Lars Erstrand – The Lars Erstrand Sessions (1995/2013)
DSD64 (.dsf) 1 bit/2,8 MHz | Time – 73:11 minutes | 3,03 GB | Genre: Jazz
Official Digital Download – Source: DSDFile.com | Front cover | © Opus3 Records

Lars Erstrand was a Swedish vibraphonist. Being rooted in the golden Swing era, Erstrand’s playing is much influenced by the style of Lionel Hampton. Lars Estrand Sessions featuring Bob Barnard, Danny Moss & Roy Williams. Recorded over 3 sessions in 1994 and 1995 this release includes 13 well known jazz classics including Don’t Take your Love From Me, Afternoon in Paris and Struttin’ with Some Barbecue. Lars dazzles on the vibraphone and is accompanied by the talented Kjell Ohman, Ronnie Gardiner, Arne Wihelmsson and Jan Lundgren.

Tracklist:
01 – Don’t Take That Love From Me
02 – Afternoon In Paris
03 – Christmas Song
04 – One Morning In May
05 – Jubilee
06 – Small Fry
07 – Fascinating Rhythm
08 – Struttin’ With Some Barbeque
09 – Stuffy
10 – The Talk Of The Town
11 – A Tisket A Tasket
12 – Lester Leaps In
13 – Easter Parade

Pure DSD transfer directly from Master tape.

Download:

mqs.link_LarsErstrandTheLarsErstrandSessins19952013pus3DSD64.part1.rar
mqs.link_LarsErstrandTheLarsErstrandSessins19952013pus3DSD64.part2.rar
mqs.link_LarsErstrandTheLarsErstrandSessins19952013pus3DSD64.part3.rar
mqs.link_LarsErstrandTheLarsErstrandSessins19952013pus3DSD64.part4.rar

아티스트 소녀시대-태티서 (Girls’ Generation-TTS)
레이블 S.M.Entertainment
유통사 ㈜KT뮤직
발매일 2014-09-16
장르 Pop
재생 시간, 음질 19:57mqs 24/96

http://www.groovers.kr/mqs/album/LOT6wIs

Tracklist:

01 Holler
02 아드레날린 (Adrenaline)
03 내가 네게 (Whisper)
04 Stay
05 Only U
06 Eyes

Download:

mqs.link_The2ndMiniAlbumHller24bit96khz461MB.rar

SAVOY >
2014/02/19 >
(P)2012 Nippon Columbia Co., Ltd.

http://www.e-onkyo.com/music/album/cokm31240/

瞬間、ありふれた日常が輝きだす
SUN & SEAがはぐくんだ、オンリーワンのオーガニック・ボイス

2010年のメジャーデビュー以来、多くの音楽ファンを虜にしてきたジャジーポップNo.1ボーカリスト、SHANTIの3枚目となるフル・アルバム。自身のペンによるオリジナル・ソングに加え、ホイットニー・ヒューストン“Saving All My Love For You”、スティーヴィー・ワンダーによるメロウソウルの超名曲“Overjoyed”など、オリジナルとカヴァーが同居する今作。更に磨きのかかったオーガニックな歌声とシンガーとしての表現力で、さまざまなジャンルを飲み込んだSHANTI流「ジャズ」を聴かせます。

参加ミュージシャン
小沼ようすけ(g)、クリヤ・マコト(pf)、西山“HANK”史翁(g)、木原良輔(g)、Philip Woo(keyboard)、Philip Woo(org)、Penny K(key、org)、Jay Stixx(ds) Clifford Archer(b)、Chris Silverstein(wb)、Tommy Campbell(ds)、Francis Silva(perc)、仙道さおり(perc)、Maya Hatch(cho)、TY Stephens(cho)

收錄曲

1. MEMORIZE (SHANTI)
2. SUNSHINE (SHANTI／小沼ようすけ＆SHANTI)
3. LOTUS FLOWER (SHANTI／Hank Nishiyama & SHANTI)
4. SAVING ALL MY LOVE FOR YOU (Gerald Goffin & Michael Masser)
5. CANDY (SHANTI)
6. I ALREADY LOVE YOU (SHANTI)
7. STANDING ON THE OUTSIDE OF LOVE (SHANTI)
8. WEARY (Amel Larrieux & Laru Larrieux)
9. LOTUS FLOWER ～NK’s break time (SHANTI／SHANTI ＆ Hank Nishiyama)
10. GALAXY (SHANTI)
11. OVERJOYED (Stevie Wonder)
12. ESTRADA BRANCA (THIS HAPPY MADNESS)(Vinicius de Moraes＆Gene Lees／Antonio Carlos Job

Download:

mqs.link_ShantiLtusFlwer2496.part1.rar
mqs.link_ShantiLtusFlwer2496.part2.rar

レーベル KING RECORDS
配信開始日 2013.12.18
収録曲数 全25曲
販売データ ハイレゾ｜FLAC｜192.0kHz/24bit

http://mora.jp/package/43000014/KICA290_F/

鷺巣詩郎監修の下、ハリウッド・バーニーグランドマン・スタジオにてハイレゾ配信専用にリマスタリング！【2013 HR Remaster Ver.】 として生まれ変わりました。

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
M1：高橋洋子[演奏], 及川 眠子[作詞], 大森 俊之[作曲], 大森 俊之[編曲]

M2：高橋洋子[演奏], 及川 眠子[作詞], 佐藤 英敏[作曲], 大森 俊之[編曲]

M3：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M4：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M5：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M6：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M7：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M8：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M9：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M10：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M11：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M12：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M13：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M14：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M15：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M16：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M17：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M18：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M19：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M20：CLAIRE[演奏], Bart Howard[作詞], Bart Howard[作曲], Toshiyuki Ohmori[編曲]

M21：Rei[演奏], Bart Howard[作詞], Bart Howard[作曲], Toshiyuki Ohmori[編曲]

