShelleyTasmanianSymphnyrch20159624.part2.rar

Gustav Holst – The Planets, Op. 32 – Buzz Ensemble, Melanie Barney (2011)
FLAC (tracks) 24 bit/96 kHz | Time – 55:18 minutes | 916 MB  | Genre: Classical
Studio Master, Official Digital Download  | Source: ProStudioMasters | @ Fidelio Musique
Recorded at L’église Saintviateur, D’Outremont, Montréal, Québec, Canada, 22, 23, 25 & 26 March 2009

The Planets is such a durable work that it shouldn’t be a surprise that it can thrive in a variety of arrangements. This version for brass quintet and organ, by Montreal composer and arranger Enrico O. Dastous, is especially felicitous. The organ’s timbral variety makes it a natural for Holst’s colorful score (and there have been some fine arrangements for organ solo) and the addition of brass, which prominently figure in the original orchestration, makes this a terrific instrumentation for an arrangement of the piece. Dastous’ version is notable for its restraint; with a combination of instruments that could be potentially used for bombast, he judiciously deploys them with close attention to Holst’s original, so when he does pull out all the stops — both literally and figuratively — the effect is hugely impressive. A great deal of credit goes to the performers, organist Mélanie Barney and the wonderfully named brass quintet Buzz Ensemble, who play with finesse, but who can also cut loose in the big moments. The music was recorded in Montreal’s Saint-Viateur d’Outremont Church, whose organ is versatile and powerful, and whose acoustics are conducive to music of this grandeur. The engineers also deserve acknowledgment for the naturalness of the sound; all the instruments sound marvelous and full, and the balance is superb. True fans of The Planets are likely to be delighted with this fabulous version of the piece, and the disc should also appeal to fans of music for brass and organ. –AllMusic Review by Stephen Eddins

Tracklist:
Gustav Holst (1874-1934)
The Planets, Op. 32 (Transcription by Enrico O. Dastous)
1. I. Mars, the Bringer of War 07:33
2. II. Venus, the Bringer of Peace 09:08
3. III. Mercury, the Winged Messenger 04:51
4. IV. Jupiter, the Bringer of Jollity 09:01
5. V. Saturn, the Bringer of Old Age 08:51
6. VI. Uranus, the Magician 06:20
7. VII. Neptune, the Mystic 09:34

Personnel:
Mélanie Barney, Organ
Buzz Ensemble are:
Frédéric Gagnon, Trumpet
Sylvain Lapointe, Trumpet
Pascal Lafrenière, Horn
Jason De Carufel, Trombone
Sylvain Arseneau, Bass Trombone

Download:

mqs.link_HlstThePlanetsp.32BuzzEnsembleMlanieBarney20119624.rar

Igor Levit – Bach, Beethoven, Rzewski (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 03:12:55 minutes | 3.02 GB | Genre: Classical
Studio Master, Official Digital Download  | Source: Q0buz | Artwork: Digital booklet | @ Sony Classical

Following his landmark recordings, “Beethoven – The Late Piano Sonatas” and “Bach – Partitas”, both of which has won him international acclaim, Igor Levit is now tackling another three major works: Bach’s Goldberg Variations, Beethoven’s Diabelli Variations, and Frederic Rzewski’s Variations on “The People United Will Never Be Defeated”.

It is testament to Igor Levit’s invention and the command of his repertoire that in one release he is able to combine arguably two of history’s greatest sets of variations for the keyboard, complete alongside a classic of late 20th century piano music by contemporary composer Frederic Rzewski.
Levit comes with great pedigree when it comes to recording the works of Bach and Beethoven, with his 2013 Beethoven disc winning him the BBC Music Magazine Newcomer of the Year 2014 Award, the Royal Philharmonic Society’s Young Artist Award 2014 and the ECHO 2014 for Solo Recording of the Year. His second recording, J.S. Bach’s Six Partitas in 2014, was Gramophone’s Disc of the Month.

