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The Captain and Me is the third studio album by American rock band The Doobie Brothers, released in 1973. It features some of their most popular hits including “Long Train Runnin’ “, “China Grove” and “Without You”. The album is certified 2x Platinum by the RIAA.

The Doobie Brothers’ third long-player was the charm, their most substantial and consistent album to date, and one that rode the charts for a year. It was also a study in contrasts, Tom Johnston’s harder-edged, bolder rocking numbers balanced by Patrick Simmons’ more laid-back country-rock ballad style. The leadoff track, Johnston’s “Natural Thing,” melded the two, opening with interlocking guitars and showcasing the band’s exquisite soaring harmonies around a beautiful melody, all wrapped up in a midtempo beat — the result was somewhere midway between Allman Brothers-style virtuosity and Eagles/Crosby & Nash-type lyricism, which defined this period in the Doobies’ history and gave them a well-deserved lock on the top of the charts. Next up was the punchy, catchy “Long Train Runnin’,” a piece they’d been playing for years as an instrumental — a reluctant Johnston was persuaded by producer Ted Templeman to write lyrics to it and record the song, and the resulting track became the group’s next hit. The slashing, fast-tempo “China Grove” and “Without You” represented the harder side of the Doobies’ sound, and were juxtaposed with Simmons’ romantic country-rock ballads “Clear as the Driven Snow,” and “South City Midnight Lady.” Simmons also showed off his louder side with “Evil Woman,” while Johnston showed his more reflective side with “Dark Eyed Cajun Woman,” “Ukiah” and “The Captain and Me” — the latter, a soaring rocker clocking in at nearly five minutes, features radiant guitars and harmonies, soaring ever higher and faster to a triumphant finish.

Tracklist:
01 – Natural Thing
02 – Long Train Runnin’
03 – China Grove
04 – Dark Eyed Cajun Woman
05 – Clear As The Driven Snow
06 – Without You
07 – South City Midnight Lady
08 – Evil Woman
09 – Busted Down Around O’Connelly Corners
10 – Ukiah
11 – The Captain And Me

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

SACD ISO

mqs.link_TheDbieBrthersTheCaptainAndMe1973MFSL2010SACDIS.part1.rar
mqs.link_TheDbieBrthersTheCaptainAndMe1973MFSL2010SACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_TheDbieBrthersTheCaptainAndMe1973MFSL2010FLAC2488.2.rar

As one of the most popular California pop/rock bands of the ’70s, the Doobie Brothers evolved from a mellow, post-hippie boogie band to a slick, soul-inflected pop band by the end of the decade. Toulouse Street is their second studio album. Toulouse Street is the name of a street in the French Quarter of New Orleans.

Toulouse Street was the album by which most of their fans began discovering the Doobie Brothers, and it has retained a lot of its freshness over the decades. Producer Ted Templeman was attuned to the slightly heavier and more Southern style the band wanted to work toward on this, their second album, and the results were not only profitable — including a platinum record award — but artistically impeccable. Toulouse Street is actually pretty close in style and sound at various points to what the Eagles were doing during the same period, except that the Doobies threw jazz and R&B into the mix, as well as country, folk, and bluegrass elements, and (surprise!) ended up just about as ubiquitous as the Eagles in peoples’ record collections, especially in the wake of the singles “Listen to the Music” and “Jesus Is Just Alright.” But those two singles represented only the tip of the iceberg in terms of what this group had to offer, as purchasers of the album discovered even on the singles — both songs appear here in distinctly longer versions, with more exposition and development, and in keeping with the ambitions that album cuts (even of popular numbers) were supposed to display in those days. Actually, “Listen to the Music” (written by Tom Johnston) offers subtle use of phasing and other studio tricks that make its seemingly earthy, laid-back approach some of the most complex and contrived of the period. Johnston’s “Rockin’ Down the Highway” shows the band working at a higher wattage and moving into Creedence Clearwater Revival territory, while “Mamaloi” was Patrick Simmons’ laid-back Caribbean idyll, and the title tune (also by Simmons) is a hauntingly beautiful ballad. The band then switches gears into swamp rock for “Cotton Mouth” and takes a left turn into the Mississippi Delta for a version of Sonny Boy Williamson II’s “Don’t Start Me Talkin’” before shifting into a gospel mode with “Jesus Is Just Alright.” Johnston’s nearly seven-minute “Disciple” was the sort of soaring, bluesy hard rock workout that led to the group’s comparison to the Allman Brothers Band, though their interlocking vocals were nearly as prominent as their crunching, surging double lead guitars and paired drummers. And it all still sounds astonishingly bracing decades later; it’s still a keeper, and one of the most inviting and alluring albums of its era.

Tracklist:
01 – Listen To The Music
02 – Rockin’ Down The Highway
03 – Mamaloi
04 – Toulouse Street
05 – Cotton Mouth
06 – Don’t Start Me Talkin’
07 – Jesus Is Just Alright
08 – White Sun
09 – Disciple
10 – Snake Man

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

SACD ISO

mqs.link_TheDbieBrthersTuluseStreet1972MFSL2009SACDIS.part1.rar
mqs.link_TheDbieBrthersTuluseStreet1972MFSL2009SACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_TheDbieBrthersTuluseStreet1972MFSL2009FLAC2488.2.rar

What Were Once Vices Are Now Habits, the follow-up to the Doobies’ massive commercial breakthrough, The Captain and Me, boasts one of the great album titles in rock history. The album also features a strong bunch of songs in the same stylistic vein as its immediate predecessors. The big hit here, of course, is “Black Water,” an infectious piece of jazzy folk rock with a killer a cappella gospel-chorus section. “Song to See You Through” is the Doobies’ version of a ’60s soul ballad, with the Memphis Horns adding a deep, Southern-fried feel.