M22：Rei[演奏], Bart Howard[作詞], Bart Howard[作曲], Toshiyuki Ohmori[編曲]

M23：エヴァンゲリオン・オリジナルサウンドトラック[演奏], 鷺巣 詩郎[作曲], 鷺巣 詩郎[編曲]

M24：Aya[演奏], Bart Howard[作詞], Bart Howard[作曲], Tony Orly[編曲]

M25：Aki[演奏], Bart Howard[作詞], Bart Howard[作曲], J.J.Key[編曲]

收錄曲

1 – 予感 192.0kHz/24bit 高橋洋子 04:54
2 – 残酷な天使のテーゼ(TV.Size Version) 192.0kHz/24bit 高橋洋子 01:32
3 – BORDERLINE CASE 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 02:20
4 – A Crystalline Night Sky 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 02:21
5 – ANGEL ATTACK II 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 01:58
6 – ANGEL ATTACK III 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 02:25
7 – Both of You,Dance Like You Want to Win! 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 01:52
8 – Waking up in the morning 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 01:29
9 – BACKGROUND MUSIC 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 01:56
10 – A Moment When Tension Breaks 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 04:12
11 – The Day Tokyo-3 Stood Still 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 01:40
12 – Spending Time in Preparation 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 02:22
13 – She said,”Don’t make others suffer for your personal hatred.” 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 01:54
14 – MAGMADIVER 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 02:24
15 – PLEASURE PRINCIPLE 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 03:49
16 – THE BEAST II 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 02:18
17 – THANATOS 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 03:29
18 – Rei III 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 03:43
19 – When I Find Peace of Mind 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 03:33
20 – FLY ME TO THE MOON(TV. Size Version) 192.0kHz/24bit CLAIRE 01:08
21 – FLY ME TO THE MOON 192.0kHz/24bit Rei 01:09
22 – FLY ME TO THE MOON 192.0kHz/24bit Rei 01:09
23 – 次回予告 192.0kHz/24bit エヴァンゲリオン・サウンドトラック 00:19
24 – FLY ME TO THE MOON 192.0kHz/24bit Aya 03:49
25 – FLY ME TO THE MOON 192.0kHz/24bit Aki 04:31

Download:

mqs.link_NENGENESISEVANGELINII2013HRRemasterVer..part1.rar
mqs.link_NENGENESISEVANGELINII2013HRRemasterVer..part2.rar
mqs.link_NENGENESISEVANGELINII2013HRRemasterVer..part3.rar
mqs.link_NENGENESISEVANGELINII2013HRRemasterVer..part4.rar
mqs.link_NENGENESISEVANGELINII2013HRRemasterVer..part5.rar

レーベル Universal Music LLC
配信開始日 2014.11.12
収録曲数 全13曲
販売データ ハイレゾ｜FLAC｜48.0kHz/24bit

http://mora.jp/package/43000006/00600406532992/

女性ヴァイオリニスト、岡部磨知のデビュー・アルバム。フジテレビ『ライオンのごきげんよう』エンディング曲のタイアップを軸に、“歌うように奏でる”ヴァイオリンの詩情を余すところなく聴かせるだけでなく、岡部磨知のウィスパー的なキュート・ヴォイスもフィーチャー。心地よく懐かしく新しい、ハイブリッド・インストゥルメンタル・ミュージック集。 (C)RS

收錄曲

1. Lovin’ you
2. I Like Chopin
3. シェリーに口づけ
4. Smile Again
5. Hatsuyuki
6. Miniature Garden
7. Yesterday Once More
8. あなたのとりこ
9. 明日に架ける橋
10. 雨にぬれても
11. Just The Two Of Us
12. Whisper V-birds (SE)
13. I Don’t Want to Miss a Thing

Download:

mqs.link_NeNstalgia24bit48khz608MB.rar

レーベル ポニーキャニオン
配信開始日 2017.01.11
収録曲数 全6曲
販売データ ハイレゾ｜FLAC｜48.0kHz/24bit

http://mora.jp/package/43000004/PCCG-01568_F/

声優・内田真礼、初のミニアルバムをリリース！
今作は、田淵智也(UNISON SQUARE GARDEN)、やしきん、eba、黒須克彦、大石昌良ほか、豪華作家陣が参加！

收錄曲

1 – Shiny drive, Moony dive – 04:14
2 – モラトリアムダンスフロア – 03:48
3 – Moment – 04:42
4 – 5:00AM – 04:26
5 – クロスファイア – 03:30
6 – Smiling Spiral – 04:32

Download:

mqs.link_MaayaUchidaDriveinTheater20172448.rar

Basil Poledouris – Conan, the Barbarian – Philipp Pelster (2015)
FLAC (tracks) 24 bit/44.1kHz  | Time – 01:04:25 minutes | 518 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: eClassical | © Naxos Rights
Recorded: Glatter-Götz/Rosales organ at Claremont United Church of Christ, Claremont, California, USA, on 19th and 20th May, 2014

Director and co-writer John Milius’s intention with the 1982 adventure Conan the Barbarian was to create an opera in the form of film. With its power, energy and moments of tenderness, Basil Poledouris’s music supports the storyline in a similar way to a work written for the stage. The superb Glatter-Götz/Rosales organ in Claremont, California was designed to inspire creativity and innovation, and Philipp Pelster’s vision in making a complete film-score transcription especially for the unique possibilities of this instrument transforms the orchestral colours of the original to generate a completely new and richly rewarding musical experience.