Tracklist:
Johann Sebastian Bach (1685-1750)
Goldberg Variations, BWV 988 – Aria with 30 Variations
1. Aria 04:25
2. Var. 1 a 1 Clav. 01:55
3. Var. 2 a 1 Clav. 01:50
4. Var. 3 – Canone all’ Unisono a 1 Clav. 01:57
5. Var. 4 a 1 Clav. 01:06
6. Var. 5 a 1 ovvero 2 Clav. 01:20
7. Var. 6 – Canone alla Seconda a 1 Clav. 01:22
8. Var. 7 a 1 ovvero 2 Clav. Al tempo di Giga 01:51
9. Var. 8 a 2 Clav. 01:52
10. Var. 9 – Canone alla Terza a 1 Clav. 02:07
11. Var. 10 – Fughetta a 1 Clav. 01:40
12. Var. 11 a 2 Clav. 01:44
13. Var. 12 – Canone alla Quarta 02:05
14. Var. 13 a 2 Clav. 05:36
15. Var. 14 a 2 Clav. 02:02
16. Var. 15 – Canone alla Quinta a 1 Clav. Andante 04:17
17. Var. 16 – Ouverture a 1 Clav. 02:55
18. Var. 17 a 2 Clav. 01:48
19. Var. 18 – Canone alla Sesta a 1 Clav. 01:27
20. Var. 19 a 1 Clav. 01:25
21. Var. 20 a 2 Clav. 01:48
22. Var. 21 – Canone alla Settima 02:43
23. Var. 22 a 1 Clav. Alla breve 01:37
24. Var. 23 a 2 Clav. 02:05
25. Var. 24 – Canone all’ Ottava a 1 Clav. 02:34
26. Var. 25 a 2 Clav. 08:00
27. Var. 26 a 2 Clav. 02:01
28. Var. 27 – Canone alla Nona a 2 Clav. 01:34
29. Var. 28 a 2 Clav. 02:13
30. Var. 29 a 1 ovvero 2 Clav. 01:53
31. Var. 30 – Quodlibet a 1 Clav. 01:45
32. Aria da capo 04:29
Ludwig van Beethoven (1770-1827)
Diabelli Variations – 33 Variations on a Waltz by Anton Diabelli, Op. 120
33. Tema. Vivace 00:47
34. Var. 1 – Alla Marcia maestoso 01:52
35. Var. 2 – Poco allegro 00:49
36. Var. 3 – L’istesso tempo 01:32
37. Var. 4 – Un poco più vivace 00:59
38. Var. 5 – Allegro vivace 00:52
39. Var. 6 – Allegro ma non troppo e serioso 01:41
40. Var. 7 – Un poco più allegro 01:00
41. Var. 8 – Piu vivace 01:34
42. Var. 9 – Allegro pesante e risoluto 01:59
43. Var. 10 – Presto 00:33
44. Var. 11 – Allegretto 01:04
45. Var. 12 – Un poco più moto 00:47
46. Var. 13 – Vivace 01:05
47. Var. 14 – Grave e maestoso 05:01
48. Var. 15 – Presto scherzando 00:34
49. Var. 16 – Allegro 00:54
50. Var. 17 00:58
51. Var. 18 – Poco moderato 01:58
52. Var. 19 – Presto 00:42
53. Var. 20 – Andante 02:24
54. Var. 21 – Allegro con brio, Meno allegro, Tempo I 01:22
55. Var. 22 – Allegro molto (alla Notte e giorno faticar di… 00:50
56. Var. 23 – Allegro assai 00:51
57. Var. 24 – Fughetta. Andante 02:44
58. Var. 25 – Allegro 00:45
59. Var. 26 00:56
60. Var. 27 – Vivace 00:53
61. Var. 28 – Allegro 00:55
62. Var. 29 – Adagio ma non troppo 01:18
63. Var. 30 – Andante, sempre cantabile 02:14
64. Var. 31 – Largo, molto espressivo 05:18
65. Var. 32 – Fuga. Allegro, Poco adagio 03:11
66. Var. 33 – Tempo di Menuetto moderato (ma non tirarsi dietro) 03:31
Frederic Rzewski (1938)
The People United Will Never Be Defeated!
36 Variations on ¡El pueblo unido jamás será vencido!
67. Thema. With determination 01:30
68. Var. 1 – Weaving, delicate but firm 01:01
69. Var. 2 – With firmness 00:57
70. Var. 3 – Slightly slower, with expressive nuances 01:10
71. Var. 4 – Marcato, with determination 00:59
72. Var. 5 – Dreamlike, frozen, a little slower, Tempo 01:39
73. Var. 6 – Same tempo as beginning, Slower, Tempo, Slower 01:14
74. Var. 7 – Tempo (Lightly, impatiently) 00:53
75. Var. 8 – With agility, not too much pedal, crisp 01:15
76. Var. 9 – Evenly 01:30
77. Var. 10 – Comodo, recklessly 01:12
78. Var. 11 – Tempo I. Like fragments of an absent melody, in… 01:05
79. Var. 12 01:32
80. Var. 13 02:18
81. Var. 14 – A bit faster, optimistically 01:15
82. Var. 15 – Flexible, like an improvisation 01:47
83. Var. 16 – Same tempo as preceding, with fluctuations,… 01:42
84. Var. 17 – Left hand strictly. Right hand freely, roughly… 01:23
85. Var. 18 01:46
86. Var. 19 – With energy 00:39
87. Var. 20 – Crisp, precise 00:34
88. Var. 21 – Relentless, uncompromising 00:49
89. Var. 22 – Very expressionate 00:44
90. Var. 23 – As fast as possible, with some rubato 00:25
91. Var. 24 03:12
92. Var. 25 02:39
93. Var. 26 – In a militant manner 01:15
94. Var. 27 – Tenderly, with a hopeful expression, Cadenza,… 05:35
95. Var. 28 01:22
96. Var. 29 00:32
97. Var. 30 02:55
98. Var. 31 01:00
99. Var. 32 01:00
100. Var. 33 01:13
101. Var. 34 01:02
102. Var. 35 01:21
103. Var. 36 – Improvisation 06:44
104. Thema. Tempo I 03:12