The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual, although also a more uneven one. By this time, Tom Johnston, Patrick Simmons, and company had pretty well inherited the mantle and the core (and then some) of the audience left behind by Creedence Clearwater Revival and John Fogerty, with Johnston songs like “Pursuit on 53rd Street,” “Down in the Track,” and “Road Angel” recalling pieces like “Travelin’ Band,” while Simmons’ “Black Water” (their first number one hit) evoked the softer side of the “swamp rock” popularized by CCR. Actually, in some respects, given the range of instruments employed here, including an autoharp (courtesy of Arlo Guthrie) and viola, the songs on the original LP’s first side suffer somewhat from a sameness that makes What Were Once Vices Are Now Habits a little less interesting than the albums that preceded it. The original side two had a lot more variety, which is as good as any full album the band ever recorded: Simmons’ “Tell Me What You Want (And I’ll Give You What You Need)” and Johnston’s “Another Park, Another Sunday,” which both outdo the Eagles and Poco at their respective country-rock games (and keep a certain soulful edge, too), Simmons’ lyrical, ethereal, slightly spacy “Daughters of the Sea,” and the very spacy, shimmering instrumental “Flying Cloud” (written by bassist Tiran Porter). In all, despite the weakness of its original first side, it’s got a lot more to offer than the single hit, and has at least six numbers (out of 12) that rate with the better album tracks the group has ever done.

Tracklist:
01 – Song to See You Through
02 – Spirit
03 – Pursuit on 53rd St.
04 – Black Water
05 – Eyes of Silver
06 – Road Angel
07 – You Just Can’t Stop It
08 – Tell Me What You Want
09 – Down in the Track
10 – Another Park, Another Sunday
11 – Daughters of the Sea
12 – Flying Cloud

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

SACD ISO

mqs.link_TheDbieBrthersWhatWerenceVicesAreNwHabits1974MFSL2011SACDIS.part1.rar
mqs.link_TheDbieBrthersWhatWerenceVicesAreNwHabits1974MFSL2011SACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_TheDbieBrthersWhatWerenceVicesAreNwHabits1974MFSL2011FLAC2488.2.rar

The Doobie Brothers – The Warner Bros. Years 1971-1983 (2016)
FLAC (tracks) 24-bit/192 kHz | Time – 06:54:32 minutes | 15,5 GB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Rhino/Warner Bros.

Includes 10 newly remastered classic albums from The Doobie Brothers, including:

The Doobie Brothers
Toulouse Street
The Captain And Me
What Were Once Vices Are Now Habits
Stampede
Takin’ It To The Streets
Livin’ On The Fault Line
Minute By Minute
One Step Closer
Farewell Tour

This expansive box set from Rhino features all nine of the Doobie Brothers’ studio albums from their original 1970s Warner Bros. run plus their 1983 Farewell Tour live album. Beginning with their 1971 self-titled debut, when the band was fronted by founding singer/guitarist Tom Johnston, through 1980’s Michael McDonald-led One Step Closer, it covers their two major eras as they slowly shifted from boogie rock bar band into the soulful soft rock giants of their later years. Hits like “China Grove,” “Black Water,” “Takin’ It to the Streets,” and “What a Fool Believes” are all here as well as their first live album, which mostly features their late-period lineup with the addition of a couple of special Johnston appearances that serve as an end cap to their career. Although the Doobies would reunite again in the late ’80s, their original Warner Bros. years remain their best-known period. ~~ AllMusic Review by Timothy Monger

Tracklist:

1971 – The Doobie Brothers
1 Nobody 3:42
2 Slippery St. Paul 2:14
3 Greenwood Creek 3:04
4 It Won’t Be Right 2:38
5 Travelin’ Man 4:25
6 Feelin’ Down Farther 4:20
7 The Master 3:30
8 Growin’ A Little Each Day 3:20
9 Beehive State 2:42
10 Closer Every Day 4:19
11 Chicago 1:40

1972 – Toulouse Street
1 Listen To The Music 4:44
2 Rockin’ Down The Highway 3:18
3 Mamaloi 2:28
4 Toulouse Street 3:20
5 Cotton Mouth 3:44
6 Don’t Start Me To Talkin’ 2:41
7 Jesus Is Just Alright 4:33
8 White Sun 2:28
9 Disciple 6:42
10 Snake Man 1:35

1973 – The Captain And Me
1 Natural Thing 3:17
2 Long Train Runnin’ 3:25
3 China Grove 3:14
4 Dark Eyed Cajun Woman 4:12
5 Clear As The Driven Snow 5:18
6 Without You 4:58
7 South City Midnight Lady 5:27
8 Evil Woman 3:17
9 Busted Down Around O’Connelly Corners 0:48
10 Ukiah 3:04
11 The Captain And Me 4:53

1974 – What Were Once Vices Are Now Habits
1 Song To See You Through 4:06
2 Spirit 3:15
3 Pursuit On 53rd St. 2:33
4 Black Water 4:17
5 Eyes Of Silver 2:57
6 Road Angel 4:49
7 You Just Can’t Stop It 3:28
8 Tell Me What You Want (And I’ll Give You What You Need) 3:53
9 Down In The Track 4:15
10 Another Park, Another Sunday 4:27
11 Daughters Of The Sea 4:29
12 Flying Cloud 2:00

1975 – Stampede
1 Sweet Maxine 4:26
2 Neal’s Fandango 3:16
3 Texas Lullaby 5:00
4 Music Man 3:28
5 Slat Key Soquel Rag 1:50
6 Take Me In Your Arms (Rock Me A Little While) 3:39
7 I Cheat The Hangman 6:38
8 Précis 0:56
9 Rainy Day Crossroad Blues 3:45
10 I Been Workin’ On You 4:22
11 Double Dealin’ Four Flusher 3:30

1976 – Takin’ It To The Streets
1 Wheels Of Fortune 4:54
2 Takin’ It To The Streets 3:56
3 8th Avenue Shuffle 4:39
4 Losin’ End 3:39
5 Rio 3:49
6 For Someone Special 5:04
7 It Keeps You Runnin’ 4:20
8 Turn It Loose 3:53
9 Carry Me Away 4:09

1977 – Livin’ On The Fault Line
1 You’re Made That Way 3:30
2 Echoes Of Love 2:57
3 Little Darling (I Need You) 3:24
4 You Belong To Me 3:04
5 Livin’ On The Fault Line 4:42
6 Nothin’ But A Heartache 3:05
7 Chinatown 4:55
8 There’s A Light 4:12
9 Need A Lady 3:21
10 Larry The Logger Two-Step 1:16