The idea of creating an opera in the form of a film was the vision of John Milius, the resulting Conan the Barbarian then having the music of Basil Poledouris added. …Pelster is obviously having a ball putting through its paces this 1998 instrument installed in the Claremont United Church of Christ in California. From the mighty opening for the Anvil of Crom and The Mountain of Power, to the virtually inaudible track, Alantean Sword, the disc’s wide dynamic range is awesome. Pelster makes a plausible replica of a fairground organ in the section Theology/Civilization, and the solemnity of a church organ in Conan Leaves Valeria, though our local Ladies Institute would find The Orgy a very tame affair. Film buffs, and those looking for recorded excellence, will be dashing out to buy the disc… ~~ 2015 David’s Review Corner

Tracklist:
Basil Poledouris (1945-2006)
Conan the Barbarian (arr. P. Pelster for organ)
1 Anvil of Crom 02:44
2 Riddle of Steel / Riders of Doom 05:57
3 The Gift of Fury 03:40
4 Column of Sadness / Wheel of Pain 03:52
5 Pit Fights 02:51
6 Alantean Sword 04:12
7 Theology / Civilization 03:31
8 The Wifeing 02:29
9 Conan Leaves Valeria / The Search 06:09
10 The Mountain of Power 03:39
11 Recovery 02:31
12 The Kitchen 02:27
13 The Orgy 04:27
14 Funeral Pyre 04:49
15 Battle of the Mounds 05:16
16 Orphans of the Doom / The Awakening 05:51

Personnel:
Philipp Pelster, organ

Download:

mqs.link_PledurisCnantheBarbarianPhilippPelster201544.124.rar

Rachel Z – Grace (2005)
FLAC (tracks) 24 bit/96 kHz | Time – 1:02:09 minutes | 1,31 GB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | Digital Booklet | © Chesky Records

On Grace Rachel selects songs by U2, Nirvana, Kate Bush, Björk and John Lennon to mix with her own compositions binding the ten tracks of the album with spare arrangements and universal themes encompassing love, pain and growth. The simplicity of a trio consisting of Rachel’s piano, long-time collaborator Bobbie Rae’s signature drums/percussion and Chris J. Luard on bass, recorded with Chesky’s renowned minimalist miking techniques, creates a most intimate environment for such eloquent material.

“To connect with new listeners without selling out or dumbing down, Rachel has found a way to make the age-old piano trio relevant and fresh to younger ears”- Jazzreview.com

A very talented jazz pianist, Rachel Z. has always been interested in contemporary pop and rock music. Grace is a bit of a surprise for, in addition to her piano playing in a trio, Rachel sings on the majority of the selections. Her voice is expressive but just average and not on the same level as her work on piano. She apparently felt the need to express herself vocally, performing originals with her own lyrics plus songs by U2, Kurt Cobain, Kate Bush, Björk, and John Lennon (a spooky version of “Imagine”). Listeners primarily interested in Rachel’s jazz work will still consider most of Grace of interest because there are many piano solos and good close interplay by the trio even if it is not quite essential. In addition, fans of singer/songwriters who do not mind bits of jazz in their music will find Rachel to be well worth discovering.

Tracklist:
01 – Protect This Child
02 – Moon In Your Hair
03 – One
04 – Grace
05 – Pain
06 – Come As You Are
07 – This Women’s Work
08 – Riot
09 – Joga
10 – Imagine

Main Artists Rachel Z
Chris J. Luard – bass
Bobbie Rae – drums, percussion
Rachel Z – piano, vocals

Producer David Chesky
Executive Producer Norman Chesky
Co-Producer Matthew Epstein, Lisa Hershfield
Engineer Nicholas Prout
Editing Engineer Nicholas Prout
Mastering Engineer Nicholas Prout
Recorded January 17-21, 2005.

This album was made with the purest audio path, using the very best microphones, mic preamps, analog-to-digital converters, recorders, and cables with careful attention to detail to produce the most transparent and natural sound available today.

Download:

mqs.link_RachelZGrace2005HDTracks2496.part1.rar
mqs.link_RachelZGrace2005HDTracks2496.part2.rar

Raime – Tooth (2016)
FLAC (tracks) 24-bit/44,1 kHz | Time – 37:38 minutes | 383 MB | Genre: Electronic
Studio Master, Official Digital Download – Source: Bandcamp | Front cover | © Blackest Ever Black

Raime’s second album, Tooth, arrives in June 2016. The widescreen melancholia of their 2012 debut, Quarter Turns Over A Living Line, gives way to an urgent and focussed futurism, in the shape of eight fiercely uptempo, minimal, meticulously crafted electro-acoustic rhythm tracks. The DNA of dub-techno, garage/grime and post-hardcore rock music spliced into sleek and predatory new forms.

No let-up, no hesitation. Needlepoint guitar, deftly junglist drum programming, brooding synths and lethal sub-bass drive the engine. The production is immaculate, high definition. No hiss, no obscuring drones or extraneous noise: the music of Tooth is wide-open and exposed. The seeds of its supple dancehall biomechanics can be found in the self-titled 2013 EP by Raime side-project Moin, an ahead-of-its-time synthesis of art-rock and soundsystem sensibilities, but Tooth pushes the template further, binding the disparate elements together so tightly that they become indistinguishable from one another.

If Quarter Turns was an album that confronted total loss and self-destruction, even longed for it, then Tooth is the sound of resistance and counter-attack: cunning, quick, resolute; calling upon stealth as much as brute-force. At a time when so many pay lip service to experimentation without ever fully committing themselves or their work to it, Raime return from three years of deep, dedicated studio research with a bold and original new music: staunch, rude, and way out in front.

Tracklist:
01 – Coax
02 – Dead Heat
03 – Hold Your Line
04 – Front Running
05 – Dialling In, Falling Out
06 – Glassed
07 – Cold Cain
08 – Stammer

Written and Produced by Raime.

Download:

mqs.link_RaimeTth2016Bandcamp24441.rar

Rick Wakeman – The Myths And Legends Of King Arthur And The Knights Of The Round Table (2016)
FLAC (tracks) 24-bit/44,1 kHz | Time – 83:36 minutes | 990 MB | Genre: Rock
Studio Master, Official Digital Download – Source: PledgeMusic | Artwork: Front cover

Rick Wakeman’s third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur’s reign. Now the album was re-recorded, and it’s free of the studio limitations and single disc duration of the original and the new record will be a double album as it was originally intended to be.