Personnel:
Igor Levit, piano

Download:

mqs.linkIgrLevitBachBeethvenRzewski20159624.part1.rar
mqs.linkIgrLevitBachBeethvenRzewski20159624.part2.rar
mqs.linkIgrLevitBachBeethvenRzewski20159624.part3.rar
mqs.linkIgrLevitBachBeethvenRzewski20159624.part4.rar

Jackson 5 – ABC (1970/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 38:11 minutes | 1,66 GB | Genre: Soul, R&B
Studio Master, Official Digital Download | Artwork: Front cover | @ Motown Records

With worldwide sales closing in on six million copies, the 1970 Jackson 5 album ABC remains among the group’s most successful. Containing two number one hit singles, both enduring classics, the album spent 50 weeks on the Billboard 200, peaking at number four.

Not even six months after the Jackson 5 – Jackie, Jermaine, Marlon, Michael, and Tito – issued their debut long-player, Diana Ross Presents the Jackson 5 (1969), the vocal quintet returned with ABC (1970), arguably the brothers’ most solid effort of the early ’70s. The Jacksons’ collective (and respective) talents, coupled with exemplary material and the finest behind the scenes crew Motown had to offer, were directly responsible for the enormous success that placed the LP at the crest of the R&B chart and into the Top Five of the pop survey, while the title track and the double-sided hit single “The Love You Save” b/w “I Found That Girl” all went directly to the number one position across the board. Not too shabby for a group whose oldest member was barely in his teens. Granted, the familiar tunes are undeniably the focal point, making it easy to overlook some of the other stellar selections. As was customary, Motown’s cache of house composers provide the lion’s share of the songs, most notably the Holland-Dozier-Holland-penned “(Come ‘Round Here) I’m the One You Need” – brought to prominence by Smokey Robinson & the Miracles – and Stevie Wonder’s “Never Had a Dream Come True,” which Wonder himself had recently included on his own Signed, Sealed & Delivered (1970). There are also a few contemporary nuggets from beyond the boundaries of Detroit, as “La-La (Means I Love You)” is derived from the up-and-coming Philly soul movement and “I’ll Bet You” was gleaned from George Clinton’s incipient incarnation of Funkadelic. However, the cuts credited to “the Corporation” – with Bobby Taylor and instrumentalists Deke Richards (guitar), Freddie Perren (keyboard), and Fonce Mizell (keyboards), as well as Motown founder Berry Gordy – were of primary significance not only on the ABC album, but within the entire Jackson 5 oeuvre.