1978 – Minute By Minute
1 Here To Love You 3:58
2 What A Fool Believes 3:41
3 Minute By Minute 3:26
4 Dependin’ On You 3:44
5 Don’t Stop To Watch The Wheels 3:26
6 Open Your Eyes 3:18
7 Sweet Feelin’ 2:41
8 Steamer Lane Breakdown 3:24
9 You Never Change 3:26
10 How Do The Fools Survive? 5:12

1980 – One Step Closer
1 Dedicate This Heart 4:07
2 Real Love 4:18
3 No Stopping Us Now 4:40
4 Thank You Love 6:22
5 One Step Closer 4:10
6 Keep This Train A-Rollin’ 3:29
7 Just In Time 2:43
8 South Bay Strut 4:05
9 One By One 3:47

1983 – Farewell Tour
1 Slippery St. Paul 0:51
2 Takin’ It To The Streets 4:26
3 Jesus Is Just Alright 4:20
4 Minute By Minute 4:25
5 Can’t Let It Get Away 3:46
6 Listen To The Music 3:25
7 Echoes Of Love 2:35
8 What A Fool Believes 3:43
9 Black Water 4:04
10 You Belong To Me 3:16
11 Slat Key Soquel Rag 1:51
12 Steamer Lane Breakdown 3:34
13 South City Midnight Lady 5:43
14 Olana 2:42
15 Don’t Start Me To Talkin’ 2:37
16 Long Train Runnin’ 4:54
17 China Grove 3:14

Personnel:
Tom Johnston – guitars, keyboards, harmonica, vocals
Patrick Simmons – guitars, banjo, flute, vocals
Dave Shogren – bass guitar, guitar, backing vocals
John Hartman – drums, percussion, backing vocals
Michael Hossack – drums, percussion
Tiran Porter – bass guitar, guitar, vocals
Keith Knudsen – drums, percussion, vocals
Jeff “Skunk” Baxter – guitars, backing vocals
Michael McDonald – keyboards, synthesizers, vocals
Bobby LaKind – percussion, vocals
John McFee – guitars, violin, vocals
Chet McCracken – drums, percussion
Cornelius Bumpus – saxophone, flute, keyboards, vocals
Willie Weeks – bass guitar, backing vocals

Download:

レーベル Lantis
配信開始日 2014.08.20
収録曲数全12曲
販売データハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000152/LASA-5026_F/

代名詞となるであろう期待作！
声優事務所`ミュージックレイン`所属の
寿美菜子、高垣彩陽、戸松遥、豊崎愛生の4人によるスーパー・ガールズ・ユニット、スフィアのファースト・アルバム。
これまで発表してきたタイアップソングに加えて、さらにバラエティーに富んだスフィアのオリジナルのサウンドを収録。

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
48kHz/24bitなどのスペックを持つオリジナル音源を、ハイレゾVerとして最適な
サウンドとして作り上げるべくソニースタジオでリマスタリング。
96kHz/24bitスペックにて配信されている。

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
M1:「初恋限定。」オープニング主題歌
M9:「宙のまにまに」オープニング主題歌

収録曲

1 – Future Stream – 04:20
2 – 本当だから困るんだ – 04:48
3 – PRINCESS CODE – 04:38
4 – Treasures！！ – 04:06
5 – 君の空が晴れるまで – 04:34
6 – らくがきDictionary – 04:35
7 – Dangerous girls – 03:55
8 – Dream sign – 04:56
9 – Super Noisy Nova – 04:26
10 – Joyful×Joyful – 05:27
11 – サヨナラSEE YOU – 04:35
12 – A．T．M．O．S．P．H．E．R．E – 05:25

Download:

mqs.link_A.T.M..S.P.H.E.R.EFLAC.part1.rar
mqs.link_A.T.M..S.P.H.E.R.EFLAC.part2.rar

Audio Format: 16bit/44.1kHz
Released at: 2017-03-08
Label :rhythm zone
Catalog: RZCD-86309

http://ototoy.jp/_/default/p/72130
http://mora.jp/package/43000002/ANTCD-21643_F/

ふたつが重なり私になれる。
自らを振り返り、自らの道を探し続ける。

全曲新曲のニューアルバムは、歌謡サウンドを踏襲したエモーショナルな側面『W FACE～inside～』とアグレッシブな側面『W FACE～outside～』の2面性を生かした2タイトルを同時リリース。

『W FACE～inside～』ではエモーショナルなバラードから、軽快なポップソングまで、歌謡ポップサウンドを見事に踏襲した渾身の一作に仕上がっています。

収録曲

1 – BRIDGET SONG – 03:58
2 – Bring It On – 03:08
3 – 喜びのかけら – 04:25
4 – Stand by you – 05:49
5 – 好きでして – 03:54
6 – 君想い – 05:17
7 – On my way – 04:41
8 – What’s Up – 03:21
9 – Promise you – 04:39
10 – My fun – 04:01

Download:

mqs.link_WFACEinside24bit48.0kHzFLAC.rar

Audio Format: 24bit/48kHz
Released at: 2017-03-08
Label :rhythm zone
Catalog: ANTCD-21644

http://ototoy.jp/_/default/p/71503
http://mora.jp/package/43000002/ANTCD-21644_F/

ふたつが重なり私になれる。
自らを振り返り、自らの道を探し続ける。

『W FACE～outside～』ではスリリングで前衛的なダンストラックから、HIP HOP／R&B、ピアノ1本でシンプルに歌い上げるバラードまで、実に多彩なサウンドバリエーションが表現された、これまでの倖田來未を一新するようなアグレッシブな作品に仕上がっています。

収録曲

1 – W FACE – 03:16
2 – Ultraviolet – 03:42
3 – Insane – 03:10
4 – Damn real – 04:16
5 – Heartless – 03:34
6 – Bassline – 03:17
7 – Shhh! – 03:17
8 – Bangerang – 03:23
9 – Wicked Girls – 02:41
10 – Cupcake feat.AKLO – 02:12