Tracklist:
01 – The Choice of King
02 – King Arthur
03 – Morgan le Fay
04 – Lady of the Lake
05 – Arthurs Queen
06 – Guinevere
07 – Lancelot and The Black Knight
08 – Princess Elaine
09 – Camelot
10 – The King of Merlins
11 – A Wizards Potion
12 – Merlin the Magician
13 – The Chalice
14 – The Holy Grail
15 – The Best Knight
16 – The Contest
17 – Sir Galahad
18 – Percival the Knight
19 – Excalibur
20 – The Last Battle

Download:

mqs.link_RickWakemanTheMythsAndLegendsfKingArthurAndTheKnightsfTheRundTable2016PledgeMusic24441.rar

Rusconi & Fred Frith – Live in Europe (2016)
FLAC (tracks) 24 bit/48 kHz | Time – 01:20:38 minutes | 927 MB | Genre: Jazz
Official Digital Download – Source: rusconi.bandcamp.com | Front Cover | © Qilin Records

Throughout the last two years RUSCONI (CH/D) met Fred Frith (UK/USA) live on stage again and again. This album documents our passionate hours of creating live music.
Coming with a beautiful cover artwork contributed by Czech artist František Skála.
Graphic Design by Saloon Creatives, Zurich, Switzerland.
Including live material bonus tracks by RUSCONI and RUSCONI feat Norma Winstone (UK)

Tracklist:
1. Berlin Blues 7’56
2. Chihiro’s World 6’26
3. Kaonashi 8’45
4. Karen Revisited 6’50
5. Tempelhof 8’41
6. Yogya Trip 7’05

Bonus tracks:
7. The Beginning 6’27
8. Seaflower 4’24
9. Here Comes The Flood 6’37
10. Ankor 5’48
11. Alice In The Sky 11’41

Personnel:
Stefan Rusconi – piano, space echo, sound preparations
Fabian Gisler – bass, distortion, feedback, vocals
Claudio Strüby – drums, tapes
Fred Frith – guitar
Norma Winstone – vocals (#9)

Download:

mqs.link_RuscniFredFrithLiveinEurpe20164824.rar

Richard Thompson – Amnesia (1988/2016) 
FLAC (tracks) 24-bit/96 kHz | Time – 43:47 minutes | 960 MB | Genre: Rock
Studio Master, Official Digital Download – Source: ProStudioMasters | © Capitol Records
Recorded: 1988 at Sunset Sound, Los Angeles and Konk Studios, London

Released in 1988, Amnesia is the second album Richard Thompson recorded in Los Angeles with producer and keyboardist Mitchell Froom. Backing Thompson’s characteristic vocals and stunning fretwork are some of the finest musicians in the industry, including bassists Tony Levin and Jerry Scheff and drummers Mickey Curry and Jim Keltner.

Amnesia was Richard Thompson’s second album with producer and keyboard player Mitchell Froom, and the two sounded a lot more comfortable with each other than they did on their previous project together, Daring Adventures. This being a Richard Thompson album, the high quality of the songs and the guitar playing is a given; while Daring Adventures had a few cuts that sounded like padding, Richard comes up aces this time out, and even sounds a bit more upbeat than usual, letting his political side rise to the surface on “Jerusalem on the Jukebox” and “Yankee, Go Home” and rocking out on “Don’t Tempt Me” and “Gypsy Love Songs.” (Be advised that the gloriously sad “I Still Dream” and “Waltzing’s for Dreamers” are on hand to remind us this is a Richard Thompson album.) Froom’s production makes more of a difference this time out; Amnesia sounds brighter and cleaner than Daring Adventures, with a sharp but glossy mix that truly flatters Thompson’s fiery Stratocaster solos (not to mention Jim Keltner and Mickey Curry’s drumming), and the blend of British folk-rock stalwarts (John Kirkpatrick, Phillip Pickett, Danny Thompson) and American session veterans (Keltner, Curry, Jerry Scheff, Tony Levin) makes for a set of tart and flavorful performances. Amnesia is one of Richard Thompson’s best-sounding albums, and not a bad place for beginners; he hadn’t sounded like he was having this much fun since Sunnyvista in 1979. –AllMusic Review by Mark Deming

Tracklist:
1 Turning Of The Tide 02:58
2 Gypsy Love Songs 06:17
3 Reckless Kind 04:25
4 Jerusalem On The Jukebox 04:11
5 I Still Dream 05:09
6 Don’t Tempt Me 03:38
7 Yankee, Go Home 03:07
8 Can’t Win 05:31
9 Waltzing’s For Dreamers 04:07
10 Pharaoh 04:24

Personnel:
Richard Thompson – guitar, vocals, mandolin, hammer dulcimer
Mitchell Froom – portative organ, regal, Chamberlin, stereophonic Optigan, electric harp, organ, producer
Jerry Scheff – bass guitar on 1, 2, 4, 5, 7, & 10
Tony Levin – bass guitar, stick on 3, 6, & 8
Mickey Curry – drums on 2, 3, 6, 7, 8
Jim Keltner – drums on 1, 4, 5, 10
Alex Acuña – percussion
Christine Collister – backing vocals
Clive Gregson – backing vocals
John Kirkpatrick – accordion, anglo-concertina, bass vocals
Philip Pickett – shawm, recorder, curtal, peking that, bass racket
Aly Bain – fiddle
Brian Taylor – cornet
Tony Goddard – cornet
David Horn – tenor horn
Ian Peters – euphonium
Fred Tackett – guitar
Frances Kelly – baroque harp
Danny Thompson – double bass
Alistair Anderson – northumbrian pipes

Download:

mqs.link_RichardThmpsnAmnesia19889624.rar

Richard Thompson – Rumor And Sigh (1991/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 01:01:25 minutes | 2,49 GB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Capitol Records
Recorded: 1991 at Sunset Sound, Los Angeles and Konk Studios, London

This Grammy nominated album from Richard Thompson is one of his most beloved and contains his classic 1952 Vincent Black Lightning, often-covered and included on TIME’s list of the 100 greatest songs of all time.