Tracklist:
01 – The Love You Save
02 – One More Chance
03 – ABC
04 – 2-4-6-8
05 – (Come ‘Round Here) I’m The One You Need
06 – Don’t Know Why I Love You
07 – Never Had A Dream Come True
08 – True Love Can Be Beautiful
09 – La La (Means I Love You)
10 – I’ll Bet You
11 – I Found That Girl
12 – The Young Folks

Download:

mqs.linkJacksn5ABC19702016Pn24192.part1.rar
mqs.linkJacksn5ABC19702016Pn24192.part2.rar

Jane’s Addiction – Nothing’s Shocking (1988/2015)
FLAC (tracks) 24 bit/192 kHz | Time – 45:25 minutes | 1,87 GB | Genre: Rock, Alternative Rock
Official Digital Download / Source: highresaudio.com | @ Warner Bros. Records
Recorded: 1987–1988 at Eldorado Studios in Los Angeles, California

Jane’s Addiction may not have been a strict metal band, but their music was certainly full of traits inherent to metal substances: hard, gleaming, powerful. On „Nothing’s Shocking“, which captured the much too short-lived quartet at its very peak, they were a blazing metallic supernova–grooving up a streak across the sky one moment, setting off heavy rhythmic discharges the next. Feeding off radically diverse musical elements–from art and classic rock, to hard-core punk and funk–Jane’s Addiction was the last great precursor to the alternative revolution of 1991-92. Simultaneously, they were the sole inheritors of Led Zeppelin’s mantra to make a different kind of sprawling heavy rock, and that they did in spades.

Thematically, „Nothing’s Shocking“ set out to prove that no subject was beyond the gleam in lyricist/vocalist Perry Farrell’s (pronounced “peripheral”) eye. Serial killer Ted Bundy (“Ted, Just Admit It”), punk ideology as Eastern philosophy (“Pigs In Zen”), mystic romances (“Summertime Rolls”) and high-falutin’, early-morning thoughts (“Standing In The Shower…Thinking”) were all dissected through a psychologically-stimulating viewpoint, with a stream-of-consciousness delivery. Farrell’s tales also served the band as a guide to attack the canvas, and the musicians burned heroically behind him, providing the songs with an expansive set of musical colors. Guitarist Dave Navarro continuously exploded on the drop of a dime, while bassist Eric Avery and drummer Stephen Perkins proved to be among the most formidable rhythm sections in all of rock.
„Although Jane’s Addiction’s 1987 self-titled debut was an intriguing release (few alternative bands at the time had the courage to mix modern rock, prog rock, and heavy metal together), it paled in comparison to their now classic major-label release one year later, Nothing’s Shocking. Produced by Dave Jerden and Jane’s Addiction vocalist Perry Farrell, the album was more focused and packed more of a sonic wallop than its predecessor; the fiery performances often create an amazing sense that it could all fall apart at any second, creating a fantastic musical tension. Such tracks as ‘Up the Beach,’ ‘Ocean Size,’ and one of alt-rock’s greatest anthems, ‘Mountain Song,’ contain the spaciousness created by the band’s two biggest influences, Led Zeppelin and the Cure. Elsewhere, ‘Ted, Just Admit It…’ (about serial killer Ted Bundy) and the haunting yet gorgeous ‘Summertime Rolls’ stretched to epic proportions, making great use of changing moods and dynamics (something most alt-rock bands of the time were oblivious to). An incredibly consistent and challenging album, other highlights included the rockers ‘Had a Dad’ and ‘Pigs in Zen,’ the horn-driven ‘Idiots Rule,’ the jazz instrumental ‘Thank You Boys,’ and the up-tempo ‘Standing in the Shower…Thinking.’ Like most great bands, it was not a single member whose contribution was greater: Perry Farrell’s unique voice and lyrics, Dave Navarro’s guitar riffs and wailing leads, Eric Avery’s sturdy basslines, and one of rock’s greatest and most powerful drummers, Stephen Perkins. Nothing’s Shocking is a must-have for lovers of cutting-edge, influential, and timeless hard rock.“ –Greg Prato

Tracklist:
1. Up The Beach
2. Ocean Size 04:19
3. Had A Dad 03:45
4. Ted, Just Admit It……. 07:22
5. Standing In The Shower…Thinking 03:05
6. Summertime Rolls 06:19
7. Mountain Song 04:03
8. Idiots Rule
9. Jane Says 04:52
10. Thank You Boys 01:04
11. Pigs In Zen 04:30