Download:

mqs.link_WFACEutside24bit48.0kHzFLAC.rar

レーベル Sony Music Labels Inc.
配信開始日 2015.04.22
収録曲数全4曲
販売データハイレゾ｜FLAC｜96.0kHz/24bit

http://mora.jp/package/43000001/4547557038606/

藍井エイルの10枚目のシングルは、持てる力を全て注いだ渾身の1作！

これまでにも名曲の呼び声高い楽曲を数多く輩出してきた彼女の通算10枚目のシングルとなる今作は、
培った全ての力を注ぎ込み、満を持して世に放つ渾身の1曲。

「ラピスラズリ」は、壮大な情景描写の中の情熱的なメロディが心に刺さる、藍井エイルの新境地と言える渾身の1曲で、エイル本人も作詞に参加。

カップリング曲には、これまでにも「サンビカ」など多数の楽曲を手掛けた安田貴広作詞・作曲の、ゴリっとしたアッパーヘヴィチューン「空蝉アルティメット」と、
デビュー曲「MEMORIA」を手掛けた安田史生が作曲、エイル本人が作詞をした「リンドウの花」を収録。

全3曲がそれぞれの色を放ちながら、物語を綴るかのような流れを持ったシングルとなっています！

2015年は”藍い台風”が上陸すること間違いナシ。

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
「ラピスラズリ」：
MBS/TBS系TVアニメ『アルスラーン戦記』エンディングテーマ

収録曲

1 – ラピスラズリ – 04:00
2 – 空蝉アルティメット – 04:03
3 – リンドウの花 – 04:45
4 – ラピスラズリ (Instrumental) – 03:57

Download:

mqs.link_EirAiFLAC24bit96kHz.rar

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal (“Death on Two Legs,” “Sweet Lady”), pop (the lovely, shimmering “You’re My Best Friend”), campy British music hall (“Lazing on a Sunday Afternoon,” “Seaside Rendezvous”), and mystical prog rock (“’39,” “The Prophet’s Song”), eventually bringing it all together on the pseudo-operatic “Bohemian Rhapsody.” In short, it’s a lot like Queen’s own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn’t be as ludicrously exaggerated as they are. But the appeal – and the influence – of A Night at the Opera is in its detailed, meticulous productions. It’s prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else.

Tracklist:
01. Death On Two Legs (Dedicated To…)
02. Lazing On A Sunday Afternoon
03. I’m In Love With My Car
04. You’re My Best Friend
05. ’39
06. Sweet Lady
07. Seaside Rendezvous
08. The Prophet’s Song
09. Love Of My Life
10. Good Company
11. Bohemian Rhapsody
12. God Save The Queen

This 2011 version has been meticulously re-created using the finest modern analogue and digital technology from the original first-generation master mixes.
Mastered by Bob Ludwig, Gateway Mastering Studios, Portland, ME. SA-CD Authoring: Gus Skinas.

SACD ISO

mqs.link_Queen1975ANightAtTheperaJapan2011SHMSACDIS.part1.rar
mqs.link_Queen1975ANightAtTheperaJapan2011SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1975ANightAtTheperaJapan2011FLAC2488.2.rar

In every sense, A Day at the Races is an unapologetic sequel to A Night at the Opera, the 1975 breakthrough that established Queen as rock & roll royalty. The band never attempts to hide that the record is a sequel – the two albums boast the same variation on the same cover art, the titles are both taken from old Marx Brothers films and serve as counterpoints to each other. But even though the two albums look the same, they don’t quite sound the same, A Day at the Races is a bit tighter than its predecessor, yet tighter doesn’t necessarily mean better for a band as extravagant as Queen. One of the great things about A Night at the Opera is that the lingering elements of early Queen – the pastoral folk of “39,” the metallic menace of “Death on Two Legs” – dovetailed with an indulgence of camp and a truly, well, operatic scale. Here, the eccentricities are trimmed back somewhat – they still bubble up on “The Millionaire Waltz,” an example of the music hall pop that dominated Night, the pro-Native American saga “White Man” is undercut somewhat by the cowboys ‘n’ indians rhythms – in favor of a driving, purposeful hard rock that still could have some slyly hidden perversities (or in the case of the opening “Tie Your Mother Down,” some not-so-hidden perversity) but this is exquisitely detailed hard rock, dense with minutiae but never lush or fussy. In a sense, it could even function as the bridge between Sheer Heart Attack and Night at the Opera – it’s every bit as hard as the former and nearly as florid as the latter – but its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they’re globe-conquering titans instead of underdogs on the make.

Tracklist:
01. Tie Your Mother Down
02. You Take My Breath Away
03. Long Away
04. The Millionaire Waltz
05. You And I
06. Somebody To Love
07. White Man
08. Good Old Fashioned Lover Boy
09. Drowse
10. Teo Torriatte (Let Us Cling Together)

SACD ISO

mqs.link_Queen1976ADayAtTheRacesJapan2011SHMSACDIS.part1.rar
mqs.link_Queen1976ADayAtTheRacesJapan2011SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1976ADayAtTheRacesJapan2011FLAC2488.2.rar

If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn’t seem to hold to any particular center. It’s front-loaded with two of Queen’s biggest anthems – the stomping, stadium-filling chant “We Will Rock You” and its triumphant companion, “We Are the Champions” – which are quickly followed by the ferocious “Sheer Heart Attack,” a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself). Three songs, three quick shifts in mood, but that’s hardly the end of it. As the News rolls on, you’re treated to the arch, campy crooning of “My Melancholy Blues,” a shticky blues shuffle in “Sleeping on the Sidewalk,” and breezy Latin rhythms on “Who Needs You.” Then there’s the neo-disco of “Fight from the Inside,” which is eclipsed by the mechanical funk of “Get Down, Make Love,” a dirty grind that’s stripped of sensuality. That cold streak on “Get Down, Make Love” runs through the album as a whole. Despite the explosion of sounds and rhythms, this album doesn’t add up to party thanks to that slightly distancing chilly vibe that hangs over the album. Nevertheless, many of these songs work well on their own as entities, so there is plenty to savor here, especially from Brian May. Whether he’s doing the strangely subdued eccentric English pop “All Dead, All Dead” or especially the majestic yet nimble rocker “It’s Late,” he turns in work that gives this album some lightness, which it needs. And that’s the reason News of the World was a monster hit despite its coldness – when it works, it’s massive, earth-shaking rock & roll, the sound of a band beginning to revel in its superstardom.