“When I was a kid, (the Vincent Black Lightning) was always the exotic bike, that was always the one, the one that you went ‘ooh, wow.’ I’d always been looking for English ideas that didn’t sound corny, that had some romance to them and around which you could pin a song. And this song started with a motorcycle, it started with the Vincent. It was a good lodestone around which the song could revolve.” –Richard Thompson

While Richard Thompson’s devotees will tell you the man is a triple-threat genius — passionate vocalist, compelling songwriter, and sterling guitarist — even his most loyal supporters will concede that the dour nature of his songs and the no-frills production of many of his albums make the bulk of his catalog tough sledding for the uninitiated. Given this, 1991’s Rumor and Sigh is arguably the best album for those wanting to sample Thompson’s work for the first time. It captures Thompson at the top of his form on all fronts, but also gives his songs just enough polish to make them approachable for the unconverted, and though it’s several shades darker than the average adult-contemporary album, it honors Thompson’s obsession with romantic despair and the less pleasant quirks of fate without sounding depressing in the process. Producer Mitchell Froom tricked up Thompson’s sound a bit, but his approach added to the material rather than interfering with it; the topsy-turvy keyboards and sharp, snapping drum sound on “Gray Walls” and “You Dream Too Much” actually add to their narrative drama, and Froom coaxed some of Thompson’s most soulful vocals on “Why Must I Plead” and “I Misunderstood.” Thompson actually gets funny on “Don’t Sit On My Jimmy Shands” and the darkly hilarious “Psycho Street,” and Thompson fans who like his work straight with no chaser will be knocked flat by “1952 Vincent Black Lightning,” perhaps the best traditional-style number in his songbook, and the harrowing “God Loves A Drunk,” an unnerving tale of several kinds of addiction. While Rumor and Sigh is quite slick by Thompson’s standards, its clean lines and bright mix serve both the songs and the bandleader quite well, and make Thompson’s tunes sound like the radio hits they’ve always deserved to be. –AllMusic Review by Mark Deming

Tracklist:
1. Read About Love 03:37
2. I Feel So Good 03:22
3. I Misunderstood 04:08
4. Grey Walls 04:25
5. You Dream Too Much 04:05
6. Why Must I Plead 05:00
7. 1952 Vincent Black Lightning 04:42
8. Backlash Love Affair 04:48
9. Mystery Wind 04:36
10. Don’t Sit On My Jimmy Shands 04:26
11. Keep Your Distance 04:12
12. Mother Knows Best 04:59
13. God Loves A Drunk 04:39
14. Psycho Street 04:26

Personnel:
Richard Thompson – guitar, vocals, mandolin, hurdy-gurdy
Mitchell Froom – keyboards
Jerry Scheff – bass guitar
Mickey Curry – drums
Jim Keltner – drums
Alex Acuña – percussion
Christine Collister and Clive Gregson – backing vocals
John Kirkpatrick – accordion, concertina, backing vocals
Phil Pickett – shawm, crumhorn, recorder
Simon Nicol – guitar
Aly Bain – fiddle

Download:

mqs.link_RichardThmpsnRumrAndSigh19912016HDTracks24192.part1.rar
mqs.link_RichardThmpsnRumrAndSigh19912016HDTracks24192.part2.rar
mqs.link_RichardThmpsnRumrAndSigh19912016HDTracks24192.part3.rar

Richard Thompson – Mirror Blue (1994/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 55:20 minutes | 2,23 GB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Capitol Records
Recorded: January 1993 at The Sound Factory, Los Angeles and RAK Studios, London

The fourth of five albums Richard Thompson would record in Los Angeles with producer and keyboard player Mitchell Froom, Mirror Blue faced the challenge of following one of Thompson’s biggest critical and commercial successes, 1991’s Rumor and Sigh. Rather than repeat what had worked so well previously, Thompson and especially Froom were more adventurous in the studio, turning off both fans and critics. Still, Guitar World included Mirror Blue on its list of the 50 iconic albums that defined 1994.

“… it was a radical record and a brave record, it was off the back of the records Mitchell had done with Suzanne Vega and Los Lobos and the couple of records (engineer) Tchad Blake had done with Tom Waits. All of which I thought were terrific … they all had a kind of character to them, a sound that was really trying to strip away some clichés, like why have a snare drum, why the backbeat? And just looking at the song and seeing what does the song need, what’s going to work?” –Richard Thompson

1991’s Rumor and Sigh was among Richard Thompson’s best-selling and most warmly received albums, even gaining a bit of radio and MTV exposure which introduced Thompson to a wider audience than ever before. But while Thompson has often expressed his desire to reach a greater number of listeners, he’s (thankfully) unwilling to dumb his music down, and it’s probably no coincidence that he followed up his most user-friendly album with the more difficult Mirror Blue. Mirror Blue was constructed on a more modest scale, with the arrangements scaled down and the mix putting the instruments in greater relief. While Mitchell Froom’s production added both polish and punch to Rumor and Sigh, his work on Mirror Blue marked the point where he began to interfere more than he helped; the tinny, crashing sound he imposes on Thompson’s guitar and Pete Thomas’ drums soon wears out its welcome, and Froom’s washes of retro-styled keyboards are more prominent than they need to be. And while song for song Mirror Blue boasts material just as strong as Rumor and Sigh (if not stronger), the tone is more dour, with the few rockers decidedly less friendly (“Mascara Tears” sounds downright mean) and the ballads more mournful (though “King Of Bohemia” and “Beeswing” are beautiful and affecting if you don’t mind a good cry). But Thompson had a great set of songs here, and he performs them with typical fire and precision; his guitar work is glorious, and his vocals are passionate and unusually well controlled. Mirror Blue suggests that, after making an album with the mass audience in mind, Richard Thompson decided to make one for the fans — and himself — and if Froom’s production sometimes gets in the way, loyalists will find plenty to revel in here. –AllMusic Review by Mark Deming