Personnel:
Eric Avery, bass, acoustic guitars
Perry Farrell, vocals, piano
Dave Navarro, electric, acoustic guitars
Stephen Perkins, drums, percussion
Additional musicians:
Angelo Moore, saxophone
Flea, trumpet
Christopher Dowd, trombone

Download:

mqs.linkJanesAddictinNthingsShcking19882015HRA24192.part1.rar
mqs.linkJanesAddictinNthingsShcking19882015HRA24192.part2.rar

Johnny Mathis – The Singles (2015)
FLAC (tracks) 24 bit/192 kHz | Time – 4:19:49 minutes | 6,45 GB | Genre: Pop
Studio Master, Official Digital Download – Source: HDTracks | @ Columbia/Legacy

Legacy Recordings, the catalog division of Sony Music Entertainment, and Columbia Records will celebrate the 80th birthday of legendary crooner Johnny Mathis with the release of Johnny Mathis: The Singles, a definitive four disc anthology, on September 25, 2015.

Born September 30, 1935, a then-teenaged Johnny Mathis signed with Columbia Records in 1956, first entering the Pop charts with his inaugural Columbia single, “Wonderful! Wonderful!” the following year.  Peaking at #14, “Wonderful! Wonderful!” laid the foundation, and predicted the future, for one of the most remarkable careers in pop music history, leading to a string of singles successes which includes perennials like “It’s Not For Me To Say,” “Chances Are,” “The Twelfth Of Never” and many others.

Johnny Mathis: The Singles brings together, for the first time in one anthology, every Johnny Mathis recording which was first issued for the singles market, as well as tracks released exclusively on compilations (1958’s Johnny’s Greatest Hits, considered the first “greatest hits” collection ever created by the music industry, 1959’s More Johnny’s Greatest Hits and 1981’s The First 25 Years–The Silver Anniversary Album).

31 of the 87 tracks on Johnny Mathis: The Singles, are being released on CD for the very first time.  The four-disc anthology compiles, for the very first time, every non-LP single side released for the label between 1956 and 1981.

“When over the course of a career you record as many songs as I have recorded, you tend to forget a few,” said Johnny Mathis. “Revisiting this music was a complete surprise. I was thrilled beyond belief that some of the songs that I recorded specifically for single records, some of which had simply disappeared once they had been released, are now going to be heard again. Listening to this collection, not only was I amazed at how great it sounds, but I was being reminded of some songs I had totally forgotten. It is my greatest hope that my fans will share my enthusiasm.”

Johnny Mathis is one of the longest-running artists on the Columbia Records label, with 17 million RIAA certified album and singles sales in the US alone.  A sublime vocalist whose approach to pop music transcends passing fads and trends, Johnny Mathis has performed songs in an incredible variety of styles and categories — from music composed for stage and film to golden era jazz standards, contemporary pop hits, and holiday music both sacred and secular — assuring his reputation as one of the most enduring traditional pop vocalists in music history.

Perhaps best-known for his landmark singles (three of his recordings–“Chances Are,” “It’s Not For Me To Say,” and “Misty”–have been inducted into the Grammy Hall of Fame) Mathis was one of the very first musical artists to embrace the album concept and record fully-realized thematically and sonically coherent collections of songs.  His 1958 release, Johnny‘s Greatest Hits inaugurated the ongoing “greatest hits” anthology phenomenon becoming one of the most popular albums of all time after spending an unprecedented 490 continuous weeks (almost ten years) on the BILLBOARD Top Albums Chart; 1959’s Heavenly spent 295 consecutive weeks on the same chart.  Johnny Mathis was given the Lifetime Achievement Award from the Academy of Recording Arts and Sciences in 2003.

Mathis had 18 Top 40 hits between 1957 and 1963 and 19 Top 40 albums between 1957 and 1978.  He has earned 10 gold, 4 platinum and 2 multi-platinum awards from the Recording Industry Association of America (RIAA)

Mathis was a star student athlete in San Francisco who sang weekends at a local jazz club. Columbia Records’ George Avakian was in attendance during one performance, and famously wired back to the label office: “Have found phenomenal 19-year old boy who could go all the way. Send blank contracts.” After his jazzy debut LP was largely ignored upon its release in 1956, Mathis began working closely with Columbia’s vice-president and producer Mitch Miller to develop an unbeatable lush pop style, picking romantic ballads that made extensive use of his recognizable, vibrato-heavy croon.