Tracklist:
01. We Will Rock You
02. We Are The Champions
03. Sheer Heart Attack
04. All Dead, All Dead
05. Spread Your Wings
06. Fight From The Inside
07. Get Down, Make Love
08. Sleeping On The Sidewalk
09. Who Needs You
10. It’s Late
11. My Melancholy Blues

SACD ISO

mqs.link_Queen1977NewsfTheWrldJapan2011SHMSACDIS.part1.rar
mqs.link_Queen1977NewsfTheWrldJapan2011SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1977NewsfTheWrldJapan2011FLAC2488.2.rar

Famously tagged as “fascist” in a Rolling Stone review printed at the time of its 1978 release, Jazz does indeed showcase a band that does thrive upon its power, thrilling upon the hold that it has on its audience. That confidence, that self-intoxication, was hinted at on News of the World but it takes full flower here, and that assurance acts as a cohesive device, turning this into one of Queen’s sleekest albums. Like its patchwork predecessor, Jazz also dabbles in a bunch of different sounds – that’s a perennial problem with Queen, where the four songwriters were often pulling in different directions – but it sounds bigger, heavier than News, thanks to the mountains of guitars Brian May has layered all over this record. If May has indulged himself, Freddie Mercury runs riot all over this album, infusing it with an absurdity that’s hard to resist. This goofiness is apparent from the galloping overture “Mustapha,” and things only get a lot sillier from that point out, as the group sings the praises of “Fat Bottomed Girls” and “Bicycle Races,” as May and Mercury have an unspoken competition on who can overdub the most onto a particular track while Roger Taylor steers them toward their first disco song in the gloriously dumb “Fun It.” But since over-the-top campiness has always been an attribute in Queen, this kind of grand-scale exaggeration gives Jazz a sense of ridiculousness that makes it more fun than many of their other albums.

Tracklist:
01. Mustapha
02. Fat Bottomed Girls
03. Jealousy
04. Bicycle Race
05. If You Can’t Beat Them
06. Let Me Entertain You
07. Dead On Time
08. In Only Seven Days
09. Dreamers Ball
10. Fun It
11. Leaving Home Ain’t Easy
12. Don’t Stop Me Now
13. More Of That Jazz

SACD ISO

mqs.link_Queen1978JazzJapan2012SHMSACDIS.part1.rar
mqs.link_Queen1978JazzJapan2012SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1978JazzJapan2012FLAC2488.2.rar

While writing and recording The Game, Queen were asked by renowned movie director Dino DeLaurentis to provide the soundtrack for his upcoming sci-fi epic Flash Gordon. The band accepted and promptly began working on both albums simultaneously. Although at first many fans criticized Flash Gordon since it was issued as an official Queen release rather than a motion picture soundtrack, it has proven to be one of rock’s better motion picture soundtracks over the years. The majority of the music is instrumental, with dialogue from the movie in place of Freddie Mercury’s singing (only two tracks contain lyrics), but the songwriting is still unmistakably Queen. Highlights abound, such as “Football Fight,” “Vultan’s Theme (Attack of the Hawkmen),” “The Wedding March,” and the heavy metal roar of “Battle Theme.” But it was the two more conventional songs that were the album’s two best tracks – the anthemic U.K. Top Ten hit “Flash’s Theme” and the woefully underrated rocker “The Hero.” With Queen involved, Flash Gordon is certainly not your average, predictable soundtrack.

Tracklist:
01. Flash’s Theme
02. In The Space Capsule (The Love Theme)
03. Ming’s Theme (In The Court Of Ming The Merciless)
04. The Ring (Hypnotic Seduction Of Dale)
05. Football Fight
06. In The Death Cell (Love Theme Reprise)
07. Execution Of Flash
08. The Kiss (Aura Resurrects Flash)
09. Arboria (Planet Of The Tree Men)
10. Escape From The Swamp
11. Flash To The Rescue
12. Vultan’s Theme (Attack Of The Hawk Men)
13. Battle Theme
14. The Wedding March
15. Marriage Of Dale And Ming (And Flash Approaching)
16. Crash Dive On Mingo City
17. Flash’s Theme Reprise (Victory Celebrations)
18. The Hero

SACD ISO

mqs.link_Queen1980FlashGrdnJapan2012SHMSACDIS.part1.rar
mqs.link_Queen1980FlashGrdnJapan2012SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1980FlashGrdnJapan2012FLAC2488.2.rar

Queen had long been one of the biggest bands in the world by 1980’s The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time. They might be posed in leather jackets on the cover, but they hardly sound tough or menacing – they rarely rock, at least not in the gonzo fashion that’s long been their trademark. Gone are the bombastic orchestras of guitars and with them the charging, relentless rhythms that kept Queen grounded even at their grandest moments. Now, when they rock, they’ll haul out a clever rockabilly pastiche, as they do on the tremendous “Crazy Little Thing Called Love,” a sly revival of old-time rock & roll that never sounds moldy, thanks in large part to Freddie Mercury’s panache. But even that is an exception to the rule on The Game. Usually, when they want to rock here, they wind up sounding like Boston, as they do on John Deacon’s “Need Your Loving Tonight,” or they sound a bit like a new wave-conscious rocker like Billy Squier, as they do on the propulsive “Coming Soon.” But even those are exceptions to the overall rule on The Game, since most of the album is devoted to disco-rock blends – best heard on the globe-conquering “Another One Bites the Dust,” but also present in the unintentionally kitschy positivity anthem “Don’t Try Suicide” – and the majestic power ballads that became their calling card in the ’80s, as they reworked the surging “Save Me” and the elegant “Play the Game” numerous times, often with lesser results. So, The Game winds up as a mixed bag, as many Queen albums often do, but again the striking difference with this album is that it finds Queen turning decidedly, decisively pop, and it’s a grand, state-of-the-art circa 1980 pop album that still stands as one of the band’s most enjoyable records. But the very fact that it does showcase a band that’s turned away from rock and toward pop means that for some Queen fans, it marks the end of the road, and despite the album’s charms, it’s easy to see why.