Tracklist:
1 For The Sake Of Mary 04:22
2 I Can’t Wake Up To Save My Life 03:13
3 MGB-GT 03:36
4 The Way That It Shows 06:13
5 Easy There, Steady Now 04:46
6 King Of Bohemia 03:46
7 Shane And Dixie 04:06
8 Mingus Eyes 04:48
9 I Ride In Your Slipstream 04:07
10 Beeswing 05:34
11 Fast Food 02:44
12 Mascara Tears 03:37
13 Taking My Business Elsewhere 04:28

Personnel:
Richard Thompson – guitar, vocals, mandolin
Mitchell Froom – keyboards
Jerry Scheff – bass guitar, double bass
Pete Thomas – drums, percussion
Christine Collister – backing vocals
Michael Parker – backing vocals
John Kirkpatrick – accordion, concertinas
Danny Thompson – double bass on “Easy There, Steady Now”
Alistair Anderson – concertina, Northumbrian pipes
Tom McConville – fiddle
Martin Dunn – flute
Philip Pickett – shawms

Download:

mqs.link_RichardThmpsnMirrrBlue19942016HDTracks24192.part1.rar
mqs.link_RichardThmpsnMirrrBlue19942016HDTracks24192.part2.rar
mqs.link_RichardThmpsnMirrrBlue19942016HDTracks24192.part3.rar

Richard Thompson – Mock Tudor (1999/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 55:18 minutes | 2,25 GB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Capitol Records
Recorded: November 1998 at The Sound Factory, Los Angeles and RAK Studios, London

Mock Tudor is the ninth studio album by Richard Thompson. Released in 1999, it was his final album released by Capitol Records. For this, his fifth album for Capitol, Thompson teamed up with producers Tom Rothrock and Rob Schnapf, and Mock Tudor had a more straightforward production than his preceding albums on Capitol which had been produced by Mitchell Froom. In this album Thompson draws predominantly on the musical styles of 1960s England—the time and place of his youth. The lyrics have a nostalgic tinge and are rich with allusion to fairy tales and children’s books as well as to Shakespeare and T. S. Eliot.

Just how lost Richard Thompson was under Mitchell Froom and Tchad Blake’s direction during the ’90s is made clear by Mock Tudor, the brilliant sequel to the botched You? Me? Us? Producers/engineers Tom Rothrock and Rob Schnapf keep the production clean and direct, allowing the songs to breathe and letting Thompson play guitar. That decision alone would have made Mock Tudor a satisfying listen, but what elevates it into the first rank of his albums is, naturally, the songs themselves. Thompson structured the album as a portrait of suburbia, tackling a different subject with each song. It’s not all about desperation, although there certainly is a lot of that there. Instead, Thompson is at the top of his form, offering subtle shadings in his lyrics and remarkably catchy, memorable melodies throughout the album. As a matter of fact, it’s a bit of a tour de force, opening with the rollicking “Cooksferry Queen” and closing with its polar opposite, the hushed, intimate black comedy of “Hope You Like the New Me.” Between those two songs, Thompson covers all sorts of emotional textures, resulting in his most affecting effort in years. Since even on his uneven ’90s efforts he demonstrated that he still was in full grasp of his talents, it can’t be said that Mock Tudor is a comeback, but it’s certainly the best album he’s made in over a decade. –AllMusic Review by Stephen Thomas Erlewine

Tracklist:
1 Cooksferry Queen 04:13
2 Sibella 04:15
3 Bathsheba Smiles 03:56
4 Two-Faced Love 04:03
5 Hard On Me 05:58
6 Crawl Back (Under My Stone) 04:06
7 Uninhabited Man 04:52
8 Dry My Tears And Move On 03:50
9 Walking The Long Miles Home 04:11
10 Sights And Sounds Of London Town 04:57
11 That’s All, Amen, Close The Door 05:56
12 Hope You Like The New Me 05:01

Personnel:
Richard Thompson – guitar, vocals, mandolin, harmonium, hurdy-gurdy, dulcimer
Mitchell Froom – keyboards
Atom Ellis – bass guitar
Dave Mattacks – drums, percussion
Judith Owen – backing vocals on Uninhabited Man & Two-Faced Love
Danny Thompson – double bass
Teddy Thompson – guitar and backing vocals
David McKelsy – harmonica
Jeff Turmes – baritone saxophone
Charles Davis – cornet
Leslie Benedict – trombone
Randall Aldcroft – trombone
Larry Hall – cornet
Joey Waronker – extra drums on Bathsheba Smiles
Lovely Previn – violin on Mr. Rebound
John Bergamot – percussion on Mr. Rebound

Download:

mqs.link_RichardThmpsnMckTudr19992016HDTracks24192.part1.rar
mqs.link_RichardThmpsnMckTudr19992016HDTracks24192.part2.rar
mqs.link_RichardThmpsnMckTudr19992016HDTracks24192.part3.rar

Richard Thompson – You? Me? Us? (1996/2016)
FLAC (tracks) 24-bit/192 kHz | Time – 01:13:58 minutes | 2,92 GB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Capitol Records
Recorded: February 1996 at The Sound Factory, Los Angeles

Richard Thompson earned a Grammy nomination for this ambitious 1996 release, a double album split into electric (Voltage Enhanced) and acoustic (Nude) discs, all produced by Mitchell Froom. Thompson reprises two of the electric songs on the acoustic disc, contrasting his acoustic folk roots with his electric influences.