During his time on Columbia, Mathis was essentially recording for two markets: the singles market and the albums market. While he would enjoy success in both realms, it was his non-LP singles that first introduced the world to his distinct gifts: in 1957, his firstColumbia single “Wonderful! Wonderful!” peaked at No. 14; follow-up “It’s Not For Me To Say” rose to No. 5, and “Chances Are” topped the charts.

Altogether, Mathis logged 18 singles on Billboard’s Top 40 between 1957 and 1963 (and has seen 43 of his singles chart on Billboard Hot 100 from 1957 to 1981). After a tenure on his own Global label from 1963 to 1967 (initially distributed by Mercury and chronicled by Legacy in The Complete Global Albums Collection box set), Johnny returned to Columbia, where he records to this day.

Tracklist :: Disc#1 
1. When Sunny Gets Blue
2. Wonderful! Wonderful! (#14)
3. It’s Not For Me To Say (#5)
4. Warm And Tender
5. Chances Are (#1)
6. The Twelfth Of Never (#9)
7. Wild Is The Wind (#22)
8. No Love (But Your Love) (#21)
9. When I Am With You
10. Come To Me
11. All The Time
12. Teacher, Teacher (#21)
13. Let It Rain
14. A Certain Smile (#14)
15. Call Me
16. Stairway To The Sea
17. You Are Beautiful
18. Let’s Love
19. Someone (#35)
20. Very Much In Love
21. I Look At You (bonus track)
22. The Flame Of Love (bonus track)
Tracklist :: Disc#2 
1. Small World (#20)
2. You Are Everything To Me
3. The Story Of Our Love
4. The Best Of Everything (#62)
5. Cherie
6. Starbright
7. All Is Well
8. Hey Love
9. My Love For You (#47)
10. Oh That Feeling
11. How To Handle A Woman
12. While You’re Young
13. Jenny
14. You Set My Heart To Music
15. Should I Wait
16. Laurie, My Love
17. Wasn’t The Summer Short?
18. There You Are
19. Christmas Eve
20. My Kind Of Christmas
21. Sweet Thursday
22. One Look
23. Unaccustomed As I Am
24. Marianna
25. I’ll Never Be Lonely Again
Tracklist :: Disc#3 
1. That’s The Way It Is
2. Gina (#6)
3. I Love Her That’s Why
4. What Will My Mary Say (#9)
5. Quiet Girl
6. Every Step Of The Way
7. Sooner Or Later
8. All The Sad Young Men
9. I’ll Search My Heart
10. Don’t Talk To Me
11. Long Winter Nights
12. Among The First To Know
13. Night Dreams
14. Whoever You Are, I Love You
15. For All We Know
16. The Last Time I Saw Her
17. Wherefore And Why
18. Darling Lili
19. Sign Of The Dove
20. Christmas Is…
21. I Was There
Tracklist :: Disc#4 
1. Ten Times Forever More
2. Evie
3. Think About Things
4. If We Only Have Love
5. This Way Mary
6. Sometimes
7. I
8. Take Good Care Of Her
9. Walking Tall
10. Turn The Lights Down
11. The Very First Christmas Day
12. Christmas In The City Of The Angels
13. The Lord’s Prayer
14. When A Child Is Born
15. Nothing Between Us But Love
16. It Doesn’t Have To Hurt Every Time (bonus track)
17. There! I’ve Said It Again (bonus track)
18. Three Times A Lady (bonus track)
19. The Way You Look Tonight (bonus track)

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mqs.linkJhnnyMathisTheSingles2015HDTracks24192.part1.rar
mqs.linkJhnnyMathisTheSingles2015HDTracks24192.part2.rar
mqs.linkJhnnyMathisTheSingles2015HDTracks24192.part3.rar
mqs.linkJhnnyMathisTheSingles2015HDTracks24192.part4.rar
mqs.linkJhnnyMathisTheSingles2015HDTracks24192.part5.rar
mqs.linkJhnnyMathisTheSingles2015HDTracks24192.part6.rar
mqs.link_JhnnyMathisTheSingles2015HDTracks24192.part7.rar