Tracklist:
01. Play The Game
02. Dragon Attack
03. Another One Bites The Dust
04. Need Your Loving Tonight
05. Crazy Little Thing Called Love
06. Rock It (Prime Jive)
07. Don’t Try Suicide
08. Sail Away Sweet Sister
09. Coming Soon
10. Save Me

SACD ISO

mqs.link_Queen1980TheGameJapan2011SHMSACDIS.part1.rar
mqs.link_Queen1980TheGameJapan2011SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1980TheGameJapan2011FLAC2488.2.rar

Anybody who was a little dismayed by the pop inclinations of The Game would have been totally distressed by Queen’s 1982 follow-up, Hot Space, an unabashed pop and dance album. The band that once proudly proclaimed not to use synthesizers on their albums has suddenly, dramatically reversed course, devoting the entire first side of the album to robotic, new wave dance-pop, all driven by drum machines and colored by keyboards, with Brian May’s guitar coming in as flavor only on occasion. The second side is better, as it finds the group rocking, but there are still electronic drums. But the Beatlesque “Life Is Real (Song for Lennon)” is a sweet, if a bit too literal, tribute and with “Calling All Girls” Queen finally gets synth-driven new wave rock right, resulting in a sharp piece of pop. But the album’s undeniable saving grace is the concluding “Under Pressure,” an utterly majestic, otherworldly duet with David Bowie that recaptures the effortless grace of Queen’s mid-’70s peak, but is underscored with a truly affecting melancholy heart that gives it a genuine human warmth unheard in much of their music. Frankly, “Under Pressure” is the only reason most listeners remember this album, which is as much a testament to the song’s strength as it is to the rather desultory nature of the rest of Hot Space.

Tracklist:
01. Staying Power
02. Dancer
03. Back Chat
04. Body Language
05. Action This Day
06. Put Out The Fire
07. Life Is Real (Song For Lennon)
08. Calling All Girls
09. Las Palabras De Amor (The Words Of Love)
10. Cool Cat
11. Under Pressure

SACD ISO

mqs.link_Queen1982HtSpaceJapan2012SHMSACDIS.part1.rar
mqs.link_Queen1982HtSpaceJapan2012SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1982HtSpaceJapan2012FLAC2488.2.rar

Following the disappointing commercial performance of the dance-oriented Hot Space in 1982, Queen took 1983 off to get refocused and work on a follow-up that would put the band back on track. While the songwriting had definitely improved on the resulting The Works in 1984, the album sonically lacked the punch of such earlier releases as News of the World and The Game (strangely, Hot Space even had a better overall sound). Although the album only peaked at number 23 on the U.S. album charts, it was a Top Ten hit in just about every other area of the world, producing the huge single “Radio Ga Ga.” Three other tracks were hits in Queen’s native England – the uplifting “I Want to Break Free,” the love song “It’s a Hard Life,” and the politically conscious rocker “Hammer to Fall,” which dealt with the danger of nuclear weapons. Other highlights included the ’50s-sounding “Man on the Prowl,” the electronic experiment “Machines,” the thunderous “Tear It Up,” and a touching acoustic ballad, “Is This the World We Created…?” Perhaps with a more straight-ahead production (and a U.S. tour), The Works would have landed Queen back on the top of the charts stateside.

Tracklist:
01. Radio Ga Ga
02. Tear It Up
03. It’s A Hard Life
04. Man On The Prowl
05. Machines (Or ‘Back To Humans’)
06. I Want To Break Free
07. Keep Passing The Open Windows
08. Hammer To Fall
09. Is This The World We Created …?

SACD ISO

mqs.link_Queen1984TheWrksJapan2012SHMSACDIS.part1.rar
mqs.link_Queen1984TheWrksJapan2012SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1984TheWrksJapan2012FLAC2488.2.rar

By the release of 1986’s A Kind of Magic, Queen’s stature as a prominent rock band in the U.S. had slipped considerably, while in all other parts of the world (especially Europe), they remained superstar hitmakers. A Kind of Magic was their biggest album yet in England, where it reached number one, remained on the charts for 63 weeks, and spawned several hit singles – the epic title track, the tuneful pop/rocker “Friends Will Be Friends,” and one of their most haunting ballads, “Who Wants to Live Forever” (also included was the Live Aid-inspired hit anthem “One Vision,” which was originally released as a single in 1985). Most of the songs were written for the movie Highlander – “Gimme the Prize (Kurgan’s Theme),” “Princes of the Universe,” the aforementioned “Who Wants to Live Forever,” etc. – but instead of issuing just a movie soundtrack, the band added a few non-movie tracks and made an official Queen release out of it. It may not have been as cohesive as some of their other albums, but A Kind of Magic was their best work in some time. Queen would embark on a sold-out tour of outdoor stadiums in Europe upon the album’s release, which would sadly turn out to be their final tour.

Tracklist:
01. One Vision
02. A Kind Of Magic
03. One Year Of Love
04. Pain Is So Close To Pleasure
05. Friends Will Be Friends
06. Who Wants To Live Forever
07. Gimme The Prize
08. Don’t Lose Your Head
09. Princes Of The Universe

SACD ISO

mqs.link_Queen1986AKindfMagicJapan2012SHMSACDIS.part1.rar
mqs.link_Queen1986AKindfMagicJapan2012SHMSACDIS.part2.rar

FLAC 24bit/88,2kHz

mqs.link_Queen1986AKindfMagicJapan2012FLAC2488.2.rar

Enclosed within this lined gift box you will find a majestic orb emblazoned with a Queen logo and gothic designs. Top crest removes to reveal a USB drive containing ALL Queen studio albums and photo gallery. Inside of the orb lies a pendant necklace resting in a red velvet collector’s bag. Audio content will be provided in 24-bit FLAC (44.1 kHz) and MP3 (320 kbps) formats, fully compatible with PC and Mac.