On the surface, you? me? us? appears to be a major statement from Richard Thompson. Spread out over two discs, the budget-priced album features 19 tracks, separated into an electric (“Voltage Enhanced”) disc and an acoustic (“Nude”) disc, which each runs around 40 minutes; “Razor Dance” and “Hide It Away” appear on both discs. Despite its appearance, you? me? us? isn’t one of Thompson’s major works. What sinks the album isn’t the songs — as always, Thompson has written a handful of gems — but Mitchell Froom’s production. Froom’s gauzy, pseudo-experimental approach masks the songs in an impenetrable haze, which neither Thompson’s guitar nor his voice can cut through. There is no texture to the album’s sound — it is mushy and colorless, which cuts away at the heart of Thompson’s direct, emotional songs. If the songs on you? me? us? were given the simple, direct production they deserve, it would have been a completely different, more compelling experience. As it stands, it’s a wildly uneven and unengaging listen, like the great majority of the Froom-produced Richard Thompson records. –AllMusic Review by Stephen Thomas Erlewine

Tracklist:
1 Razor Dance 02:42
2 She Steers By Lightning 02:23
3 Dark Hand Over My Heart 03:55
4 Hide It Away 04:23
5 Put It There Pal 06:15
6 Business On You 02:50
7 No’s Not A Word 04:23
8 Am I Wasting My Love On You? 02:58
9 Bank Vault In Heaven 04:38
10 The Ghost Of You Walks 03:40
11 Baby Don’t Know What To Do With Herself 03:32
12 She Cut Off Her Long Silken Hair 05:01
13 Hide It Away 04:33
14 Burns Supper 03:50
15 Train Don’t Leave 02:20
16 Cold Kisses 04:26
17 Sam Jones 03:57
18 Razor Dance 02:29
19 Woods Of Darney 05:43

Personnel:
Richard Thompson – guitar, vocals, mandolin, hurdy-gurdy
Mitchell Froom – keyboards
Tchad Blake, Simon Nicol – guitar
Jerry Scheff – bass guitar
Pete Thomas, Jim Keltner – drums
Christine Collister, Teddy Thompson – backing vocals
Danny Thompson – double bass
Suzie Katayama – cello
Sid Page – violin

Download:

mqs.link_RichardThmpsnYuMeUs19962016HDTracks24192.part1.rar
mqs.link_RichardThmpsnYuMeUs19962016HDTracks24192.part2.rar
mqs.link_RichardThmpsnYuMeUs19962016HDTracks24192.part3.rar
mqs.link_RichardThmpsnYuMeUs19962016HDTracks24192.part4.rar

Taj Mahal – Taj Mahal (1968/2015)
FLAC (tracks) 24-bit/96 kHz | Time – 33:07 minutes | 698 MB | Genre: Blues
Studio Master, Official Digital Download – Source: HDTracks | Artwork: Front cover | © Columbia

Taj Mahal brings old and new sounds to blues in his 1968 debut. Taj Mahal embraces his virtuosity on the guitar and sets the foundation for the future of his unique interpretations of the genre.

Taj Mahal’s debut album was a startling statement in its time and has held up remarkably well. Recorded in August of 1967, it was as hard and exciting a mix of old and new blues sounds as surfaced on record in a year when even a lot of veteran blues artists (mostly at the insistence of their record labels) started turning toward psychedelia. The guitar virtuosity, embodied in Taj Mahal’s slide work (which had the subtlety of a classical performance), Jesse Ed Davis’s lead playing, and rhythm work by Ry Cooder and Bill Boatman, is of the neatly stripped-down variety that was alien to most records aiming for popular appeal, and the singer himself approached the music with a startling mix of authenticity and youthful enthusiasm. The whole record is a strange and compelling amalgam of stylistic and technical achievements – filled with blues influences of the 1930s and 1940s, but also making use of stereo sound separation and the best recording technology. The result was numbers like Sleepy John Estes’ “Diving Duck Blues,” with textures resembling the mix on the early Cream albums, while “The Celebrated Walkin’ Blues” (even with Cooder’s animated mandolin weaving its spell on one side of the stereo mix) has the sound of a late ’40s Chess release by Muddy Waters. Blind Willie McTell (“Statesboro Blues”) and Robert Johnson (“Dust My Broom”) are also represented, in what had to be one of the most quietly, defiantly iconoclastic records of 1968.

Tracklist:
01 – Leaving Trunk
02 – Statesboro Blues
03 – Checkin’ up on My Baby
04 – Everybody’s Got to Change Sometime
05 – E Z Rider
06 – Dust My Broom
07 – Diving Duck Blues
08 – The Celebrated Walkin’ Blues

Download:

mqs.link_TajMahalTajMahal19682015HDTracks2496.rar

Tamaryn – Cranekiss (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time – 44:26 minutes | 529 MB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | Front cover | © Mexican Summer

With Cranekiss, Tamaryn emerges from her past efforts in a way that’s inviting, warm-blooded, and shockingly direct. She’s made a big record, loaded with samples, synth triggers and processing that was missing from her previous efforts, pressed into service of a post-adolescent love letter to all the music that she and her collaborators (Jorge Elbrecht of Violens and Lansing-Dreiden, Shaun Durkan of Weekend) hold dear. Her most personal collection of songs to date, Cranekiss represents a long journey, and a new phase in Tamaryn’s music unfolding before you, a blood-red kaleidoscope of desire and late night abandon.