Albumlist:

Queen (1973)
Queen II (1974)
Sheer Heart Attack (1974)
A Night at the Opera (1975)
A Day at the Races (1976)
News of the World (1977)
Jazz (1978)
The Game (1980)
Flash Gordon (1980)
Hot Space (1982)
The Works (1984)
A Kind of Magic (1986)
The Miracle (1989)
Innuendo (1991)
Made In Heaven (1995)

Tracklist:

Queen (1973)
01. Keep Yourself Alive
02. Doing All Right
03. Great King Rat
04. My Fairy King
05. Liar
06. The Night Comes Down
07. Modern Times Rock ‘N’ Roll
08. Son And Daughter
09. Jesus
10. Seven Seas Of Rhye

Queen II (1974)
01. Procession
02. Father To Son
03. White Queen (As It Began)
04. Some Day One Day
05. The Loser In The End
06. Ogre Battle
07. The Fairy Feller’s Master-Stroke
08. Nevermore
09. The March Of The Black Queen
10. Funny How Love Is
11. Seven Seas Of Rhye

Sheer Heart Attack (1974)
01. Brighton Rock
02. Killer Queen
03. Tenement Funster
04. Flick Of The Wrist
05. Lily Of The Valley
06. Now I’m Here
07. In The Lap Of The Gods
08. Stone Cold Crazy
09. Dear Friends
10. Misfire
11. Bring Back That Leroy Brown
12. She Makes Me (Stormtrooper In Stilettos)
13. In The Lap Of The Gods … Revisited

A Night at the Opera (1975)
01. Death On Two Legs (Dedicated To…)
02. Lazing On A Sunday Afternoon
03. I’m In Love With My Car
04. You’re My Best Friend
05. ’39
06. Sweet Lady
07. Seaside Rendezvous
08. The Prophet’s Song
09. Love of My Life
10. Good Company
11. Bohemian Rhapsody
12. God Save The Queen

A Day at the Races (1976)
01. Tie Your Mother Down
02. You Take My Breath Away
03. Long Away
04. The Millionaire Waltz
05. You And I
06. Somebody To Love
07. White Man
08. Good Old Fashioned Lover Boy
09. Drowse
10. Teo Torriatte (Let Us Cling Together)

News of the World (1977)
01. We Will Rock You
02. We Are The Champions
03. Sheer Heart Attack
04. All Dead, All Dead
05. Spread Your Wings
06. Fight From The Inside
07. Get Down, Make Love
08. Sleeping On The Sidewalk
09. Who Needs You
10. It’s Late
11. My Melancholy Blues

Jazz (1978)
01. Mustapha
02. Fat Bottomed Girls
03. Jealousy
04. Bicycle Race
05. If You Can’t Beat Them
06. Let Me Entertain You
07. Dead On Time
08. In Only Seven Days
09. Dreamer’s Ball
10. Fun It
11. Leaving Home Ain’t Easy
12. Don’t Stop Me Now
13. More Of That Jazz

Flash Gordon (1980)
01. Flash’s Theme
02. In The Space Capsule (The Love Theme)
03. Ming’s Theme (In The Court Of Ming The Merciless)
04. The Ring (Hypnotic Seduction Of Dale)
05. Football Fight
06. In The Death Cell (The Love Theme Reprise)
07. Execution Of Flash
08. The Kiss (Aura Resurrects Flash)
09. Arboria (Planet Of The Tree Men)
10. Escape From The Swamp
11. Flash To The Rescue
12. Vultan’s Theme (Attack Of The Hawk Men)
13. Battle Theme
14. The Wedding March
15. Marriage Of Dale And Ming (And Flash Approaching)
16. Crash Dive On Mingo City
17. Flash’s Theme Reprise (Victory Celebrations)
18. The Hero

The Game (1980)
01. Play The Game
02. Dragon Attack
03. Another One Bites the Dust
04. Need Your Loving Tonight
05. Crazy Little Thing Called Love
06. Rock It (prime jive)
07. Don’t Try Suicide
08. Sail Away Sweet Sister
09. Coming Soon
10. Save Me

Hot Space (1982)
01. Staying Power
02. Dancer
03. Back Chat
04. Body Language
05. Action This Day
06. Put Out The Fire
07. Life Is Real (Song for Lennon)
08. Calling All Girls
09. Las Palabras De Amor (The Words of Love)
10. Cool Cat
11. Under Pressure

The Works (1984)
01. Radio Ga Ga
02. Tear It Up
03. It’s a Hard Life
04. Man on the Prowl
05. Machines (Back to Humans)
06. I Want to Break Free
07. Keep Passing the Open Windows
08. Hammer to Fall
09. Is This the World We Created…?

A Kind of Magic (1986)
01. One Vision
02. A Kind Of Magic
03. One Year Of Love
04. Pain Is So Close To Pleasure
05. Friends Will Be Friends
06. Who Wants To Live Forever
07. Gimme The Prize
08. Don’t Lose Your Head
09. Princes Of The Universe

The Miracle (1989)
01. Party
02. Khashoggi’s Ship
03. The Miracle
04. I Want It All
05. The Invisible Man
06. Breakthru
07. Rain Must Fall
08. Scandal
09. My Baby Does Me
10. Was It All Worth It

Innuendo (1991)
01. Innuendo
02. I’m Going Slightly Mad
03. Headlong
04. I Can’t Live With You
05. Don’t Try So Hard
06. Ride The Willd Wind
07. All God’s People
08. These Are The Days Of Our Lives
09. Delilah
10. The Hitman
11. Bijou
12. The Show Must Go On

Made in Heaven (1995)
01. It’s A Beautiful Day
02. Made In Heaven
03. Let Me Live
04. Mother Love
05. My Life Has Been Saved
06. I Was Born To Love You
07. Heaven For Everyone
08. Too Much Love Will Kill You
09. You Don’t Fool Me
10. A Winter’s Tale
11. It’s A Beautiful Day (reprise)
12. (Yeah)
13. (Dead)

Download:

mqs.link_Queenrb.LtdGift.Bx.part01.rar
mqs.link_Queenrb.LtdGift.Bx.part02.rar
mqs.link_Queenrb.LtdGift.Bx.part03.rar
mqs.link_Queenrb.LtdGift.Bx.part04.rar
mqs.link_Queenrb.LtdGift.Bx.part05.rar
mqs.link_Queenrb.LtdGift.Bx.part06.rar
mqs.link_Queenrb.LtdGift.Bx.part07.rar
mqs.link_Queenrb.LtdGift.Bx.part08.rar
mqs.link_Queenrb.LtdGift.Bx.part09.rar

“Queen” is the eponymous debut studio album by British rock band Queen, released in July 1973. It was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker (as Roy Baker), John Anthony and Queen.

The album was influenced by the hard rock, progressive rock and heavy metal of the day. It covers subjects such as folklore (“My Fairy King”) and religion (“Jesus”). Lead singer Freddie Mercury composed five of the ten tracks, guitarist Brian May composed four songs, (including “Doing All Right”, which was co-written by Smile band-mate Tim Staffell), and drummer Roger Taylor composed and sang “Modern Times Rock and Roll”. The final song on the album is a short instrumental version of “Seven Seas of Rhye”. The band included on the album sleeve the comment “And nobody played synthesiser”, a purist principle of May’s, as some listeners had mistaken their elaborate multi-tracking and effects processed by guitar and vocal sounds as synthesisers. Bassist John Deacon was credited on the sleeve notes of the original vinyl release as “Deacon John”,but after its release, he asked to be referred to by his real name.

Tracklist:
01 – Keep Yourself Alive
02 – Doing Alright
03 – Great King Rat
04 – My Fairy King
05 – Liar
06 – The Night Comes Down
07 – Modern Times Rock ‘N Roll
08 – Son And Daughter
09 – Jesus
10 – Seven Seas Of Rhye

Download:

mqs.link_QueenQueen19732015AcusticSunds2496.rar

Released only eight months after Queen’s debut, Queen II consolidated the band’s pioneering sound and continued to build momentum for the group, charting significantly higher than the first album on both sides of the Atlantic. The band even enjoyed its first hit, Seven Seas Of Rhye, a British top 10 single. Thought by many critics to have been highly underrated, Queen II has come to be considered not only one of the group’s most inspired, but a classic of 70s rock included on many “best of” and essential album lists.

In one regard, “Queen II” does indeed provide more of the same thing as on the band’s debut. Certainly, of all the other albums in Queen’s catalog it bears the closest resemblance to its immediate predecessor, particularly in its lean, hard attack and in how it has only one song that is well-known to listeners outside of their hardcore cult: in this case, it’s “Seven Seas of Rhye,” which is itself more elliptical than “Keep Yourself Alive,” the big song from the debut. But these similarities are superficial and Queen II is a very different beast than its predecessor, an album that is richer, darker, and weirder, an album that finds Queen growing as a band by leaps and bounds. There is still a surplus of ideas, but their energies are better focused this time around, channeled into a over-inflated, pompous rock that could be called prog if it wasn’t so heavy. Even with all the queens and ogres that populate Queen II, this never feels as fantastical as Genesis or Uriah Heep, and that’s because Queen hits hard as a rock band here, where even the blasts of vocal harmonies feel like power chords, no matter how florid they are. Besides, these grandiose harmonies, along with the handful of wistful ballads here, are overshadowed by the onslaught of guitars and pummeling rhythms that give Queen II majesty and menace. Queen is coiled, tense, and vicious here, delivering on their inherent sense of drama, and that gives Queen II real power as music, as well as a true cohesion. The one thing that is missing is any semblance of a pop sensibility, even when they flirt with a mock Phil Spector production on “Funny How Love Is.” This hits like heavy metal but has an art-rock sensibility through and through, which also means that it has no true hook in for those who don’t want to succumb to Queen’s world. But that kind of insular drama is quite alluring in its own right, which is why Queen II is one of the favorites of their hardcore fans. At the very least, it illustrates that Queen is starting to pull all their ambitions and influences into a signature sound, and it’s quite powerful in that regard.

Tracklist:
01 – Procession
02 – Father To Son
03 – White Queen (As It Began)
04 – Some Day One Day
05 – The Loser In The End
06 – Ogre Battle
07 – The Fairy Feller’s Master-Stroke
08 – Nevermore
09 – The March Of The Black Queen
10 – Funny How Love Is
11 – Seven Seas Of Rhye

Download:

mqs.link_QueenQueenII19742015AcusticSunds2496.rar

The Doobie Brothers – The Captain And Me (1973) [MFSL 2010] {SACD ISO + FLAC 24bit/88,2kHz}

The Doobie Brothers – Toulouse Street (1972) [MFSL 2009] {SACD ISO + FLAC 24bit/88,2kHz}

The Doobie Brothers – What Were Once Vices Are Now Habits (1974) [MFSL 2011] {SACD ISO + FLAC 24bit/88,2kHz}

The Doobie Brothers – The Warner Bros. Years 1971-1983 (2016) [HDTracks FLAC 24bit/192kHz]

スフィア (sphere) – A．T．M．O．S．P．H．E．R．E [Mora FLAC 24bit/96kHz]

倖田來未 (Koda Kumi) – W FACE 〜 inside 〜 [FLAC 24bit/48kHz]

倖田來未 (Koda Kumi) – W FACE ～ outside ～ [FLAC 24bit/48kHz]

藍井エイル (Eir Aoi) –ラピスラズリ [Mora FLAC 24bit/96kHz]

Queen – A Night At The Opera (1975) [Japanese Limited SHM-SACD 2011] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – A Day At The Races (1976) [Japanese Limited SHM-SACD 2011] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – News Of The World (1977) [Japanese Limited SHM-SACD 2011] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – Jazz (1978) [Japanese Limited SHM-SACD 2012] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – Flash Gordon (1980) [Japanese Limited SHM-SACD 2012] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – The Game (1980) [Japanese Limited SHM-SACD 2012] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – Hot Space (1982) [Japanese Limited SHM-SACD 2012] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – The Works (1984) [Japanese Limited SHM-SACD 2012] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – A Kind Of Magic (1986) [Japanese Limited SHM-SACD 2012] {SACD ISO + FLAC 24bit/88,2kHz}

Queen – 40th Anniversary Royal Orb Limited Edition USB Gift Box (1973-1995) (2011) [24Bit/48KHz]

Queen – Queen (1973/2015) [AcousticSounds FLAC 24bit/96kHz]

Queen – Queen II (1974/2015) [AcousticSounds FLAC 24bit/96kHz]