By the mid-2010s, the revivals of shoegaze and synth pop had been around for quite a while – several times longer than the styles’ original heydays, in fact – and sometimes felt overly familiar. However, Tamaryn enlivens both by combining them on Cranekiss, resulting in some of her most arresting music yet. It’s quite the departure from the distortion-laden bliss of Waves and Tender New Signs, echoing changes such as her move to New York and the addition of Weekend’s Shaun Durkan to her band. Another key collaborator is producer Jorge Elbrecht (also of Violens and Lansing-Dreiden), whose finesse with samples and keyboards lends a retro-futuristic sound, most audaciously on “Softcore,” where found sounds from porn websites and excerpts from the film Paris, Texas commingle with winding guitars to make shoegaze’s eroticism explicit in more ways than one. Interestingly, Cranekiss’ less showy juxtapositions of softness and structure are even more striking, with the album’s first three tracks capturing the sensual thrill of the best dream pop and Top 40 singles of the late ’80s and early ’90s. Sweeping and swooning, “Cranekiss” lives up to its name; “Hands All Over Me” blends caressing synths and pointed funk; and “Last” rivals other widescreen pop auteurs like M83 and White Sea. Meanwhile, the album’s more traditionally ethereal second side strengthens Tamaryn’s kinship with the Cocteau Twins and contemporaries like Pure Bathing Culture, with songs like “Sugarfix” and “Fade Away Slow” reinvigorating vintage dream pop’s glassy lucidity and fondness for gauzy imagery. In all, Cranekiss is a beautiful pop fantasia that finds Tamaryn expressing her music’s passion and sensuality in exciting new ways.

Tracklist:
01 – Cranekiss
02 – Hands All Over Me
03 – Last
04 – Collection
05 – Keep Calling
06 – Softcore
07 – Fade Away Slow
08 – I Won’t Be Found
09 – Sugar Fix
10 – Intruder (Waking You Up)

Download:

mqs.link_TamarynCranekiss2015HDTracks24441.rar

Sergey Ivanovich Taneyev – Complete String Quartets, Vol. 4 – Carpe Diem String Quartet (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 01:05:04 minutes | 1,1 GB | Genre: Classical
Studio Master, Official Digital Download – Source: highresaudio.com | Digital booklet | © Naxos

A pupil of Tchaikovsky, who called him the ‘Russian Bach’, Sergey Taneyev is best known today for his four symphonies, although he also composed a sizeable body of chamber music, including nine complete String Quartets. Quartet No. 9 is a memorably melodic work, while the beautifully crafted Quartet No. 6, his last completed quartet, is rather more austere, though marked by a playful Jig, and even more masterful in construction.

And so we come to the penultimate release in the complete string quartets by Sergey Taneyev, the Carpe Diem quartet breathing new life into forgotten music. Highly regarded in his younger days, having been a piano student of Nikolai Rubinstein and composition pupil of Tchaikovsky, he eventually became the influential Director of the Moscow Music Conservatory. It was there that his famous pupils, Rachmaninov, Gliere and Scriabin, proved his undoing. They were to bring new and hugely popular music onto the Russian scene, but their mentor could not move from the era in which he was a student. So he was to continue in an elegant view of Russian nationalism, and because he did not join in that new regime is no reason for us to forget his beautifully crafted music. Just turn to the disc’s soulful second track—the slow movement of the Ninth Quartet—and the bubbling scherzo that follows, to find the most readily attractive music ever composed for string quartet. There is, however, a problem with the numbering of the quartets, as the Ninth was among several that remained unpublished at the time of his death, and they were unfortunately given later numbers, the Sixth, in chronological order, being his last quartet. It dates from the first years of the 20th century and some twenty years after the Ninth, by which time he was often falling back on academia as the basis of music that had become rather threadbare in terms of thematic material. So here we have a strong and purposeful opening movement, that looks set fair for an imposing work, but then follows a rather uninteresting slow movement. A happy scherzo prepares for a return to the mood of the opening for the finale. With the young Carpe Diem’s obvious enthusiasm we must be most grateful for this enterprising series. © 2015 David’s Review Corner

Tracklist:

Sergey Ivanovich Taneyev (1856-1915)
String Quartet No. 9 in A major (1883)
1. I. Allegro moderato 08:35
2. II. Andante 06:41
3. III. Scherzo: Allegro con fuoco 07:34
4. IV. Allegro giocoso 08:14

String Quartet No. 6 in B flat major, Op. 19 (1905)
5. I. Allegro giusto 11:18
6. II. Adagio serioso 08:38
7. III. Giga: Molto vivace 06:03
8. IV. Allegro moderato 08:41

Personnel:
Charles Wetherbee, Violin I
Amy Galluzzo, Violin II
Korine Fujiwara, Viola
Carol Ou, Cello

Download:

mqs.link_TaneyevCmpleteStringQuartetsVl.4CarpeDiemStringQuartet20159624.part1.rar
mqs.link_TaneyevCmpleteStringQuartetsVl.4CarpeDiemStringQuartet20159624.part2.rar

Tarquinio Merula – Arpa Davidica – Nova Ars Cantandi, Giovanni Acciai (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 01:06:33 minutes | 1,02 GB | Genre: Classical
Studio Master, Official Digital Download – Source: AcousticSounds | © Archiv Produktion

Italian vocal and chamber ensemble Nova Ars Cantandi is led by founder Giovanni Acciai on the world premiere recording of Arpa Davidica by Baroque composer Tarquinio Merula. This album, released in 2015, commemorates the 350th anniversary of Merula’s death.

Tracklist:
Tarquinio Merula (1595-1665)
1. Domine ad adjuvandum 02:30
2. Dixit Dominus 04:25
3. Confitebor 04:36
4. Beatus vir 05:42
5. Laudate pueri 05:11
6. Laetatus sum 04:58
7. Nisi Dominus 04:43
8. Lauda Jerusalem 05:14
9. Magnificat 05:42
10. Credidi 03:49
11. In convertendo 04:27
12. Laudate Dominum 02:06
Messa concertata op.XVI
13. Kyrie 01:44
14. Gloria 01:47
15. Credo 05:31
16. Sanctus – Benedictus 01:42
17. Agnus Dei 02:26

Personnel:
Nova Ars Cantandi
Giovanni Acciai, conductor

Download:

mqs.link_TarquiniMerulaArpaDavidicaNvaArsCantandiGivanniAcciai20159624.part1.rar
mqs.link_TarquiniMerulaArpaDavidicaNvaArsCantandiGivanniAcciai20159624.part2.rar